About John McGuire

Writer of comics and novels. In 2006 his first short story "The God That Failed" was published by Terminus Media in their debut comic Evolution Book 1. Since that time he has had stories published in Terminus Media's Evolution Book 2 and Evolution Special, Kenzer and Company's The Knights of the Dinner Table, and Four J Publishing's The Burner #3. Currently he is eagerly awaiting the digital publishing of his first creator-owned comic The Gilded Age #1 to be published online as well as his first novel The Dark That Follows later this year.

Closing Threads for the End of the Year

A Grab Bag for this week (also known as Random Thoughts from John).

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December becomes a mad scramble for me every year. Not because of Christmas parties or because of fighting the people at the Mall over the last whatever it is I’m at the Mall to get, and not because every day ends up having something “to do” if left up to the wife.

OK. It is a mad scramble exactly for all those reasons… plus one other one:

Trying to get random bits and pieces of writing in order by the end of the year. You see, every year I write a blog post that lays out the year – what I want to accomplish, what I expect to accomplish, what I could accomplish if I cloned myself… but it is a little pie in the sky. I mean, I put everything on it (because you should dream big, right?), and since I started doing it 3 or 4 years ago, I find myself entering December with unfinished business.

Suddenly I have to squeeze a year’s worth of wants and goals into 31 days of crazy.

Yeah, it never works out.

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Die Hard is one of the greatest Christmas movies of all time.

I believe this, somewhere deep in my soul.

Yet, we had a potluck lunch this week and end up putting it on as the holiday movie. And while it takes place at Christmas, John McClain does write “Ho Ho Ho” (now I have a machine gun) on the dead guy’s shirt… maybe (and this is only a maybe), maybe it isn’t something that everyone else agrees is a great Christmas movie.

I mean, they are wrong, but it is very odd to hear rapid gunfire and cursing while celebrating the holidays with co-workers.

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I once had an interview that took place during a Christmas party. I’d just graduated from college and the interview was right around 1, and the company was in the middle of exchanging gifts. So I had to sit there and smile and not focus on how awkward the whole situation was. I mean, just reschedule the interview for an hour later or an hour earlier or something.

To top it off, I didn’t even get an offer from them, which if they were trying to figure out how I might “fit in” with their group – my thinking would be to say that maybe, just maybe, there would be a better way to do it.

And if you are going to bring an interviewee into the gift exchange, maybe give him/her something. It’s bad enough that we’re there, at least then we’d leave with something.

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Random Thoughts Done for now. Back to wrapping up Kickstarter business and watching odd movies at the “wrong” time!

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John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Steampunk Fridays – Batman: Gotham by Gaslight

A quick one this week… as the Holiday Season gets its full weight down on us.

Years ago there was this comic called Gotham by Gaslight. It featured Batman living in a turn of the century style world where Jack the Ripper had come calling to Gotham.

If you went down the checklist of comics that I should read, this one might have checked all the boxes:

Elseworld – If you are a Marvel fan, this is DC’s version of What If where they showcase alternate timelines or alternate stories from the main ones. It means they can do pretty much whatever they want and not have to worry about Continuity of why Batman might be in the early 1900s.

Jack the Ripper – There is something about Jack that makes him this fascinating figure from history. The fact that no one knew who he was. The various theories over the years about his identity. The gruesomeness of his crimes.

Batman vs. Jack – Take one of the greatest characters, a detective, and put him against this one person who apparently had us all fooled.

So how was the comic? I don’t know. I’ve never actually read it.

I don’t know why. Even as I’m writing this all out, I don’t know why. I always meant to pick it up… it is a comic fail for sure.

Soon though, I can potentially make up for my egregious error (or at least partially make up for it) as they are going to release it to DVD next year! And I think now would be a perfect time to visit that world and enjoy the movie before finally reading the graphic novel. I won’t sit there the whole time comparing it because I’ll watch it first!

It’s kind of a win, win… right?

Ok, it’s kind of a cop-out, but at least I’ll be righting my own 20-year error!

You can check out the trailer here:

 

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John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

 

Unfinished Business

Weirdly, in the aftermath of running a successful Kickstarter to get a project I’ve been working on for years, I’ve been thinking a lot lately about unfinished projects sitting on my hard drive. How for every file and folder that lies dormant on the computer, I will soon have something that is somewhat “complete”.

It was due to these incomplete projects that I created the Gilded Age the way I did in the first place. Too many comic book projects had gotten started only to fizzle out. It was very much the idea that the Gilded Age might only last 1 issue and I had a full 4 issue story-arc planned. What do you do with that? How do you get around the fact that 1 issue could very well be the only thing anyone ever sees?

In fact, there was a while there where Egg and I would email back and forth about 1 issue comic ideas because that was something we could see actually being done and finished. It was something concrete whereas the many talks about 50 issue comic storylines might (only might) have been a little beyond any of us.

Yet, even with those constraints, so many of them never saw the light of day.

And I’ve been thinking about them.

They say you are supposed to Kill Your Darlings as a writer. Basically, when you are writing, even if you love a scene or a paragraph or even just a sentence – you have to be willing to cut those just as easily as anything else.

And there is also some saying about always moving forward (I think). If something doesn’t work out, then toss it aside and start on the next thing. Something about ideas not being precious. That any creator worth their salt can come up with 100 more… and then 100 more.

Yet, I look through the files and remember things I’d forgotten. I see that there was potential within these projects. I see that there could still be potential within so many Lost ideas.

Maybe it is that Kickstarter success that suddenly has shown me a finish line is actually possible? Has it got me convinced there might be a way to bring those things back to life in some form or fashion?

