Art Show: Jordan Con 2016 Tomorrow!

JordanCon 2016

It’s time once again for JordanCon! I’ve been consumed lately preparing for the Art Show. Consumed. I got behind earlier in the year when I was working on a painting for a secret project. I still can’t share that painting and it’s slowly killing me inside. Ha! But attendees at JordanCon will get a sneak peek if they buy one of my prints or an original from my bay. A crop of the painting is on the backside of my new business cards! I will be carrying some business cards on me too, if you’re brave enough to come up to me.

This year is a little different than last. I’m officially a Guest of the convention. Just a small guest, but a guest. Yay!! Saturday morning, attendees should head to the Washington room, across from the Art Show. At 11:30 a.m. four artists, including myself, will be playing Win, Lose or Draw. I promise you it will be hilarious.

Win, Lose or Draw at JordanCon

You can see almost all of the art I’m bringing to JordanCon in this public Facebook Gallery – JordanCon Art Show. I’ve pointed out which pieces will have prints in the print shop too. As always, I’m open to talking about my pieces if anyone is curious about my process and inspiration.

I’m heading out today around 5 p.m. for Atlanta. See you soon JordanCon!

Daydreams and Wanderings Anniversary

Daydreams and Wanderings

Friday, on April Fools Day no less, was the one year anniversary for the day my sketchbook funded on Kickstarter.  It was an experience I’ll never forget. The months afterward were just as exciting too. Holding my book’s proof in my hands. Opening my box of beautiful little books. Working on the sketches for my Kickstarter backers.

Daydreams and Wanderings Sketchbook

To celebrate the anniversary of my Kickstarter success I’m offering the remaining copies of my book for the early bird price of $15–originally only available during the Kickstarter last year. So if you missed out on my campaign, or want a second copy to gift to a friend, take advantage of this sale price. The sale runs till April 5th.

BUY YOUR COPY TODAY!

Here’s a look inside…

Pencils, Paint, and Pain – Tyrants of the Dead Art

It was long and difficult journey to publish my first three fantasy books.

I spent ten years writing them…then another two years in rewrites.

Along the way, I created and commissioned a ton of art for the series. Some of it was inspirational. Other pieces were meant as cover art, and still others for marketing.

Today I’ve brought a ton of it together. Think of this as a unified sketchbook. It includes pieces by the elegant Amanda Makepeace, the gifted Eileen Herron, and the super savvy Damonza.

Please enjoy the art of my Tyrants of the Dead series, which includes the novels Down the Dark Path, Dark Moon Daughter, and Nether Kingdom:

Ur Orig Sketch

Let’s start with a dirty little sketch I did. I sent it to Amanda Makepeace to aid her creation of Nether Kingdom’s cover art. You’ll see in the next pic how she took my humble idea and made it grand.

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Lady Makepeace’s full cover art for Nether Kingdom. This demonic dude is one of the Ur, the primary villains in the series. His skin is shadow, and his insides glow with starlight.

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Sarco

Here’s another bad, bad creature. This full-color piece was Eileen Herron’s vision of a Sarcophage (undead knight) who plagues the pages of book two in the series, Dark Moon Daughter. It’s one of my favorites.

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Dark Moon Daughter Createspace Kindle Front Cover LARGE

What’s this? Why, it’s the original Eileen Herron cover art for Dark Moon Daughter. I commissioned a full-scale painting, which still hangs in my bedroom to this day. Ultimately we went with something edgier and darker for the final cover, but I still love this piece.

 

DMD Warlock Image

This guy (in the lower right of the full painting above) is the only existing image of the malevolent Warlock. Ironically he was modeled after Eileen’s husband, who’s pretty much the opposite of evil.

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The Underhollows

Here’s a painting I did in 2015. I named it the Underhollows. It doesn’t appear in the books, but is meant to show what the world would look like if the villains won.

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Dark Moon Nether Kingdom Concept Dark Moon Daughter Interior Cover Art Cropped

Two Eileen Herron sketches of Andelusia, the series’ heroine.

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 IllyocHere’s a huge canvas painting I did called ‘Illyoc.’ It’s a bit abstract, I admit. It’s a view of the dark stronghold Malog, as seen from a balcony.

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NetherKingdomSKetchFUllCover

A conceptual piece Amanda Makepeace did. You can see how it’s the beginning of the Nether Kingdom cover. Pretty ghostly, yeah?

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Kinda looks like the killer from the Scream movies, yeah? It’s actually the first ever sketch of the Ur. Another Eileen Herron piece. Nice and creepy.

