Kickstart the Comic – The Few and Cursed #3

I love Westerns, but I’m not always sure comics love them. Much like Hollywood where their heyday was long before I was born, now it is a trickle here or there. Again, it’s lucky that Kickstarter exists to allow some of these genres a little opportunity to shine.

Of course, this one might be more of a post-apocalyptic western…

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The Few and Cursed #3

From 321: Fast Comics

Felipe Cagno – Writer

Fabiano Neves – Artist

Dinei Ribeiro – Colorist

Kickstarter campaign ends on Friday, May 19, 2017 at 11:59 PM EDT.

 

The Pitch:

She has no name, no home, and no family, just a title: Curse Chaser. Water on the planet has been gone for seventy years and mankind has been reduced to a handful few perpetually living in hell.

And no hell is complete without its demons.

People will do anything to survive. When their lives, their children’s lives, when their world has no chance, that old and forgotten evil curse seems pretty reasonable, it’s just that much easier to strike a bargain with the Devil.

But not under her watch.

The Story:

The Few and Cursed is a post-apocalyptic western set in an alternate 1910 where monsters and the supernatural roam the wasteland that is now Earth. Going from town to town, crossing the oceans in horseback, the Redhead is the only variable possible of balancing the scale.

John’s Thoughts:

First, I have to be honest, the title grabbed me. Without knowing anything else, it caught my eye and made me click on the Kickstarter. From there, the setting and genre drew me in, and then the artwork finished the deal. On top of all of that I feel somewhat fortunate to have them already on issue 3 – it means that I’ll immediately have 2 issues to read once the campaign is over! And again, I have to note that it is amazing when you have the opportunity to do just that. Where missing that initial issue (or 2 in this case) isn’t the end for a potential reader.

One other thing about having those other two issues fund through Kickstarter… the 321: Fast Comics guys clearly know what they are doing. The first and second issues originally funded for about $16,000+ each. This one already reached their initial $6000 goal in the first 48 hours and looks like it will outpace those earlier campaigns.

What that really tells me is they not only provide a great product people have come back for each time.

Artwork by Fabiano Neves From The Cursed and Few #1

The Rewards:

Since you might have missed out on the first couple of issues, there is an assortment of both digital only and print + digital rewards to completely catch you up on the comic. As you move up the ladder, there is the opportunity to grab their anthology 321: Fast Comics Vol 1 & 2, a sketch book featuring Fabiano Neves’ art, or even a chase to get some of the variant prints they’ve done for all the issues.

For those with a little more money in their pocket, the $150 level offers an opportunity to get some original Redhead artwork.

The Verdict:

Given their track record with this series (and a couple of other ones as well), plus the interesting idea, and gorgeous artwork… this one is a no-brainer. And if you were on the fence at all, they provide you with an assortment of preview pages from issues #1 and #2 to help sway you completely.

I already locked in to get my digital copies of the first 3 issues!

Artwork by Fabiano Neves From The Cursed and Few #2

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For more information on The Few and Cursed or the rest of 321: Fast Comics, check out their Facebook Page here.

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

That time I destroyed my house with art

I’ve painted hundreds of canvasses.

I’ve gone through a thousand tubes of acrylic paint, wrecked dozens of brushes, and cleaned up countless spills.

None of it prepared me for the horrors of using graphite.

You see, I wanted a change. Not that I’d grown bored of using acrylics and watercolors; I hadn’t. It’s just that I’d seen some epic works by Allen Williams and others…and frankly I felt I needed to expand my horizons.

So I hit the local Hobby Lobby, snatched up some charcoal pencils, graphite sticks, tortillions, and two small jars of the most devious substance on Earth – graphite powder.

Pure. Beautiful. Evil.

The powder looked harmless enough. A fine black grit neatly tucked into a plastic cylinder, I wasn’t worried about how to use it. I figured I’d start experimenting, pound out a few dozen pieces, and learn on the fly.

I should’ve done more research…

It’s not that I spilled any; I really didn’t. It’s not that I was clumsy with it; I wasn’t. But the thing is…once rubbed in, stepped on, or lightly dusted across any surface, graphite powder embeds itself.

…into my hands.

…onto my drop cloths.

…on my patio.

…in my shower.

After a few hours of coating a canvas in dark, dark powder, the stuff was everywhere. I always work barefoot, and my toes and heels became black as midnight. I like to push charcoal and graphite around with my fingers to texture it, and so my hands resembled a coal miner’s. I like to breathe, thus the inside of my nose was coated with a fine layer of darkness.

The piece I created was only meant to be experimental, to get a feel for how the powder works.

You could say I learned my lesson.

Introducing ‘The Nameless Tree.’ It’s my first (and possibly last for a while) graphite powder piece.

The Nameless Tree is approx. 20″ x 30″.  The original is for sale for $250.00.

The tree was created by removing excess graphite with a pair of soft erasers. It took about an hour to coat the canvas, another hour to carve out the tree, and a full day to clean the corrupting graphite from my deck, my floors, and my skin. As I type this, I still have powder embedded beneath my fingernails.

Live and learn…

…and stay the hell away from graphite unless you know what you’re getting into.

If you like The Nameless Tree, you’ll probably like these.

And if you like quizzes, you’ll love this.

J Edward Neill

Behind the Artist – Interview with Antonio Brandao

What’s exciting about doing comics is that you are going to get to work with multiple artists as time goes on. With each, they bring their own experiences and talents to a project in ways you couldn’t begin to predict beforehand. If your lucky they not only design and bring your words to life, but sometimes offer you a view on a character you didn’t even know was there.

I’m thankful to have worked with Antonio Brandao on Gilded Age issue #3.

***

How long have you been creating art/working in comics?

I’ve been working full time in comics since 2008.

At what point did you sit down and decide to become an artist?

At some point I was working in graphic design and started doing some work in comics. The comic work started to increase to the point where it was impossible to keep both doing both, so I decided to chose my life time dream to become a comic book artist.

Have you had any formal training?

I had a few classes related to art in my graphic design course. Other than that no formal training.

Gilded Age Issue 3, Page 1 – Pencils/Inks by Antonio Brandao, Colors By Nimesh Morarji

What’s the first thing you drew?

My first professional work was a penciled 2 issue mini to an independent publisher.

What things inspire you to create art?

I always loved to draw so it comes naturally. I guess everything inspires me.

Favorite artists/creators? Influences?

My favorite artists… let’s see… there’s a lot! From the “classics” John Buscema and Byrne to Mignola, Oliver Coipel, Stuart Immonen,… too many to reference here.

How do you manage your daily life with the art? Is this your 9 to 5 or is this your 10 to 2? If you have the old day job, what do you do? Do you do anything to market/promote yourself?

It depends. Sometimes I have some small side projects, and I have to limit my time working in comics but usually it’s a 9 to 5 thing. Unfortunately I don’t promote myself that much. Only the occasional sketch in my FB page.

What’s your process? Digital vs. by hand? What do you prefer?

Traditional all the way. Blue pencil, pencil, ink.

How do you work? Music while you draw? TV shows? Movies? No distractions?

I put some Youtube documentaries running. I guess I learn some stuff while drawing.

What have you worked on previously?

A lot of independent projects for some small publishers. Some private submissions for some publishers. A bit of everything honestly.

Are there themes and/or subjects you find yourself drawn to again and again in your art? Regarding comics, are there things that draw you in, something you see or read where you must put your own spin on the story/character?

I like to believe that I’m a versatile artist, and I tend to avoid repeating elements in my work. It might happen though…possibly unconsciously.

I always like to give my own spin to a character. Make it mine, without ignoring previous versions if they exist, of course. I especially like visually interesting characters. Something to make me push my limits.

Gilded Age Issue 3, Page 5 – Pencils/Inks by Antonio Brandao, Colors By Nimesh Morarji

Do you have a favorite thing to draw (genre, scenery, etc)? Least favorite?

I love to draw fantasy stuff, maybe because I’ve read a lot of Conan’s stories from John Buscema when I was young. My least favorite is the “slice of life” kind of stories.

What’s the most challenging thing about being an artist in today’s world?

I’d say that the most challenging thing is to make your work appealing enough, sometimes in very limited time, to attract new projects and keep your head above water financially. It’s a worldwide market, and your art must stand out. Managing several different projects at the same time is also very challenging.

Developing a work ethic is hard.

If you could go back ten years, what advice might you have for your younger self? Something you wish you knew?

Draw.

Now draw more!

Practice makes perfect.

Don’t waste so much time.

What is your worst habit?

I drink and sometimes smoke.

Comic book wise, I sometimes tend to procrastinate things.

Gilded Age Issue 3, Page 10 – Pencils/Inks by Antonio Brandao, Colors By Nimesh Morarji

Goals? One year from now? Five years from now?

I’d like to make the jump to some big publisher in the next couple of years. Have some financial stability.

For the Gilded Age, you did the third issue of the comic. Had you ever done any Steampunk styled things before?

Nope. And I haven’t since. I must say that I loved the experience.

I think it’s because of your art that I now have to come up with a story for Vanessa (the Wolf-Girl). She comes across as so playful, I’m not sure if I knew that about her 100% before I saw her appear on the page. Did you have anything that surprised you once you finished a page?

Thanks!

I think that some characters get a life of their own in my head sometimes. It happens unconsciously… probably some hint I pick up when I read the script. Sometimes this gets reflected in the pages I draw. I only notice it when I review my work, and I see the character’s growth from the first pages to the last.

What are you currently working on?

I’m doing a 10 pages’ sci-fi story. A story for kids with super heroes and another sci-fi story for a Kickstarter.

Anything else that you’d like people to know about you (Hobbies? Passions? Favorite TV Show?)?

I love cinema! I think it relates a lot to comics. I also like going out with my friends and I’m an avid keeper of reptiles. Geckos to be specific.