It’s not about the business of the pieces… not yet at least. That will come. The questions about what does this particular thing being brought out of storage actually accomplish. What if by focusing on these older toys, I don’t give enough focus to newer ones?

I’m caught in a weird time loop of my own doing. Lamenting what should have been out a decade ago if only I’d have pushed the right buttons. How I could have been further along whatever path I currently make my way down.

But mistakes have been made along the way.

So what do you do about those old things? I’m a collector. I don’t throw things out without good reason. I believe that ideas are very precious, but I know that more will always be forthcoming. I could never just be rid of them. Do they represent too much thought, too much work, too much… growth?

Without each word, line, paragraph, half-finished script, or even finished scripts that never became comics… my current work wouldn’t exist. Without every pain of trying to pull or get pulled across a finish line, my couple of books, The Gilded Age, and a handful of short stories would not exist (or at least they would not exist in the way they do today).

So I don’t push delete on these things. I don’t erase them from my mind or my flash drive. I don’t purge the emails of random thoughts and nuggets of storylines… for they offer me a glimpse at all the paths I’ve been on until today.

Sure, they may frustrate me that they didn’t get there, but they might have helped me get there.

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John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Steampunk Fridays – Interview with one of the Creators of The Jekyll Island Chronicles

When I was younger, my grandparents would drive to Jekyll Island (on the coast of Georgia) to go fishing. They’d wake up before the crack of dawn, somehow get my smaller frame from the bed to the back of the car, and drive the forty-five minutes to the beach where we’d spend much of the day fishing and learning about various fish worth eating and not worth eating.

So when I saw that there was a steampunk related comic called The Jekyll Island Chronicles… I had to reach out.

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How long have you been creating/working in comics?

There are three of us in this endeavor and we all have been either reading or making comics since we were kids.  I (Steve) used to sit in my room and draw my own versions of Spider-man and the Fantastic Four.  Our actual jobs are all doing different things, so becoming graphic novel authors became a side hobby for us later in life.  We actually started working on The Jekyll Island Chronicles in January of 2013.

At what point did you sit down to become a writer/artist? Do you remember the first thing you drew/wrote?

I think I am the one with the most graphic arts background.  My dad worked in a factory during the day and would come home at night and paint portraits for friends and family members, to make extra spending money.  He taught me how to draw when I was old enough to hold a pencil.  I remember a book of Disney characters that I drew when I was a kid.  I remember him sitting at the kitchen table with me and building dinosaur models.  I have since graduated to more extensive and difficult kits, and scratch built a bunch of my own.   Creating art has a wonderful, calming effect on me.

All three of us have been heavily involved in writing projects of our own in the past as well.  Ed wrote another book several years back and Jack and I have been writing plays and sketch comedy for our church for many years.

Who inspires you? Or do you have a favorite artist or creator?

Jack loves experiences:  he is a Disneyphile through and through.  He would build a scale (and highly detailed) model of Disneyland in his house if he could.  Ed is a voracious reader and plows through novels constantly.  He loves sci/fi, mysteries, and westerns.  And I get inspirations everywhere, no place in particular.  Sometimes, I just like to walk through a retail shopping center and look for things that inspire me.

How do you manage your daily/family life with your creative work? Is this your 9 to 5 or is this your 10 to 2?

Hah!  We all have really demanding jobs.  This is our hobby.  Nights, weekends, while watching tv or sports at night.  I am usually sitting drawing thumbnails on my ipad to make life easier for our artists.  We try to meet periodically to line up on story and plot development (maybe once or twice a month).  We tell our spouses we don’t play golf (at least not well), so this is our club membership.

It’s often difficult to get word out about independent/small press comics. What do you do to market and promote your books? Anything work really well or really poorly?

It’s been an eye-opening experience.  I have an author friend at work who told me that marketing of books has changed over the years—authors are really much more responsible for this and publishers are, well, publishers.  I have found this to be generally true.  Not bad.  Just generally true.

Our publisher at Top Shelf, Chris Staros, told us pretty much the same thing after we signed our book deal.  They publish the books, invite us to the Cons where they are present, put the books out in the proper channels, but we do the heavy lifting on the marketing (Facebook & websites, blogging, boosting posts, local book signings, reaching out to newspapers and magazines, etc etc etc).  We had to learn how to do a bunch of stuff, from a literary marketing standpoint, that we have never done before.  But Chris is a great sounding board for us and happily answers any questions we have.  It’s so good to have his knowledge and experience base in our corner when we need it (which is A LOT!)  We are working with a PR firm on putting together proposals for the release of Book Two.  So, we are hoping to have more firepower in that area.

What’s your process look like when you’re writing? Do you go with the full outline? Or are you a fly by the seat of your pants type?

We have to have an outline.  We use the classic three-act story structure, but because we are a series, we have to layer that structure over each book as well as the entire series.  I guess that’s why trilogies make sense.  For Book One, I had a lot of the basic story arc in my head, and Jack and Ed helped me fill in a bunch–like the whole Jekyll Island connection.  Book Two was more of a blank page than Book One, so it was harder.  We use note cards with plot points and move things around constantly in the beginning.  When we get the arc locked down, we divide and conquer the writing duties, usually giving one person an act to tackle.  We come back, read together, edit together, and make suggestions.  The key is to hold your writing loosely.  You can’t be so dogmatic to “have it your way”.  If that happens, you frustrate everyone and it flies in the face of collaboration and making each other better.  We are long-time friends, so that makes it easier.  But even then, every once in a while, we have to work through things.  It really is a lot of give and take.