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Ande Cover 2 (GIMP)  Ande Full Body

These are shots of Eileen Herron’s original cover art for Down the Dark Path. Once again, she painted a large canvas for me which still hangs on my wall. The redhead is pre-darkness Andelusia. The guy with the flaming sword is Garrett Croft. The big red spiky ball was the concept for the evil Soul Orb. I love this painting. But as it turns out, it didn’t photograph well for the final cover. Check out the lone black lock of Ande’s hair. Hint…hint…

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Dark-Andelusia-Landing

Another Eileen Herron sketch of Andelusia. This is our heroine gliding out of the shadows. It’s a simple little drawing, but I’ve always been in love with it.

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Ande J Sketch Ande sketch DMD Ande11 Ande33

Early sketches of Andelusia by me (top left) Amanda Makepeace (top right) and Eileen Herron (bottom.)

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A promo digital painting of Andelusia by Amanda Makepeace.

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Here’s what the Soul Orb ended up becoming. This is just a sliver of Lady Makepeace’s cover work for Book I. And yes…those are bones!

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1 2 3 4

You’ve probably seen these before. I post them all the time. Book I is Amanda’s full cover art. The other three are paintings I did in 2015. The original canvas for Book II (Ghost Tree) ended up being a Christmas gift for a family member. The other two still hang on my wall at home. The painting for Book IV (Ocean of Knives) is epic-level huge, measuring in at 36″ x 48″. It took a month to paint!

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Dark_Moon_Daughter-InitialCover

 

This one was done by online professional, Damonza. He custom-did the entire thing based on a photograph of a woman I was dating at the time. That’s post-darkness Andelusia, and the eyes in the background belong to the Ur. This one is a fan favorite, probably because it’s so damn sexy.

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Eileen Herron’s art for Down the Dark Path…the bookmark. That’s a Furyon knight, fully armored and standing in a storm. It’s a badass piece. I wish I could’ve found a way to make it work for a book cover. Maybe someday…

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 DarkMoonDaughterBackCoverFinalCreatespace

 This was the original back cover for Dark Moon Daughter, which I nixed after Damonza finished his sexy cover. This was my first ever attempt at making a back cover by myself. It’s not horrible (but not good, either.)

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The Emperors Vision

 Here’s The Emperor’s Vision, a painting I did in 2015. You can probably see the similarity to Book IV’s cover art. This is meant to be the dark city of Morellellus, in which the very first passages of Down the Dark Path open. It’s still one of my favorites. It was among the very first things I painted for the series.

Ocean 6

Finally, I did a piece called Ocean of Knives. It’s an expansion of The Emperor’s Vision. Same city, same concept, but four times the canvas space.  This painting would quickly become the cover art for Down the Dark Path – Book IV in the mini-series.

Also, here’s a bunch of sketches I did wayyyyy back in the day.

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I hope you enjoyed this glimpse behind the scenes.

Love,

J Edward Neill

Are you an artist, a writer, or just a badass with words to say?

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Hey you.

Are you an artist? An author? A photographer? Or someone with something awesome to blog about?

Yeah. We bet you are. 🙂

We think you should know; Tessera Guild is looking for someone like you.

Did you just finish a rockin’ painting? Cool! We want you to blog about it.

Did you publish an epic novel or a smooth little short story? Nice! We want to interview you about it.

Or maybe you want a weekly platform from which to write or podcast about art, life, and the end of the world? Yeah. We can help with that.

Tessera Guild is looking to grow its readership and help fresh new artists and wordsmiths get the exposure they need. We have primary openings on Tuesdays, Fridays, and weekends.

There are no strings attached. We don’t charge any money to anyone. We’re not in this for the cash.

Seriously.

We’re looking for full-time contributors AND one-time interviews, blogs, and press releases.

Interested?

Good. It’s easy. Just reach out to us via the comments section OR the contact link. Or send an email here.

Tessera Guild gets thousands and thousands of hits every single week, and has been for more than two years now. Seems like a no-brainer for you to join us.

See you soon,

Team Tessera

 

Petite Works Group Show Walk-through

My painting Bone Magic is currently in a group show at Eight and Sand Gallery in Seattle. It’s a little show, for little works of art. Take a look!

Petite Works Group show Eight and Sand Gallery in Georgetown Seattle.

A video posted by Alexandria Sandlin (@cherrybonesalex) on

Petite Works Group ShowBone Magic is a 4×5 acrylic painting on Arches Watercolor board. The painting has been sealed with a gloss varnish. I attached an actual vertebrae from my personal collection to the solid wood frame.

The exhibit runs till April 1st.

Bone Magic Frame

Inside one Artist’s Mind

Warning!

This blog post may disturb you or in the very least make you question the author’s sanity.

 

On any given day there are a multitude of random thoughts and questions that pass through my mind. This is but a glimpse.

  • Is that a hawk or a vulture? Vulture.
  • I want one of those for the studio.
  • I NEED that for my studio.
  • What would people think if I started collecting roadkill?
  • Coffee. Coffee. Coffee.
  • Ugh, this painting sucks.
  • I need to draw more skulls.
Not roadkill--found under my bushes.