Do you have a Bio that I can post at the bottom of the article? Best place to see your stuff on the web ( website)?

Well, I’m an artist/father, 39 years old. I was born and live in Lisbon, Portugal and I’ve been working in comics for almost a decade now. I grew up reading Marvel comics trying to imitate my favorite artist so I guess that my dream was to work in comics since I was a child.
I’ve been fortunate enough to do that for these last few years.
You can check my work at http://toze-barnabe.deviantart.com/

***

I want to thank Antonio for taking the time to answer all my questions. I’m always humbled by the skills artists provide my words to create something more than any of us could do alone.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Painting with Darkness – Part XV

As I publish more and more books, I find myself wanting to create my own cover art.

It’s risky business, I know. If I paint something that looks too homemade or ‘arts and crafty,’ I could repel audiences with subpar art.

I’ll probably still keep reaching out to my favorite artist, Amanda Makepeace, for all of my major novels.

But for other, stranger, darker releases, I might keep trying my own brand of shadowy art.

And so…

1

On Christmas Eve 2016 I found myself sketching a scary hand. It grasped for a magical (and of course, evil) orb of power. This little concept was born days earlier when I dreamed up my next series of novellas, currently titled Ashes of Everything. The pencil I used is the same pencil I used in high school more than 20 years ago. No kidding. The hand….is based on mine.

2

Painting fire is fun! I mixed up soft watercolor reds and added depth as I reached the canvas’s edge. The pencil-sketched hand is still under there, just barely visible enough for me to fill it in with blacks after the flames were complete.

3

Ah, the claws, the grasping fingers! Those who’ve read my Tyrants of the Dead series might remember whose hand that is. Those who haven’t, well…what are you waiting for? But seriously, texturing hands (especially demonic ones) is no easy thing. I spent countless hours shading, darkening, and highlighting each finger.

ashes-of-everything

The more I toiled, the darker the painting became. The flames deepened. Black prison bars appeared in the background, representing the demon creature’s imprisoned state. This is the final pre-varnish image. I was very pleased with how it turned out. It’ll most likely make the cut as a book cover in the next few months.

* * *

If you liked this Painting with Darkness entry, check out the other fourteen: I, II, III, IV, V, VIVIII, IX, X, XI, XII. XIII, XIV.

To dive into the series that inspired this piece, click this.

Until next time…

J Edward Neill

 

Behind the Artist – Interview with Sean Hill, Part 2

Welcome to Part 2 of my interview with artist Sean Hill. The first part can be found here.

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How do you work? Music while you draw? TV shows? Movies? No distractions?

I tend to listen to an enormous amount of YouTube videos while drawing, Or maybe an audiobook. I remember getting through The Song of Ice and Fire series that way. It’s something about sitting down and doing a numbing activity for hours on end while having information spoken in your ear nonstop that just kinda soothes me and helps me focus.

Art by Sean Hill

Do you have a favorite thing to draw (genre, scenery, etc)? Least favorite?

My absolute favorite thing to draw is samurai stuff, a close second is anything urban punk. It’s just a lot to work with for someone like me that gets wrapped up in details and the last thing would be DC or Marvel comics heroes. And I love figure drawing, there are so many different nuances to capture in so many angles that I can really get lost in in and never come out of it.

What’s the most challenging thing about being an artist in today’s world?

There are many, but for me personally it’s perception of the comics industry. When I was growing up I the 90’s we had Image comics and it changed everything. It made comic artists look like rock stars. The industry was making money hand over fist and young impressionable artists like me didn’t understand that this was an exception. That most comic artists don’t make it like this, and that even the most successful artists are spending most days and nights slaving over a drawing table. I don’t think I understood the amount of work that goes into this, and how much those artists that came before me or before Image had sacrificed to make a living at this. When I was young I wanted to work for DC or Marvel and I still do, but I don’t think back then I appreciated the difference between drawing characters for the big two and doing something for myself. Now I weigh those things out everyday. 

Art by Sean Hill

If you could go back ten years, what advice might you have for your younger self? Something you wish you knew?

1st some girl advice then I would him to start focusing on that comics dream now. Honestly at the time I had no idea what to do with art until I was 27 years old. When I started dating my wife I wasn’t doing anything and at the time I had no drive too.

Also I would tell myself to work hard, it’s better than anything. Always be the hardest worker in the room. In life you will always see people smarter, more talented, more connected but consistent hard work beats all.

What is your worst habit?

That’s also a long list but to narrow it down for comics stuff it’s video games. My wife recently got me a PS4 for my birthday and it’s crazy distracting 

Goals? One year from now?

In one year I want to be almost finished with the first chapter of a personal project I’m working on called Nazareth. I don’t want to giveaway too much of what it is but it’s basically a retelling of Christ story with a heavy Sci fi/ fantasy aspect and drawing from the historical social and political issues of the time.

Five years from now? 

In five years I would like to have it published and still working freelance for publishers as well

You did the art for the Gilded Age Issue 4 which is a story that mixes a bit more fantasy with the Steampunk aspect of things (With Charlie taking on a supporting role). How was it to contrast those two things within the framework of your art? 

I really like steampunk though I’ve never drawn it much before. As I was doing my research for the style I was really inspired by the design and attention to detail. As far as mixing the style with fantasy, it’s actually quite freeing in a way. Whenever you develop a style that becomes a genre (because people start telling stories in that particular style) it can become a paradigm. But I think fantasy has a more organic design sense (or at least my interpretation of it does) allowing me to kind of start from a definite place with the art and storytelling but then know I can meddle with it quite a bit and not be afraid of making mistakes.  

Art by Sean Hill – From Gilded Age 4

I know I was blown away by the pages you were turning in, with the last couple being absolutely heartbreaking… did you have any pages that you really had fun drawing or perhaps any characters?

I think I really liked drawing Charlie, he’s such a huge character with this still and settled peace and strength in him. He has such an integrity that can eclipse everything else going on almost like his big bulky frame eclipsing everyone and everything else in a room. 

What are you currently working on?

As for current projects. I’m currently helping out with the Evil Heroes book for Zenescope and doing some Indy work with Jaycen Wise creator Ureaus. Also doing something with artist Mshindo Kuumba, and still chipping away at Nazareth.

Anything else that you’d like people to know about you (Hobbies? Passions? Favorite TV Show?)? 

Hobbies are pretty simple for me, I love weight lifting and video games, I’m already working on my passions with drawing comics, I teach the Bible to middle school students at my church and  Game of Thrones is still one of my favorite shows to watch

Do you have a Bio that I can post at the bottom of the article? Best place to see your stuff on the web (website, Instgram, Deviant Art)?

Yes indeed most of my work can be seen:

http://nazirstudios.blogspot.com/?m=1

https://m.facebook.com/sean.hill.777/photos?ref=bookmarks

https://www.instagram.com/seandamienhill/

***

I want to thank Sean for taking the time to answer all my questions. His artwork and skill have made The Gilded Age all the better for them.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Behind the Artist – Interview with Sean Hill, Part 1

Sean Hill is an artist I’ve had the pleasure of watching grow into his skill. When I first encountered his artwork on Route 3 #1, he was clearly talented, but as he completed each subsequent issue… you could tell that his confidence in his craft was also developing. Of course, it didn’t take long for others to notice as well.

Lucky for me that he had some time, and I had a 4th issue of Gilded Age needing an artist.

Sean took some time out of his busy schedule of conquering the comic book world to answer a few of my questions.

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How long have you been creating art/working in comics?

I’ve been drawing since I was about 6 or 7 years old. My grandfather (Otis Hill) would draw sometimes for me and he would encourage me to practice it myself. He’d take me to comic stores sometimes and I would try and emulate some of the work I saw in those comics and some books my mom had at home. 

As far as drawing comics though I think it’s  been about six years now ( time flies) my girlfriend at the time ( now my wife) was going to school for animation and she really encouraged me to draw comics since I would always say I used to want to.I think my first gigs were for Saint James comics ( now defunct ) and Terminus Media‘s Amber Fox vs the Terra force. I kinda miss those characters now that I think about it I still sometimes get the inkling to redesign those characters and redraw that book.

HaHaHa.

From Gilded Age #4 – Art by Sean Hill

At what point did you sit down and decide to become an artist? Have you had any formal training? What’s the first thing you drew? 

I remember when I was 7 being a huge fan of Knight Rider and the old Superman movies. I was obsessed with trying to draw them and make it as perfect as I could. I’m not really sure if I ever wanted to be anything else other than an artist. It just seemed like one of those natural callings I guess. I remember looking at that old Levi’s commercial with Rob Liefeld, it was my first look behind the scenes of how comic artists made comics. I think when I saw that though I realized what type of artist I wanted to be.

 What things inspire you to create art? Favorite artists/creators? Influences?

There are a lot of things that inspire me to create, movies, fashion, real life people and places, all that stuff as far as artists the list gets pretty extensive. I think of all the things that do keep me creating there are a few artists that are consistently in my head all the time.

#1 is Bernie Wrightson, I was exposed to his work as a little kid, my mom had The Stand by Stephen King, and, of course, all the illustrations in that are by Bernie.

The other is Gustave Dore from Paradise Lost, another book my mom owned and a lot of Wally Wood and Frank Frazzetta pen and ink work. Also artists like Mshindo Kuumba, Ivan Reis, Todd Mcfarlane, Eddy Barrows, Lewis LaRosa, the list goes on and on.

How do you manage your daily life with the art? Is this your 9 to 5 or is this your 10 to 2? If you have the old day job, what do you do? Do you do anything to market/promote yourself?

I honestly am really loose with the time management thing, most times I keep in mind that I have to do certain amount of pages in a week and I just try to get that done as best I can. Sometimes the deadline is really tight and I have to become more organized but more often than not I find consistency is far better than being a great time manager. If your consistently showing up at the drawing table to get work done it can be better than managing your time well enough to know you might have only two hours to draw for one month straight but you loose steam somewhere In the middle. I find if I just keep showing up at the table and just relaxing a bit about time and just focus on the work, it gets done eventually and most times on time.

