Movie Review – The Marvels

There is a ton of talk about this movie online. Honestly, it is to the point that I’m wondering about that old saying “whether it is bad or good… as long as they are talking about you” still applies. After one weekend, this has underperformed at the box office, and while many people have listed their own theories about why this has occurred (smarter and dumber people alike), it seems to me we’ve gotten away from the key part of watching a movie.

Did you like it?

Yes.

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Thanks for coming to the blog!

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OK. The first Captain Marvel really occupies an odd place in the MCU as it came out after Infinity War but before End Game but took place in the 90s, which put in a position where it didn’t really fit into the current storyline and acts as a prequel to much of the MCU (other than say the first Captain America movie). It introduces more of the Kree (since Ronan in Guardians was really the only Kree we’d met otherwise) and sets up something that within the comics is a HUGE deal: the Kree/Skrull conflicts.

I enjoyed the first one, but I must admit, I haven’t gone back to do a rewatch so it might have been seen through rose-colored glasses as we all waited for End Game.

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With Marvels, my concern was how well would people who haven’t watched the tv shows understand who these characters are. We’d watched WandaVision, so Monica’s story was familiar to us, but we haven’t had a chance to watch Ms. Marvel. And while I am familiar with the comic version, I haven’t really read much with her in it. Luckily, I think they did a pretty good job of introducing both, even if Monica has a leg up due to Captain Marvel being Aunt Carol.

The sequence which gets the movie started is them switching places whenever one of them uses their powers at the same time as another of the trio. Which creates a breakneck series of fights which does a nice job of illustrating each of their power sets. When the three are finally all together, the embarassingly cute interaction Ms. Marvel has with the other two women is infectious. It also does a nice bit of contrast to one of the things people complained about with the first one – that Captain Marvel was too stoic. In fact, that is kind of her character arc here. Someone who has seperated herself from the rest of the universe, someone doing a job only they can do, and just being utterly alone. Faced with a “team”, she balks at it because it is so against her nature. Yet as things continue, she has no choice but to literally and figuratively embrace these two souls. It was this underlying thread that still made it HER movie in so many ways.

Dar-Benn

On top of everything else, though, this movie feels like something where everyone is having fun. The actors look like they are into it. The writer clearly understood this was supposed to be more about the three heroes and their developing relationships between one another rather than the larger plot. Which may be the one bit of “bad” about the movie for me.

I don’t know if they completely knew what kind of villain they were portraying here? Is Dar-Benn your classic cosmic world destroyer in the vein of Ronan? Is she someone who is only trying to do her best to restore her homeworld back to from the brink of annihilation? Or is she someone who is bent of revenge against a sworn enemy?

Now, that sounds like the beginning of real depth for Dar-Benn, but it is here that things seem to get confused. She is all these things, but we only find out about the revenge against Captain Marvel near the end of the movie which makes it seems like it was her ultimate motivation. However, this came across as more of a “oh, ok” moment rather than a “WOW” moment. I wish they would have put something more into that, even an exchange between her first officer saying something about getting revenge is how she’s picking her targets.

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The cosmic side of Marvel has so much to explore and these characters could allow them to do just that. And could even seed some additional ideas for a Fantastic Four movie (Annihilus is out there).

The comic book nerd would hate for the lower box office to hurt these explorations in the future. There is a ton to enjoy about this movie, and if the first one didn’t quite hit right, this one has a feel very different to that one – it may be more in your wheelhouse.

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John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Best Marvel Movie Moments – Phase 1

After watching Guardians 3 a couple of weeks ago (I’m only a little behind the times), it got me to thinking more about the Marvel Cinematic Universe again… and more specifically those moments within the movies where I will rewatch the scenes over and over because they are so good.

Phase 1

I Am Iron Man – Iron Man 1

We can start with the biggest moment within all the movies, which is Tony Stark admitting that he’s the one in the suit. Supposedily this line was ad-libbed as the writers had planned to go with the Body Guard story. What’s interesting about this is that for so much of Iron Man’s career, that was the cover story within the comics. Iron Man was simply a hired body guard… who also happened to be in the Avengers…

Which never made a ton of sense other than the “it’s a comic book, what do you want?”

So many heroes over the years have this secret ID to protect their loved ones, but with Stark it felt a little more odd since he could legitimately protect those people with the weaponry and technology he invented.

With that one moment though, the movies told us that this was going to be a little bit of a different take on the character… and what is even more amusing, I feel like the comic version has pretty much adopted a form of the Robert Downey Jr. version.

Art imitating Art?

Cap jumps on the grenade – Captain America – The First Avenger

What’s the best way to show the deep down parts of someone? What happens when you put someone in a life or death situation. With one moment, we can see who Steve Rogers is. We can see why he is deserving of the power he eventually possesses. And we can see that he is someone to inspire others around him because he’s willing to make the sacrifice if that’s what is needed.

Avengers Assemble

Black Widow Interrogation – Avengers

Black Widow has a ton of great moments in the film, but the key one is the very first one. We find Natasha being interrogated by Russian Mob. And the old thoughts from a thousand movies begin to work their way into our brain: how is she ever going to get out of this mess?

Instead, we see very quickly she was always in control. Much like with Captain America in the grenade scene, this one tells us so much about the character, why she is so trusted by Nick Fury and SHIELD, and that her connection with Hawkeye is extremely important (and personal).

Punny God – Avengers

The Hulk slamming Loki against the floor over and over again.

What more do you need?

The funny thing about the actual line “Puny god” was that I didn’t hear it on my viewing in the theater. Nothing could be heard over the laughter and cheering. It was only after I sat down to rewatch the movie at home and got to experience the full scene. Which made it go from good to great.

The Team is Assembled – Avengers

This is not only the culmination of Phase 1 with all the characters striking their hero poses and truly becoming Earth’s Mightest Heroes. However, for me it was something I wouldn’t have ever dreamed would have worked. It shouldn’t have. Putting those characters on the screen and having it make sense. To have the other lead in movies manage to do well enough that it could propel us to this movie. That should have been impossible.

My inner 12 year old was/is glad that wasn’t the case.

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Of course, there are a ton more, but these were the first ones to come to mind.

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John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Repost – What if… Last Action Hero was a Good movie?

I wanted to look at a movie that could have been something more, but was tied to an aging actor and an annoying kid and only wanted to be tongue in cheek about the whole “Cop” movie thing.

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So What If…. Last Action Hero was a GOOD movie?

I know what you’re thinking: “John, there is no way to salvage anything within that movie!”

And you know what, random person talking to their computer screen, you’re probably more right than you are wrong… but let’s give this thing a try anyway.

Note, the one thing I am not touching is the soundtrack. Say what you will about the movie, Alice in Chains (2 songs!), Anthrax, AC/DC, Megadeth, Def Leppard, Aerosmith, Cypress Hill, Tesla, Fishbone… it is one of those albums that I still listen to from time to time.

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For those of you who don’t remember, the movie was supposed to be a parody of the 80s action movies (anything with Schwarzenegger, Stallone, Russell, Gibson, etc). A kid manages to get a magical movie ticket that puts him directly into the movie he’s watching. Eventually he brings Arnold back into the real world where suddenly Arnold realizes that the rules here are not the same as they were. And worse yet, his arch-enemy has somehow made his way into the real world as well!

That’s actually not a horrible idea on the surface. That core concept of what is real and what is fantasy. And that’s what my version would focus on as much as anything else. Those little moments that appeared in the movie, but were glossed over due to the need for another catchphrase or yelling boss or even cartoon cat.

My version would still begin with Danny watching the movie, getting the magical ticket, and then getting sucked in. But our hero, Jack Slater, wouldn’t be a goofy parody spouting one-liners left and right; no, this would be someone who had seen the worst in people and still managed to keep going (think Se7en for an idea of the feel I’d be going for). He’s a person who is barely holding on to his sanity and is constantly wondering why all these terrible things always seem to happen to him.

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So when Danny reveals that he’s a character in a movie series our hero lashes out. The idea that someone has been dictating the horrors of his world, tearing his marriage apart, killing his son, keeping him estranged from his daughter… that would be too much for him. And even though Danny would try to plead with him to follow through on his latest mission, Slater ignores the kid and then goes on a spree of his own. If the world is always going to be terrible, then why bother with it, why bother with saving anyone… let it all burn… and he uses half of the ticket to go into the real world (Danny rushing in after him)…

While the second piece of the ticket manages to fall into his enemy’s hands, Benedict. This is a man that has stood by and watched Slater destroy his boss’s empire, and only by luck was Benedict able to escape. Once he finds out about the ticket he sees it for what it is – a way to go to other worlds than these – to recruit like-minded people to his cause, giving them the freedom in the real world that has been severely lacking for any of them.

In the original Benedict has a monologue where he talks about the real world being a place where the bad guys can actually win. He talks about going to get the villains and bring them out. But we never get to see that moment in the original. And I believe that is a huge missed opportunity. So in my version we not only see some of it, but these villains coming out are not treated as just randoms… no, Benedict would have begun to research who might be able to help him.  And freed them. And the Ripper would be one of them.

Now the real world is suddenly going to Hell and somehow Danny still believes in the HERO that Slater was. He convinces him by telling him that while it is terrible that all those horrific things have happened, he always knew that Slater would still try and do the right thing. That he could still be the man Danny always knew him to be.

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And that would set up an ending where Slater not only has to deal with Benedict, but with the random assortment of baddies that are out in this world. It gives Danny a chance to assist in figuring out those characters who Benedict might have contacted in the first place (what the people are like, what their weaknesses might be, etc.).

We end with Slater and Benedict squaring off, Slater run through the ringer, but somehow finding enough strength to finish his enemy off. A beaten and bruised Slater limps back to the theater with Danny helping him, ready to go back to his movie life again… Danny fires up the movie, but instead of Slater IV, it is something nicer – perhaps a romantic comedy. A just reward for the life that Slater has led.

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John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Movie Review – Ant-Man and the Wasp: Quantumania

After spending the last two blog posts talking about Marvel’s Phase 4 movies, I finally managed to get out and see the first movie to kick off Phase 5: Ant-Man and the Wasp: Quantumania. While the Phase 4 movies and shows gave us glimpses of where (when?) we might be heading… it is here that the big storyline for the MCU really kicks into gear.

It’s an interesting choice to use an Ant-Man movie for this purpose as the first and second movies were really elaborate “caper” movies. They played things more for the laughs. And yes, while Marvel movies love their comedy bits, I feel like the Ant-Man movies lean into the full comedy with a touch of science fiction. So if you were to tell me which Marvel character would be best suited to provide us with Kang the Conqueror, I would have probably leaned more toward a Thor movie or Guardians of the Galaxy or even The Eternals (if you had to). In the comics, Kang is traditionally a full Avengers team opponent, so no matter who had first contact with him, it should potentially leave us with the idea of “We’re going to need the whole Avengers team to deal with this.”

Ant-Man 3 then has to really pivot from those first two movies. The sidekick friends are missing from the film to instead focus on the surrogate Pym/Lang family which has developed in the time since End Game. Really, there is no opportunity to spend much time with anyone else, as we quickly find our heroes all trapped in the Quantum Realm doing their best to navigate this alien world and find their way back to each other.

All the while, the threat of Kang the Conqueror hangs over them (and the world).

This is very much a superhero movie with BIG STAKES.

Michelle Pfiefer’s Janet Pym is effectively a co-lead within the movie. She is the only one of the five who has any real idea of what might be in store within this world, and therefore literally takes the lead trying to reunite the family and find a way home. Which works well for the most part… however, her character does the trope of not telling her family about Kang and the danger he represents for nearly half the movie. This isn’t a case of a story where maybe the character with “knowledge” doesn’t know whether she can trust the people she is with… no, she’s with her husband and daughter. But instead of taking ten minutes to let them in on the big problem they have, she instead dodges the question.

Paul Rudd’s Ant-Man also gets to play the big hero in this movie. It’s another place where you can really see where this character has started back in Ant-Man 1, and where he’s ended up. He’s someone who is content to not play hero. He’s someone who lost 5 years with his daughter. Someone who also was directly responsible for saving everyone who were Blipped. He’s an Avenger. And while they play that bit for laughs, with that designation, he’s someone who has to help others (or, at least he should).