Not roadkill–found under my bushes.

  • I should paint a skull.
  • I need to find more bones.
  • Will I ever find a shed antler?
  • Tea. Tea. Tea.
  • This painting isn’t looking so bad now.

Some of my collection

  • I really want to find a crow feather.
  • I love this painting. I bet everyone will hate it.
  • Should I cover my gray hair? Who cares!
  • Is this a coyote track?
  • I wish I could take this mini skeleton home with me.
Mini Skeleton

3 ft. Skeleton seen in my Rhuematologist’s Office

 

  • I should organize my _____ .
  • I love this paper. I need to buy it all.
  • I wish I could back this Kickstarter.
  • I wish I could attend _____ convention.
  • I should save this small scrap of paper. I might use it for something.
  • I should save ______, I might use it for something.

These aren’t the only things that cross my mind, but they are some of the most reoccurring thoughts I have. I have folders on my computer filled with photos of bones. Not long ago I was keeping some bones in my jewelry box. Okay. I’m going to go refill my coffee now.

www.amandamakepeace.com

Watch me Draw

I don’t have much to say lately… So instead of me rambling about nothing of great importance, you can watch me draw a Red-wing Blackbird.

This drawing was my piece for this month’s #BirdWhisperer project. Red-Wing measures 9 x 9 inches, graphite and color pencil on Bristol paper. He has a new home in New York.

One dead. Every night. Forever.

Let’s keep 2016 cold.

Nah. Let’s keep it chilling.

Introducing the cover art for my novella, The Hecatomb.

TheHecatombWeb

Hecatomb (n) – an extensive loss of life for some cause…

The Hecatomb contains four spooky short stories, including fan favorites Let the Bodies and Old Man of Tessera.

The stories are all set in the same world.

It’s up to readers to decide in which order they take place…

TheHecatombWebBack

The Hecatomb is now available for Kindles and in a deep, dark softcover!

Special thanks to Amanda Makepeace for helping me put my original painting into print.

See you soon…

J Edward Neill

Cats in the Studio – Revisited

Life is never boring with cats in the studio…

Drusilla is a very paws on cat in the studio. She likes to be involved in my creative process every step of the way.

It’s not all mischief and mayhem though, there’s plenty of quiet moments too. This may look like adoration, but she could easily be taking a moment to ponder her next move.

Adoration or Plotting?

What should I do next?

Hunter is more reserved, a silent stalker type. Thus, there’s less photographic evidence… But he’s here. Watching. Waiting. Always.

Take a look at the first installment of Cats in the Studio.

Art Process: Ripley

I told myself I wasn’t going to create any art for Month of Love, a weekly challenge in February, created by artist Kristina Carroll (she also runs Month of Fear in October–another addictive challenge). This is my busiest time of year. It’s essential I focus. My mistake was taking a peek at the challenges/themes for this year’s event. I thought, I’ll just take a look. Looking doesn’t hurt….

Said no artist, ever…

Ripley for Month of Love

Ripley for Month of Love

Month of Love (and its counterpart) are hosted through Tumblr. Click on the image above to read my official blurb. Below are some snippets from the creative process.

Graphite Pencils, Charcoal Pencils, Charcoal Stick and a Kneadable Eraser

Ripley is Graphite and Charcoal on 9 x 12 inch acid free drawing paper. It would have been nice if I’d had some charcoal powder on hand, but I made do with a stick I borrowed from my daughter’s supplies. I haven’t worked with charcoal since my college days. It was fun and messy! Working with the stick also turned out to be the better option as it gives the drawing an organic rawness that would have been absent with the powder.

I worked on the drawing over the course of two days. On one of those days this was all I worked on. Now it’s time for me to get back to work on my personal project. I have my first exhibit of 2016 coming up next month! Details to come soon…

http://www.amandamakepeace.com
http://makepeacearts.tumblr.com

Painting with Darkness, Part VIII

In recent weeks, I’ve been working with my paintbrush more than I’ve been writing.

Turns out slashing with paint gets the darkness out of my system much faster than hammering on a keyboard.

And so I thought I’d share:

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‘Fire Lens’ – 36″ x 36″

Fire Lens is 3 lbs of canvas. It’s huge! The photo here is somewhat muted, but the live version is lustrous and dark, a shining white eye wreathed in deep crimson and black. It’s a room dominator, to be sure.

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Dripping

‘Dripping’ – 36″ x 22″

Dripping was a tortuous painting. It started as a watercolor experiment and became much more. I saturated my paints with as much water as they could hold (while still maintaining a bit of grey/black) and went to work. The acrylics drained down the canvas. The white lines you see are drip marks, which is exactly what I wanted. The muddled blacks and gruesome greys are where I let the watered paint form into little puddles. This is one sad, cold painting.