The hard part is though this is not my 9 to 5. For that I’m an Inventory manager at an art store and I have a job as a husband to my wife and then from 10 to 3 or 11 to 4 in the morning I’m a decent comic book artist that’s managed to trick people into paying me to draw for them.

As far as promotion I’m admittedly an introvert, I’m quiet I don’t call for a lot of attention really, but I do rely on social media for promotion of my work though. It’s just apart of being in a creative field, you just have to show people what you’re doing in order to get work. I’m mostly on Facebook or Instagram but I sometimes use twitter and blogger as well.  

Sean Hill’s Route 3 Roughs

What’s your process? Digital vs. by hand? What do you prefer?

My process is  really simplistic, I start most of my stuff in my sketchbook. I keep an 11 x17 moleskine sketchbook it’s really big to carry around but I tend to anyway. When I get a script or just doing cognitive storytelling for myself, I get a business card and trace out 5 pages across my moleskine page throughout the entire page. This gives me about 20 pages I can thumbnail on one sheet. I start my thumbnails out pretty tightly, I try to get as much detail as I can and try to really flesh out as much as I can. The more I do at this stage the less I have to do on the final artwork. During this stage I’m referencing as much as I can and trying to get a flow for the story. Once that’s done I use my phone to take pictures of all the thumbnails and upload them to Dropbox or e-mail them to myself or whatever. 

Sean Hill’s Not so Rough Route 3

After that I’m at home and in Manga Studio, I open a story folder with as many pages as I need. From there I drag and drop each thumbnail picture into every corresponding page and start on the pages. 

Drawing the actual page is pretty simple as well, I used to do some pretty tight penciling and then ink my stuff but it was taking forever and as I got more comic assignments I became a little more confident in my inking, I no longer rely on such tight pencil work. As a matter of fact, because it’s digital, I don’t even bother using a pencil brush. I make a new layer over my thumbnail, and I make both layers blue. I drop the opacity on the thumbnail and start roughly sketching over it. When the roughshod are satisfying, I jump right into the inks. When I’m inking, I tend to noodle around a lot and most times it causes me to draw a lot of unnecessary lines but it’s fun, and I’m kinda like going on the fly with the inking anyway.

Cover by Sean Hill & Fran Gamboa

What have you worked on previously? 

I finished some Route 3 a bit ago, and I have been chipping away at a personal project for a while now. I got the chance to do some covers for Zenescope Entertainment’s DeathForce series and also Hellchild : the Unholy. I also got the chance to work on Grimm Tales of Terror: the Monkeys Paw and some DeathForce covers .

Cover by Sean Hill

Are there themes and/or subjects you find yourself drawn to again and again in you art? In regards to comics, are there things that draw you in, something you see or read where you must put your own spin on the story/character?

Three books come to mind that I really felt like I had an obligation to tell this story right, and I felt really connected to. 

#1 Dark Shaman a four part mini series I did for Zenescope, it was about a long dead Native American Shaman who comes back from the dead to seek just for his dead tribe. He start trying to kill this group of college students vacationing in a cabin. Two of those college kids are native themselves and I really enjoyed how the main hero had to get in touch with her culture and roots to over come this Shaman. It dealt with a lot of issues some natives go through with cultural identity. It’s difficult to live in a modern world we’re the culture you should know is either at worse ignored and at best appropriated. 

#2 is Route 3, and again it’s because of identity. The character of Sean Anderson is trying to find his place in the world and is conflicted with the loss of his Mom and the fact he just doesn’t fit in to “black culture” all that well things only get worse when he finds out he has destructive powers he can’t control yet. But it gives him an opportunity to make his place in the world. I can identify with that being s quite kid growing up in “the hood” and not fitting in all that well 

#3 is gonna be The Gilded Age, I though the dynamic between the main characters was interesting and seeing how they dealt with their conflicts was both really entertaining and really heart breaking, but in real life many of us have been on that emotional roll a coaster 

As far as adding things into stories, I think I am more often doing it nowadays then when I first started. I used to have this notion that the writers vision must be adhered to at all times, but I truth comics is a collaborative effort and everyone is gonna bring something unique to that story and that’s fine as long as it services the story. 

***

Sean’s work can be be seen:

http://nazirstudios.blogspot.com/?m=1

https://m.facebook.com/sean.hill.777/photos?ref=bookmarks

https://www.instagram.com/seandamienhill/

***

I want to thank Sean for taking the time to answer all my questions. His artwork and skill have made The Gilded Age all the better for them.

Part 2 of this interview is available here.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Kickstart the Comic – Sorghum & Spear – Book One

Every couple of weeks I journey to my local comic book store, pick up an ever-growing stack of comics, rinse and repeat. I have to keep reminding myself as an independent comic writer, that there are others struggling to get their voices and stories heard. Many of them have turned to Kickstarter to do that. So I am challenging myself to keep a look out for any comic books that catch my eye.

This week is one I’ve been looking forward to for a little while.

***

Sorghum & Spear Book One

From Greene County Creative

Dedren Snead – Writer/Creator

Timothy Geathers – Art Director

Welinthon Nommo – Exterior Art and Concept Design

Kickstarter campaign ends on Monday, April 17, 2017, at 7:00 PM EDT.

 

The Pitch:

When I first started researching this project, I imagined my mighty warrior goddess, Namazzi, holding a spear high to inspire her people as they charged into battle. As I created the mythos of the Eternal Realm and the first arc began to take shape, I wanted to relate my world with something that was symbolic to much of the story; something analogous but not obvious.

I liked the idea that sorghum is an ancient and powerful thing that originated from Africa; a gift that was shared with the world. The ability of sorghum to not just survive outside of its homelands but to thrive in other cultures and civilizations, eventually becoming an integral part of their legacies unveiled a mystical attribute I saw not just of this indigenous crop, but of the indigenous people it represented as well.

The “recipe” of Sorghum & Spear is that every character in our tale is growing and blossoming into something new.

The Story:

Sorghum & Spear is a fantasy saga that follows a group of amazing young girls who are called upon in a time of war to become the last line of defense against the SPORA; a pantheon of demons bent on destroying their people and conquering the Eternal Realm.

John’s Thoughts:

I first heard about Sorghum & Spear about 4 months ago when the creator, Dedren Snead, sat in on a Terminus Media writing afternoon. He had all these beautiful images of these powerful African women holding swords and bows and weird staffs with skulls adorning the tops. There’s magic and there are demons.

I don’t remember if I peppered him with tons of questions or just waited until he gave out little bits and pieces of information. Either way, I was hooked on the idea. Of course, then he broke the news to me that an actual comic book I could buy off of him right then and there did not actually exist… yet. He’d been building up to it, hoping to release a Kickstarter in the Spring of 2017 and… well, look what time it is.

The Rewards:

This Kickstarter is for the first issue of the comic book. In addition to some of the more standard reward levels (screen savers, pdfs and print copies of the book, as well as an 11×17 Glossy art poster), this Kickstarter has a couple of interesting ties to its origins with one level getting you 50 Heirloom Sorghum Stalk seeds and another providing you with a Namakula Wrist Bracelet showing you have contributed to Project Have Hope (who provides sustainable support and economic freedom to women in Uganda by offering their handcrafted jewelry on their behalf).

At some of the higher levels, there is also the opportunity to have your likeness drawn into the book as an “official Marduri villager”. And for those wanting a little bit more information about the world itself, at the $75 level you can get a 22-page print copy of Marlannah’s Hand Journal… really allowing you to immerse yourself in the world and the upcoming storylines.

Do you dare read the book?

The Verdict:

I was a day one contributor. It’s my hope that not only does this Kickstarter fund, but that it drives Dedren and Timothy and Welinthon and everyone else over there at Greene County Creative to put out more issues and, dare I say it, that Animated Series he’s teasing.

***

For more information on Sorghum & Spear – Book One, check out their Facebook Page here.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

 

Kickstart the Comic – Delilah Blast #1

Every couple of weeks I journey to my local comic book store, pick up an ever-growing stack of comics, rinse and repeat. I have to keep reminding myself as an independent comic writer, that there are others struggling to get their voices and stories heard. Many of them have turned to Kickstarter to do that. So I am challenging myself to keep a look out for any comic books that catch my eye.

After a few light weeks, I’m ready to see what might be available.

***

Delilah Blast #1

From Evoluzione Publishing

Marcel Dupree – Writer/Publisher

Joel Cotejar -Artist

Ramon Burge – Colorist

Marco “ETDollman” Della Verde – Letters/Production/Edits

Kickstarter campaign ends on Saturday, March 18, 2017 at 9:52 AM EDT.

 

The Pitch:

I came up with Delilah Blast in 2010 after listening to a Do Something by Britney Spears and Science by System of a Down. Once the idea was sparked, I spent a lot of time to develop the character because I felt like at the time there was a huge lack of strong female characters that depended mainly on their wits. After I mapped out the story, I wanted to make it all ages because at the time there weren’t many all ageas comics besides Tony Titans and Billy Batson and Power of Shazaam.

I met Joel on Digital Webbing, he agreed with my feelings. The 2 of us talked and spent time crafting a world that has elements of steampunk, 50’s scifi and post apocalyptic genres.

The Story:

Science runs the world and the Earth is governed by the E.S.A, the Earth’s Science Association. Everyone is allowed to join the organization on their sixteenth birthday, but unfortunately for Deliah Blast she oversleeps, missing the entrance exams and putting her dream in jeopardy. However, when another opportunity to achieve her dream presents itself, Delilah is more than willing and ready to take it, even if it means going to a dangerous alien planet to retrieve obscure technology that could change the world and Earth forever.