I currently live just north of Atlanta, in Suwanee, Georgia, but I’ve been to Jekyll Island dozens of times when I was younger. So it was very cool to even see that this book existed. What inspired you to create Jekyll Island Chronicles?

Ed was instrumental in coming up with the idea to place much of the story at Jekyll.  When I explained the original idea to him, he asked if I had ever been to Jekyll.  I had been in Atlanta for 25 years and had never gone there, and only just heard of it but never really knew about its history.  So, my wife and I took a weekend, went to down to the island, toured it and my brain exploded.  It was the PERFECT set up for the characters and the scenarios, which were all post-WWI and at the height of the gilded age at Jekyll.  It is a Georgia treasure and our hope is that people, especially Georgians, will become a little more knowledgeable about their own history.

What’s been the reaction to the book?

It’s been extremely positive.  Of course, our family and friends have been our biggest cheerleaders.  We’ve gotten good reviews on Amazon (especially) and Good Reads.  Every once in a while we get someone who “doesn’t get it” or takes issue with the alt history portions of it.  We even had one guy who reviewed it and got the plot/character points wrong, so did he even read it??  But then again we were named one of the Top 10 Books Every Young Georgian Should Read for 2017 (all graphic novels go in that category)—so that was a nice feather in our cap.  We already had a second printing.  We had a line of people waiting to sign the book at the NY Comic Con, so that was pretty cool.  We’ve gotten a lot of interest from podcasters, bloggers and people wanting to do interviews.  This is our first rodeo, but so far, so good.

Are there themes and/or subjects you find yourself drawn to again and again in your work?

We started this whole process with themes.  We wrote down the things/principles we believed and wanted to be true for our story.  First, we saw a lot of cynicism with heroes—dark heroes, conflicted heroes—and we wanted to do something different.  Maybe even classic.  My grandfather fought in the US Cavalry in WWI to gain his citizenship.  He was a regular, simple man of principle.  He knew right from wrong.  He wasn’t perfect, but he wasn’t constantly dark and conflicted.  We wanted a return to classic heroism.  We wanted people who were willing to work together in spite of their differences.  Our country is torn down the middle today and we are all saddened and sick of it.  At least we have a built a world where people can come together for the greater good.

Also, we wanted to have a world where it wasn’t evil to have resources.  Andrew Carnegie gave away like $300 million dollars.  He built a system of libraries all across the country.  Not all people with wealth are robber barons, you know?  Jack and I worked for one for decades.  There is good and evil is ALL people–not just one group, one type, or one party.  We hoped that the book would force people to actually look for the good in all of our heroes.  Finally, we wanted a story where the veterans were the biggest heroes.  We owe SO MUCH to them.  It’s no surprise that our original heroes are the broken WWI vets that get “rebuilt” to fight the atrocities of the early 20th century anarchists.

Your first graphic novel was released by Top Shelf & IDW Publishing. How did that relationship come about?

We actually sponsored a class at SCAD in Savannah to help us create a pitch packet for publishers/production companies that might be interested in our idea.  Once we got the packet done, we approached Chris Staros with Top Shelf.  He was Georgia-based, actually Marietta-based, which was right around the corner from all of us.  We called him, took him to lunch one day, introduced ourselves, and handed him the pitch packet.  He said he would take a look at it and give us comments.  The next day he called me and said he thought it was good—really good—and if we finished it, he would like to keep the whole thing in Georgia and publish for us.  WOW.  I know that this is NOT how it is supposed to work.  But, it happened for us and we were, and still are, very grateful to Chris and his confidence.  When Top Shelf got acquired by IDW, that confidence transferred over to them.  They have been huge supporters of ours and they now have us in their catalog that they send to production companies for tv/film.

You currently have 1 graphic novel out there with a second one due out next year. What’s the overall plan with Jekyll Island Chronicles?

The plan is to keep making books until we get too tired and stop (or someone tells us to stop).  At least we want 3.  But the larger goal is 6. The story arc of the original Jekyll Island Club ends in WWII.  We would love to take it that far.

I see on your website that there are teaching materials based on the comic. Can you talk a little about how you came to that idea as well as your goals with the program?

Well, the story has a TON of facts in it.  The alt history component actually has a lot of HISTORY.  We always loved the idea of using the book to teach history and have students weave through the narrative of what is true and what is not.  So we approached Glen Downey (an author who is an expert in this area) and he agreed to put together teaching materials for us.  They are all available for free on our website.  We have a public high school in the Jekyll area that is using it in both the US and world history class, and a private school here in Cobb County that is doing the same thing.  Ideally, this is a great way for creative teachers to introduce their students not just to history but also to the medium of the graphic novel.  We think this is a big idea.

Comics is an amazing collaborative medium. Tell me a little about the artists on the books.

We met both of our artists in our SCAD class.  They were students who, at the time, were finishing up their studies.  Moses Nester is our illustrator/inker and SJ Miller is our colorist.  One is in ATL and one is in Vegas.  Everything is done digitally.  I take the script, gather reference photos, drop them into an app for my ipad called Strip Designer and create tight comps/thumbnails, send them electronically to Moses who inks, sends to SJ for coloring and sound effects and then back to me for final approval.  It seems to work pretty well.  Our artists are very gifted individuals with a bright career in front of them!  We are just so happy that we have access to them at this time of their lives—and we hope this is given them so good experience to bounce off of for the future.

If you could go back in time ten years, what advice might you have for your younger self? Something you wish you knew?

I wish I knew that I was really responsible for my creative outlets in life.  I mean, I have always been creative, but sometimes at work, I was waiting for that itch to be scratched there.  And at times, that didn’t happen.  I wish I had been more aware of the idea to create instead of consume, and now I hope that our creative endeavor helps others to do the same.  Bottom line, if opportunity doesn’t knock, build a door (with credit to Milton Berle for that fine axiom).