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G Sunshine

‘Sunshine’ – 16″ x 12″

My kid, the G Man, won’t let me paint without him. He’s done almost as much canvas work as I have! Here’s a quick multicolor work he named Sunshine. It’s a stark contrast to my darkness, which I love about his method. He says this is what the sun looks like up close. Pretty close, right?

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The Hecatomb Master

‘The Hecatomb’ – 30″ x 20″

Most of my work is without purpose. I just paint what I want and let the brush fall where it may. Not so with The Hecatomb. This large canvas was created with a book’s front and back covers in mind. The book by the same name will be out soon. It’s a sequel to this and this.

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If you liked these, here’s a few Painting with Darkness posts from history. Like this. And this. And this.

And the darkest of all my art appears on these.

Until next time.

J Edward Neill

Badb Painting for the 2016 Twitter Art Exhibit

“Through art we can change the world.”

In 2014 I participated in my first Twitter Art Exhibit. <– Click to see my previous entry. The goal of every Twitter Art Exhibit is to raise money for charities, through the selling of postcard size art. This year’s exhibit is taking place at Trygve Lie Gallery in New York City, March 31st – April 21st, 2016. It will raise money to support Foster Pride’s Handmade Program. You can read a full press release here.

Once again I decided to with the magical bird theme… Big surprise, I know. This is Badb. She measures 4 x 6 inches and is watercolor and acrylic on Fluid Watercolor Paper (Cold Press, 140-lb).

Badb for the 2016 Twitter Art Exhibit

Badb is a war goddess from Irish Mythology. She was known to take the form of a Hooded Crow and instilled fear among soldiers to sway a battle to her liking. Below is a series of time lapse videos I took during the painting’s creation.

FOLLOW
Website: www.twitterartexhibit.org
Twitter: www.twitter.com/twitrartexhibit
Facebook: www.facebook.com/twitterartexhibit

The Art of Bird Whisperers

You may have noticed I like birds. My friend and artist, Melissa Gay, also likes birds. You might call us bird whispers! We both have our own unique approach to depicting these feathered creatures. What if we created a work of art from the same reference photo? How similar or dissimilar would be they? I thought it might be fun to find out and Melissa agreed!

Gyrfalcon Stock

 

Here’s a stock image of a Gyrfalcon I found on DeviantArt. We both took a few days to create our piece of art and then without even showing one another, we posted them on Facebook.

Wow!

Same bird. Different art. Completely different vibe!

Melissa and I enjoyed this little experiment so much that we’ve decided to repeat it once a month. If you follow us on Facebook, be on the look out for our posts around this same time each month. You can also find our posts using the hashtag #birdwhisperer.

Amanda on Facebook – Melissa on Facebook

You can see more of Melissa’s art at www.melissagay.com.

Down the Dark Path – Resurrection

With new art comes new possibilities.

 Introducing ALL NEW cover art for the Down the Dark Path four-book series.

They’re slick. They’ve got terrifying new covers. They’re bound in feels-amazing-beneath-your fingers matte.

1 2

3 4

Book I preserves most of the original Amanda Makepeace art, but books II, III, and IV are darker than ever.

Drown in the darkest of all dark fiction series’ today.

J Edward Neill

The Revenant Movie Review

(Disclaimer: No major spoilers. Includes small plot revelations.)

 

Revenant: One who returns after death or a long absence

An apt name indeed.

The Revenant was a movie I knew I had to see from the first time I glimpsed its preview. A frozen wasteland. A grizzly Leo DiCaprio. An even grizzlier Tom F’n Hardy. And not to mention an actual grizzly bear. Terrible things were about to happen. Even watching the trailer, I could just feel it.

First, let me hit you with some truth. The Revenant is NOT for everyone. It’s not for kids. It’s not for teenagers. It’s not for the faint of heart. It’s not for fans of Michael Bay, Kevin Hart, superhero movies, or happy endings. It’s dark. And when I say dark, I don’t mean in a visual sense. Or a gothic, ‘look how angst-ridden the hero is’ sense. What I mean is that the subject matter gets down to the very bottom of what it is to be desperate. And human. And hungry.

The Revenant may very well be the darkest movie I’ve ever seen.

And the longer I lie here and dwell on it, the more I like it.

What we’ve got here is Leo DiCaprio as Hugh Glass, an enigmatic tracker/hunter in the service of Captain Andrew Henry (Played sharply by Domhnall Gleeson.) Also in their group are the brutal John Fitzgerald (Tom Hardy) and the young Hawk, who happens to be half-Native American (and Hugh Glass’s son.) These men find themselves on an expedition to collect and prepare hundreds of animal skins for sale, presumably to the American army.