Artwork from Delilah Blast by Joel Cotejar

John’s Thoughts:

I’m constantly lamenting the fact that there aren’t enough people wanting to put all-ages comic books out there. I recall a Heroes Con a couple of years ago where I had to tell various parents with their younger kids that my table just didn’t have anything “age appropriate” for them. And while I’m sure they appreciated my honesty, I came away from that con wanting to find a way to do a comic for those fans.

Sadly, I haven’t managed to do that just yet, but it seems that Marcel Dupree and Joel Cotejar decided to take matters in their own hands!

The Rewards:

This Kickstarter is for the first issue of the comic book. As such, there are the standard pdf version of the comic as well as the physical copy for those more tactile inclined. T-shirts, wallpaper, and trading cards also make an appearance with each increase.

One of the things that I really like is as you go up the Rewards ladder, there includes an “Ultimate Edition” where you not only get the regular issue and backup story, but you also get to see the scripts and layouts. As someone who likes to see how the sausage is made, this often allows the reader in on some of the things which don’t make it to the page.

As you continue up the path, a couple of options stuck out to me, at $90 you get some Delilah Blast goggles – always a cool idea for Steampunk related cosplay. But the big one, the breakout, might be the $100 Best Friend level, where in addition to physical and digital versions (audio as well!), you get a “hand made Tikki Plushy”. That is a little bit of genius.

A plush toy of this guy. How cool is that? Artwork from Delilah Blast by Joel Cotejar

The Verdict:

These guys seem to be doing something to not only reach out to the younger comic readers, but also have some clever ways to potentially push their product down the line. And this is a great chance to get in on the ground floor!

***

For more information on Delilah Blast #1, check out their Facebook Page here.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Deep Dark Cover Art – The Hecatomb

Hecatomb – ‘heka’tom/ (noun) – An extensive loss of life for some cause.

or…

The name of my terrifying novella.

Now with all new cover art.

And yes…those are real bones…

Hecatomb front cover hi rez

In a drowned village, on a dark shore, in a city of white stones, an ancient evil stalks.
It has no name, no face, and no desire but to see the death of everything…
…and everyone.
Down through the ages it exists, sleepless and void, a relic from the world before humanity.
One dead. Every night. Forever.
Until nothing remains.

J Edward Neill

Behind the Artist – Interview with Nimesh Morarji, Part 2

Last week I started conversing with Nimesh about how he got his start in comics and got some insight on exactly how he sees his job of coloring in regards to telling a great story. This week we get into his work on The Gilded Age #3.

***

Do you have a favorite thing to color (genre, scenery, etc)? Least favorite?

I do believe my colors works very well with SciFi, but I personally prefer History periods like Medieval, Western, SteamPunk. But this genre is a bit tricky, so me coloring this, the editors need to want clean shiny colors over muted muddy colors. My least favorite, I think, is working on a book where you don’t have any chance to be creative, to work on a book where, let’s say everything is established and all you need to do is to copy what’s been done.

What’s the most challenging thing about being an artist in today’s world?

This one is a hard one. I do believe that today you can do whatever you want (well, in the past too, but now it’s more “easier”), so I will say the most challenging thing about being an artist in today’s world is Yourself. You are your own obstacle I guess.

If you could go back ten years, what advice might you have for your younger self? Something you wish you knew?

I think I needed to go a little more back and say “Internet”. In the future there will be this thing called Internet and provide everyone with more chances to do what they want.”

But if I had to go 10 years back I would say that the time I’m wasting learning 3D as a shortcut for not drawing is a complete waste of time. GO LEARN/IMPROVE ON DRAWING instead.

What is your worst habit?

Wondering off on social media. Dammit, that thing will get you!

Goals? One year from now? Five years from now?

My main goal is to make the Comic book industry my main profession. I’ve been working with Indies and I’ve been blessed with the money that it’s coming from this. Also I’ve been learning a lot. My goal for one year from now is to have a bigger client Rolodex that keeps me busy. And from 5 years from now I want to have worked for at least one book on Zenescope and Dynamite and I want to have clients enough to make me give up my regular job and just do comics.

Gilded Age #3 Art – Antonio Brandao Colors – Nimesh Morarji

You did the coloring for The Gilded Age Issue 3 which has a dream sequence to start things off. It’s one of my favorite things in the issue, and I love how you really mixed in some of those darker greens and the red eyes following/chasing Hanna only to wash it away with the knight shows up. How did you land on that color scheme not only throughout that scene, but then contrast it against the rest of the issue.

I’m glad to hear that you like it, I also love that sequence and I do use that sequence as portfolio piece.

After reading the script and looking at the pages I noticed how this 3 pages contrast even artistically. For page one and 2 I wanted to showcase Hanna’s horror and the first thing that came to my mind was Nightmare on Elm Street. I went to see some scenes of the movie and I noticed that when Nancy (the girl from the movie) was dreaming and thus entering the Freddy realm things looked ugly, cold and disgusting. With the third page where the knight shows up I noticed that the artist made this shiny look to it and the first thing that came to my mind was a classical Disney Prince charming thing.

So I tried to translate this 2 feeling (the horror/disgust and the Prince that saves the day) in to colors. I believed the green on Hanna trying to escape would bring that disgust looking feel and it would contrast beautifully with the red glow of the monster while the next bright blue tints page would shine of readers face and evoke that prince charming saving her.

This was a unique scene on the book so I had to be very careful on my color choices because I couldn’t do it again in the book or the effect would be invalidated. So I’m extremely pleased to know that you felt that.

Did you have any favorite pieces within the issue you thought came together exactly the way you had envisioned?

Oh, yes, Page 5, Flashback scene. The muted colors worked very well in there in my opinion.

Also, page 10, that last panel, it’s so beautiful. The Artist drew it so well and with the colors laid down I do believe the reader feels Vanessa’s loneliness at that moment. It is a dramatic panel that I still today look at and feel the sadness.

Gilded Age #3 Art – Antonio Brandao Colors – Nimesh Morarji

What are you currently working on?

I’m currently working on a Project for Wayward Raven Media called Balloon World and I already have lined up to start coloring O Lusitano the first Portuguese superhero and 2 more projects that I can’t name yet due to NDA’s.

Anything else that you’d like people to know about you (Hobbies? Passions? Favorite TV Show?)?

If you guys could check out the Western themed comics that I’m creating that would be awesome I guess.

😛

I´m making it available in WebComics format on nimprod.com and you can read it for free (shameless promotion, I know).

I’m currently spending all my free time on coloring comics and practicing drawing as I’m going to draw my comic later on too but sometimes I take a break and watch some movies, TV shows and read Comics. Westworld is definitely a must watch, are any of you watching it?

Where’s the best place to see your stuff on the web (website)?

Best place to see my stuff probably is my Facebook page https://www.facebook.com/nimeshmorarjiart/ where I post Works in Progress, process, and final pieces.

***

Nimesh also provided a little Bio:

My name is Nimesh.
I’m from Portugal and I’m a self-taught ComicBook Colorist. Currently I’m working in a freelance basis.

In my 3rd year coloring professionally, I’ve worked with publishers, such as Terminus Media, WayWard Raven, and Arcana. Titles that I’ve worked on includes: Carlton Harvey’s Soul of Suw, James B. Emmett’s The Committee, and Chuck Amadori’s Pale Dark.

With a background in illustration, I’m aware of how color can impact a story and my vision is to help creators bring dimension to their worlds. 

***

I want to thank Nimesh for taking the time to answer my questions. And I definitely appreciate his contributions to helping bring The Gilded Age to life.

And make sure to check out his Western Comic at nimprod.com.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Tips for Dating Artists

…Tips for Dating Artists…

A completely unscientific exploration of the perils of sleeping with art junkies.

*


#1. Consider dating someone else. As in, someone who might love you more than they love blank slabs of canvas and empty sheets of paper. 🙂

#2. When planning dates, dinners, or long nights on the couch watching Netflix, consider the odds of having to do many of these things by yourself. Master the phrase: “Dinner reservations for one, please!”

#3. “Five more minutes,” actually means thirty more minutes. The formula used when determining how much longer an artist will be involved in their latest stick-figure drawing masterpiece is:

Time They Stated multiplied by 6 = Actual Time Until They Emerge from the Darkness

#4. The love of your life’s studio will either look like this:

…or this:

…there is no in-between.

#5. Your lover can never have too many brushes. Or pencils. Or sticks of charcoal.

#6. If you leave a coffee mug out in the open, it’s no longer a coffee mug. It’s a paintbrush caddy. Deal with it.

#7. Keep them away from the kitchen sink and master bathroom at all costs. Detour them to a guest bathroom, preferably one with a sink whose color is something other than white.

#8. After hugs, make-out sessions, lovemaking, or accidental shoulder bumps in the basement, check your entire body and all your clothing for unexpected paint spots (and other stains.)

#9. If you decide to have children, consider that one day you’ll probably come home to this:

*

#10. When critiquing their art (which you should avoid at all costs, but which you’ll be forced to do every day of your life) compare your beau’s latest art to someone famous. Or…if you want to break up, just make a stink-face and walk away without saying anything.

#11. Google the terms ‘abstract‘ ‘surrealism‘ ‘impressionism‘ and ‘realism.’ Use these terms when describing your lover’s art. While the odds are they were aiming for one of these, what they created is most likely another. But they’ll appreciate your lingo.

#12. Unless your beloved artist is really, really talented, don’t ever ask them to paint your portrait, draw you, or sculpt you. Trust me, you’ll regret what you end up looking like.

“Honey, I feel like my hands look a little…off.”

*

#13. If you date someone who paints with oils or draws with graphite, set aside a special room (or five) for them, and make sure it’s a place you don’t care about. Actually, if you have the money, buy them their own house to work in.