Where’s the best place to find out more about Jekyll Island Chronicles and the rest of your works?

Like us on facebook

https://www.facebook.com/jekyllislandchronicles/

or go to our website

https://jekyllislandchronicles.com/

Steampunkers are welcome to check out our website, where we have a link for selling the book, pre-ordering book two and buying other merch. And the book is available in bookstores and on line everywhere.

STEVE NEDVIDEK has worked in film, radio, and television and received his Masters Degree in Theater from Wake Forest University, where he completed his thesis in make-up design. He is an avid cartoonist, model maker, writer, and movie watcher, and resides in the Atlanta suburbs with his wife, kids, and dog.

ED CROWELL holds advanced degrees in political science and international affairs. He is an executive at a non-profit and a writer with dozens of published articles. A lifelong fan of science fiction and fantasy, he and his wife have two children who went off to college, but left Ed and Cynthia with two cats, a fish, and a dog.

JACK LOWE is a student of film making and themed entertainment. A passionate storyteller with a bent toward immersive, multi-sensory experiences, Jack and his wife, three children, two dogs, and two cats live in the shadow of Kennesaw Mountain in Atlanta.

Ed is on the left, Steve in center, Jack on right

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I want to thank Steve for taking the time to answer my questions!

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John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

 

Kickstart the Comic – Penumbra: Fear the Bunny Lord!

There is a term for comic books that became a slightly bad way of referring to them: Funny Books. Meaning they were good for a few laughs, but that was about it. Yet, my friend and I like to take that derisive term and embrace it when we talk about comics. Whether it is Marvel or DC or Image or anything and everything else out there – they are our funny books. They should bring smiles to your face because you are enjoying what you’re reading because that means the people creating the book must have been having “fun” as well.

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Penumbra: Fear the Bunny Lord!

From Shades of Vengeance Comics

Writer/Letters – Jonathan Lewis

Artist – Sebastian Sala

Colorist – Slamet Mujino

Kickstarter campaign ends on Sunday, December 3, 2017 at 9:34 AM EST.

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The Pitch:

Penumbra: Fear the Bunny Lord, is the story of the Mistress of Shadows meeting her greatest foe, a lagomorph with great night vision!

The Story:

On a heist to steal a piece of alien technology, rumored to increase the abilities of any Empowered who holds it, she faces off against Wild Hare. He has an aim to test his skills against the slickest of escape artist. Together with the small army of security, Wild Hare will make sure it isn’t Penumbra’s lucky day.

John’s Thoughts:

Like I said in the preamble, this looks like a comic where the creators are just cutting loose and having fun. I mean, a master thief up against a two-legged bunny? And the thing is that comics don’t always have to be these dreary things that we force ourselves through just to have said: “hey, I read that thing – yeah, it depressed the hell out of me, but I read it!”

I gotta think that after you read this issue the response is much more likely to include lots of laughter rather than tears.

The Rewards:

The other thing about this campaign is that the overall amount being asked for is only about $467, so the rewards all lean towards the various digital rewards. However, if you want to spring for something a little different, the $66 level has a “Personal short story by the writer including Penumbra and an Original character of your choice”. If you have that one character you wish you could include in other people’s worlds, here’s your chance.

The Verdict:

Master thieves and the Rabbits that chase them. Nuff said. Go get yourself a funny book.

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To learn more about Penumbra, check out the Shades of Vengeance website here.

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John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

 

The Top Thanksgiving Movies

My office mate, Ian, has a theory that if you can come up with the quintessential Thanksgiving movie you could be set for life. There are tons of Christmas movies and plenty of Halloween movies, but Thanksgiving is kind of left out in the cold. So I thought I’d try to find some Thanksgiving holiday movies to hold you over while you recover from the turkey coma we’ll all surely be in sometime on Thursday.

Instead, it seems Thanksgiving mostly allows for the other classics to be watched or series of movies to be binge-watched. I fully expect that the Rocky series will be played in its entirety at some point this week. Maybe the Karate Kid or just a series of 80s movies rounded out by Ferris Bueller.

So how about some “Thanksgiving” movies?

Planes, Trains and Automobiles

I didn’t even realize this was a Thanksgiving movie until I started writing this blog. In my mind, it is snowing and he’s got to get home for the holidays = Christmas. But no, he’s getting home for Turkey Day!

This is John Candy at maybe his best (probably just behind The Great Outdoors for me) and Steve Martin nails the “straight guy” in their duo perfectly. The idea of two complete strangers needing to depend on each other in order to get home… and hijinks ensue from there.

Seriously, even if you aren’t trying to find Thanksgiving movies, this should be near the top of your comedy list.

Son in Law

This movie only exists because the girl feels sorry for Pauly Shore “Crawl” and invites him home for Thanksgiving (as otherwise, he’ll be by himself on the holidays). One of those movies where I had no desire to watch… much like many of the Saturday Night Live movies of the early 90s. But this is one where you assume it will be Shore running around on a farm for 90 minutes acting stupid… and it totally is, don’t get me wrong. Somewhere along the way, this one shows that it has a little bit of heart – as he tries to help his friend become the person he knows she can be.

Yes, a “Weasel” movie where he helps someone come to their senses. Crazy.

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And I’m out. Oh, there are others – The New World, where we get the story of Pocahontas, Home for the Holidays, that I recognize the name and nothing else about the story it presents, A Charlie Brown Thanksgiving – which is beyond a classic, and yet I remember The Great Pumpkin and the Christmas Specials and not really that one. And so on. I found a list that mostly just has movies on it because there happens to be one moment that may or may not be Thanksgiving related.

