Tag: In the Mouth of Madness

How To Make a Me – Halloween Edition

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Image by Enrique from Pixabay

There is a thread on Twitter where the whole point is to try and list 10 horror movies that sort of describe your Halloween tastes. I’m not taking it as strictly a Best Of or a Favorites list, but more of the movies which helped fashion some of my own horror tastes. These are things/themes which carry some level of importance because of the movie itself or because of some story around it.

Jaws

The joke in my Bio says it as plain and accurate as it could possibly be “John McGuire claims he would have been a marine biologist if it weren’t for Jaws.” When a movie scars you from walking down a career path, I’d say it somehow helped to shape your being.

Scream

Until I’d seen Scream all the slasher movies (save for Nightmare on Elm Street and we’ll get to that in a second) kind of ran together for me. Yes, Halloween is amazing, but the follow-ups to it and Friday the 13th plus an untold number of other 80s Horror had kind of killed the genre for me.

Then came Scream. It turned things completely upside down and showed us that there was still something unique to say about the genre. It was a breath of fresh air that I wasn’t expecting but found myself returning to repeatedly.

In the Mouth of Madness

Sometimes a movie rocks you to the core, makes you think about the world in a different way, and exposes you to thoughts you might have never reached yourself. That’s what In the Mouth of Madness is for me. My first real exposure to Cosmic Horror. A reminder that the universe is a big and scary place. It is something that we try to define and really, we have no fucking idea.

The Thing (1982)

A movie that only gets better with age. I am constantly amazed on rewatches how much the story not only holds up but that I find little bits and pieces every time. I just simply love everything about the movie.

Nightmare on Elm Street

This might have been the first horror movie I ever watched. I remember going over to a friend’s house for a sleepover around 10 years old and somehow we watched this (with his parent’s knowledge). It was my gateway horror movie.

The Howling

I have always been more of a werewolf guy than a vampire guy. Something about the internal struggle of someone not feeding into their base natures. That struggle had always been at the forefront of the creature. It was a curse… until this movie. These werewolves were enjoying what they were. In addition to having some of the greatest transformations ever, it really showed me that you can always look at the classics in a slightly different way.

The Lost Boys

However, I do love a well-done vampire story. This movie hit around the time I was getting into comic books, so to see the main characters in a comic store, understanding the lore around the creatures, hell, hunting the creatures. If you ever wanted to be in a horror movie when you were a kid, this was the one I’d choose.

Cabin in the Woods

Many years after Scream we got another movie that decided to look at the horror genre and turn it on its head. And maybe that’s what I really enjoy when you can subvert the tropes or use them in a way we’ve not seen before. Due to all the Easter eggs, this one has a ton of rewatch value.

Dawn of the Dead (2004)

I love Night of the Living Dead, and I like the original Dawn of the Dead a lot, but something about this version really struck me as a great way to do a remake without losing the spirit of the original. In many ways, it and 28 Days Later (see below) ushered in this new age of the Zombie, a genre that was due for some spotlight (an odd thing to say all these years later given you can’t turn on a streaming service without seeing a dozen such movies.

28 Days Later

The loneliness of this movie. The whole purpose of showing us that it is the family we choose who we have to remain true to. The imagery… him walking the deserted London streets… him hunting in the rain, turning more and more like the infected around him… the tunnel. This one is just so well done, I could watch it any and every time it comes on.

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While not every story in anthology has to work, I think it is important to figure out why or why not they might have worked within the framework we’ve been given. It’s something that I’m thinking about for my own work.

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Repost – Forget Me Not

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I wrote this blog during the very first year of doing blogs, and it hit upon me as I was looking over it that I was just getting into the book that was released last year: The Echo Effect. This idea of how memories may mean different things for different people, and how we are all just made up of our own memories.

Normally when I’m writing something, there is a piece of me in there I’m trying to get a handle on. Or there is some need to write a type of story because it is the type of thing I would want to read. I’m not sure if The Echo Effect helped me get a handle on something specific, but it did help scratch that itch of Time Travel and Groundhog Day storytelling. Of course, having written about it once only means that I now have a half-dozen more ideas in similar veins.

***

People seem to ask writers one common question: “Where do your ideas come from?”

writing-letter

And while I’m still in my early writing career it is a very easy question for me to answer. It comes from answering what drives me as a person.

I’m obsessed with perception, memory, how time can distort both things, and what that means for a person (I am obsessed with other subjects as well: Time Travel, the future, alternate timelines, the supernatural, but I digress).

One of the things I’ve noticed over the years is how my own memory contorts and changes as I get further and further from an event. Now, I assume that for most people this is the case. Especially if it is not the most important of events it is very easily forgotten (though I seem to retain the most useless of knowledge, a gift from my Father I think). Perhaps it remains in some recess of our minds, waiting for a trigger to allow it to rush back to the surface of our mind, but mostly I think our brain just deletes that old, unused data. Kinda like my wife’s pack rat solution she (attempts to) employs upon me. “If you haven’t touched it in 6 months, then you can throw it out.”