#14. If one of your lover’s clients suggests that a piece of art should be created free ‘for the exposure’ you owe it to your lover to kill that client and bury them in an unmarked grave.

#15. The minimum number of paper towel rolls to keep handy is 17.

#16. They’re probably not cheating on you with all the people (subjects) you found on their camera.

Actually, they probably are.

I’m only kidding.

Or am I?

🙂

Think this was funny? Try my Tips for Dating Writers.

J Edward Neill

Crippler of canvasses

Author of billions of books

Behind the Artist – Interview with Nimesh Morarji, Part 1

As a writer of comic books the first question people like to ask (after “so you draw the comics”) are – how in the world does that actually work? So many times those same people are completely taken aback by how many hands and fingers touch a comic book page before it becomes something they can see. Even then, it is a bit of magic.

I, personally, think one of the unsung heroes of the industry are the colorists. I’ve been fortunate to work with a couple of good ones in regards to The Gilded Age. So I reached out the colorist on the 3rd issue, Nimesh Morarji, to see if I could get a better handle on just what made him tick.

Gilded Age #3 Art – Antonio Brandao Colors – Nimesh Morarji

***

How long have you been creating art/working in comics?

I would say I’ve created art as long as I remember. As a toddler we all do art I guess :P. But professionally I’ve been working in comic since 2013.

At what point did you sit down and decide to become a colorist? Have you had any formal training?

I’ve been wanting to develop my own comic book since around 2005. It’s a western themed book where Women take the lead in a shared universe. My ability to draw at that time was very limited as I gave up drawing a long time ago. So around 2005 I was trying to develop my comic using 3D software like Poser, and I learned a bit of modeling on Maya and 3DS Max, but the results never satisfied me. It always looked very stiff from what I wanted to do. Then after some frustrating years of learning Max and Maya, I started to look other options.

Digital Painting was starting to be a thing and lots of artist were posting stuff about it. I fell in love with what they were doing, so I started to learn that. Comics started doing digital coloring as a norm and comics were my true passion. I believed that with what I learned with digital painting could help me focus on digital coloring, I could always get some gigs and with that money I could hire artists do draw my comic, and I could color it.

It sounded like a perfect plan in 2010, After this amazing *cof* cof* cof plan set up, I saw a DC comic book colorist making some online course available with opportunity to One on One while we were doing the classes, so I decided to invest on that.

What’s the first thing you colored?

The first thing I colored professionally? I think it was The Almighties from Actuality Press.

What things inspire you to create art? Favorite artists/creators? Influences?

I think Movies, TV Shows and books inspire me, I like to be entertained so I love to entertain as well. Favorite Artists in coloring are Marte Gracia and Justin Ponsor. I love the way they use bright saturated colors and make them look “real” with great use of lighting and the ability to tell the stories with colors. I will never forget how Gracia did a shock scene in ALL NEW X-MEN by showing the characters in black and white. I loved it.

I think it’s safe to say that Alex Sollazzo, Gracia, and Ponsor are my influences.

How do you manage your daily life with the art? Is this your 9 to 5 or is this your 10 to 2? If you have the old day job, what do you do?

My daily life is extremely busy to be honest. I gave up a lot of things in my life to work on this. Since I was a kid (we are talking on the 80´s here, and yeah I’m old)I dreamed working in the comic book industry, but here in Portugal there isn’t such industry. So, at one point I shifted to the movie industry but my family never believed that the entertainment industry would fit me as they wanted me to carry on the family business (being a commercial person or economist and stuff like that) so they pressured me to not pursue what I wanted.

I caved in and did what they wanted.

After living unhappy all my life doing things I didn’t care for or liked, I turned my back to everything to start over and do stuff that I wanted, so now with 3 years of professional career I’m betting all my chips on this and so far I can’t complain.

I do have a day job while I’m moving up on my career as a Comic Book colorist and coloring/working in this industry is what I want to do.

Do you do anything to market/promote yourself?

To Market/Promote myself I usually post my stuff (as projects allows) on social media, DevianArt and such.

What’s your process like when you are preparing to color a comic? How do you make sure that you are enhancing the artwork?

I don’t believe that the colorist job is to enhance the artwork, I do believe that the colorist job is to help tell the story with colors. Creating a mood in a panel, making the reader feel the shock that the characters are feeling or making the reader feel the fear of the scene happening. This is what I believe the colorist is there for: to help tell the story.

My process usually is, read the script and take some notes of important dramatic things happening on the story then I do research. I go online and try to see some still images of movies or tv shows that tried to convey that drama, what they did, how they did, and I analyze all that. I like to color when I have all pages ready cause this way I can lay down colors on those important moments to help me set the mood of the book and create a guide line for the rest.

Gilded Age #3 Art – Antonio Brandao Colors – Nimesh Morarji

How do you work? Music? TV shows? Movies? No distractions?

I prefer watching streams. I know, it’s odd. watching people work while working, lol. But yeah, I love to hear other artists talk about their experiences in life of art and that motivates me to work instead of wasting my time going on Facebook and such.

(to be honest, you will find me more on social media when I’m at my regular day job rather than when I’m working on comics :P)

What have you worked on previously?

On comics? I started on a webcomic dedicated to Marvel’s character called NOVA, and then I worked on the Almighties. After that I met Chuck Amadori online and it led me to work with Isle Squared Comics on a couple of titles and later they helped me develop my Western comics. Wayward Raven Media got me for 3 of their titles (currently finishing on one of it) and Terminus Media. Along all this I worked on 2 or 3 titles for Portuguese comics. I’m currently coloring the First Portuguese super Hero title (I believe it’s issue 5) and did some work for Arcana Anthology as well.

It’s been 3 crazy years going from my regular job to sitting on the computer and coloring comics in my free time.

Are there themes and/or subjects you find yourself drawn to again and again in your work?

I try to avoid doing the same over and over again and on coloring its hard because even though there are millions of colors not all of them work well together. But I guess there are Blue/Orange colors that I keep doing most of the time, but I try to do more.

***

This is only the first part of my conversation with Nimesh. Check out Part 2 next week.

***

Nimesh also provided a little Bio:

My name is Nimesh.
I’m from Portugal and I’m a self-taught ComicBook Colorist. Currently I’m working in a freelance basis.

In my 3rd year coloring professionally, I’ve worked with publishers, such as Terminus Media, WayWard Raven, and Arcana. Titles that I’ve worked on includes: Carlton Harvey’s Soul of Suw, James B. Emmett’s The Committee, and Chuck Amadori’s Pale Dark.

With a background in illustration, I’m aware of how color can impact a story and my vision is to help creators bring dimension to their worlds. 

***

I want to thank Nimesh for taking the time to answer my questions. And I definitely appreciate his contributions to helping bring The Gilded Age to life.

And make sure to check out his Western Comic at nimprod.com.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Kickstart the Comic – Vessels #2: The Traitor and the Bear

Every couple of weeks I journey to my local comic book store, pick up an ever-growing stack of comics, rinse and repeat. I have to keep reminding myself as an independent comic writer, that there are others struggling to get their voices and stories heard. Many of them have turned to Kickstarter to do that. So I am challenging myself to keep a look out for any comic books that catch my eye.

The great thing about these Kickstarter projects is that many times even if you missed issue #1, they make it very easy to catch up.

***

Vessel #2: The Traitor and the Bear

From Card Shark Comics

Dave Cook – Creator/Writer/Publisher

Rafael Desquitado Jr. – Artist

Dennis Lehmann – Colors

Micah Myers – Letters

Kickstarter campaign ends on Sunday, March 5, 2017 at 8:19 AM EST.

The Pitch:

Vessels is the brainchild of comic writer and multi award-winning video game critic Dave Cook AKA Car Shark Comics, and is a love letter to RPG gaming – most notably the From Software series Dark Souls.

It stars Wake, a gifted warrior with the ability to enter the realm of dreams and bend it to her will. She and her comrades G’Dala (a skilled mage) and Marillon (a master thief with a motor mouth – like Deadpool!) and tank-class D’Saahl set off to halt the imminent death of their world.

However, the laws of reality are breaking down as the Veil seeps into the waking world. Logic, physics and time are becoming convoluted, with weird and deadly effects, such as the giant teddy above which falls from the sky in issue #2.

The Story:

Our hero – a legendary warrior named Wake – and her companions G’Dala and Marillon must travel the land to halt the decay of reality itself, and unravel the mystery of the Vessels – five bloodthirsty knights hell-bent on stopping Wake from completing her goal.

John’s Thoughts:

One thing the regular comics scene doesn’t do very much of is fantasy based comics. I’m finding that sub-genre is certainly finding its footing through Kickstarter related projects. Vessels looks as if it is following a bit into Dark Tower territory with the idea of a more fantasy world suddenly coming into contact with very strange objects (see: a giant teddy bear). A world in transition with our heroes trying to save the day… or at the very least trying to let the world that they know hold on for a little bit more. And of course the enemies who will do everything in their power to ensure there will be no happy endings.

One other nice thing is you get a little sampler of the first four pages of Vessels #2 linked on the Kickstarter page.

The Rewards:

This is the Kickstarter for the second issue of the comic book. However, they make it very easy for you to immediately catch up with the series by offering reward levels containing pdfs or physical copies of Vessels #1 & #2. In addition, there are opportunities to get some prints… one of which is the excellent throwback to the 8-bit era showing our heroes as old-school video game characters. Lastly there is the opportunity to also sample a couple of their other series: Bust and Comichaus as add-ons to your Vessels orders.

The Verdict:

I love the opportunity to see how others world build (or maybe in this case it is world destroy). Fantasy settings offer all sorts of opportunities to shake up the genre and make sure you leave the readers guessing at what your next move might or might not be. Again, having a giant teddy bear drop out of the sky ensures this reader that things are going to be different from what you think.

And that is a very good thing. I look forward to reading it.