Maybe Ian is correct? We apparently NEED a solid Thanksgiving movie so that we know exactly what we’ll be watching on Thursday or Friday or whenever during the week.

I mean, secretly I’m still waiting for the Eli Roth “Thanksgiving” movie, just to get the list into some level of respectability.

 

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John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Steampunk Fridays – Kickstart the Comic – Stoker and Wells – The Graphic Novel!

Another one made for Steampunk Fridays… I’m not sure how much more I need to say… let’s get to the comic!

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Stoker and Wells – The Graphic Novel

Writer – Steven Peros

Artist – Barry Orkin

Colors – Chris Summers

Letters – Marshall Dillon

Editor – J.C. Vaughn

Kickstarter campaign ends on Tuesday, November 21, 2017 at 3:39 PM EST.

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The Pitch:

In 1894 London, a 20-something H.G. Wells and a 40-something Bram Stoker meet and have a very unexpected 48-hour adventure that leads to the creative inspiration for both writer’s first great success – THE TIME MACHINE for Wells and DRACULA for Stoker.  It is not only a thrilling, scary, fun, and beautifully drawn adventure tale, but also a story about putting aside fear and insecurity and stepping into your true identity.  

The Story:

In a nutshell, Stoker and Wells meet in London of 1894 and through extraordinary fictitious circumstances, rooted in historical accuracy (which will remain under wraps until publication!), find themselves forced at gunpoint to travel 4000 years into the future in a time machine, not of their own design.  The machine is pre-programmed to return to 1894 exactly 48 hours later, so Stoker and Wells are dealt a huge blow when… the time machine is stolen!  Now the two men must journey through the weird and dangerous Earth of 5894 to find their machine before it returns without them, aided by “Nina”, an Eloi, and “Wren”, who claims to be a “reformed” Morlock…

John’s Thoughts:

These real-world people living out the strange lives that eventually their characters will encounter is that cool kind of idea that fills my head with all sorts of ideas. Who else could you potentially use? And what crazy adventure(s) could you take them on?

Pencils & Inks: Barry Orkin / Colors: Chris Summers / Letters: Marshall Dillon

Plus, in this particular case… well, I’ve always loved the Time Machine and who doesn’t love Dracula (you’re wrong if you raised your hand!)? Definitely not a pair I would have thought to combine, but I’m interested to see how this might work out.

The Rewards:

One of the cool things is that at the $75 reward level, you can get a Billy Tucci cover (a Kickstarter exclusive). At higher values you can get a Billy Tucci Portfolio review ($300) or a Script Evaluation for your screenplay or tv pilot ($300 and not one you see all that often on the comic side).

 

Pencils: Billy Tucci / Colors: Barry Orkin

The Verdict:

They said Wells and Stoker. They said time travel. They said Morlocks. They said Castle Dracul…

Enough said.

***

To learn more about Stoker and Wells, check out the Facebook Page here.

***

John McGuire

The Gilded Age Kickstarter is still going on. Check it out on Kickstarter here.

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Kickstart the Comic – The Last Ember #1: Teenager by Day, Fire Goddess by Night

Sometimes it is a name. Sometimes it is the art. Sometimes it is something else that I can’t always put my finger on. And sometimes it is a bit of all of that. The Last Ember #1 is a little of all those things. And more than enough to capture my attention.

***

The Last Ember #1

By Last Ember Press

Writer/ Letterer – Brant Fowler

Penciller – Giulia Lalli

Inker/ Colorist – Lisa Moore

Editor, PR Director – Jay McCarthy

Kickstarter campaign ends on Saturday, November 18, 2017 at 12:59 AM EST.

***

The Pitch:

Ember Madison was an ordinary teenage girl with ordinary teenage problems. She lived a relatively average life… until that night when the fire started. Everything changed after that.

The Story:

As seen in The Last Ember #0, this is not the first time abilities like this have manifested. In fact, it keeps happening over and over again, as it is destined to be. But something has happened and now Ember is the last of her kind… the last goddess of fire!

The Last Ember is the first and lead title of Last Ember Press’ Emberverse line. The series will delve into the mythology of Ember’s world as she learns about her past and what that means for her present and her future. 

Ember will have to discover why she is the last of her kind, and what consequences that has for her life, her dreams, her aspirations. She hasn’t even figured out what college she wants to go to and now she must determine what she does with this huge responsibility thrust upon her.

John’s Thoughts:

If I’ve learned anything from my own Kickstarter, it’s that the days both fly by and seem to drag on forever. On those where no one seems to want to back your book, they last for eons. And for the ones where you are getting backers from everywhere – they never last long enough.

Coming of age stories. Figuring out who we are. Why we are here? What is our connection to the past? These are universal questions everyone struggles with. How Ember Madison figures out her place will be very interesting.

The Last Ember #1 is closing in on their funding goal with a handful of days to go ($3054/$3500), and feels like a comic that deserves to see the light of day.

The Rewards:

One thing that this Kickstarter has done is add various Milestone Bonuses as they reach different funding levels. Unlike Stretch Goals, these actually happen on the way to funding. So far it has been various additional Pinups and other digital comics, which is definitely a good way to bring some excitement to those intermediate levels (like 60% funded).

Aside from the digital and print copies of both #0 and #1 being available at the early levels, if you really want to delve into the full catalog of Last Ember Press, the $100 gets you a print copy of every comic they have currently published.

And at the top end, there is also an option to get the Last Ember Press team to work on one of your comic book projects ($300). As you can see from their work on the page, you’ll get high quality in return.