I really liked the various alien creatures ont he world. Many of them had very cool and unique looks to them that I almost wondered what a Quantum Realm tv show should look like. There was an oddity to some (much) of it and while many of those characters offered some humor, for the most part I thought it worked.

However, what didn’t work for me was MODOK. Without getting to in the weeds (and spoilery), MODOK is a character that comes off as a complete joke. Everything is played for laughs, which makes little to no sense considering he is a Mechanized Organism Designed Only for Killing. Leading up to his appearance he is called the Hunter. Someone who is not only dangerous, but is basically death for those who encounter him.

Yet, that is never shown. Instead it is one character making fun of him after the next. There is a never a moment I really feel like he should be taken seriously. And while I’m not a big fan of the character in the comics, there might have been a way to do him justice… this wasn’t it.

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So does this work as the launch of Phase 5? Does this movie start the ball rolling for the Kang saga?

Yes. I think that Kang is shown as a very credible threat. Someone who is not only powerful, but he’s powerful on a scale completely different from Thanos. Where Thanos sought to change the fundamental nature of the universe, Kang is someone who snuffs out timelines. He arrives and he conquers. Because that is who he is. It isn’t for some misguided attempt at a noble reason. It is because he can.

And that is someone who the Avengers (and Fantastic Four and maybe the X-Men) will need to be brought back together to stop.

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John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Marvel Phase 4 – Just What is Going On Part 2

Twitter/DragonKid21

Part 1 can be found here.

I wasn’t thinking about doing a part two to my post last week on the Marvel Cinematic Universe Phase 4. In fact, I pretty much had said my piece about it. But something hit me as odd the other day, so I figured I would dive into it a little bit more.

So up until Phase 4, all our storytelling was done on the big screen. Well, that’s not entirely correct. We had the Netflix shows which clearly were in the same world (they even mention the Incident or something like that when refering to the events of the Avengers movie). And then there was Agents of SHIELD which took a movie character, Agent Colston, and built a story around him and his team at SHIELD. That one didn’t really influence much (if anything) in the movies, but it did have to react to the big moments in some of the films (with one of the biggest reflecting HYDRA’s infiltration of SHIELD, which the tv show dealt with much of the fallout from Winter Soldier).

Oh, and Agent Carter, which tied into the Captain America movies as well as Black Widow.

Regardless, the movies played on one side and the tv shows were on another. The movies were the only thing to push the overall Infinity Stones story-arc forward.

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It’s actually sad that there wasn’t a Marvel show set during the 5-years post SNAP. It seems like there might be a lot of stuff to mine from that era, and yet aside from a couple of flashbacks here or there, there isn’t much story being told about that time.

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However, when you talk about Phase 4, you can’t ignore the tv shows. Or, at least, you likely can’t ignore them. Hawkeye is somewhat of a sequel to the Black Widow movie. Loki introduces Kang, who is our villain in Ant Man 3 and is the BIG BAD for the Phase 4 through 6 movies. Falcon and Winter Soldier sets up Sam Wilson as your new Captain America, leading straight into Captain America 4: New World Order. Even Ms. Marvel is going to be in the Captain Marvel sequel: Marvels.

Oh, and I nearly forgot about Scarlet Witch in WandaVision and then following up on her in Doctor Strange 2.

Ok, we get it. You need to watch the tv shows to get the full picture. So what?

Well, here’s the thing. If you are only focused on the cinema side of things, then you are going to miss out on not only the introduction of some (many) of the characters and storylines in the upcoming Phase 5 (and potentially Phase 6) movies, you are potentially not seing the bigger picture. It the multiverse storyline feels a bit hodgepodge to you, perhaps it is because you didn’t watch Loki (or What If?) where that is an extremely important portion of the overall story. In fact, it pretty much sets things in motion for the next phases of stories.

Put another way:

Phase 1 – 6 movies (2008 – 2012)

Phase 2 – 6 movies (2013 – 2015)

Phase 3 – 11 movies (2016 – 2019)

Phase 4 – 7 movies (2021-2022), 8 tv shows (2021-2022)

Phase 5 – 6 movies (2023-2024), 7 tv shows (2023-2024)

Phase 6 – 7 movies (2024-2026)

We’re used to getting about 6 movies ever two years. However, for Phase 4, we not only had 7 movies, but another 8 tv shows. Now there’s an arguement to be made that might be too much, but the other aspect is that if you are bitching you can’t see the BIG STORY from the Phase 4 movies, I’d argue you need to watch the tv shows as well. They have clearly been intended as a part of the BIG STORY.

To put it another way, it would be like reading the BIG EVENT Comic Book, without reading some of the key issues leading up to it. Sure, you can understand what is going on alright enough, but you might be missing out on some of the bigger context of how things connect.

It’s something Marvel hasn’t asked us do prior to this last two years either. Where before the tv shows were something that could be watched or not watched, these fall more in line with potentially KEY STORIES. Which the end result is to allow Marvel to tell their story over the course of 6 years rather than 12 years.

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This isn’t to say you have to watch all the tv shows. I haven’t gotten to all of them, and I would argue that Moon Knight doesn’t really tie to anything else (as of yet). What If? is also one that is more for those paths not taken and could be skipped. But, for better or worse, Marvel has decided to make these shows a part of the narrative. To ignore them is to only get a portion of the story.

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John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Marvel Phase 4 – Just What is Going On

The third Ant-Man came out in theaters this past week, and due to family commitments I haven’t been able to venture over to the movie theater to see it. I have, for the most part, managed to stay Spoiler Free thus far (though it has only been out 6 days at this point, so I’m not going to pat myself on the back just yet). What I do know is this movie will launch the next Phase of the MCU (Phase 5), which is supposed to better bring into focus the direction for the future films and give movie-goers insight to exactly what the big story is going to be.

What’s odd is that for the last 2ish years, I’ve heard one of two refrains about Phase 4. The first is that is has no direction, no cohesiveness, and whatever the “Multiverse” aspect of things may or may not be, doesn’t feel like anything to excite people over.

The second is that other people love the idea that we got some stories that don’t push the BIG STORY so hard, and instead let the movies and characters feel a bit more self-contained (or one-shot, if you will). Which is something those people loved about the early phases of the MCU experiment.

From my perspective, though, this is no different than any other build up to a comic book crossover event. Just because some Events are more telegraphed than others, shouldn’t diminish them.

Way back when, there was a comic crossover called Infinity Gaunlet (might sound familiar). But the thing is, for a person collecting comics monthly, I didn’t necessarily know that some of my comic book reads were leading to that story. All I knew was Silver Surfer was dealing with this guy named Thanos who seemed to be up to no good. Thinking back on it, I don’t remember there being any Avengers issues or Spider-Man issues where the Infinity Gauntlet was a thing. Instead, Thanos popped up in a couple of comics, had a little 2-part mini series (Thanos Quest), and then we got the big crossover.

The thing about comics and the story-telling within is that they have to tell an ongoing story, month in and month out. Sometimes that means you might get long, multi-part storylines which last for years and other times you get a 20-22 page comic that tells a single story.

We also seem to have short term memories when it comes to how Marvel rolled out some of these early Phases.

Phase 1 was always leading up to the Avengers being formed… right?

In retrospect, it is very obvious that’s where the direction was heading. No, what Phase 1 had to do is introduce us to “new” characters.  Iron Man was a big risk. Thor was a big risk. Captain America was a big risk. The Hulk was a big risk (though he certainly had the most name recognition back in 2008, which is a weird thing to say 15 years later). Any big flub and we might not have gotten any of these movies.

They had to set the stage with characters we knew and liked. They even reused Loki from Thor so that we’d have a villain we understood in Avengers.

Phase 2 was leading up to Civil War, right? Again, the answer is a bit more complex. We had continuations of the Big 3 Avengers, we had a sequel to the Avengers movie in Age of Ultron, but we also had two of the quirkier MCU debuts during this time: Ant-Man and Guardians of the Galaxy. Phase 2 is the one that I see Phase 4 mirroring as much as anything else.

Phase 2 had 4 sequels and 2 brand new characters (or team in the Guardians case). Phase 4 has 4 sequels and 2 brand new characters (or team in the Eternals case). It also has the weird outlier/bridge prequel movie of Black Widow.

Guardians was definitely the big break-out of Phase 2, and I feel like Shang-Chi is likely that for Phase 4.

So I look at Phase 4 as trying to do a few things. Whether they succeeded in some or none of those things, I’m not always sure. I think they needed to wipe the slate clean in the aftermath of End Game. If they’d immediately jumped into the next big story, people wouldn’t have known how to handle it. We all needed to have a bit of space to reflect on the 20+ movies we’d seen. Phase 4 is trying to put some new characters out there while still being able to tell the continuing stories from our favorites. And, it needed to hint at the bigger picture, which the Multiverse is obviously tied into that.

My hope is that all of this will be very clear in a couple of years when Phase 6 is complete. At that point, we’ll look back at these movies and go – Oh, now I see what they were doing.

Just in time to start complaining about Phase 7 (and the X-Men?).

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John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Repost – Sincerely Yours, The Breakfast Club

This is a week of rest. A week to recover from not only the last month and a half but from the last year as well. And it is also a time to reflect back on everything. This marks the end of my ninth year writing a blog (nearly every week, I think I’ve missed 1 over all that time and that was not planned, life just got me). So with that, I thought I’d go back to nearly the very beginning for a Christmas-ish repost about how the relationship between my sister and I changed for the better due to time spent together watching a not-very-Christmasy movie: The Breakfast Club.

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I mostly recall fighting with my sister as we grew up.

Oh, sure, there were those times where we hung out and acted civilized to one another. Obviously, we loved each other, but more times than not my memories are of her chasing me around the house with a knife (this happened on more than one occasion) or me throwing a bouncy ball at her and her friends (“just leave me alone!”). Fights over whose night it was to do the dishes, and somehow her twisting things so that it was miraculously my night more times than not (you would think that I would have marked it on the calendar, but I didn’t). Heck, fights over trying to get her to “play Transformers right” (“No, they aren’t going to play friends!”).

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These guys don’t want to be friends. They are dinosaurs! This isn’t the Land Before Time!

So when I went away for college (or actually more to the point, my parents moved from Georgia up to Richmond, Virginia… the joke being that since I didn’t go far enough away to school, they needed to put some distance between us), I did not expect that to change very much. That first quarter I’m not sure how much, if at all, we really talked on the phone. I was trying to get accustomed to a whole new experience, living on my own, etc. And she was in the process of starting high school in a brand new school, in a state she had lived a total of about 3 months. Sufficed to say, we were busy.

Then Christmas Break was upon me, and I made the trek northward, not exactly sure how that would be (I lived in that house a total of 2 weeks before moving into the dorm, so it wasn’t like I was going “home”… I was going to the house where my family resided – a huge difference). My sister’s room was over the garage, which really meant that she had the largest room in the house. At the opposite end of the top floor from the parents, she could pretty much listen to music as loud as she wanted, stay up as late as she cared to, and so on. Somehow, during one of those first nights I decided (or maybe she suggested it) hanging out with her up there. After some talking, she popped in The Breakfast Club for us to watch.

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And we bonded.

Thus began a tradition we maintained for probably 6-8 years. Every quarter break I would return home and at some point we would sit down, normally around midnight, and watch that movie.

We expanded to various other 80’s movies Ferris Bueller’s Day Off, The Princess Bride, Adventures in Babysitting, The Goonies,  insert your favorite, we probably watched it. But not Ghostbusters 2 or Who Framed Roger Rabbit. I love both of those movies  but those are two we watched with my brother far too many times over the course of about 3 summers when he was 2 to about 5, so we had that one memorized. We recorded both of those from HBO on one VHS tape and in an effort to make sure he didn’t disturb our mother (who worked nights) would put that tape in and he’d sit content as could be. It got to the point that we were so sick of watching those two that my sister tore the name tag/tape off of it and he still knew which one it was.

S-VHS-cassette-tape

But I digress.

Those movies somehow became a part of us and our relationship. A chance to finally connect over common interests, which had eluded us for so very long when we were younger. Maybe we saw something within that one movie that spoke to each of us. Her just starting high school and me just starting college. That awkwardness of not knowing what the future will hold. Worried about how others perceived each of us. How those characters on the screen summed up much of each of us.