***

For more information on Vessels #2 and Card Shark Comics, check out their Facebook Page here.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Behind the Artist – Interview with La’Vata O’Neal

Doing this comic book thing as a writer who can barely draw stick figures means I have to lean on the artists who work with me. There is a level of trust that must exist when you hand over your finely crafted words for them to work their magic. So far, I’ve been very lucky in this regard on all the various comic related things I’ve done, but that is especially true with the Gilded Age.

I was happy when I reached out to La’Vata O’Neal (who has done the cover for the Gilded Age Graphic Novel… more on that later…) and she agreed to an interview.

***

How long have you been creating art/working in comics?

I’ve been working in comics since Mr. Tony Cade decided to pick me up to do some work for him.

(Tony Cade is the Editor-in-Chief over at Terminus Media.)

At what point did you sit down and decide to become an artist? Have you had any formal training? What’s the first thing you drew?

When I was little I was interested in shapes and figures, still am of course, anything that isn’t a number or word! Though, I’m interested in writing due to its creative nature as well.

What things inspire you to create art? Favorite artists/creators? Influences?

I didn’t have an early influence back then because it’s really like an old love. It’s the serenity of it, though now I’m greatly inspired by many artists now, deceased or living. I’m particularly fond of old paintings because of the way they were able to capture a story in one image. They spoke with such power with just one image.

How do you manage your daily life with the art? Is this your 9 to 5 or is this your 10 to 2? If you have the old day job, what do you do? Do you do anything to market/promote yourself?

I sketch daily and paint weekly, it’s like my fingers are possessed-

I’m joking!

I do sketch daily though to keep the creative flow. Whatever I produce in sketches I try to share and it keeps me relevant. I post to facebook, tumblr, and Instagram as the best way to market myself. At some point during the week though I’m always interested in learning new creative ways of doing art, so I’m usually reading up on some art form or for example how to do animation, etc. But At the moment I’m juggling a 9 to 5 job on top of the freelance business.

What’s your process? Digital vs. by hand? What do you prefer?

I love both to be honest; traditional is more expensive so the digital helps keep the budget down-but both, all day every day if I could! My process is a longer explanation, but a lot of it derives from traditional practices.

How do you work? Music while you draw? TV shows? Movies? No distractions?

I love to work while listening to music and if not music then an audible book.

What have you worked on previously?

I worked on a mobile game app, doing character design and illustration.

Are there themes and/or subjects you find yourself drawn to again and again in you art? In regards to comics, are there things that draw you in, something you see or read where you must put your own spin on the story/character?

Let’s see, reoccurring themes…Fantasy mostly, I’m most drawn to that I believe. But realistically, I’m drawn to anything that’s fiction as long as the story is good! As for putting my own spin on characters, it’s something I reserve for others to do at the moment.

Do you have a favorite thing to draw (genre, scenery, etc)?

My favorite thing to draw are fantasy characters, they’re interesting in their own way because they’re so dynamic and otherworldly. But as long as character has enough character they’re interesting to me.

What’s the most challenging thing about being an artist in today’s world?

I would say keeping afloat, isn’t that always the case though. It’s rough being freelance if you don’t know what you’re doing.

If you could go back ten years, what advice might you have for your younger self? Something you wish you knew?

Wow…hm…I know exactly what I would say and it has everything to do with being more exposed to the art world. The more exposure the more you’ll understand.

What is your worst habit?

My worst habit…daydreaming, maybe? Lol

Goals? One year from now?

Let’s see, one year from now I look to be employed by a studio and not just doing freelance, I’d like to try being under some other artists so I can learn more.

For the Gilded Age, you worked on the cover to the trade (which is amazing by the way). I know we went back and forth with some ideas about how to present the characters, but it seemed like the tarot card idea just worked not only on a story level, but visually just nailed it. After we figured out that direction, how long did you work on those pieces – fine tuning them?

It might have taken me around 30 total hours to complete the cover. It was a very pleasant experience working on the Gilded Age trade cover!

Have you worked on any Steampunk style images before?

I have not actually but trying something new is always a learning experience and it can also be fun!

What are you currently working on?

I am currently working on my own project which still needs time to develop but it’s in the works, so keep an eye out! 😉

Anything else that you’d like people to know about you (Hobbies? Passions? Favorite TV Show?)?

Well that depends if people really want to know! I like being the mysterious type.

Where’s the best place to see your stuff on the web (website)?

www.leonealart.com

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I want to thank La’Vata for not only taking the time to answer my questions, but for being such an amazing artist. The cover for the Gilded Age Trade is ridiculous in every (great) way!

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

The Future (and history) of beautiful Video Games

Ever daydream of being somewhere other than wherever you are?

Well?

Maybe you fantasize about slumming at a beachside tiki bar?

Maybe you daydream of sitting in the backyard on a warm night, soaking up a pitcher of sweet tea?

Or mayyybe sometimes you dream of nestling on a couch with all the lights off, controller in hand, television ablaze with an amazing video game?

Yeah. You know you’ve thought about it. It’s ok to admit. I’m right there with you.

Daydream of this real-life scene….oh wait…that’s Skyrim!

Let’s take a moment to appreciate where we are these days. We’re in the golden age of video games, and that’s no exaggeration. As far as new forms of art (yeah, video games are art) games are advancing leaps and bounds ahead of other industries. Hollywood movies are kinda stagnant. Television is all reality shows, zombies, and superhero/crime drama.

But games…well.

Every time a new year rolls around, we get to swim in a shiny ocean of faster, prettier, more artistic gaming entertainment. For $60, you can either take your family to see a single 2-hour movie at the theater OR you can buy a game like Skyrim, Witcher, or Zelda -Breath of the Wild and create stories of your own via your console of choice.

My kid pretty much wet himself when he saw the preview of Zelda – Breath of the Wild

And so here we are. Another new year. After a powerful 2016, which saw a waterfall of hot, stunning titles roll over the precipice, we’re primed for what could be the most beautiful year of games ever. And I don’t just mean good games like I’ve listed here, but gorgeous, artistic, crazy-good looking titles. Like sharp and futuristic Mass Effect 4 and noir-looking Vampyr.

Which begs the question: what are some of the most beautiful game titles of all time?

Well…for starters:

Limbo (Playdead)

Windwaker (Nintendo)

Witcher 3 (CD Projekt Red)

Metroid Prime 3 (Retro Studios)

Mass Effect 3 (Bioware)

 

Ori and the Blind Forest (Moon Studios)

Beyond Good and Evil (Ubisoft)

The Last of Us (Naughty Dog)

Halo 3 (Bungie)

Inside (Playdead)

Half-Life 2 (Valve)

***

A while back (and I mean WAY back) game-devoted site IGN did an article focusing on the best graphics ever. Now I don’t mean to be picky, but great graphics don’t always translate into superior beauty. Yes, realism is nice. And yeah, a poppin’ frame-rate is great. But sometimes it’s not the sharpest, most advanced games that strike an artistic chord.

Take Playdead’s Limbo and Inside, for example. Neither game was a technological achievement, but both were atmospheric, subtle, and beautiful. And let’s not forget Wind Waker, now more than a decade old, using cel-shading to give gamers a whole new perspective of Link. Both were risky moves by their developers, and both paid off.

Speaking of developers, they haven’t always had the tools they do today. Take one look at my progression of best games ever, and you’ll see the jumps we’ve made in graphical power.

Which begs the question: which old-school games are the most beautiful?

What about….

Majora’s Mask – Nintendo

Quake 3 (id Software)

Neverwinter Nights (Bioware)

Myst (Cyan)

Knights of the Old Republic (Bioware)

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Admittedly, it’s slim pickings if you go much older than the mid-90’s. Games back in the day had to be fun first, pretty last. That’s not to say old-school games don’t have moments of beauty, but the highly pixelated graphics usually meant the beauty was due to the story or the atmosphere.

And that’s the true test, isn’t it?

A fun-to-play game can be good, but it’s the rare game that makes us think and feel, and thus it’s the rare game that’s truly beautiful throughout.

Games can be art. Art can be games. The better developers gets at making them, the more the line will blur.

And that’s a good thing.

 




You say you’re a video game god? Find out the truth by taking this quiz.

J Edward Neill

Creator of Coffee Table Philosophy 

Painter of Darkness

Painting with Darkness – Part XII

I like to paint trees.

A lot

Sometimes, even when I start a new canvas with every intention of painting a castle, a spooky city, or some other dark imagery, my brain misfires and takes control of my brush. Before I know it, I’ve painted yet another tree. I can’t help it. I’m a slave to impulse.

Knowing this, I decided to do a series of paintings to get all the trees out of my system.

And along came four little paintings, one for each season:

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Deep – for warm, green spring

 

dusklight-hi-rez

Dusklight – for cold, cold winter

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umber-hi-rez

Umber – for autumn’s arrival

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midnight-2

Midnight – for the longest night of summer

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I thoroughly enjoyed painting this series. These simple, yet fun paintings have a way of calming me. After working on them, I sleep better, I’m relaxed, and life feels easy.

You should try it sometime…

For previous Painting with Darkness entries: Part I, II, III, IV, V, VIVIII, IX, X, XI, XII, XIII

J Edward Neill

Cover Reveal – Darkness Between the Stars

A young boy will journey into the Darkness Between the Stars.  And he may never return…

I’ll have 20 softcover editions to give away as ARC’s (advance review copies.)  If you’d like one, and if you’re willing write an honest review, look me up on Facebook, Twitter, or via email.

And now, the amazing Amanda Makepeace cover art:

darknesspaperbackfront

darknesspaperbackback

A free preview (the entire first chapter) is here.