The Verdict:

I’ve thrown my money in on this one. The fact that even at the lower reward levels they are ensuring so many milestone bonuses means you’re constantly getting something new to look forward to. So check them out!

***

To learn more about Last Ember Press, check out their website here.

***

John McGuire

The Gilded Age Kickstarter is still going on. Check it out on Kickstarter here.

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Steampunk Fridays – Kickstart the Comic – The Death Defying #1

 

One of my loves has always been stage magic. I’m the guy that those tv shows about real life illusionists and every David Copperfield is for. I’ll stop what I’m doing to watch that stuff. And it wasn’t long before I discovered who Harry Houdini was. I’m not sure what it is about him – the fact that he brought a mixture of escapism to his tricks or that he was around during the height of Vaudeville or what, but I know I’ve written at least one school paper on the man.

So a comic with him (and Arthur Conan Doyle) is something that piques my interest.

***

The Death Defying #1

Christopher Sebela – Writer

Gavin Guidry – Artist

Marissa Louise – Colors

Micah Meyers – Letters

Kickstarter campaign ends on Tuesday, November 14, 2017 at 6:33 PM EST.

***

The Pitch:

Arthur Conan Doyle & Harry Houdini.

The writer and the magician.

They were once the best of Friends.

When their friendship went to hell, 

The world wasn’t very far behind.

The Story:

Harry Houdini and Arthur Conan Doyle used to be fast friends, visiting one another and writing letters back and forth, until their differing views on the afterlife set them against one another on stages and newspapers across the globe. Years after their breakup, the two continue to battle about spiritualism, the belief that the living can communicate with the dead. Doyle, creator of the great detective Sherlock Holmes, believes in ghosts, mediums, even photos of fairies. Houdini spends his time debunking the seances and the frauds who run them. The two are at war, two ideological armies whose battle of words is about to become a battle to the death for the very fate of humankind.

This Kickstarter is to fund production and printing of The Death Defying #1, the first in a series of four 30-page issues.

John’s Thoughts:

In real life Doyle and Houdini were friends, but this divide of ideologies proved to be too much. Doyle needed to believe, and I sometimes think Houdini wanted to find someone he couldn’t disprove (he never did). This feels like very ripe territory to construct a story. How does a skeptic deal with some coming supernatural apocalypse? How does a believer deal with the idea that he will be the downfall of his former friend?

Like I said, ripe territory for a story (the first 6 pages are previewed on the Kickstarter Page).

The Rewards:

This is the first issue, so there are the standard pdf only or print versions of the comic. But a couple of things jumped out at me. At the $12 level, you can get a print copy with the variant cover by Tyler Crook (of Petrograd, Harrow County, Bad Blood, and The Dark and Bloody).

For those script-writers who would like a little bit of help with their craft, Christopher Sebela will consult on your single issue script. For those of us who might not have an editor readily available, I can see this as being a relatively cheap way to get a non-biased second opinion on your story ($75 level).

And for the slightly deeper pockets you can appear in the comic you’re buying ($100 level), an always cool option.

The Verdict: 

Time is running low on this particular Kickstarter with less than a week to go. I’d love to see this one make its mark and provide us all with the opening chapter of a very cool story idea.

***

For more information on Christopher Sebela, find it here on his website.

***

 

John McGuire

The Gilded Age Kickstarter is still going on. Check it out on Kickstarter here.

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

The Gilded Age Posts

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

 

Doing my 4 Years Later look back last week, I realized that I’ve written a few posts on The Gilded Age, but never really compiled them into any kind of comprehensive Index. Instead, you would have had to search and claw and dig through the Tessera archives to potentially find any of this.

What follows is a collection of stories about selling the comics, coming up with the comics, and sometimes just finding a way to make the comics. I hope you check them out.

 

New York Comic Con Recap – Stories from the Con

While the overall post is about various things that happened, but the Steampunk Guy tale is directly related to my experience trying to sell a copy of The Gilded Age.

And something about Divergent Points.

The Gilded Age

Behind the Comic – The Gilded Age

Every Hero has their own Secret Origin, and this happens to be The Gilded Age’s Secret Origin!

Behind the Comic – The Gilded Age 2

A blog about the second issue of the comic, but also about the ups and downs of bringing a comic book to life in the first place. There are delays, expected and unexpected. Starts and stops. But don’t lose faith, it can and will eventually happen.

You Got Time Travel Mixed With My Steampunk!

This was a post announcing the digital release of Terminus Team-up #2, which also happens to take place in The Gilded Age.

I need to remember to do a full-on post for this one at some point, as I love the way it turned out.

Behind the Comic – Terminus Team Up #2

Oh, look at that. I did write a post about it. A story about how Amber Fox (Terminus Media’s resident Laura Croft meets Dr. Who) and how I managed to figure out a way to get another Gilded Age story out there mixed with my favorite subject: Time Travel!

Behind the Comic – Anatomy of a Panel

I wanted to take a look at one panel from The Gilded Age and really break it down. Look at the script, look at the pencils, look at the inks and colors and then the lettering. How does it all come together?

Steampunk Fridays – The Gilded Age Interviews

This is the post from a couple of weeks ago which pretty much serves as my Index of Interviews for the various people who worked on the books. I don’t know if I say it enough that I am very fortunate to have worked with all of them. They’ve made me a better creator.

Kickstart the Comic – Gilded Age: Vol 1 – A Steampunk Graphic Novel

Hey, have I mentioned that there is a Gilded Age Kickstarter still running? And we have just passed the funding mark and are now setting our sights on a couple of Stretch Goals? Still not convinced? Maybe you should check out this post where I break it all down.