Perhaps it also was this place where our differences could be represented within these characters. The beautiful thing about that movie is that every single one of us is not just one aspect of the nerd or the criminal or the jock or the basket case or the princess, but made up of multiple ones. As they became friends on screen, I’d like to think that my sister and I became friends beyond just being family. That we could see our differences and embraced those things which formally put us at odds.  In those moments, I think we felt like it was us against the rest of them (whomever “them” may be on any particular day). Not quite kids, not yet adults, at times feeling like outsiders to the greater world.

It seems weird that this movie, which came out when I was 9 and my sister was 4 has come to mean so much to our relationship. A movie that when it is on TV I’ll end up watching, wading through commercials (even though I own the DVD).

Or how the lines still creep into my everyday talk (for better or worse):

bull and horns

“You mess with the bull, you get the horns.”

“Don’t talk, don’t talk, you’ll make it crawl back up.” (I use this one far more than I probably should)

“Impossible sir, they’re in Johnson’s underpants.”

Nothing wrong with having a little John Hughes dialogue running through my brain.

So thank you, Breakfast Club, for showing me how to get along with my sister and her with me.

***

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

31 More Days of Horror

In my annual quest to try and use October to watch a bunch of horror movies, I present the first three of the month…

No Escape Room

This was a Sci-Fi Channel movie, though I didn’t know that when I started watching. I was lured to the movie by Netflix’s promise of “horror” and “time loops”. It was interesting to try and convey an escape room as the place to stage a horror movie. I think that is extremely clever as I have done an escape room and there was certainly a moment when the door locked behind where my mind went to the place of “are we legitimately trapped in here now”. Of course, this is half a second flight of fancy.

In the movie, our characters move through this house, solving various riddles while still holding on to the hope that this isn’t some death house, but just a super realistic game. And from a sort of SAW-lite style movie, it has its moments. However, towards the end, one of the characters effectively dies off-screen, which is a huge blunder. It would be one thing if this was done to convince the remaining characters that everything is still ok, but that ship had long since sailed.

 

 

The Belko Experiment

The setup is straightforward, a group of employees for the Belko company have to kill a certain number of their own or twice that number will be killed at random.

That’s it. Put out the terms. Kill one person to prove you can do it, and then let human nature take its course.

I dug this one. Even though there are certain characters you immediately know are going to start hunting and others you know are going to try and figure out a way through it, I thought there was still some middle ground in the questions being asked. I mean, if it is a matter of me or a loved one or a bunch of strangers… well, I hope I would keep my moral compass, but you can never be too sure.

The only thing I wasn’t a fan of in this movie was the new employee character. I really thought she was going to slip through the cracks, but instead her death is treated as an afterthought late in the movie making me wonder why we spent any time with them at all if they weren’t going to factor into much of anything.

 

The Rental

Really this was two movies combined into one. The front half is the tale of two couples going on a weekend getaway only to have two of the members hook up with each other. The slow burn of the lies are complicated by the idea that they might be under surveillance from someone. The second movie is a straight-up slasher flick where you are wondering who, if anyone, might survive the madman’s blade.

The only problem is that the first half of the movie works extremely well. While there are certain beats you will recognize from any number of other stories, the actors are all crushing it. And much of the tension comes from the worry/expectation that they will be found out, sending everyone into a downward spiral none of them could pull out of. Had that been the only thing the movie was about, I think it would have been a better place to take things. Once the killer is properly revealed, it loses a bit as we are now in a race to the end of the film.

***

While not every story in anthology has to work, I think it is important to figure out why or why not they might have worked within the framework we’ve been given. It’s something that I’m thinking about for my own work.

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

How To Make a Me – Halloween Edition

Image by Enrique from Pixabay

There is a thread on Twitter where the whole point is to try and list 10 horror movies that sort of describe your Halloween tastes. I’m not taking it as strictly a Best Of or a Favorites list, but more of the movies which helped fashion some of my own horror tastes. These are things/themes which carry some level of importance because of the movie itself or because of some story around it.

Jaws

The joke in my Bio says it as plain and accurate as it could possibly be “John McGuire claims he would have been a marine biologist if it weren’t for Jaws.” When a movie scars you from walking down a career path, I’d say it somehow helped to shape your being.

Scream

Until I’d seen Scream all the slasher movies (save for Nightmare on Elm Street and we’ll get to that in a second) kind of ran together for me. Yes, Halloween is amazing, but the follow-ups to it and Friday the 13th plus an untold number of other 80s Horror had kind of killed the genre for me.

Then came Scream. It turned things completely upside down and showed us that there was still something unique to say about the genre. It was a breath of fresh air that I wasn’t expecting but found myself returning to repeatedly.

In the Mouth of Madness

Sometimes a movie rocks you to the core, makes you think about the world in a different way, and exposes you to thoughts you might have never reached yourself. That’s what In the Mouth of Madness is for me. My first real exposure to Cosmic Horror. A reminder that the universe is a big and scary place. It is something that we try to define and really, we have no fucking idea.

The Thing (1982)

A movie that only gets better with age. I am constantly amazed on rewatches how much the story not only holds up but that I find little bits and pieces every time. I just simply love everything about the movie.

Nightmare on Elm Street

This might have been the first horror movie I ever watched. I remember going over to a friend’s house for a sleepover around 10 years old and somehow we watched this (with his parent’s knowledge). It was my gateway horror movie.

The Howling

I have always been more of a werewolf guy than a vampire guy. Something about the internal struggle of someone not feeding into their base natures. That struggle had always been at the forefront of the creature. It was a curse… until this movie. These werewolves were enjoying what they were. In addition to having some of the greatest transformations ever, it really showed me that you can always look at the classics in a slightly different way.

The Lost Boys

However, I do love a well-done vampire story. This movie hit around the time I was getting into comic books, so to see the main characters in a comic store, understanding the lore around the creatures, hell, hunting the creatures. If you ever wanted to be in a horror movie when you were a kid, this was the one I’d choose.

Cabin in the Woods

Many years after Scream we got another movie that decided to look at the horror genre and turn it on its head. And maybe that’s what I really enjoy when you can subvert the tropes or use them in a way we’ve not seen before. Due to all the Easter eggs, this one has a ton of rewatch value.

Dawn of the Dead (2004)

I love Night of the Living Dead, and I like the original Dawn of the Dead a lot, but something about this version really struck me as a great way to do a remake without losing the spirit of the original. In many ways, it and 28 Days Later (see below) ushered in this new age of the Zombie, a genre that was due for some spotlight (an odd thing to say all these years later given you can’t turn on a streaming service without seeing a dozen such movies.

28 Days Later

The loneliness of this movie. The whole purpose of showing us that it is the family we choose who we have to remain true to. The imagery… him walking the deserted London streets… him hunting in the rain, turning more and more like the infected around him… the tunnel. This one is just so well done, I could watch it any and every time it comes on.

***

While not every story in anthology has to work, I think it is important to figure out why or why not they might have worked within the framework we’ve been given. It’s something that I’m thinking about for my own work.

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Movie Review – Scream 5

 

The Scream franchise holds a dear place in my heart as one of those movie series I felt I could call my own. You know, the ones where you were there from the very beginning and understood that you were seeing something both familiar and unfamiliar all at once. It did things in a way that made it more than just something going for cheap scares, but instead took us down a different path by fusing the slasher film with a true mystery on trying to figure out the killer. And the clues build upon themselves as the story progresses, even down to certain music cues potentially giving something away a little earlier than you’d think.

It rewrote how we were supposed to view those films of our youth, pointing out the tropes as being silly, and then earnestly sticking to them so the viewer could understand why they were important tropes to the genre. There’s that old saying of until you know the rules, you can’t break them.

As the series progressed, we saw different variations on the theme, sometimes redefining who our heroes and villains might be.

Which leads me to the most recent installment, over a decade since Scream 4 came out…

Scream 5 is really an attempt to go back to what made the first film so great. Where the first 4 are really Sidney Prescott’s story, this one begins with a new protagonist, setting up a new group of friends, and even a twist on the opening sequence. In fact, it may be the best decision for a movie 26 years after the very first one to not lean on Sidney to be the main person, and allow for new blood (pardon the pun).

Even so, the fifth installment really takes the idea that it’s been 26 years since the original film to heart. Our main group of friends all have connections to earlier characters in the series, via being directly related or just where they might be living (a familiar house from the original makes an appearance in the new movie). It is truly a new generation while still allowing for the connections to the previous legacy characters that we have grown up with.

Going further, it recognizes what it is and in very Scream fashion, deconstructs the very idea of “requels” something of an amalgam of sequels and reboots that Hollywood has been embracing over the last decade or so. The question of how do you serve the fanbase by giving them something familiar while also pushing things into a potentially new place, with new characters, and new reasons for why the killings are happening in the first place.

This legacy vs. new is at the heart of the struggle for the fifth movie. The title itself is a nod to this very conceit: How much do you allow the legacy characters to exert their will on the film? Too much and you might as well have called it Scream 5. Too little and it doesn’t feel much like a part of the series. It’s a fine line they walk throughout the film, and while I really enjoyed both aspects, I’m not entirely convinced they found the correct sweet spot for some of those legacy characters. You almost feel that the movie could have more or less done what it needed to do without them (save for one character that really does serve as both the bridge between the two worlds, but also lays out the very tropes we’ve learned all the way back in 1996).

Where the 4th installment leaned too heavily on our legacy heroes (and as such I think missed a prime opportunity with the end of the movie to do something very unexpected), this one definitely wants us to associate with the new teens in a way that their deaths might mean a little more or at the very least, become extremely invested in the plight of the main female, Sam. And for the most part, I think they are able to make it work. Even those characters who may not have an overwhelming amount of screen time (you know, because they die a little too quickly), still have a little bit of time to rise above their own character archetypes.

All in all, this latest installment feels like a nice segway from the first 4 movies into something for the next couple of decades.

***

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Movie Review – Midsommar

 

With a movie like Midsommar, I come at it from two different directions based on what little I knew about it. It’s a movie about a group of travelers (friends) who are given front row seats to experience a 9-day festival in a backwoods part of Sweden. Now, with stories like this, we all know that things are never going to be what they appear to be (otherwise it wouldn’t be a horror movie). So the questions we must ask ourselves are twofold:

Is the lead-up to the big reveal of what might really be going on enjoyable?

Is the reveal worth it?

It’s all about execution in these situations, because if you don’t spend enough time in the build-up where we start to get acquainted with our characters, then when bad things happen to them, we just won’t care. However, if the movie takes too long to start showing the weird, then it is very likely to lose our interest before we actually get there.

Spoilers to potentially follow:

We begin the movie seeing Dani and Christian going through the motions of being in a relationship. Well, it’s Christian who is going through the motions as he has become clearly disengaged with Dani using him as an emotional support person more than a boyfriend. All this comes to a head when Dani finds out her sister has killed herself and taken their parents with her. This tragedy has forced Christian to remain with her whether he really wants to or not.

Weeks? Months? later, Dani discovers Christian and his three friends are going to Sweden for the midsommar festival Pelle’s home commune throws every year. After being invited to go on the trip with the guys, they arrive and we can begin to see that Dani is not only still struggling with PTSD from her family’s deaths, she can’t even rely on Christian as much (as he’s mentally checked out). The festival begins and while there are some odd eccentricities, overall things aren’t too out of the ordinary.

And then things begin to go sideways when they see two of the elders commit suicide.

I’m not going to go any further with spoiling the movie, but I wanted to mention this key moment because none of our characters, save for Dani, have any kind of realistic reaction to what’s happening in front of them. And maybe it falls into the old troupe of not leaving the haunted house immediately, but both Christian and Josh nearly act like what they’ve seen is as normal as anything else (and what they saw was NOT normal). In fact, it is only Dani, who already has visions of horror in her head, who nearly breaks completely upon seeing the display. And for some reason, it’s only a pair of other travelers who decide they’ve had enough, not our group.

From there, things only get weirder and weirder.

The Good

Florence Pugh delivers a great performance and definitely has the most realistic reactions to nearly everything.

The set-up, while potentially dragging things out a little bit too much, does a great job in making sure you understand that while the festival might be odd, it’s still not crazy (until suddenly it is).

The Bad

The reactions of the other characters to strange things occurring. The elder’s deaths aside, at a certain point people, start disappearing and no one seems to care… at all. Like not even a raised eyebrow.

I get that you need the characters to stay, but I wish they’d found a more plausible thing other than “I’m writing my thesis on this.” Bleh.