Darkness Between the Starsnow available via Amazon

* * *

J Edward Neill

Author of sci-fi hit, A Door Never Dreamed Of

Creator of the Coffee Table Philosophy series

The Specter Ship

My first painting of the new year…

It all started with a challenge when a good friend dared me to:

A. Painting something using a rainbow theme

B. Don’t include any trees (which is kind of my calling card)

When I started, I had no idea what I’d end up with. I slathered a canvas with a full spectrum of watercolors…

…and went from there.

side-view

And some more action shots:

1 up-close-specter-ship specter-ship

Specter Ship

36″ x 12″ watercolor on deep-edge canvas

For more of my (slightly less cheerful) art, go here.

For a little something to keep the mood lively this year, hit this.

Until next time,

J Edward Neill

My life as a single dad (while making art)

Let’s be clear about one thing: I wouldn’t have it any other way.

But with that said, single dad art-making ain’t always easy.

Almost six years ago, my son (the G Man) burst into my life. He was the Kool-Aid Man breaking through the brick wall of me. Upon his arrival, I prepared myself for sleepless nights, hours upon hours of crying, and the end of all my life’s plans. But as it turned out, none of that really happened. The G Man slept astoundingly well. He rarely cried. And as for my life’s plans, they turned off the path by a few degrees, but were hardly shattered.

Surprise, surprise.

But there were two things I didn’t count on.  The first, me almost immediately becoming a single dad after G Man burst onto the scene. The second, finding out my son was also my best bro, my comrade-in-arms, and someone who never wanted to leave my side.

Which, as a writer, painter, and 1,000 mph blogger, wasn’t something I was fully prepared for.

me-n-g-at-ren

We destroy our turkey legs as a team.

Yeah…so…while it turns out my writing and painting didn’t slam to a halt, they changed. A lot. Let’s start by talking about sleep. As a young dad, I’d always had this notion that my son’s bedtime would be…oh I don’t know…8:30ish. Nah. Not so much. I admit when I meet other people’s kids, I’m alllllllll about them being in bed early. But with the G Man, I find myself allowing him to stay up late. Like late, late. So instead of waging war over arbitrary bedtimes, I dim the lights, turn on the music, and dive deep into conversations I never thought I’d have with a five-year old.

Things like:

What will happen when the sun runs out of hydrogen to burn

Why didn’t Sauron from Lord of the Rings make a second One Ring

And why didn’t evolution grant sharks the ability to fly

And so the months went by. G Man turned 3, 4, and 5. 8:30ish bedtimes became 9:30ish. 9:30 became 10:30. Chunks of late-night time I’d once devoted to painting, writing deep, dark novels, and meditating morphed into something else, something just as sacred yet completely different. While I’d never judge other parents for putting their kids to bed early, I just couldn’t do it with the G Man. I begun to crave playing silly games, watching kids’ movies, and teaching him how to master Zelda – Twilight Princess. “I’ll just sleep less,” I told myself. “I’ll start writing at midnight. That’ll work. Right?”

lobster-1

Trying on lobster costumes at approx 11PM at Target. Who needs sleep anyway??

Now don’t get me wrong. It wasn’t all roses all the time. By staying up all hours with the G Man, my production eventually took a hard hit. I started writing fewer than half the words per night than I used to. I finished maybe four paintings per month instead of ten. My sleep suffered, not because of staying up late building Lego armies, but because I still pushed my output to punishing depths. I swore off sleep in favor of creating things. Later and later, I stayed awake each night.

But it turns out the human body has its limits. I couldn’t keep pace forever. My mind and my work begun to crumble. I suppose a more reasonable person might’ve said, “Hey, it’s ok. You’ve earned a break. Be at peace with creating less in favor of more face-time with junior.”

F that. I want it all. 🙂

sombrero

That’s me running on zero sleep (and margaritas.)

There’s an everyday equation we all must follow in life. It’s something like X + Y + Z = 24 hours. X is made up of the stuff we have to do each day. It’s work, chores, commuting, and other obligations. X is the hardest to change. Most of the time, it is what it is. The weekday value of my X is approximately 13. That’s a lot, but I’m aware some people have it much worse. As for Z, it’s exactly what you think it is: sleep. Some people can get by on 4-5 hours. Others need 8-9. The more sleep one gets, the better one’s mind functions. Therefore, Z can directly influence the quality of the rest of the equation. My Z value is about 7 hours.

That means, on any given weekday, my X + Z value is somewhere in the 20 range.

Which means I have about 4 hours left over for Y.

What is Y, you ask? Y is free time. Y is options and choices. Y can be consumed by entertainment, exercise, planning fancy meals, et cetera. Or, as in my case, Y can be reserved for art. For writing. For creating. In any artist’s life, having a kid complicates the value of Y. It’s a complication I’m grateful for, and yet it remains. My single dad Y isn’t the same as a lot of other artists’ Y. Even when I’m free to embrace Y, I’m not really. G Man is always at my side, tugging, talking, wanting to listen to music together, needing to engage in conversation.

So I’ve made a compromise. During Y time, we paint together.

And if I need to write, he reads.

It’s a solution I stumbled upon about a year ago. And it was completely by accident. One day, as I tried to paint while G Man was discussing the anatomy of stumpy T-Rex arms, we stopped talking long enough for him to ask a simple question:

Can I paint, too?”

Yes. Hell yes. In that instant, I became a tornado of movement, laying out a dropcloth, handing him a palette, splashing out some colors to paint with. It took a few times for him to acclimate, but after a few weeks – and ever since – he’s been a painting machine. He even painted the cover of one of my books. Yes…seriously!

51ndbtzpsyl__sx331_bo1204203200_

Are they tropical trees? Wind turbines? Monsters’ hands reaching skyward? Hell if I know. It’s still better than anything I’ve painted.

The painting problem: solved. A full 1-2 hours every day of Y value: freed up.

But what about writing?

Figuring out a way to write during G Man’s waking hours was more challenging. And yet…  The solution conveniently turned up mere months removed from the painting revelation. Four words: Goosebumps, Deep Space, and Ninjas. Into his hands, I poured R.L. Stine’s Goosebumps books, National Geographic magazines with lots of Hubble deep space images, and that silly series of ninjas-in-the-6th-grade books. Boom. Just like that, my Y time was defragmented. My painting output doubled. My writing was back on track.

And at the same time, G Man’s creativity soared. His reading skills improved drastically. His paintbrush moved with a mind of its own. (Only two spills so far.) He started asking for quiet time instead of demanding father-son Lego time. I was able to earn a tiny slice of Y freedom without planting my kid in front of a TV or kicking him outside.

Parenting is hard. This, I understand. What works today for me (and everyone else) might not work tomorrow. Soon enough, things like Little League, sleepovers with friends, and learning to drive will force some Y time to become X time. Ultimately, whatever becomes of my freedom, however small the slice gets, I’m ok with it. Because I’ll only ever get one chance to have a five-year old punch a sombrero off my face.

And that’s pretty cool.

Here’s some of the stuff G Man allowed me to paint.

And here’s the book I finished on his watch.

Love,

J Edward Neill

 

The death of 2016 – It wasn’t ALL bad

From the staff at Tessera Guild, we’d like to wish you a…

hny

2016 was one helluva ride, right?

Almost everyone famous ever passed away.

A reality TV guy became the U.S. president-elect.

And the best Star Wars film ever came out.

Meanwhile, the team at Tessera Guild punched out hundreds of articles on art, books, creativity, philosophy, and life, some of which you liked…and others you loved. 🙂

Here’s our top seven picks for 2016’s best, most engaging Guild articles:

My Mother – The Horse Diver

circa 1955: A diving horse and her rider disappearing in to a swimming pool with a splash. (Photo by Three Lions/Getty Images)

circa 1955: A diving horse and her rider disappearing in to a swimming pool with a splash. (Photo by Three Lions/Getty Images)

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Killing Your Darlings or Editing My Overused Words

writing

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Vanity Press: What Kickstarter RPG Rewards Are Available? – Slaughter at Splinterfang Gorge & Luminous Echo

screen-shot-2016-09-21-at-9_49_58-am-384x500

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Inside One Artist’s Mind

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Three Little Sunsets in Florida

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Interview with Brandon Easton, screenwriter for Marvel’s Agent Carter, Part 1

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And finally, included because it’s totally ridiculous (and totally true)…

Porn searches leading to our (totally) non-porn website!

pigs

* * *

Here’s to everyone having an amazing 2017!

The Tessera Guild Team

J Edward Neill

John McGuire

Egg Embry

Robert Jeffrey II

 Amanda Makepeace

Chad J Shonk

Dark new cover art for a Collection of Shadows

Machina Obscurum – A Collection of Shadows

Earlier this year, authors J Edward Neill, Chad J Shonk, River Fairchild, John R McGuire, Phil Elmore, JL Clayton, Robert Jeffrey II, F Charles Murdock, and Roy T Dodd gathered to create a collection of flash fiction and short, grim tales.

It went a little something this:

Tread lightly into ancient, forbidden realms.  Wander into the futures of apocalyptic worlds. Know what it feels like to face the darkness alone. 

Today we’re introducing new cover art for the book.

It goes a little something like:

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Machina Obscurum contains:

The Stiletto

Appetite

My Ears Rang 

The Sleepers

Phoenix

The Jupiter Event

Proxy: Fontane Di Roma

Til the Last Candle Flickers

Old Man of Tessera

Let the Bodies

Crispin

Murgul

And I Feel Fine

The Crossing: Moonlit Skies

Ice Cream

The Journal

The Sound of Silence

By the Time I get to Arizona

The Dark That Follows

Herald of Tessera

Crawl 

* * *

This book took shape due to the The Write or Die Project.

Check it out tonight…

J Edward Neill

Three Splashes of Darkness

Finally…

I’ve settled in my new house long enough to reboot my creative engine and slather up some new paintings.

I’ve got new lighting, a cabinet stocked with all manner of deep, dark colors, and a set of brushes sharper than any sword…

Please enjoy:

sylpha

Sylpha – 12″ x 12″

Sylpha is a character from my upcoming novel, Darkness Between the Stars. Here, I give her the abstract treatment. She cuts a sad figure, doesn’t she?