Behind the Comic – Why Kickstarter?

Where I bear my soul a little bit and talk about what I’m hoping to accomplish with this Kickstarter Campaign. About how I’m nervous that all these years worth of work might be for nothing if this thing doesn’t fund. This was written in the days just before the campaign went live and my stress level might have been a bit high.

***

John McGuire

The Gilded Age Kickstarter is still going on. Check it out on Kickstarter here.

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Steampunk Fridays – Interview with the Creator of Monstrous

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

The Universal Monster movies are really what introduced me to those creatures of the night. And while I’m probably most partial to the Creature movies, I loved Frankenstein, Dracula, and the Wolf Man. It not only set them in popular culture but also provided a blueprint on how you might go about using them in other formats.

Add that to a Steampunk setting and you have something that seems to hit all the right buttons.

***

How long have you been creating/working in comics? 

I had published a few short comics stories in anthologies before my first one-shot came out in 2015.  That comic is called Wild Bullets, and it follows the four siblings of the Bullet family as they attend their parents’ Thanksgiving dinner.  They each take a turn telling the story, and when they do, a different artist handles each section in a different genre and style (crime, science fiction, adventure, and horror).  They’re all dysfunctional pulp adventurers: a detective, a mad scientist, an archaeologist, and a monster hunter.

Since then, I’ve published several issues of Monstrous and Holliston: Friendship Is Tragic.  Monstrous is a fun romp where the stories all take place in a steampunk, Frankenstein-dominated Europe.  The monsters and robots fight for their own interests, and everybody is a little bit monstrous.  

The Holliston graphic novel is based on the cult TV show by Adam Green, but it’s not just for fans of the show.  The basic idea is that it’s like The Big Bang Theory, except for horror nerds.  There are references to Stephen King, serial killers, and John Carpenter movies.  The story tells about four friends who find a cursed credit card that threatens to destroy them, destroy their friendship, and destroy the town of Holliston itself. There is a new Holliston comic on the way, and more Monstrous will be out soon!

At what point did you sit down to become a writer? Do you remember the first thing you wrote?

I have written allllllll kinds of garbage in my life.  I literally do not remember what it was like before I was writing.  I wrote comics and illustrated stories as a kid, mostly ripping off the stuff I liked.  That method is still pretty much what I do.  People who read my comics probably think: “Oh, I bet he likes ______ because he stole ______ from…”  And they’d be right.  All creators are thieves!

I taught screenwriting for a couple of years at Kalamazoo College, and I wrote movie scripts then.  Comic book scripts are much more likely to be made into something than movie scripts, so I tried that out.  I really love collaborating with the great artists I get to work with, and being able to share a comic with someone is very, very cool.

Who inspires you? Or do you have a favorite writer or creator?

There are scads of creators I could point to: Alan Moore if I’m feeling a little pretentious, Rick Remender if I’m being honest, etc. 

But I figure I should use this venue to give a shout-out to someone who might not be a household name yet but deserves to be.  I’ll say Ryan Ferrier.  He is a comic book writer in a variety of genres working with lots of companies, but his D4VE series and Hot Damn are just a bunch of fun, taking weird premises and wringing every last little bit of lunacy out of them.

If you haven’t read his stuff, fix your life right away, folks.  (He also wrote the forthcoming Kong on the Planet of the Apes, which promises to be cool, but give his original stuff a whirl, too.)

How do you manage your daily/family life with your creative work? Is this your 9 to 5 or is this your 10 to 2?

I am literally working on this response after 10:00 p.m.  And on a school night, too!

I have no idea how I manage this stuff.  If somebody knows, please tell me.

The upshot of working on creative stuff while having another job (I teach college English courses) is that when I come to the writing I know I need to focus because my time is limited.  When I “have all the time in the world” to work on something, I tend to fart around longer on the Internet.  I might claim that time as “research,” but if I do, I’m a filthy liar.

Also, my writing process is a pretty straightforward thing.  I do a lot of prewriting and outlining, so I know exactly where I need to go with the story.  I highly recommend this method, as it takes some of the airy-fairy, arty-farty aspects of writing out of the process.  I mean, it’s not all sitting under a juniper tree on a dewy April morning to achieve the necessary inspiration or whatever.  Just write the damn thing.  I’ll talk more about not screwing around waiting for some idiotic celestial muse in a bit.

It’s often difficult to get word out about independent comics. What do you do to market and promote your books? Anything work really well or really poorly?

What works best is having really rich, organized people do it for you.  But that’s not a luxury a whole lot of independent creators have at their disposal.  There are plenty of tools I would recommend using, like social media, podcasts, and lots and lots and lots of face-to-face conversations with people at anything and everything related to the comic (or book or whatever the person wants to promote).  Get out there and tell everyone who will listen!  And, please, for the love of everything that’s holy, try to make it interesting.

This past weekend, I did a signing at Barnes & Noble, and that was sandwiched between two other weekends at comic cons (Kalamazoo and Grand Rapids).  I spend a lot of time meeting people and telling them about what I have created.  I’m really excited about my comics, and I hope that enthusiasm is contagious.  From my perspective, nobody will ever care more or work harder to promote your work than you.

What’s your process look like when you’re writing? Do you go with the full outline? Or are you a fly by the seat of your pants type?

Oh, I don’t just have a full outline; I have a bunch of them.  I like to use the screenwriting model of writing out the beats of any story, organizing it, chopping it up how it needs to be broken down to look like a story that humans can recognize.  I write a logline, a synopsis, character bios, the works. 