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John Fitzgerald – Not a dude you want to F with

Without giving anything away, the whole sell-animal-skins plan goes downhill…and fast. The Native American Arikara, hostile with every right to be, get involved. A grizzly bear shows up. Tom Hardy is pissed. And death starts happening.

Let me summarize the next two and a half hours: Beautiful Violence

Because The Revenant is violent. So very violent. It’s not stylized. It’s not pretty. It’s not epic. It’s harsh. And it’s realistic. By realistic I mean it’s so visceral and unwashed that it feels like this is how real life was. It’s the opposite of The Matrix’s pretty skirmishes, Lord of the Rings’ bloodless warfare, and even Saving Private Ryan’s booming, catastrophic clashes. If I had to pick a movie to step through a door and experience in real-life, The Revenant would be last on the list. I’d be dead in seconds. And so would you.

But it’s also beautiful. So very beautiful. I fully expect this movie to take home the easiest Oscar for best cinematography ever. Not that awards matter. They don’t. What I mean is; every frame of The Revenant is poetry in motion. From the cold, sharp, deadly mountains to the frosted rivers to the snow-blanketed plains, the landscapes are stunning. I sat in my seat and felt the wind blowing over me. I saw the characters wandering beneath moonlit skies, and I was held rapt. The shots were all real. Very little CGI. The Revenant’s terrifying world is the truth. These places exist.

So what’s the point? What are these hard, hard men doing out in the middle in winter? It’s clear from frame one that some brave and foolish white men are moving through the wilderness during the last stages of the war against the Native American tribes of the American Northwest. They’re risking their asses, and they know it. But in the midst of this, Hugh Glass appears different. His son is half-Native American. He endures constant flashbacks (some of them a bit disconcerting) of his Native American wife and of the terrible things that happened to her tribe. His son, Hawk, is as noble as he is, and therein lies a problem. Fifteen minutes in, you know things are gonna go very wrong for Glass. And you know why. And how. It’s not just about racism. It’s about how some people know what honor is, and everyone else does not.

Kinda sounds like modern-day reality, right?

I suppose some people might say that the majority of the movie is a revenge/redemption trip similar to Braveheart. Or maybe a survival tale a la The Grey. I get it. And there are definitely moments in the movie that will confuse some folks. There’s not a ton of dialog. There are no one-liners. All the movie’s glory is given over to nature, not to man. Once it comes down to one dude slogging his way through the brutal wilderness, there is a slowness that will drive some movie-goers away. That’s all well and good.

But if you love movies, and you have a soul, and you’re willing to stop worrying about just simply being entertained, you’ll find something in The Revenant. It’s not just about white people fighting natives. The bad guys don’t wear capes to make themselves easy to hate. Every deed that happens here feels like it really could go down. It’s all so bloody human. When you finish watching it, sit down and ask yourself if you’d never do the things the bad guys do in this movie. If you’re honest with yourself, really honest, you’ll be conflicted.

And that’s beautiful. Because the best movies should make you think.

Look…I’m not sure whether or not The Revenant is my favorite flick over the last year. It had a few strange moments, to be sure. And sometimes it walked a tightrope of not knowing whether to be hard and cold or a little abstract in meaning. But ultimately, if you like movies about realistic human conflict, this is up there with the best of them. I recommend you go see it early in the day. Preferably on a cold, rainy day. And then, after it’s over, maybe even several hours later, I think you’ll start to like it more and more.

Just like I did.

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Like this review? Hit up my reviews of Mad Max – Fury Road, Whiplash, and my personal favorite, Ex Machina.

Or, since we’re talking about seriously dark fiction, drown in my short story, Let the Bodies.

J Edward Neill

More on Self Promotion

Social Media Tips

Self-promotion. The forest we try to navigate each day. If you sell a product, no matter what product, you walk this tightrope. It’s not as simple as shouting, buy my stuff, from my the highest peak. Self-promotion is hard work and it involves a ton of patience. It’s not always fun and you don’t always see results. I personally dislike the feeling of forcing my art on people. Each time I share something on Twitter I wonder, am I annoying folks? Is anyone even looking at my art? But then I start to pay attention to my statistics. Days I don’t share and talk about my art my views go down. Days I do… You get the point.
What might be the most difficult part about self-promotion for me, is the act of sharing things not about my art, but myself. I’m a quiet person. Not as quiet as I once was in my younger days, but my fellow Tessera Guild members will tell you–I’m quiet. I’m a thinker, and sometimes a loner. I don’t often say something unless it’s worth saying 100%. Ironically, this is key to self-promotion via social media networks. Key. When you interact with your fans you’re also building trust. Building trust will make your product look far more appealing than someone elses they don’t feel they know. Last year I wrote a blog post about building trust with online buyers after reading an excellent article at EmptyEasel.com. EmptyEasel is geared toward visual artists, but these five rules will apply to authors, musicians and anyone else selling something online.