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forlorn

Forlorn – 12″ x 32″

Forlorn is the first painting I finished in my new setup. The colors are powerful, and the effect really strong in rooms with low light.

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lake-of-longing

Lake of Longing – 24″ x 48″

After I finished Lake of Longing’s red companion (Forlorn, shown above) I knew I had to paint a bigger, darker version. Lake of Longing is epic-level huge, and dominates my gloomy man-cave, just the way I love it.

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If you enjoyed these, you’ll probably also like these.

Until next time…

J Edward Neill

Ghouls, Demons, and Beasts

Here we are again. I have another spooky gallery of frightful art from the history vaults. You can see the previous posts here: Monster, Magic, and Moonlight and Eerie, Haunting, and Beautiful. Enjoy and have a Spooktacular Halloween!

AbleTalks Print Gala Online Store! #artforAT

Photo by Tami Kirkpatrick

Photo by Tami Kirkpatrick

If you weren’t able to attend the first annual Print Gala to benefit AbleTalks, you still have a chance to support this worthy organization and snag some cool art for your walls! The remaining prints from the event are available to purchase in the AbleTalks shop:

http://abletalks.storenvy.com/

All sales go to benefit AbleTalks, a non-profit that provides Tuition-free, independent, continuing education for young adults with autism and other intellectual disabilities that allow students to achieve the career of their dreams.

The Alchemist AbleTalks Print

Prints of my steampunk fox, The Alchemist, can be purchased along with many other fantastic works!

Print Gala Online Store

Don’t miss this chance. The shop will only be open till October 21st!

Painting with Darkness – Part XII

I like to paint trees.

A lot

Sometimes, even when I start a new canvas with every intention of painting a castle, a spooky city, or some other dark imagery, my brain misfires and takes control of my brush. Before I know it, I’ve painted yet another tree. I can’t help it. I’m a slave to impulse.

Knowing this, I decided to do a series of paintings to get all the trees out of my system.

And along came four little paintings, one for each season:

deep

‘Deep’ – for spring

midnight-2

‘Midnight’ – for summer

umber-300x145

‘Umber’ – for autumn

dusklight

‘Dusklight’ – for winter

 

I thoroughly enjoyed painting this series. These simple, yet fun paintings have a way of calming me. After working on them, I sleep better, I’m relaxed, and life feels easy.

You should try it sometime…

For previous Painting with Darkness entries: Part I, II, III, IV, V, VIVIII, IX, X, XI.

J Edward Neill

Painting Soundtracks

I can be a bit obsessive when it comes to music. I frequently listen to albums on repeat, especially when I’m working on art. Music helps me stay focused and inspired. Here’s a little taste of what I listen to in the studio…

If I’m working on something a little dark or Sci-Fi, I will often listen to the album Drink the Sea by The Glitch Mob.

I have several albums I love listening to while I’m painting a fantasy piece. If it has a mystical aspect to it I’m guaranteed to listen to Seven Lions.

If the piece is more nature based I might listen to Of Monsters and Men.

Then sometimes, I just listen to whatever is calling to me, like Masterplan, Bon Iver, Florence + The Machine, Placebo, M83, Blackmill, Metallica, Evanescence and many more.

 

Strange and Shadowy Art

Hi there everyone.

While it’s true most of my creative time is dedicated to writing fantasy, sci-fi, and philosophy books, in recent months I’ve found myself wanting to paint. As in a lot. As in almost every night. It’s something I do to relax at the end of a brutal day of word-battling. And it’s also something I can do with my young son, the G Man, who can’t watch me paint without wanting to wield a brush of his own.

As the days have passed, I’ve found my walls, closets, and nooks increasingly stuffed with the art I’ve dreamed up. Most of it portrays dark cities, twisted trees, deep space, and eerie landscapes. It’s these things that fascinate me.

Always have.

Likely always will.

So today I’m sharing some of my favorite canvasses. If you like dark art, or if you’re just curious, please browse and enjoy. If you particularly appreciate a piece or two, feel free to say so in the comments section below.

I typically name (but never sign) all my art. But today, just to keep it messy, I’m leaving the names off. 🙂

Here we go:

15272346_10208233194483325_5513701102521009144_o forlorn scavenger-of-the-night

IMG_0062-300x147 img_0094-300x223image2-300x146 Illyoc-300x198

the-demon sylpha lake-of-longing 15271927_1043668525779570_626948488346795251_o

Ghostscape-6-297x300   Grave-Rain-235x300   Four-Swords-300x225 shadow-tree-1-300x225Hallows-3-300x226 Fire-World-300x150 Midnight-2 let-there-be-fire-300x298Ocean-6-300x221 Pale-Swamp-300x225 Spiritfall1-300x245 String-Theory-300x96 keys-to-the-end-300x181 The-Abyss-300x237 The-Emperors-Vision-300x196 The-Hecatomb-Master-300x196 The-Last-Tower-300x225 The-Underhollows-300x224 Firemass-300x300 Faint-Glimmer-225x300 Dusklight-147x300 Dripping-300x202

ashes1-300x150 cold-tree perfect-dawn-300x236 Descent-300x292 Cixh3l_UkAE_pM0-300x300 Cheerios-300x300 Brothers-Finished-e1430745967326-300x166 Blood-Dawn-300x146 5-300x221 The-Rabbit-Hole-292x300 shadow-tree-2-300x234 Ghost-Tree-300x225 order-of-dracul-2-294x300 umber-300x145

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Thanks for viewing!

Interested in acquiring some of my art? Check out these links here and here.

Love,

J Edward Neill

The search for badass bloggers!

artists%20wanted

Hey you.

Are you an artist? An author? A photographer? Or someone with something awesome to blog about?

Yeah. We bet you are. 🙂

We think you should know; Tessera Guild is looking for someone like you.

Did you just finish a rockin’ painting? Cool! We want you to blog about it.

Did you publish an epic novel or a smooth little short story? Nice! We want to interview you about it.

Or maybe you want a weekly platform from which to write or podcast about art, life, and the end of the world? Yeah. We can help with that.

Tessera Guild is looking to grow its readership and help fresh new artists and wordsmiths get the exposure they need. We have primary openings on Tuesdays, Thursdays, and weekends.

There are no strings attached. We don’t charge any money to anyone. We’re not in this for the cash.

Seriously.

We’re looking for full-time contributors AND one-time interviews, blogs, and press releases.

Interested?

Good. It’s easy. Just reach out to us via the comments section or send an email to JEdwardNeill@Downthedarkpath.com.

Tessera Guild gets thousands and thousands of hits every single week, and has been for more than two years now. Seems like a no-brainer for you to join us.

See you soon,

Team Tessera

Making a Publication on a USB Drive

Making a Publication on a USB Drive

by Dylan Kinnett

Contributor to the awesome website, Infinity’s Kitchen

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Publishing has become a digital process. Books, newspapers, magazines, and posters are all, for the most part, created using software before they’re printed, by machines, onto paper. The older traditions of letterpress, screen printing, and binding by hand have taken a back seat to these newer technologies throughout the publishing industry, but they’re not dead.

Ink Press Productions, an operation based in Baltimore, Maryland, is a publisher that focuses on a DIY aesthetic, and relies heavily on the tried-and-true manual, human processes of book-making.

In that same city of Baltimore, Maryland, another operation called Infinity’s Kitchen is focused on the question, “what is literature in a post-digital setting?” It’s also a website that features video and other multimedia. This project seeks to do things with writing that take advantage of what print can do, but it also publishes work that cannot possibly be printed.

These two operations are collaborating to produce An Internet, which is a digital publication that does not rely on the World Wide Web to be distributed. Instead, it is a physical object, a USB drive. Dylan Kinnett, of Infinity’s Kitchen shares some coder’s notes, about what it’s like to build such a thing…

In the early days of the project, before the interface for An Internet had any code to support it, we had several conversations, largely centered around THE Internet. What is it? What is it meant to be? What is it becoming? How do we feel about it? What would happen if we were to bring a DIY aesthetic to the whole thing? I found myself thinking often about the very early days of the web, before Google became the apparently omniscient automated oracle that it is now, when the web really was a more handmade thing. There were hand-picked web directories, and web rings, and links pages, that provided personally chosen connections between one thing and the next. These connections were made as often by individuals, sometimes hobbyists, as they were by other individuals who worked for small (growing) companies. Now, the whole thing is so vast that these connections seem to be impossible to curate by hand, let alone to comprehend, and so we trust algorithms to compute relevance for us. A hand-made internet, if there can be such a thing, should resemble those early days, more than the algorithms.

Read the full Notes from a Coder article right here. *

By Dylan Kinnett

courtesy of InkPress Productions

Dragon Con Art Show Tomorrow!

The time has come! This afternoon I’ll be heading off to Atlanta with a car full of art for the 2016 Dragon Con Art Show. Drusilla and I have been hard at work in the studio preparing for what will be an amazing art show. I kid you not….

Drusilla is a little bummed I’m not letting her attend Dragon Con. She was totally up for a Kiki’s Delivery cosplay, which I admit would have been fun, but I would have to cut my hair super short–not happening. Sorry, Dru. On a more serious note, the 2016 Dragon Con Art Show is going to be an amazing show! This year’s Artist Guest of Honor is Stephan Martiniere, with guest jurors Daren Bader and Scott Fischer. You can check out the complete list of artist guests and participating artists in the show on the Dragon Con Art Show page. Below is where you can find me in the art show. I’ll have art for sale in the Gallery and for sale in the Print Shop.

Art Show Gallery

Art Show Print Shop

If you’re attending, don’t forget on Monday at 2:30 I’m hosting a panel on digital painting. I’ll be taking attendees through my process from sketch to finish!