The Ugly

It’s not really scary. I had a little bit of dread here and there, but only because I was hoping for something big and bad to happen. We have one kill completely off-screen, which felt like a missed opportunity because as the audience, we knew that character was dead the moment he went “missing”. It’s like the film wants to play coy when everyone knows the punchline anyway, so why hide things?

***

Another one that could have been trimmed a little bit (probably 15 minutes easily) (I’ve heard there is a 3-hour version and can’t imagine what that would do that the 2+ hour version didn’t already convey). The ending was just… I get what happened, but I’m not sure I “get” it

I’ll take another shot this weekend. Maybe I can find the one then?

***

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Movie Review – I’m Thinking of Ending Things

Something is off.

I’m watching this movie (based off the novel of the same name) and something is off.

I was led to believe that this was a horror movie of some sort which obviously can cover a ton of ground within the genre. You have slasher flicks, monster flicks, mind f- flicks, slow burn, fast burn, and everything in between. So I understand that you don’t always know exactly what you are going to get but…

I was led to believe I’m Thinking Of Ending Things was a horror movie.

And it really isn’t. Sure, there are plenty of moments within the two hour plus movie where you are a bit unnerved by what’s going on between the characters. The conversations have the appearance of being about something without saying very much at all. They are all surface level things being said aloud with undertones that hint at bigger issues.

The basic plot is that Lucy and Jake, a couple who has been together are taking a day trip to pay a visit to Jake’s parents. And while things have been decent between them, Lucy had been coming to grips with the idea that perhaps the two of them are not supposed to be together. The mantra of the title is repeated within her head throughout the movie. For the first third of the movie they are in the car on the drive there. This means there are lots of moments for the awkward silences hanging in between the two of them. And while it appears that Lucy is the only one who may be clued in their relationship may be headed toward a break-up, I think Jake has begun to realize it as well. Perhaps this trip is one of those hail marys where he sees this trip to introduce her to his parents as a big enough gesture that he might hang onto the relationship for a little while longer.

Here’s the thing, it isn’t until they reach the parent’s house where I began to suspect there could actually be something bigger at work here. And while there is definitely a ton of VERY weird things going on at the parent’s house. And while his parents don’t act entirely normal at times (laughter which feels almost forced and meals randomly being prepared).

But again, it’s never scary. Even a trip down into the sealed basement only reveals more questions about… well, the reality of the situation.

The Good

The two main actors are absolutely crushing it the whole time. I liked the character of Lucy, and was definitely wary of Jake through most of the movie. But…

The Bad

Did I mention it was over two hours?

This movie could have done the same things with a much tighter edit (honestly I think a good 30 minutes could have been lost and it wouldn’t have made a ton of difference).

The Ugly

The dance scene.

Yep. I said dance scene.

***

Maybe if I hadn’t seen the trailer for the movie or read the review of the novel on a list of best horror. Maybe had I come into it cold, I might not have left the movie feeling… cold.

Oh well, my search for this year’s horror movie gem is ongoing. Maybe the next one will be the winner!?!

***

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

 

Movie Review – Malignant

I always tell myself that this is the year I watch a TON of horror movies during the month of October. Yet, sadly, the month begins to dissolve away and before I know it the scary decorations are being put away and Christmas Season comes out in full force. However, this year, HBOMax released the movie Malignant allowing me to get a couple of weeks jump on the Halloween festivities.

Spoilers to follow…

Malignant is the story of a woman (Madison Mitchell) who after an altercation with her boyfriend who nearly kills her, finds herself followed by this demon/creature/person/thing. At first the creature seems to want to terrorize her specifically, but as the movie progresses, we see that it appears to have a different sort of agenda. Soon enough others are killed by the entity, with their only connection being our heroine. Even as the police arrest her, the entity continues to taunt them, until we get our final confrontation between the lead and the killer.

The Good

Some of the special effects are really amazing. There is a connection between Madison and the Killer so that she sees his kills. As the hunt begins, her world melts away revealing the house or room where the next victim is. The first time it happens I definitely let out a “wow”.

There is a pair of sequences where the Killer interacts with the police, the first time evading a lone cop by doing a crazy amount of parkour-style moves. The second is the battle at the police station, which I almost would say would be worth checking out even if you didn’t watch the rest of the movie. Aside from a couple of weird shots (which actually could be explained by the reveal of who/what the killer is), it gives a very creepy feel to how the thing moves in almost counter in style to what we would expect. The action is all over the place (in a good way), and it manages to get into the more gore side of the horror.

The Bad

My very first thought after finishing the movie was to wonder whether there was a classification of movies between an “A” and a “B” movie. There are times during the film where everyone is taking the script very seriously, and it mostly works. And then there are the times where the dialogue (and the delivery) makes me wonder if Ed Wood had a hand in crafting it. This makes it feel a bit disjointed like they didn’t know which way to go, trying to do a little of both and not mastering either.

The Ugly

The Killer… he was definitely ugly but not as scary as I was hoping for. Sadly, I figured out what the twist was going to be fairly early in the process which makes me wonder if it was too telegraphed for the audience or not. When the “twist reveal” occurs, instead of being a WTF moment, it was more of a “OK, that’s what I’d thought”. This doesn’t make it specifically a bad or good thing, but I think speaks to the idea of trying to play something a little too coy throughout the movie.

Overall, this is very much a popcorn and candy movie. It doesn’t ask much from the audience and tries its best to be a bit of a throwback to the horror/thriller films of the 80s. It does a good job with the spectacle but the rest fell a little flat for me.

Spider-Man: No Way Home Trailer Thoughts

I must admit… I watched the leaked version a few hours before the official release of the trailer. However, I’m not sorry. The version I saw actually had subtitles which helped me comprehend everything I was seeing a little better.

Anyway, in light of the trailer being released, I’ve noticed this thing that fandom loves to do is happening now with Spider-Man: everyone is playing guess the movie. They are picking apart things that don’t make a ton of sense in the trailer while relying on 2 minutes of randomish footage. In fact, I always find it is best to enter into watching trailers with an eye towards doing exactly that. I mean, how else are you possibly going to make up your mind about something coming out in December. Better to make a ton of snap judgments on this rather than wait to see the actual movie and then, if the inconsistencies which were hinted at in the trailer do manage to remain without a satisfying outcome – hey, feel free to rip it apart.

What’s strange about this phenomenon is I pretty much only hear it in these big genre movies. Star Wars certainly gets held under the microscope. Marvel has graduated to this level as well now. But otherwise, with most movie trailers the only things people might bitch about is a casting choice or the special effects or dialogue. I don’t seem to remember people tearing apart the trailer for something like Bill and Ted. Or maybe they do, and I’m just hanging out in the wrong corners of the internet for which we recommend to add some security with help from a VPN like .

Still, the trailer is something that is supposed to excite you. To get you hyped to see the movie in question. It is certainly there to make you ask questions. With this movie in particular, the rumors have been running for some time about what the plot would be about or who might show up in the movie. The trailer certainly delivers on the first part (at least the broad strokes) and by a couple of reveals lend additional credit to spoilers regarding the cast.

First, the plot appears to be that after the results of Far From Home, Peter Parker has been outed as Spider-Man. This single fact causes his whole life to turn upside down to the point that he ventures to see Doctor Strange in the hopes that there might be a spell to undo that knowledge from the world. Something goes wrong in the casting of the spell, and off we go into the greater multiverse.

In comics, normally a hero makes the decision very early on whether to have a secret identity at all. Most tend to opt to keep their lives separate for the very reasons we’re seeing play out in the trailer. The sudden super-stardom which accompanies it. The idea that there may have been crimes your alter-ego committed that your true identity is now responsible for. And the biggest key piece is that your enemies now can target you through your family and friends. This last reason is the most important one, and in those stories where the hero is outed, it never goes well.

In the comics, Spider-Man once chose to reveal himself to the world. During the heroes’ Civil War, in an effort to convince others to register with the government, Peter Parker revealed himself on live television. Reading at this time, I both knew that this change in status quo wouldn’t/couldn’t be a long-term thing, and I also knew it was a terrible (just terrible) idea. Soon enough, the Kingpin of Crime set hitmen to target Mary Jane (which resulted instead in Aunt May getting shot and led to things we do not speak of).

So for the purposes of the movie, having a portion of it showing how bad things can be for Peter should be cool (though, I am extremely interested in seeing how Flash Thompson reacts to this knowledge given how much he appears to hate Peter Parker but loves Spider-Man).

The second big piece of this is traveling to other versions of reality. In the comics, characters have been meeting alternate versions of themselves for decades (starting with DC’s “Flash of Two Worlds”). Heck, Into the Spiderverse did an excellent job with exactly this idea.

Whether they are going to lean into this being a situation where he is actually visiting these other worlds or if those other worlds are threatening to overwrite our own, I can tell from the trailer.

But it leads us to the other members of the cast and the big reveals near the end of the trailer. We see a Goblin Bomb and William Dafoe’s laughter. We see lightning in the sky conjuring thoughts of Electro. There are a couple of other things people are speculating might be The Lizard or Sandman, but the one, concrete person we do get to see is Otto Octavious, Doc. Ock not only makes a big appearance but also knows Peter (even this version) which is as curious as anything else to me making me wonder is this a world where Doc. Ock didn’t die? Maybe he is a redeemed version?

Or are we actually going to get our big fight against the Sinister Six in this movie? And the only way to potentially defeat them is to find a little help from some fellow Spider-Men?

I half expect that in the final trailer they release (probably around Thanksgiving) we’ll get some shot with our 3 versions from the last 2 decades all standing together. And while it might not be Endgame level, that should be extremely cool.

***

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Movie Review: Parallel

The idea of other versions of ourselves… those who might have made very similar choices to the ones we have made so that their reality and ours aren’t that much different. If that were the case, and you found a way to reach across the veil of our reality into theirs, what could you do with that ability?

That’s the fundamental question at the heart of Parallel.

A group of four post-college adults who are struggling to make their business (app development) a success, find that there is a secret attic space in the house they are renting. More curious than the secret room is that it houses a mirror which when passed through, can lead the traveler to a world nearly their own, with subtle differences to be sure. However, the more important aspect of this parallel world is that time moves much much slower there. Hours can go by in the alternate world while mere minutes pass on our own. Armed with this knowledge, the group of friends begins to use this “extra time” to their benefit allowing them to finish projects in days when it should have been weeks. When they later discover that even though the world at large is pretty similar to their own (down to their own doppelgangers), they find that artistic choices aren’t always the same.

And with those minor differences, they recognize an opportunity to effectively plagiarise these alternate worlds for their developments in technology to increase their own stature in our world.

Opportunity becomes a chance at excess, and the movie begins to change. As these types of stories often do, the darker side of having this power begins to fracture the group to the point that they are no longer sure they can trust the others.

To say more would be to give away some of the middle and last acts twists and turns, but the thing about most movies about the parallel worlds (or tv shows for that matter) is that they normally go for the bigger changes to the timeline. It’s not enough to have a world that is virtually the same, minus some historical footnotes, those films would have us in a world were Rome never feel, or Germany won WWII, etc. This movie focuses more on the characters’ reactions to this newfound power. Really leaning into the whole “power corrupts and absolute power corrupts absolutely” theme.

What makes this interesting is the idea of these nearly identical doppelgangers from the other realities. While our group uses their mirror to ensure their own successes, very little is given to those versions of themselves they are potentially screwing over by: committing crimes, spending their money, and even living out their own fantasies with others. It’s a movie where the mirror is merely a way to tell a story about how easy it is to lose your own identity. As the movie progresses towards its ending, the characters no longer resemble themselves from the start of the movie, making us ask the question of whether or not they’ve effectively become their own doppelganger.

It’s those character moments which will drive the movie once you strip some of the sci-fi aspects of things from the story. What happens when a group of friends discover something to make them rich? How long does it take for that money and power to drive a wedge between them? And at the end of the day, are they even the same people they were at the start. Parallel takes all of that and then adds that bit of science fiction to tell that story while showing us that the grass isn’t always greener.

***

One other thing, the poster at the top of this blog makes me think more along the lines of a spy vs. spy movie than something to do with parallel worlds. Just an odd thought.

***

I enjoyed the movie, but then again alternate worlds and living different lives is right in my wheelhouse. In fact, I wrote a book that is definitely in that same vein where a man has to figure out what his own personal reality actually is as he experiences worlds very close to our own, but not his original one.