Here’s the problem, there are moments in my own life that I have a different memory than those of my friends and family. Sometimes they have been instants where I wish it had been me there because the person feels like we’ve shared this moment and are closer because of it. So I typically go along with it, hoping that at some point it does loosen the old memory and then… but it doesn’t happen.

I can never figure out if it is a ME problem or a THEM problem.

And unless there is audio or video recordings of the event, who is to say that they are right or wrong about these things. If someone tells a story that features you in it, you have already bent in their minds to fit their version of events. Given enough time and enough retelling of that story, why wouldn’t you suddenly adopt it as a part of your own narrative? At what point would you no longer be able to know your own truths compared to those of the story-tellers around you?

Is it gaps in my memory or is he just remembering the event wrong? What do I not understand about my own self? Which is the better outcome for the both of us?

In the mouth of madness

One of my favorite horror movies of all time is In The Mouth of Madness (really, ask my friends Lee and Egg about watching this movie late on a Sunday night and Egg refusing to drive home to north Georgia because of the “guy on the bike”) (I also did not go home that night – dude on the bike is waaay creepy).

For those that don’t know, aside from being a John Carpenter flick (he of The Thing and Halloween to name only 2 classics), the main reason I love this movie, though, is that it postulates a very important question: If the majority of the world suddenly went mad, what would that mean for those of us who still had our sanity? Or, to put it another way, if reality is only this thing that we all have agreed upon, and then a large group no longer shares our same perspective… what happens then? When the inmates run the asylum, then are the remainder of us really the insane ones?

So does that mean that my reality is shaped by others because they remember things about me that I don’t? Should I take in their ideas of me and… and… what? What would I do with them?

These kind of thoughts keep me up at night, furiously typing away on the keyboard, trying to make some sense of my own world through the creation of new ones. Worlds populated with people that I can create and mold. Maybe through them I can try and work some of my own angst about this concept so that perhaps, somehow, I can find a small amount of solace in my own reflection of reality.

winter-reflection-mirror

So yeah, that’s where I get my ideas from, rantings and ravings from the inmates within my own brain.

***

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

 

Forget Me Not

  By , ,

People seem to ask writers one common question: “Where do your ideas come from?”

writing-letter

And while I’m still in my early writing career it is a very easy question for me to answer. It comes from answering what drives me as a person.

I’m obsessed with perception, memory, how time can distort both things, and what that means for a person (I am obsessed with other subjects as well: Time Travel, the future, alternate timelines, the supernatural, but I digress).

One of the things I’ve noticed over the years is how my own memory contorts and changes as I get further and further from an event. Now, I assume that for most people this is the case. Especially if it is not the most important of events it is very easily forgotten (though I seem to retain the most useless of knowledge, a gift from my Father I think). Perhaps it remains in some recess of our minds, waiting for a trigger to allow it to rush back to the surface of our mind, but mostly I think our brain just deletes that old, unused data. Kinda like my wife’s pack rat solution she (attempts to) employs upon me. “If you haven’t touched it in 6 months, then you can throw it out.”

Here’s the problem, there are moments in my own life that I have a different memory than those of my friends and family. Sometimes they have been instants where I wish it had been me there because the person feels like we’ve shared this moment and are closer because of it. So I typically go along with it, hoping that at some point it does loosen the old memory and then… but it doesn’t happen.

I can never figure out if it is a ME problem or a THEM problem.

And unless there is audio or video recordings of the event, who is to say that they are right or wrong about these things. If someone tells a story that features you in it, you have already bent in their minds to fit their version of events. Given enough time and enough retelling of that story, why wouldn’t you suddenly adopt it as a part of your own narrative? At what point would you no longer be able to know your own truths compared to those of the story-tellers around you?

Is it gaps in my memory or is he just remembering the event wrong? What do I not understand about my own self? Which is the better outcome for the both of us?

In the mouth of madness

One of my favorite horror movies of all time is In The Mouth of Madness (really, ask my friends Lee and Egg about watching this movie late on a Sunday night and Egg refusing to drive home to north Georgia because of the “guy on the bike”) (I also did not go home that night – dude on the bike is waaay creepy).

For those that don’t know, aside from being a John Carpenter flick (he of The Thing and Halloween to name only 2 classics), the main reason I love this movie, though, is that it postulates a very important question: If the majority of the world suddenly went mad, what would that mean for those of us who still had our sanity? Or, to put it another way, if reality is only this thing that we all have agreed upon, and then a large group no longer shares our same perspective… what happens then? When the inmates run the asylum, then are the remainder of us really the insane ones?

So does that mean that my reality is shaped by others because they remember things about me that I don’t? Should I take in their ideas of me and… and… what? What would I do with them?

These kind of thoughts keep me up at night, furiously typing away on the keyboard, trying to make some sense of my own world through the creation of new ones. Worlds populated with people that I can create and mold. Maybe through them I can try and work some of my own angst about this concept so that perhaps, somehow, I can find a small amount of solace in my own reflection of reality.

winter-reflection-mirror

So yeah, that’s where I get my ideas from, rantings and ravings from the inmates within my own brain.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

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