I’m revisiting these five rules with new thoughts for the new year.

1. Don’t Make it About “You” “It’s about the community. People aren’t going to follow you if all you do is try to sell them stuff and promote yourself. Become a trusted resource, instead of a salesperson.”

Or better yet, become a storyteller. Whatever you’re creating, chances are there’s a story behind it and there’s an audience who’s ready to listen.

2. Be sociable “…the next time you think about listing one of your art pieces, take the time to figure out how you can present that piece in a more social manner.”

Don’t just post a link to the art in your shop. Think about making a collage showing the stages from sketch to finish.

3. Show the real you “Use a photo of yourself for your profile image, not a photo of your art, or company logo. People want to connect with people, not products or businesses.”

I’m not sure this is always necessary anymore, as long as your real face makes an appearance from time to time. There’s nothing worse than coming to know a public figure by their profile photo, only to find out it’s from 20-30 years ago. Don’t do that (unless you’re vampire).

There was suppose to be a dog in this photo! LOL Well, we both enjoyed the short walk. Beautiful day. 🙂 A photo posted by Amanda Makepeace (@amandamakepeace) on

4. Respond to your fans

“When you respond to your fans (or customers)…have a conversation with them.”

I try to respond to everyone and if I’m swamped with comments I will still post a ‘Thanks everyone!’ They are taking the time to make a comment, something totally voluntary, the least I can do is show my appreciation.

5. Be consistent

“From how you portray your company across various social networks, to how often you post…”

Also, remember that online and offline, you represent your art and/or brand. That’s why it’s best to be yourself, so when your fans meet you in public (whether it’s at a convention or the grocery store) they aren’t surprised…

I’ll be honest. There are days I don’t feel like socializing at all. I don’t beat myself up about that. Tomorrow is a new day and we all have off days. But when I am online I try to follow these rules and above all I try to have fun. I’ve met so many wonderful people since I joined social media and the various other sites you can find me. Some I even consider more than just acquaintances. They’ve become friends who support my creative vision and that’s invaluable.

Here are the social media hangouts I use most:

Instagram
Facebook
Tumblr
Twitter

I also have a monthly newsletter!

amandamakepeace.com

A Door Never Dreamed Of – Opened!

A thousand years from today, nearly all of humanity is jacked-In.

We sleep, connected to machines, dreaming our lives away.

For most, it’s the perfect life.

But for the few who never jacked-In, it’s exile.  

Abandoned, persecuted, and betrayed, the Outs plot their vengeance across the centuries.

And when they open the Door, two sides will meet.

But only one will survive…

A Door Never Dreamed Of

A sci-fi novella

Now Available!

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The beautiful SOFTCOVER, featuring the stunning art of Amanda Makepeace.

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The deadly E-BOOK. Ending Kindles everywhere.

J Edward Neill

The 7 best things from 2015

2015 was a pretty straightforward year.

It had a lot of suck: gearing up for an election, Rhonda Rousey, crappy movies, dabbing, death, war, and the continued proliferation of Facebook quizzes

But whatever.

For once in my life, I’m gonna dwell on the positive.

So eat some of this:

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The best movie(s) of 2015:

No. Not Star Wars. Ha. Not even close. The best movies of 2015 were Ex Machina, with its subtle nods toward one possible fate for humanity, aaaaaand Inside Out, among the most thought-provoking kids’ movies ever made. Please, let’s not talk about Jurassic Park (yawn) or Avengers 900. The year was short on excellence, but had high moments that might never be forgotten. Also considered for this list: The Revenant (technically didn’t hit theaters in time) and Mad Max – Fury Road (aka: the best action movie ever made.)

Machina

Ex Machina. Wasn’t really a hard decision.

 

The best book of 2015:

Whoa. Intimidating choices here. Admittedly I read less than any previous year since grade school (was too busy writing.) Nonetheless, with attention spans decreasing and the glut of vampire/romance/vomit thundering down upon the world, I’ve an answer for you. It’s Neil Gaiman’s Trigger Warning. It’s a bunch of slick short stories. It’s perfect for those who like quick reads, but who also like sharp, dark, excellent literature.

Trigger Warning

The best album of 2015:

Look. I get it. I know what you’re gonna say. You’re gonna talk about Drake, Adele, The Weeknd, or a bunch of other stuff with words. My full confession is that I can’t stand music with words. It really has all been said before. The sounds are what’s new, not the words. So with that in mind, I’m giving you an album you can actually use. It’s Junkie XL’s Mad Max soundtrack. Just blast this shit while driving and tell me it isn’t extreme fun. What’s better: no words. None. Just booming, thundering, 1,000 horsepower beats. Even my kid loves it, especially the unbelievably intense track – Brothers in Arms.

Max

The rhythms ARE the words.