It’s called The Echo Effect and you can get it here.

***

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

My Comfort Movies

If any time has expressed a need to sit back with some comfort watching, this last year (and a half) have certainly answered the bell. I used Firefly as a part of that process by watching a couple of episodes every Friday night (and lamented that we only got the partial season). But when it comes to movies, I certainly have cycled through ones throughout my life where the amount I saw them was in direct correlation to what kind of mood I might be in.

A little Depressed as a teenager – Pump Up the Volume was the go-to for that version of me. I’m not sure exactly why as the movie isn’t really a “feel-good” movie. I’m sure it had more to do with Christian Slater and pretty much loving any movie he was in for the longest time.

Enjoying a night in during college attempting to destroy people in Duke Nuk’em? – Clerks and Mallrats to the rescue. My college roommate and I watched those two so much that I doubt we really needed to have them on, we could have pretty much done the movie dialogue in our sleep.

So when I go to my comfort movies it doesn’t necessarily mean happy-go-lucky or something that has a happy ending. Instead, I think for me, it has to be something that I simply find joy in. Something that puts me in a better mood through the skills of the writers/editors/directors/actors/etc working their crafts to perfection for those couple of hours.

Rounders

I probably watch this about 2-3 times a year. Aside from the fact that I love playing and watching poker, so a poker movie was a no-brainer. With Rounders there is an ease to the characters, to the story, and to the idea of overcoming one’s own shortcomings. At the end of the day, it really is about placing your faith in someone and having them not live up to your expectations. But really, all that does is cast a light on our own issues. How can we ask someone else to be someone they are not when we aren’t exactly sure who we are?

That struggle feels all the more real at 2 in the morning as I try and write or edit. While I’m not one of these people who can crank out a book in a few weeks, and while I should challenge myself with lofty goals, I shouldn’t lose sight of what I have accomplished and what I’m accomplishing.

Office Space

When you need to reflect on the idea that people weren’t meant to sit at desks for 40 plus hours a week doing various jobs until our brains begin to melt and all our motivations slip away. There is the fantasy at play here that we’ve all wanted to do in some form or fashion. Maybe you want to tell your boss off? Maybe you just want to quit? Or maybe you just want to get a game of Tetris in before your meeting with the Bobs…

This one features in pretty heavy rotation on Comedy Central. It has the sort of gravitational pull on me where I end up stopping on it and before I know it, I’ve watched the whole movie again. It genuinely makes me realize that all those times when you just want to call out sick to work: You don’t need to tell them what you are sick of.

Waiting…

This is one that I came upon because of the actors involved. Somehow, it slipped under my radar for a long time, and though I’ve never worked at a restaurant, watching this movie lets me know that was the correct decision to have made for my life. Even if the situations behind the scenes are over the top, we’ve all been in a restaurant when someone begins making a huge deal out of something with their food. Those moments ring true in more ways than I can even count.

The thing about this one, aside from the absurdity or its crass nature, is that it shows us a day in the life (much like a Clerks or Mallrats). Our lives can get this way very easily. The mundane becomes routine and before we know it a month has passed. For me, this is about enjoying the moment as best you can, even if they take place somewhere you might not want to be.

Tombstone

Wait. This is basically a tragedy. A tale of woe where Wyatt Earp loses almost everything dear to him and goes on a hunt for the people who perpetrated the crimes on his family. So how can this be a comfort movie? And my answer is that it probably comes from that simple idea of one man who just wants to get away from his past and start a career in this new town. Be in on the ground floor, as it were.

But our past is always there. It helps to shape the person we are today. The challenges from those earlier times allow us to have a better idea on how to prepare for the next obstacle. I don’t know why it helps ease my thoughts and any burdens I might be carrying. Maybe it is the power of friendship? Family? Revenge?

Or perhaps I’m just a sucker for a good western?

***

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

The Map of Tiny Perfect Things – A Review

This past weekend I conned my wife into watching a Time Loop movie. Now, I normally have to qualify this in a way because she isn’t a fan of Groundhog Day. This in and of itself is beyond blasphemous, but I think it is because she hasn’t actually sat down to watch the movie. Oh, she thinks she’s watched it, but even then she claimed that she fell asleep during it, woke up in the middle, and then felt like nothing had changed. Like there were portions of the movie she missed, but because of the Time Loop, she really didn’t need to watch it at all.

So, when it comes to Time Loop movies I have a little bit of an uphill battle.

It’s a good thing that the last novel I wrote didn’t have anything resembling a time loop or repeating lives or anything (check out Echo Effect here!).

However, I have recently figured out the secret sauce to getting her buy-in on such things. You take a simple (or maybe not-so-simple) Time Loop movie, and then add young adults to it. She’s a sucker for that. Which is how we ended up watching The Map of Tiny Perfect Things (based on a short story by Lev Grossman playing on Amazon Prime).

So the thing with Time Loops is whether we get to see our main character’s first Loop or do we enter it in after they’d already done dozens (or perhaps thousands). Groundhog Day shows us his very first day and then he is stuck in that Loop. In this movie, they very quickly show you that this isn’t Mark’s first time through the day. In fact, I kind of wonder if he’s closer to thousands. We watch as he makes his way through his day only to see he is trying to have a good interaction with a girl. Trying to replay the day to set up these moments in the hopes that she might like him.

It goes about as well as you think.

But those attempts are what cause him to run into Margaret… who turns out to be stuck in the same Time Loop as Mark. And that’s where the beauty of this little movie begins, because Mark, in an attempt to try and impress “the girl” begins showing her some of these Little (Perfect) Moments he’s discovered in his time going through the day. And he’s not alone in noting them as Margaret has a few of her own.

Thus begins their attempt to document all those great moments that happen in a day. The little things we might not notice as we go about our lives. It’s the shape of a cloud. It’s a moment between two people when they think no one is watching. It’s the interactions that occur every day for each and every one of us.

That’s the key to this movie. Where other Loop movies are about improving yourself or discovering/atoning for something you had done. This movie is about showing the viewer they don’t have to ignore the small, seemingly insignificant moments. Instead, those should be the very things that make up a joyous life. And that doing those things alone might not ever be as good as when you have someone beside you, experiencing those same instances… bonding the two of you in those moments.

***

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Movie Watch

There was a post going around Twitter this past weekend where you are asked to name 5 movies you’d seen at least 10 times. Considering the people I follow, I saw many of the usual suspects mentioned (Star Wars being the big one). Of course, this got my mind going on those movies I could claim that I’d absolutely seen at least 10 times. Now I think for it to count, you would have had to sat and watched at least 90% of the movie. So if Shawshank Redemption is on TNT this weekend and you catch it shortly after Andy arrives in prison, I think that counts, but if they are well into him doing the taxes for the guards… then that doesn’t count.

The weird thing about this little exercise is not so much identifying the greatest hits of my own life, but trying to determine those movies that I have really and truly seen 10 times. Fundamentally, viewing a movie ten times is a lot. When you think about it, it’s a bit harder to do, especially as you move from your childhood into adulthood. Back then you had summers and random weekends and probably random afternoons where I decided to watch Young Guns for the twentieth time. As the list builds, anything that came out in the last decade or so is almost immediately eliminated. There are movies I feel like I’ve seen 10 times, but do I really know that I’ve seen The Replacements 10 times (I mean, I pretty much watch it every time it pops up on TV)? I love A Knight’s Tale, but I gotta be honest, it’s probably more like a 7 or 8 time movie for me at this point. Even something like Avengers is around 6 or 7 times, but there is almost no way it is 10.

But really, what does the list tell us about ourselves and our friends? There is a comfort in rewatching something over and over. I see it in my own household constantly as my wife has certain TV shows on a continuous loop (Veronica Mars, Gilmore Girls, Lucifer being only a few). You’d think she’d rather watch something new (and we do), but she uses the shows as a way to unwind and de-stress. She also uses them to fall asleep, training her mind to shut down as the episode plays on in the background.

There is also something to the idea of needing those familiar movies (or TV Shows) to help us through certain times in our lives. They can be a bonding mechanism or just a way to appease the next generation.

During last year, I definitely found it helpful to get a level of comfort in the familiar by watching something like Firefly on a weekly basis during the summer (about 2 episodes every Friday to really have a sort of throwback to “better times”). Revisiting those characters that I’ve loved through their handful of adventures is always a nice way to spend some time. I don’t have to worry about following every word since I nearly know all of them by heart. Even more than that, on first watch of nearly anything you are going to get caught up in the big moments (whether it is a small comedy or a big blockbuster). A single rewatch allows you to see what you missed in the first place.

Back in college, Clerks and Mallrats played over and over from the same VHS tape. It was a beat-up version copied from a rental so on my old-ass tv we had to turn the volume to its limits in order to hear it (even in our small dorm room).

Also during college, whenever I returned home for Quarter breaks, my sister and I would make a point to watch The Breakfast Club and Weird Science. Those movies became our way to bond in a real way that we didn’t or hadn’t been able to do when we were living together 24/7 and annoying each other day in and day out.

Casting my mind even further back, rewatching the pair of Ghostbusters 2 and Who Framed Roger Rabbit? was the only thing that would calm my younger brother down enough to let my mom sleep (she worked nights, so during the summer we babysat). Again, it was a VHS copied from HBO with both movies on it. Over the course of two summers that tape was played nearly every day. It got so bad that my sister hid the stupid tape… but my brother found it time and time again.

Much like music has an ability to recapture a moment in time for the listener, I think movies can remind us of who we were when we first watched them, and then later, on the rewatches, we are able to glean different and new things from those same stories, finding a way to apply them to our current lives.

***

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

 

You Haven’t Seen It – Karate Kid Part III

As Cobra Kai fever grips my house (I think my wife has watched the first 2 seasons around 4 times now since we discovered the show on Netflix), we decided to take a nostalgic trip with the movies as well. Now, we’ve seen the first two movies many, many times, but still decided to watch the first movie again before we even watched one episode of Cobra Kai. And just last week, with the announcement of certain Part 2 characters showing up, we went ahead and watched the second movie. So that only left some small piece of the saga to catch up with: Part 3 (and maybe The Next Karate Kid at some point, maybe).

Now, to be fair, this was not Courtney’s first time ever seeing Part 3; however, watching the movie with her this time around it might as well been her first time watching it. There was plenty of stuff she didn’t remember about it. In addition, we ended up watching it in two settings because… well, it isn’t the greatest movie. But more than that, the… well, I wouldn’t call them plot holes, but there are just lots of coincidences required to make the movie go the way the bad guys want it to go.

And speaking of bad-guys…

John – I love how Terry Silva is basically a cartoon villain.

Courtney – I know… it’s just over the top. He was talking about dumping toxic waste earlier.

John – He could be the bad-guy for Captain Planet!

The thing is, Mike Barnes is this badass karate champion who they enlist to beat up Daniel, and he just owns Daniel. He’s a solid villain if Part 2 never happens.

John – I don’t understand how this guy… Daniel never lands a punch really. I mean, he’s only a few months removed from fighting for his life in Okinawa.

Courtney – And they never call the cops? Really?

John – Think about all the stuff that has to fall into place for Terry Silva’s evil plan to work. Mr. Miyagi has to refuse to train Daniel. Daniel has to seek out Terry. Then he has to not leave in the middle of the training. Then at the end, when he’s decided to quit, Terry and his evil band have to be waiting for Daniel at the dojo.

Courtney – I just… it’s a lot to believe, right?

So we watched it in two parts, and the second part is a little better. But then you get to the tournament…

Courtney – Wait, Daniel only has to land one point and he wins the whole tournament?

John – Yep.

Which, that was always my biggest problem with the movie. One of the best things about Part 1 was the tournament. Learning how things worked. Watching Daniel and Johnny on their collision course. But with this movie, we only really have the end of the semi-finals and then the championship match. So you remove the best stuff with some crazy new rule that says a defending champion only has to fight one fight? How in the world does that make sense on any planet. We’ve all heard of byes, but to get a bye through, what, maybe 6-8 rounds? You take no wear and tear?

Just makes no sense.

John – Final thoughts on Part 3?

Courtney – I think watching the first half of this one… hurt me. It kind of took something away from the first two (this one being so bad). But as we talked about the characters and how they acted. Basically, the need to have some depth and it created a conflict between our leads that we’d not seen. But over-the-top characters… wow. If you are Mr. Miyagi you justified the previous tournament because he was being bullied, but now you won’t even though Daniel is getting bullied because… reasons? I thought the bonsai tree story was a little over the top (even if it gave us a nice little moment between them at the end).

