Selling the Last of my Shadows

This gallery contains 14 photos.

 The ORIGINAL canvas art for J Edward’s most popular paintings are now available. The paintings are here. Interested buyers should reach … Read more

Thursday Art Assault – Bring the Dark Art!

 Please enjoy two of my recent paintings. The first is Lucifera, which is another angle I painted of this girl.

The second is a quick collaborative 3D piece I worked on with sculptor Tahina Morrison.



The base sketch. Just pencils on a treated canvas.

Step 2 – Splash watercolors and acrylics on her face (while sipping on bourbon.)

Step 3 – Get crazy with demonic horns.

Lucifera – Finished piece

And here’s a side-angle, right after I varnished her.


Next up – Skeleton Chair

Skeleton Chair – Tahina Morrison & J Edward Neill


For more like these, chase me on Instagram.

Or crawl after me on Facebook.

Watercolor Warfare

My co-painting collaborator has been down and out lately.

While she’s under the weather, I’ve been busy with my new favorite style.


Here’s a few I’ve slathered up. Please enjoy:


Stygian Tree

For Stygian Tree, I wanted a slightly Asian theme. Bold colors, stark lines, graceful curves. This painting was both fun and rewarding to create.



A friend asked me to paint/draw a tattoo. It’s a request I’ve often received, but usually avoided. Drawing tattoos doesn’t really pay, and then there’s the whole ‘this will be on someone’s skin forever’ pressure.


With Diabolos I made an exception.



Using a similar style to Diabolos, I popped the cork on a bottle of Apothic Red wine and went nuts on a huge sheet of watercolor paper. I let the paint flow as it willed, and Daemonic was born.

Sometimes the most interesting pieces arise from a total lack of planning…



Who’s everyone’s favorite Egyptian god? Anubis, that’s right! This one’s huge, and it sold mere moments after I posted it. Truth is…I’ll miss it. I had visions of framing it above my bed.


Hallowed Slopes

Trees. Mountains. A minimalist style. If I’m being honest, I painted this one while deep in my cups. I still like it. But perhaps it’s missing something?



For ‘Gravity’ I decided to use an intense blend of greens, blues, and blacks. I’m not sure I’ve ever had more fun painting. I pretty much went wild with the brush, using huge, wavy strokes to create the gravitational waves.



For Caryatid, I began with a charcoal/graphite base, then slathered on heavily-watered paint. The combo is unusual, I admit. The subject matter…well…maybe unusual for me. Maybe not. 🙂



Most of my watercolors, I finish within a single day. I like to keep the painting surface wet and pliable (and easily changed.) But with Fireroot, I kept coming back for more. I wetted and re-wetted four separate times. What at first was a lighthearted forest scene grew darker, thornier, and shadowy-er.


Shadow Walk

And finally, here’s one I’m not quite done with. We’ve got an Asian-looking tower, some deep blue hills, and the hints of twilight clouds. The plan is to darken the sky considerably.

…and make the moonlight furious.


Thanks for stopping by.

Prints are available here.

For purchase inquiries, hit me up on Facebook, Twitter, or via email. Most of my watercolors are $20. (They’ll need to be mounted and framed.)

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J Edward Neill