The best meme of 2015:

Yep. Memes. They suck. They’re supposed to be miniature joke bombs to lighten everyone the F up. But nowadays they’re abused for politics, bullying, and stupid, never-ending inside jokes. So instead of sifting through the trash and finding something transcendent, I give you:

GIFSec.com

The best TV shows of 2015:

Look. I’ve a confession. I didn’t watch a single minute of anything not named football, baseball, basketball or hockey. Not a single, f’ing minute. So I’m leaving this one to you, the readers. What were your favorite TV shows? Because hell if I know. Just insert your show here __________________. I’ll trust your judgment.

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Jake Arrieta. What real reality TV looks like.

Most beautiful woman of 2015:

I know said I didn’t watch any TV in 2015. It’s still true. But I did catch a preview or two, and it got me thinking. Who’s this year’s new hotness? Who the F really cares? But since I made this a category, we’re going with that girl from that new show. I’m talking about Krysten Ritter. Followed closely by Rosie Huntington Whiteley. Yeah. I know. Rosie’s another nod to Mad Max. Shut up. 🙂 Anyway, Krysten really is stunning. Just look at her sulking here. If you can sulk and still be attractive, you’ve done something. Also a close runner up: Jan from the Toyota commercials. No kidding.

Krysten

Really? Right here on the train? Ok, girl from that show. If you insist.

Most handsome guy of 2015:

Who the F cares?

🙂

 

* * *

This got really sarcastic, really quickly.

Cut the sarcasm out of your life with some deadly serious fun. Right here.

J Edward Neill

Signs and Symbols: the Last Painting of 2015

Through a forest of ash and mist he journeys to seek the truth.

Signs and Symbols by Amanda Makepeace

Ever since I completed Renascentia in January of this year, I’ve been mulling over the next step. For the first time in several years I felt as if I’d tapped into something inside me–something powerful. I knew it was the beginning of a new series of paintings, but my vision was still incomplete. It took most of this year for me to unravel the ideas behind what I’m now calling Earth Rituals. I’m not ready to reveal all, but simply put it’s a series of two types of paintings: 1. People communing with the Earth (like Renascentia) and 2. People communing with animals (like Signs and Symbols above). Later next month, I’ll delve deeper into how the idea for Earth Rituals developed. For now, I’ll say that the symbolism in the paintings is sometimes based in mythology and old religions; while other times, it may be a blending or creation of my own.

Stone EyeIn Signs and Symbols, a young man has entered a dream forest seeking the answer to a question. I leave the question up to you. He seeks a crow in the forest that will give him his answer.

What is a dream forest? – It’s a place where this world and the unseen one coexist.

What is on his hands/arms? – It’s a mixture of charcoal, earth and water. The symbol was drawn on top of the paint with talc.

What is that symbol? What does it mean? – The symbol comes from a stone I have in my personal collection. It’s one of my favorites and reminds me of an eye. In the painting, it allow’s the young man to see the spirit crow in the dream forest and to communicate with her.

What do you think he’s asking her?

If you’re going to JordanCon 2016 you’ll be able to see a framed, one of a kind embellished print in the art show! I should also have limited edition prints available in my shop in a few weeks.

amandamakepeace.com

J Edward’s premier dark art sale

 Finally…

At long last…

My paintings are for sale at Society6.

If you’re into my dark art, and you know you are 🙂, click the pics below to get your very own art print or canvas reproduction:

 

Ghost Tree2

Ghost Tree

 

Spiritfall

Spiritfall

The Underhollows

The Underhollows

Ocean 6

Ocean of Knives

Grave Rain

Grave Rain (Cover art for the short story – Let the Bodies)

Pale Swamp

Pale Swamp

The-Abyss-300x237

The Abyss

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Black Moon Rising

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Falling In

Enjoy,

J Edward Neill

Inspired by Tolkien

“Some of my kin look just like trees now, and need something great to rouse them; and they speak only in whispers. But some of my trees are limb-lithe, and many can talk to me.”

— J.R.R. TolkienThe Two Towers

Shepherd of the Forest

Tolkien’s Ents have always been a favorite of mine. I suppose that’s not too surprising if you know me well enough. If given the opportunity I’d spend an entire day roaming the woods. I only wish our forests were protected by such magnificent beings.

I created this shepherd specifically for the EBSQ Inspired by Tolkien exhibit. If you like him, click the LIKE button here: http://www.ebsqart.com/Art-Shows/Exhibits/Tolkien/429/1/

A Door Never Dreamed Of – Cover Reveal!

 

A few weeks ago, I teased the backstory for my upcoming sci-fi novella, A Door Never Dreamed Of.

As for the cover art, it’s been done for more than a month.