***

I somehow don’t think this movie is going to enter the replay list for her… Cobra Kai season 3 though…

***

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Worlds Upon Worlds

The Crossing deals directly with parallel worlds where all that we’re limited by is what crazy idea Robert, Sean, or myself can come up with. I’ve said before that it is truly our love-letter to shows like Sliders and… well, really anything that deals with a world not quite your own one. I just got done with the second issue script which has my mind going a million different directions on what other worlds we can visit, which ones help to tell the story we want to tell, and what aspects of them might just be cool to draw!

This year has kind of felt like we are in the wrong timeline, but writing the script has me mulling over parallel worlds in television and movies. Those stories can only show us our own flaws and the paths not taken. Sometimes because we knew that wasn’t the way to go and other times because we felt like we had no other choice. Those worlds give us a glimpse into what might have been, but can just as easily become true horror stories for the heroes.

Rick and Morty – Rick Potion No. 9

“Cronenberg World”

The thing that gets me about this episode is not even that Rick would screw things up to the point that everyone on the planet would become Cronenberg style creatures, but that his solution isn’t to find a way to fix them (at least after a couple of tries). No, he’s willing to just write the whole damn world off and start fresh on another Earth where his and Morty’s doppelgangers had recently died.

That’s both a hardcore and extremely practical way of looking at parallel worlds.

Fringe

The show that started as a pseudo-X-Files, but then evolved into something much, much more. Even as they hinted at the possibility of another Earth, it wasn’t until they showed the airships on Earth 2 (I can’t recall exactly what they called it) that it was truly revealed for all to see. At that point, it became a story about how the characters interact with this new world and how they interact with their doppelgangers.

Star Trek – Mirror, Mirror

If I strain my brain about this, I have to assume that this might be the very first thing I saw that dealt with a parallel world. The ideas presented here might not feel as groundbreaking today when viewed through a modern-day lens, but when it premiered and even more importantly to a young kid watching the rerun of it many decades later, it introduced an earworm of a concept that I still can’t get enough of.

 

Yesterday

I’m a long-time fan of the idea of changing one thing in a world and seeing what happens. You can take the most minor things and have it butterfly effect into something huge or you can take an idea that is already huge given our musical history – What if the Beatles never existed.

Not only does this movie do just that, it does it in a way that makes me smile at the craziness of such a world while also feeling for our hero who has finally found a way to get out of obscurity and the guilt he carries because he knows that he has just become a cover artist.

Buffy the Vampire Slayer – The Wish

Normally you wouldn’t immediately jump to a wish being granted suddenly causing everything to go sideways… unless you’ve played Dungeons and Dragons… in which case you are assured of that very thing happening. This Buffy episode got to take liberties with our well-known characters and flip the script with them so that some were now vampires, others were hardened warriors suddenly without a Scooby Gang to keep them grounded, and has one of the best moments where bad things happen to the very person who caused the world to change (to the point that when I was first watching I was like “well how the heck are we getting back to our world?”).

***
There are so many more worlds that have caught my imagination over the years. My hope is that with The Crossing, some of the cool ideas we have can inspire others to view our world in a little different way.
By the way, The Crossing is now available for sale here!
***

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Where To Begin and Where To End

Over this past week, I was with family on our annual beach trip. It’s a great time for everyone to get together, see the nephews, and just enjoy each other’s company around the pool or beach or both. During the course of the trip, my dad and I talked about various things, everything from life to politics to religion to movies to comics and anything in-between. It was in those conversations that we came to talk about movies over the last few years that really resonated with us. He’s a big sci-fi guy and much of my love for the genre comes directly from him. One of the movies we talked about I thought was interesting from a writer’s point of view:

Passengers (2016)

If you missed it (spoilers to follow), it tells the story of Jim Preston (Chris Pratt) after he finds himself awakened from a hibernation sleep on board a colony ship about 90 years too soon. Much of the first part of the movie is about how he deals with being completely isolated (there’s no way to get back to sleep). After more than a year alone, he decides to wake someone else up, Aurora Lane (Jennifer Lawrence). The movie proceeds as a love story (and according to wiki it is an “American science fiction romance”) where they fall in love… and yet we know eventually this big lie will drive them apart once Aurora finds out Jim woke her up (as opposed to the “malfunction” he leads her to believe).

When I watched it a couple of years ago, I enjoyed it, but it was also one of those movies that felt like it could use something else to help push it from a decent movie to a good or maybe even great movie. I remembered reading something in a blog or a post or something where the person reviewing the film posited one change:

What if we started with Aurora’s awakening instead?

You suddenly get a very different movie. One that might be a bit more on the thriller… or possibly even the horror side of things. You see, when you are with Jim from the beginning, he’s our POV. We understand his growing loneliness, so when he makes that decision to wake Aurora up, while we know it is wrong, we get it.

But if she’s our POV, now he’s this weird guy who may or may not be on the up and up. It lends a bit of creepiness to the movie.

Check out this Youtube video for more detail on this idea/theory.

Because as much as I would like to see that version of the movie, the idea alone really got me thinking about beginnings and stories. It’s potentially a very strange thing to rearrange a story and completely change it’s meaning… or is it? Techniques like Flashbacks or Flashforwards or limiting our POV to one character for a story are just some of the ways that an author can try and get the reader to feel a certain way. Maybe they want you to be sympathetic to a character, so they show you bits and pieces of their history so you are drawn to them. But just as easily they could eliminate those very things and suddenly we have 180 degrees of difference in our opinions.

Think about another Chris Pratt movie, Guardians of the Galaxy. The very beginning of that movie shows Peter Quill as a young boy with a mother who is dying of cancer. It shows us how important she is to him, true, but it also helps to ground us with the character. Because most of the early part of the movie, he is a fairly arrogant d-bag. Without that first scene, we might not like him as much because we wouldn’t know why he was the way he was (can’t let people in because they’ll die on you).

Context is key.

This makes me think about how I structure my own work too. In something like Hollow Empire, I began Vadim’s story with comedy. I wanted to convey that this is someone who didn’t want to take things seriously. He is very fly by the seat of his pants type of character. But I also knew that overall his story in Season One was not going to be a pleasant one and that the humor early on would hopefully help the reader sympathize with him as things get worse and worse.

And even in my upcoming book, The Echo Effect, I have an opening section of the story that accomplishes a couple of things for me. One, it sets up my main character, but it also sets up the world that he’s living in (and it also introduces a secondary character that is extremely important to the overall story). When those things change for him, it needs to be jarring for the reader because it is jarring for the character. And while I could have not included this first section and instead jumped to the “something’s gone wrong”, I think it is stronger for the reader to be able to see that indeed, “something is wrong”.

Hopefully, when people read it, they will feel the same way!

***

To read the first chapter of The Echo Effect, sign up for John’s Mailing list.

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

You Haven’t Seen It? – The Godfather

There comes a time in a man’s life where he must step up and stop living the lie. He needs to know that people view him a certain way, and he needs to be comfortable with that. Or he needs to do something about it.

It’s long past time for me to watch The Godfather, one of those classic movies where until you see it, you can’t get the stamp on your Man Card.

Pre-Movie

We didn’t really do a pre-movie portion. It was more that we had time on a Friday to watch this three-hour movie without too much threat that Courtney would fall asleep due to it being too late in the evening (not that it still couldn’t happen, but just that it WOULD happen if we tried to start watching as the sun went down).

For my part, I knew it was a mob movie of some sort, but expected it to be less Goodfellas and more of a slower-paced movie.

Mid-Movie

I want to say that Courtney did nod off in the wedding scene for a half a minute. No matter how much I tell her to sit up, she just doesn’t listen to me. After a verbal scolding that included the remark of “Well, this is going to be another movie we finish two weeks from now and not have a clue what it is that’s going on!” (see our Have You See It? – The Big Lebowski edition).

One other thought I had about 30 minutes left in the movie was that I wasn’t 100% where we were going to end up. I assumed it was with Michael winning, but I didn’t entirely know who things were going to go down.

Image by Free-Photos from Pixabay

Post-Movie

Both of us liked the movie, which isn’t overly surprising. Things don’t get called classics for no reason (most of the time, at least).

Courtney – I was surprised at how many of the BIG MOMENTS were so early in the movie.

John – Yeah, like I didn’t know the whole “You come to me on this, the day of my daughter’s wedding” bit was in the first 5 minutes.

Courtney – Or the horse’s head in the bed was really quick, too. I just figured those were things we’d get more toward the end.

John – I tell you what though, this is a movie unconcerned about its run time. They lingered on scenes for a few extra seconds. The horse in the bed had like 3 or 4 establishing shots of the house before we even get inside.

Courtney – There were a couple of odd scenes that didn’t make much sense. Like where the girlfriend shows up at the house while Michael is in Italy. It’s like 2 minutes and there is very little point to it and then we are onto something else.

John – I wasn’t sure if the next scene was a few minutes later or a few days later. I also can’t quite figure out the Michael in Italy scene. I liked it, but I was actually expecting him to disappear from the middle part of the movie and then get called back. But I’m not sure if you couldn’t have just cut that whole section out and still had a great film. They never reference it again. He doesn’t say anything to anyone about his now-dead wife. It’s as if that whole time doesn’t matter anyway.

Courtney – Sometimes it was a little hard to understand Brando.

John – Yeah, I thought we might need to turn on the close captions for him. He is phenomenal in the role, but you definitely need to really focus on what he’s saying.

It was a trip to see Pacino so young in the movie. I’m used to him from his Devil’s Advocate and Any Given Sunday time frame.

Godfather is one of those, I can see why everyone should see it. Without it, the modern mob movies don’t exist. But, I don’t know that it will be a rewatch movie for me where something like Goodfellas can be seen over and over.

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. The Trade paperback collecting the first 4 issues is finally back from the printers! If you would like to purchase a copy, go here!

Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His other prose appears in The Dark That Follows, Hollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

In A World

The Crossing Kickstarter is LIVE

Go here and check out the Kickstarter for the Crossing (Co-created by Robert Jeffrey II and Sean Hill and in conjunction with 133art).

***

Image by Gerd Altmann from Pixabay

The world being where it is at right now makes it weird to talk about anything other than the virus. I don’t know whether to hide away in a bunker or what these days. I just hope everyone out there stays safe. We’ll push through this and come out stronger on the other side.

***

Given that the Crossing is still going on its Kickstarter, my plan this week was to write about Parallel Worlds and those instances in media that originally drew me to them. Now, many of us would rather be in one of a million different timelines other than this one…

I’m not going to list Sliders here because The Crossing is a love letter to that show. Robert even went so far as to live commentary the pilot while waiting on the side of the road for a tow truck. But it isn’t the only thing that I’ve found over the years that makes for good watching.

Coherence

The basic plot is that a group of friends is having a dinner party when a comet passes overhead. They soon discover that the comet has split their reality so that there are other versions of themselves.

Now, that’s the overall story, but watching the movie it is really about paranoia. How do you really know the person beside you is who they say they are? How do you know if their version of reality is the same as your own? The movie twists and turns so that the audience is a part of the process, trying to discern not why this has happened, but how to get back to their own house before the comet finishes its path, potentially trapping them in a reality that was never their own.

Coherence deals with the parallel worlds idea on a close to the ground level. There are no crazy worlds where dinosaurs still exist or one where the Ice Age never ended. This is our world… the one just outside our window.

Maybe.

Sliding Doors

Sliding Doors takes the idea that one moment, one decision, can change your entire life. But the interesting thing is that you get to see what happens in both timelines as the story progresses. We all ask What If questions all the time. In fact, so much of our lives are based on decisions we made without knowing what the outcome might even be. We trusted our past selves to get it right and hoped for the best. Yet this movie doesn’t shy away from showing you that life not only can be very messy, but that being able to ask that question of What If, may not always give you the result you were looking for in the first place.

The nice thing about Sliding Doors is that it doesn’t dwell into the science fiction aspect of things. One might say that there is no parallel world but only a story-telling device. Either way, it is a movie that does the path not taken in a way not normally seen.

