A Love Renewed?

Many years ago I was betrayed by a comic storyline.


When I first started reading comics, Spider-Man was easily my favorite character. Of course, I’d watched his cartoon, could sing the theme song, but reading his monthly adventures connected me to the character in a real way. And much like any kind of entertainment that we absorb in our youth, it becomes “THE” best version of things. You hear it all the time no matter what the generation, they all believe that their music or their movies or their tv or their books or, yes, their comics were the best. That if things just had ended there, it would have been fine, because clearly, it was the pinnacle of the art form.

So, when I read Spider-Man it was literally only a few months later that he was married (to Mary Jane). This was around ’87 or ’88, so never mind that he’d been single for 25ish years up to that point. No, for me it was him and MJ against the world.

I actually laughed over the years at reading various articles about Superman and Lois. It seemed time and time again a new writer lamented that the two had married. That somehow they couldn’t tell the stories they wanted to tell because they were married. Which seemed ludicrous to me.

You see, in Superman’s case there had been 50+ years of him being single. Goofy stories, serious stories, stories where he contorted around a plot that Lois was about to figure out he was Superman… etc. But he’d only been married for less than 10 years and they were already out of ideas? How was that even possible?

But then I began hearing similar things about Spider-Man.


I read somewhere that as a writer of a comic (or probably anything you are a temporary custodian for), your job is to leave the “toy box” with more toys than when you got there. It means that you leave the story greater than when you found it.


The grumblings were always there. They even launched a whole storyline now referred to as The Clone Saga in an effort to have a single Spider-Man again.

It didn’t stick and eventually, we returned to Peter and MJ as a married couple.


Then came One More Day.

Setting aside the actual storyline, the end result was a comic book going forward where Spider-Man and Mary Jane weren’t married… heck, they weren’t together.

It didn’t make sense to me. You had 25 years to tell your single Spidey stories. And at that point, he’d been married as long as he’d been single. They were returning the character to a version from their youths by taking away the version from my youth.


I’m one of those people who never quits on a comic (or nearly so). I’ll suffer through some bad artwork and worse storylines for certain comics (Avengers and Flash come to mind). You read a comic and you’re in until they cancel the book. That’s how it works in my head. These characters are my characters.

I’m invested.


I stopped reading Spider-Man comics at that moment.

I didn’t go online and complain. I didn’t raise a fuss on some social networks (though I’m sure some of my friends were tired of me talking about it). I figured the only way for me to show my true disapproval was to stop buying the comic. They wouldn’t have my $10 every month.

Chad Shonk (of many articles on this site) told me that it wasn’t right, me not reading Spider-Man.

He wasn’t wrong.


Life moves along. The seasons change. More comics are printed and read.

And still, I didn’t buy the comic.

I’d get my fill of Spidey in his guest spots here and there, but I knew very little about what was going on in his book. Considering for 20 years, I’d had a subscription to at least one of his books, there was a true gap.


A couple of months ago I enrolled in Comixology Unlimited (think Netflix for comics and you’re pretty close). A couple of weeks ago I noticed one storyline was sitting there to be read: Superior Spider-Man. A story of Doctor Octopus switching bodies with Peter Parker and becoming a better version. The storyline lasted over 30 issues.

I think it took me only a couple of days to get through them.

And weirdly, because it wasn’t my Peter Parker, it allowed me to enjoy the book for what it was – a villain learning how to be a hero. You see, I’m a sucker for the redemption storyline in any medium. And while I understood eventually the real Peter Parker would return and prevail, I enjoyed the ride.


Maybe it’s a rationalization. Maybe I’ve given up on my stances from over 13 years ago. Maybe I believe that the amount of money Marvel is getting from me through Comixology is small enough not to matter.

I’m not sure what more I may or may not read. I certainly have plenty of comics to read in my to-be-read pile as is.

Still, it was nice to have a reunion with an old friend. To be able to check in with him and see how he was doing after all this time.


John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

About John McGuire

Writer of comics and novels. In 2006 his first short story "The God That Failed" was published by Terminus Media in their debut comic Evolution Book 1. Since that time he has had stories published in Terminus Media's Evolution Book 2 and Evolution Special, Kenzer and Company's The Knights of the Dinner Table, and Four J Publishing's The Burner #3. Currently he is eagerly awaiting the digital publishing of his first creator-owned comic The Gilded Age #1 to be published online as well as his first novel The Dark That Follows later this year.
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