In August I reached out to Tessera Guild goddess, Amanda Makepeace. It felt like an obvious choice. I mean…she’d already done amazing work on the covers for The Sleepers, Hollow Empire, Nether Kingdom, and Old Man of Tessera. I never had any doubt about who I was gonna ask.

For almost a year, I’d been itching to find a way to get Amanda’s painting, The Jupiter Event, onto one of my book covers. I just happened to be wandering her website when I stumbled across it. After seeing it, I  knew it would be a perfect fit. After all, Jupiter is half the setting of the book (sort of.)

The scary, spidery, black-as-death image she’d created was perfect for the Achilles space station, home of the exiled Outs.

 And so…

WebImageFront

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A Door Never Dreamed Of

Update: this title is NOW AVAILABLE!

If you need cover work or if you just want cool art for your house, I suggest Lady Makepeace. You can’t go wrong.

J Edward Neill

Machina Obscurum – Set List of Shadows

Coming in early December…

Machina Obscurum – A Collection of Small Shadows

More than 20 shadowy shorts by authors: J Edward Neill, Chad J Shonk, River Fairchild, John R McGuire, Phil Elmore, JL Clayton, Robert Jeffrey II, F Charles Murdock, and Roy T Dodd

 

Tread lightly into ancient, forbidden realms.  Wander into the futures of apocalyptic worlds. Know what it feels like to face the darkness alone. 

No matter what whets your appetite: sci-fi, horror, fantasy, or hard, dark realistic fiction, A Collection of Small Shadows has it all.

…and more.

Machina Front Cover

Contents:

The Stiletto

Appetite

My Ears Rang 

The Sleepers

Phoenix

The Jupiter Event

Proxy: Fontane Di Roma

Til the Last Candle Flickers

Old Man of Tessera

Let the Bodies

Crispin

Murgul

And I Feel Fine

The Crossing: Moonlit Skies

Ice Cream

The Journal

The Sound of Silence

By the Time I get to Arizona

The Dark That Follows

Herald of Tessera

Crawl 

* * *

Will be sold as a sexy black matte softcover and an electrifying e-book.

The Write or Die Project is complete.

J Edward Neill

Painting with Darkness – Part VI

A few months ago, I got it in my head that I wanted to paint something huge. Something to be the centerpiece of an entire wall. Something that if people walked by, they’d have to stop and look.

And of course, it had to be dark. Because…well…you know.

And so I present: Ocean of Knives

Ocean 1-

After securing a 36″ x 48″ white canvas, it sat in my closet for a solid two weeks while I stewed on what to paint. Would I use colors? Blacks & whites? What would be the subject matter? And once I finally stacked the canvas up on my easel, life got precarious. Each brush stroke threatened to topple the easel and ruin everything. I had to be like Muhammad Ali: “Float like a butterfly, sting like a bee.”

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Ocean 2

Surfaces started to take shape. Pale rivers flowed from the hills into a deathly ocean. Things were looking stark already. I loved it. And yet, while making wild ovals and grey hills was fun, it was by far the easiest part. Life was about to get harder.

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Ocean 3

Ocean of Knives was meant to be a companion piece to my novel, Down the Dark Path. I began adding watercolor towers (knives) in the distance. Like snowflakes, each ‘knife’ had to be different. Some were forked, others straight as sin. Looks kinda barren in this pic. It wouldn’t stay that way for long.

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Ocean 4

Now it came time to add the big towers. To make them straight, I carved out varying lengths of posterboard and used the pieces as straight-edges. For the wavy and irregular towers, I freehanded. Raise your hand if you’d like to live in one of these things. Am I the only one? Well ok then…

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Ocean 5

The quality of this pic sucks because I used my iPad. But I couldn’t leave it out. It shows the towers almost fully added. I still needed more watercolors for the faraway ones. And I needed street-level buildings to fill the city out. But progress was made. By this point, I’d spent about 12 hours on the painting. Whew.

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Ocean 6

The finished painting – 18 hours in. See those little pale dots? They’re windows. I tried to count while adding them, but lost track at 2,000. Yes really. I figure there are about 3,000 little white windows in all. Tedious as hell, but utterly worth it. Also notice the deepened shadows the towers cast across the water.

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Ocean 7

Just to show scale, here’s my 4yo, G Man, standing beside the painting. He’s a bit tall for his age, but even so. The canvas is about 4 times his size.

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While painting this bad boy, I listened to soundtracks. A lot of Hans Zimmer, David Julyan, and Clint Mansell. Nice, brooding stuff, all of it.

Hope you like ‘Ocean of Knives,‘ companion piece for Down the Dark Path.

For other dark art I’ve done lately, look here and here.

J Edward Neill

Eerie, Haunting and Beautiful

It’s that time of year again… I hope you enjoy these fantastical artworks and have a delightfully dark Halloween!

 

Did you miss last year’s post Monsters, Magic and Moonlight?