Exiles

Not a movie but a comic book series. It takes the many-worlds concept and builds a superhero team (with a focus on X-Men characters) to world-hop throughout the infinite realities trying to fix something in each of them that was broken. If you are a long-time reader of Marvel comics, some of the scenarios they play out are things you might have read… that instead went very wrong in this world.

One of the other bits I really enjoyed was the slightly rotating cast of characters. Throughout the series, there are normally 6 members of the team, but through the 100+ issues, aside from Blink, the rest of the team is filled in with other refugees from these other worlds. This gives the writers the opportunity to tell a complete story arc with these superheroes in a way that a normal comic rarely can. They live, love, and in some cases die in the course of their adventures.

***

If you are a fan of this stuff like I am, you could do worse than to look up the movies or the comics and spending some time in another world(s).

Take care of yourselves!

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. The Trade paperback collecting the first 4 issues is finally back from the printers! If you would like to purchase a copy, go here!

Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His other prose appears in The Dark That Follows, Hollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

You Haven’t Seen It? – The Big Lebowski

 

 

This series is based on movies that my wife should have seen at this point in her life but somehow has failed to do so…

Until now.

However, I’m in a similar boat as she is on this one. Even if it is one of those movies that all my friends seem to know. But, I must confess, the real reason this is going to be watched is because it is Veronica Mars’s favorite movie.

Pre-Movie

So what do we know about this movie?

I really don’t know anything.

Yeah… I think he’s a slacker or something. And then shenanigans occur?

That seems right.

I press play.

I just hope this isn’t a Napoleon Dynamite situation…

 

1/2 way through the movie

Courtney was falling asleep – not due to the movie, that she was enjoying, but just too long a day. Which means we’ll be picking this up next weekend!

Flash forward about 2 weeks actually…

After not getting back around to watching the movie the following weekend, we picked it up again. Courtney requested that we rewind a little bit, so we ended up backing up to the point that Sam Elliot makes his first appearance. At which point we have the following conversation:

John – I don’t think Sam Elliot has aged. Like he was this old since he started acting right?

Courtney – It’s the mustache. If he didn’t have that cowboy mustache, I wonder how his career might have gone.

John – Does he have a mustache in Road House?

Courtney – (Thinks) I don’t know.

Note – after we finished this, I noticed that either HBO or Amazon Prime has Roadhouse for free. So we fast-forwarded until Sam makes his appearance. He does not have that trademarked mustache but instead has a kind of scruffy not quite a full face of hair, but not just a couple of days stubble.

So crisis averted.

Back to the movie.

Which we actually finish in this session.

My wife during pretty much any movie once the sun has gone down.

Takeaways

I think it was a big no-no to break the movie up onto not only different days but different weeks. Which, anyone watching just about any movie would agree with, but sometimes the ole wifey gets sleepy and I know that when the eyes start closing it is well past a losing battle. When we restarted, I had to give Courtney a quick catch-up on where we were. Plus, given the nature of the movie which is a quintuple cross (I think, there is a lot of BS being spit during various portions of the movie).

We also had a minor discussion about the fact that White Russians and Caucasians were the same drink (remember, we don’t drink, so we know literally nothing about alcohol).

Personally, I liked the movie. It is so random and weird but had a ton of funny moments. However, I would say that the two (I believe there were only two, though you might make the case that the whole movie was one big drug-induced dream) hallucination scenes didn’t do anything for me. They didn’t last very long, but I honestly felt like they could have been skipped and the movie would have been better for it.

I don’t know what to say. I think the big thing is that it couldn’t hold my attention in the second half of the movie.

Well, you were kind of nodding off.

Exactly. I liked what I saw, but it was… hmm… it just didn’t hold my attention that well.

I am a little shocked this has become such a cult classic.

Yeah, me too.

So this is where you and your girl have your first disagreement.

Veronica Mars and I are fine, but I think it might be Rob Thomas’s favorite movie more than hers. Veronica and I are just fine.

***

I have a Kickstarter beginning on Saturday, February 29, 2020 for The Crossing Issue #1. It is a story about multiple parallel earths, and about how far a father will go.

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. The Trade paperback collecting the first 4 issues is finally back from the printers! If you would like to purchase a copy, go here!

Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His other prose appears in The Dark That Follows, Hollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

You Haven’t Seen It? – Alien

This series is based on movies that my wife should have seen at this point in her life but somehow has failed to do so…

Until now.

Plus, with it being October and all, a proper horror movie was needed to cross off. Which brought us to seeing Alien as part of Turner Classic Movies’ 40th anniversary showing last night.

Pre-Movie

What do you know about this movie?

It has Sigourney Weaver… it has an alien… doesn’t an alien come out of her stomach?

I can neither confirm or deny any of these things.

(The pre-movie was running Alien trivia) Do you know what the tag line was?

(She looks at the 4 choices.) In space, no one can hear you scream.

Nice.

 

About 10 minutes into the movie

I’m a little worried about the cat.

Post-Movie

That was really cool. I thought it was going to be more about it hunting them, but it was as much about them hunting it. And I thought it was going to be Ripley vs. the Alien for half the movie.

So let’s talk about it. What did you like? Didn’t like?

Lambert. I didn’t like her. I don’t think we’re supposed to like her though. She seems super pissed at the world. Someone who remains on edge the whole time. She seemed to know bad things were about to go down… even when they first arrive.

Yeah, she says multiple times while they are out there “ok, let’s go back to the ship”. She’s a real fraidy cat.

Oh, I loved that Parker got in a lick on the alien.

Before he died?

Yeah.

Overall, I thought it was excellent on the suspense. It kept a good balance that so many horror movies don’t do a good job on. It had big moments and then the smaller moments.

Favorite character?

You’d think it’d be Ripley. But I really liked Dallas. His whole demeanor with Ripley. Do you think he was hitting that?

Huh, I had never thought of that.

Maybe it was more of unrequited love? There were looks he gave her. There was underlying respect with a tinge of passion. Would they have been together back on Earth?

Well, he did put himself in harms way over her multiple times… so, maybe?

So how about the big stomach scene?

It’s my favorite. Fantastic.

Did you know what was about to happen? I mean, you kinda knew something with a chest-burster was coming and it is such an iconic scene.

No, I wasn’t thinking that at all. I didn’t think Kane had ingested it. But then the baby comes out.

Baby?

Well, that’s what I’m calling it. We know what the alien looks like fully grown, but you can see it this creature.

Plus he had a cuteness to him.

Disturbing.

That entire scene, them having to hold him down. That’s family right there. No matter how much they scabble in the first scene, this is their people. So it is agonizing.

Did you think it was over there at the end?

No… mostly because of the score. I felt like there was something up. Something else was going to happen. What about you? When you first saw it, did you know there was another scare?

Hmmm… I probably was 12 and watching it on tv. I don’t think I thought there would be more. So it was a big surprise to see this thing that blends in so well, and then to wonder how in the world she was going to get out of that.

Any last thoughts?

Just that this might not be the most epilepsy-friendly movie there at the end with all the flashing lights and whatnot.

Oh, and I’m looking forward to Alien 2-

It’s not Alien 2.

Right, Aliens. But let’s not wait until 2026 to see the 40th anniversary of that one.

Deal.

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. The Trade paperback collecting the first 4 issues is finally back from the printers! If you would like to purchase a copy, go here!

Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His other prose appears in The Dark That Follows, Hollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

You Haven’t Seen It? – Neverending Story

While at Dragon Con a few weeks ago, I caught sight of a group of three people in costume. I quickly realized that one of the women was dressed as the Empress from The Neverending Story. So I looked across the table to where my bride was eating her lunch and said:

“Cool. Neverending Story.”

And she replied:

“Never seen it.”

I immediately posted on Facebook that my world had been shattered by this type of news. How in the world could she not have seen that classic from the 80s? We’d just finished season 3 of Stranger Things and there is a whole thing with the Neverending Story song… it never occurred to me that she might not get that reference.

I had to fix this situation. So on that Monday night, we found that Vudu had the movie for free (with limited ads – honestly it was better than watching it on tv. There were probably only about 6 to 8 minutes of commercials total for a 90-minute movie). So we watched it. And of course, because she’s not a crazy person, she loved it.

But it got me thinking about the various movies I grew up on that for some reason Courtney had never seen. I mean, there was a point where she was 20 years old and had never seen Star Wars (blasphemy). For a long while, she’d never seen The Wizard of Oz (what was happening on Spring Break – they show it every year).

I had an idea. We made a list of movies that either she hadn’t seen but probably should have by this point or just movies that she hadn’t seen but kinda wanted to see. Then I would talk to her about the movie and get her thoughts as an adult. I did this with Neverending Story, but it’s been a couple of weeks so it isn’t quite as fresh.

You Haven’t Seen It?

 

John – The Neverending Story is a classic. I joked that perhaps you were spending time playing outside while the rest of us were watching movies, but then one of your best friends mentioned she’d seen it (and thought she’d seen it with you). So what gives? Why didn’t you see it back then?

Courtney – I actually wasn’t sure if I’d seen it or not. Images from the movie pop up every now and again, so sometimes I think I’ve seen it and then other times not so much. I will say that you know I’m not a big fan of LONG movies, so if you’re calling it The NEVERENDING Story I’m probably going to assume it is going to be a very long one.

Of course, when we started watching it, I quickly realized I hadn’t seen it at all. When did you first see it?

I was 8 when it came out. I think I saw it in the theater, but it is just as likely that I saw it on HBO. They’d run the same movies over and over and over during the summer.

Prior to our watching it, did you have any clue what it might be about?

All I knew was that it was in the fantasy genre. Maybe some kind of quest. I had no idea it was a story within a story.

How about the movie itself? Did you end up liking it?

Oh, I knew right away that I was going to like it. Immediately the whole bit with the characters like the Rock Guy-

Rock Biter.

Yeah, and the elf-guy.

The Bat Rider?

I don’t know his name. Turn it on.

I load it up and fast forward to the scene with the Rockbiter, Snail Rider, and Bat Rider. Courtney immediately picks the Bat Rider as her favorite of the trio.

Rewind it to the beginning, with the bullies.

Did you notice that Major Dad was eating 3 raw eggs? He was hardcore from the beginning!

<10 minutes pass as we watch the scene with the bullies and Bastian hiding in the bookstore and then stealing the book.>

So let me ask you this: do you think the bookstore owner wanted him to take the book?

Of course.

So here’s a thought that will wrinkle your brain: did the bookstore owner know Bastian was going to come into the store?

What do you mean?

Well, he was reading the book as he comes in, but later we find out that Bastian is a character in Fantasia’s larger story. So was the whole beginning of the movie stuff that was actually in the book already?

Hmm… I don’t know…

<The swamp scene appears on the tv.>

I loved the fact that he could live through Atreyu, who was young and underestimated. Both people who lost someone close to them.

The horse!

You kinda spoiled that scene for me. I mean, it still got me, but you dampened it a little bit.

Sorry.

It’s OK.

But you can see that was something that could have scarred you as an 8-year-old. Good lord.

That was the scene that made me definitely know I’d never seen the movie.

Alright, other favorite characters? I personally like the turtle!

The Luck Dragon is absolutely my favorite. I love that he’s a big dog. It just takes any potential fear you might have of this massive beast and puts it to the side. The ear scratching moment! He was great!

And how about the story within a story aspect?

It was awesome. Just like the bookstore owner said, he had real stakes within the story and wasn’t just a bystander.

Finally… what did you think overall? Did you like it?

Yes! Yes! Yes! I actually would love to see it with our 8-year-old niece and see it through her eyes. But, yes, it was great!

***

So a success! I’m hoping to get a horror movie in at some point during October. She’s never seen Alien…

 

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. The Trade paperback collecting the first 4 issues is finally back from the printers! If you would like to purchase a copy, go here!

Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His other prose appears in The Dark That Follows, Hollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Stories From Our Future, Youtube Series Review

Now called Stories From Our Future

Stories from our Future is the official name for something that was originally going to be Little Black Mirror. Released on June 10, 2019, to help celebrate the release of Season 5 of Black Mirror, it took three short films (each less than 10 minutes each) that were all told in the vein of the television show.

One thing about these shorts: there is no spoken dialogue. The music, the beat, or soundtrack helps propel the stories along. In addition, there is a bit of text here and there to help push the narrative along. The other thing I just now realized is how the themes of these shorts mirror (Black Mirror?) the episodes of the season.

EP 1 – Getting to Know You

A virtual landscape to escape the drudgery of your daily life. Who hasn’t seen the video games that end up sucking their players into a life that effectively ends up being wake up, work, and then get online to interact with people you may or may not really know. Unless you meet them in real life, what do you really know about their people? How much might you have in common with them? Are they someone you could see yourself with in a relationship?

And what happens in your real relationships? When does your digital world become more real than your physical one?

And does it even matter?

EP 2 – The Healthy Alternative

Addiction comes in all forms and flavors. It could be a type of food, sodas, alcohol, drugs, sex, and just about anything else you could possibly think of.

And while it is very easy to recognize many of the bigger ones, that doesn’t mean the companies who make and sell this stuff aren’t trying on a constant basis to tweak your mind ever so slightly. They are trying to get their names burrowed within your brain so that you don’t see it as something bad or good. It becomes almost background noise to you.

The sneaky thing is if they can convince you that what they are selling is not only good for you but literally can improve your life in ways that you might not even realize.

And in this future, they can always upgrade the system to make sure they are dealing with your every ailment.

Image by Arek Socha from Pixabay

EP 3 – Cure for Loneliness

The rut of our lives. The constant sameness. Day in an day out. You wake up, go to work, maybe you have a hobby or distraction, and then bed before doing it all again. It makes it where you have to wonder if you actually do see time in a linear fashion, or maybe after a few years of this routine, those days do not fall in a real order.

Throughout all of that, if you are doing it by yourself, then comes the loneliness. Being with someone else. Having them share in some of those experiences, no matter how mundane they may be. That is how humans were supposed to see this world. Not through their own eyes, but through someone else’s eyes. That is how we grow and love and make our days just a little better.

This was my favourite of the three.

***

To see these episodes, check them out on Youtube here. I’m not sure if this is a one-of experiment or if it something we can expect to see more of in the future. I hope so.

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. The Trade paperback collecting the first 4 issues is finally back from the printers! If you would like to purchase a copy, go here!

Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His other prose appears in The Dark That Follows, Hollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Beefing with Avengers – Endgame

Yeah. You all loved Avengers – Endgame.

We get it. It scored 95% on Rotten Tomatoes. 

It’s the second highest grossing film of blah, blah, blah.

You cheered. You wept. You held your bladders for the movie’s entire 17-hour runtime.

Fine. 

As one woman told me, I should shut up and eat my popcorn.  A valid point, and yet…

…for those few among you who are objective, and those few who went into the movie hoping to actually be surprised, shocked, or stunned, this is for you.

Warning: This list contains spoilers. Lots and lots of spoilers. 

*

All the arguments I have with Avengers – Endgame


 

When Thanos’s ship fires a massive volley of missiles into the Avengers’ base, not a single Avenger suffers any significant injury. Not. One. Why even bother with missiles? Would a nuclear bomb hurt them? I mean…even the non-superpower Avengers just shrug off cruise missiles. Wow. Impressive.

Also, why not use the ship’s giant guns and even more missiles on the army of good guys as they assemble in one big easy-to-shoot, ‘hey, look at us assembling‘ block? Why wait until the battle’s end…when doing so means shooting your own soldiers?

Speaking of which, did one single blast from Thanos’ ship…I mean, even ONE…take out a single good guy?

If time travel is now a thing, doesn’t it mean the Avengers can now resolve any possible threat simply by retrieving the infinity stones as needed? Doesn’t that negate the need for every future movie?

Time travel is lazy af. The ultimate deus ex machina

Speaking of time, does everyone have plenty of it to pause and have lengthy conversations during a giant battle which will decide the fate of the Universe…or is it just the Avengers?

When using time travel, does everyone randomly meet a key person from their past…triggering long and needless exposition, or is it just the Avengers?

It took Thanos a lifetime’s worth of dedication to finally retrieve all six Infinity Stones, but it takes drunk Thor, a trash panda, and Scarlett Johansson just a few hours to traverse the galaxy and do the same? Hell, give me a few days and maybe I’LL collect all the stones. (When I snap my fingers, I’ll do something more interesting than murder everyone, I promise.)

Oh Hulk…you said Doctor Strange did what? I completely believe you. Here’s the Time Stone.” Get the f**k out of here.

Captain America can use Mjolnir to create lightning? Breaking your own rules, Marvel.

Whenever I’m creating giant time-traveling machinery that has never before been made, I always have the materials needed to build it readily available.

Please never use time travel again. Unless you’re Back to the Future or the original Terminator. Just. Stop.

For the love of god, Thanos, when you have an Avenger weakened and on his back, f__king finish them. Don’t just punch them a few times and start monologuing. For the smartest villain in the world, you sure aren’t….oh never mind.

Is it really sacrificing someone (for the purpose of claiming the Soul Stone) if that person commits suicide against your wishes?

Hey Marvel (or any filmmaker for that matter) if we ALL know how the movie ends, that’s not good storytelling. That’s called, ‘We know this will make money, so why take any risks?

My kid fell asleep. Twice. Five-hundred previous movies, and this is the first one to make him zzzzzzzzzzz. Impressive.

…mostly because of the heavy-handed scene with Tony Stark and his daddy. And the other one with Cap’n America and Peggy. Unsubtlety, thy presence is strong in this film.

Pretty convenient footsteps, Mister Rat who frees Paul Rudd. If not for you, this whole movie wouldn’t have been possible.

At least Ken Jeong showed up. Best part of the movie.

Lastly, Nebula sucks as a good girl. Borrrrring…


Ok. I’m done.

My other movie reviews are here. They’re mostly positive. Please enjoy.

 

 

 

We’re In the End Game Now

At some point, there was an idea. An idea to take those comic book characters who only lived in a 2D world and bring them to life on the Big Screen. Marvel Comics licenced out a handful of their characters and we got our first taste of what comic books in a live action format was going to look like.

It was clearly a hit or miss situation.

At the same time, there were cartoons to be watched where your favourite characters could actually swing through the air on a spider’s web or fly around completely on fire. It was bringing the characters to life in a way that was both faithful to the comics and… well… wasn’t cheesy looking.

Nothing wrong with this!

I remember thinking that Marvel wasn’t ever going to get it right on the movie front, maybe they should just concentrate on making good cartoons. Heck, there had been a couple of cartoon movies here or there that did alright (I was thinking Transformers and later on the Batman: Mask of the Phantasm movies that both were released to the theaters). Maybe that was the way to go for them?

But you’d hear rumors of them working behind the scenes to get this movie made or that character a try-out. And we still got this:

Although, in light of the movies we ended up getting, maybe this wasn’t soooo bad.

As I continued to read the funny books into my college years, I’d given up much hope for anything great to show up. For whatever reason, the Marvel characters just didn’t seem like they were ever going to work. Even if DC had managed to somewhat crack the code with Superman and Batman, Marvel always seemed to just lag behind.

And then it happened…

Ok, maybe not that one…

This guy. Here was where they got it right.

And you know how sometimes all you need is a little bit of success and that will generate more successes for you. Like a snowball rolling down the hill, you pick up speed and suddenly you’ve got it going in the right direction. Suddenly we get an X-Men movie. And a Daredevil movie. And a Spiderman movie.

Even if you didn’t think they hit every beat or story or special effect just right, the fact that those movies existed at all was mind-blowing.

When the first Spiderman came out after the credits rolled it was like you could have had to use a jackhammer to get the smile off my face. This character I’d read for so many years looked like I wanted him to look, he sounded right… he could swing through the air!

A few years later, Marvel decided that since all their big name properties were with other studios, due to those 90s deals, they needed to reach out and get another one of those characters from the toy box. Being a big Avengers guy, I knew who Iron Man was, but most people would have had no clue. In fact, the Avengers weren’t the A-Listers at Marvel at the time. They might have had one comic series for the Avengers and then one for Iron Man, Captain America, and Thor… and that was it.

Yet, the Iron Man movie worked.

And now, here we are after 21 some-odd movies the culmination of 10+ years for the studios will be on the Big Screen. But more than that, those characters who I thought only would ever work in a 2D environment are living, breathing people. Everyone in the world seems to know who they are. It’s crazy that these movies not only exist but are actually pretty good.

I always wonder if I could talk to my younger self and let him know these things were coming, what he’d think. All those days spent with my nose in the colorful pages, watching the Avengers defeat Doctor Doom or Baron Zemo or even Thanos… those toys are out of the sandbox for everyone to get a chance at.

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. The Trade paperback collecting the first 4 issues is finally back from the printers! If you would like to purchase a copy, go here!

Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His other prose appears in The Dark That Follows, Hollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Review – Shakespeare Tavern’s Romeo and Juliet

I don’t know if I was any different than anyone else in class the first time we were “forced” to read Romeo and Juliet. The language was strange. The story felt too familiar – like I’d seen it a hundred times if I’d seen it once. And the idea that they needed to come up with some elaborate plan of faking death in order for the two lovers (who’d known each other about an hour before Romeo proposed to Juliet). It was just… too much.

But I didn’t hate it. I’m not sure I can fully remember how I felt about it. Just one of those things that you have to do in school. You read it, take a test or two on the material, and move on to the next classic. Occasionally they will lead you to someone becoming a favourite author (thank you Jack London for “To Build a Fire”). Sometimes you realize how much of a non-fan you are (Mr. Dickens, I’m looking at you).

 

 

Weirdly, it was the 1996 version of the play starring Leonardo Dicaprio and Claire Danes where I think I started to understand the story. Whether it was the modern setting, the delivery of the lines… maybe just hearing the words rather than reading them. Or maybe I was just in a different mindset 4 years after I’d initially read the tale. Maybe I had more knowledge about the idea for the reason I thought I’d seen the story over and over… it was because everyone was using it as a basis to tell a certain kind of story.

And with watching, the nuances of the actors’ performances lend themselves to seeing how even if I didn’t catch every word, I knew what the characters were trying to convey. Those little pieces that are completely missing from a read through.

I probably haven’t seen that version of Romeo and Juliet in over a decade, at least. But the Shakespeare Tavern in Atlanta puts on the play for the month of February. Courtney and I had been threatening to go and see a play there (lived here how many years and never went, what’s wrong with us). So we finally made it this past weekend.

Have you ever had one of your favourite songs come on and for some reason, it has a slightly different context than it ever had before? Maybe you hear a group of lyrics for the first time or just are in a different moment in your life… and suddenly the song is different for you. That was this performance this weekend. It was the same play and yet little moments caught me by surprise.

  • The dialogue of Juliet’s Nurse. Multiple times she stole the scene she was in just with the energy she had at the beginning of the play. Later when she has news about Romeo, Juliet calls her old, so she has fun at her expense. Previously I’d thought of the character as someone who toys with the two main characters, but in this, I truly felt the affection she had for Juliet to the point that she put aside her own grief for Tybalt’s death because Romeo was now Juliet’s husband.
  • Mercutio is my favourite character in the play. The movie version is ever in my mind with every line of his dialogue, but in this performance, the role was further defined as someone who loves life, someone who loves Romeo, and someone who would defend his friends until the end. “A plague on both your houses.” resonates with me. The futility of the war between the families.
  • I was struck by seeing the split of the Acts of the play. Romeo is the star of the first part with Juliet not appearing for a few scenes. It was enough where at the intermission my brain was thinking “wow, I thought Juliet was in more of this play.” Of course, the second half is Juliet’s time to shine. The split makes for an interesting compare/contrast that I hadn’t expected to see going into the play.
  • Lastly, Paris and his death in the crypt. I’m not entirely sure I even knew that scene happened prior to Saturday night. So when he appeared, in grief, it adds a bit of weird context to the story. Here was a man who appeared to be fond of this girl he sought to marry. So much so that he asks that Romeo lay him beside her… perhaps he’s not the villain or idiot I’d often taken him for?

Overall it was a great night with the words of the Bard ringing in our ears. I look forward to visiting another of his timeless tales there in the future.

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By the way, did you know that I was participating in a Kickstarter for 5th Edition Dungeons and Dragons focused on Love, Knights, and Enchanters? It is called Love’s Labour’s Liberated. The Kickstarter runs through the end of the month. If you are a fan of roleplaying games, give it a look!

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John McGuire is the creator/author of the steampunk comic The Gilded Age. The Trade paperback collecting the first 4 issues is finally back from the printers! If you would like to purchase a copy, go here!

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His other prose appears in The Dark That Follows, Hollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com