I use Blake Snyder’s beat sheet.  Then I write a page breakdown.  If my notes on a single page can’t fit into a single line of description, I’m probably doing too much with a single page.  (Of course, I set all my rules up clearly just so I can cheat.)

My last step is actually writing the script itself.  I specify the panels, camera angles, etc.  Some other writers are more freeform, but I could sketch out the page breakdowns I am visualizing in my head if artists ever wanted that kind of thing.  I’m open to that, but so far nobody has ever really wanted me to be that absolute with my control issues. 

And the good news is that my artists (Ken Lamug on Monstrous, Steve Sharar and Josh Werner on Holliston, and Sean Seal, Steve Sharar, Jason Jimenez, Joe Freyre, and Sarah Dhyne on Wild Bullets) come up with things I never pictured throughout this process.  And it’s always better than I anticipated.  They’re terrific!  It’s like a constant stream of birthday presents!

What inspired you to create Monstrous?

Monstrous stems from a lifelong fascination with monster movies and their misunderstood heroes.  Even when they’re completing evil, monsters are always the most compelling thing about the stories they occupy.  I’ve always loved the Universal Studios monsters and Ghostbusters and the Hammer Studios movies.  I threw all of those influences together with plots from John Wayne westerns in this strange steampunk hybrid. Monstrous is like all of these things I’ve loved for years having a party together.

The potential of this setting and these characters really feels limitless to me.  I have loads more stories in this universe than I have time to write.  Frankenstein’s Europe, teeming with steampunk robots, Dracula, and Igor running tech support on brains in jars—it all just strikes a chord with me.  I don’t think I know how to get bored here.

Was this a case of coming up with the story first and then the setting or vice versa?

The notion of a shared universe with monsters and robots duking it out, trying to live their everyday lives, was the initial impetus I had.  I love the 70s horror comics Marvel put out about Dracula and Frankenstein.  The best part, to me, was taking these characters and just logically extending their stories to see what might be interesting about them.

Eventually, they basically turned Frankenstein’s monster into Captain America, and they gave Dracula a fantastic adversary by creating Blade.  Those weird changes are the kinds of things I want to do with Monstrous. Take something already established and bring a new sense of excitement and possibility.  Get all the toys out of the toybox and have fun.  The stories come mostly out of wanting to see something crazy on the page.  I keep tossing out bizarre scenarios to Ken Lamug, and he routinely delivers on this insanity in amazing and entertaining ways.

What’s been the reaction to the book?

Most people seem to like it a lot.  If they don’t, they’re too polite to tell me.

The response has been overwhelmingly positive.  Monstrous seems to tap into a bunch of things that people really enjoy, and that’s why we keep making more.  There are some possible developments as well to adapt it into a movie or a game.  I don’t have anything definite to report, but that level of interest is very exciting!

I really like telling stories about unusual families, either “families” that are not really related but instead made up of people who need to bond with each other in order to make their lives work (as in Monstrous) or actual families that stray pretty far from how we think of families working (like the deeply dysfunctional Bullet family). 

More specifically, in Monstrous many of the relationships are between father figures and daughter figures.  I guess I gravitated toward that dynamic because I feel like the father-daughter pairing, which should be fairly common in fiction, more or less isn’t.  I just wanted to see what kind of mileage a horror/western hybrid might get out of a less conventional pair at its heart.

Most of my creative work tends to be fast, fun, and escapist.  That’s not really a theme.  It’s just my overall disdain for reality.

After running a successful crowdfunding venture on Monstrous on Kickstarter, what have you learned about the process of crowdfunding? What do you think has contributed to hitting your goals on Monstrous? Do you view the platform as a testing ground for concepts? Any plans on more Kickstarters?

Ooh, that’s a tough one.  There are so many people out there who have the Kickstarter thing down to a science.  Ours was successful, but I don’t know how much I personally had to do with it.  I mostly just got nervous and spazzed out for a month.  Seriously, I lost my voice and got pneumonia.  If I had a lesson to pass on about Kickstarters, it would probably be: “Don’t be like me.”

Ha ha ha!  Who am I kidding?  That lesson extends far beyond just Kickstarters.

In all seriousness, I think it’s important to have a few videos and plenty of visual information.  Don’t run a Kickstarter if the project isn’t in the final stages!  Ideally, it should be completely finished.  Treat a Kickstarter more as a hype machine to get your thing—whatever it is—in front of different audience members.  For people who are already supportive fans, treat it as a pre-order system.

As for Kickstarter being a testing ground, that is a kind of pleasing notion.  Kickstarter is a Darwinian Thunderdome for ideas.  The only problem, though, is that some projects are too pricey or too niche to really work that way.  It is a good wake-up call, though, if the Kickstarter doesn’t work or barely squeaks by.  That idea needs re-tooling and adjustment.

As for future Kickstarters, Travis McIntire at Source Point Press has talked about us doing a Kickstarter for the second Wild Bullets.  I don’t know if we will, but I’m willing to give it a shot.

Get it?  Get it?  Bullets?  Shot?  Oof.  Remember, kids: “Don’t be like me.” 

What’s the overall plan with Monstrous (series length)?

This question is a real toughie.  I have ideas that could fill up loads of stories, but I also don’t necessarily want to outlast the interests of my readers and wind up making everyone sick of it.  I am sure that all long-time comics fans can point to a particular arc or character or series that has severely overstayed its welcome.  I don’t want that to be the case with Monstrous.

As of this moment, the series will at least go twelve issues with the plan to group four issues together into three trades, maybe have a bigger omnibus at the end.  But if I can be entirely honest and mercenary about it, I will probably take the corporate model and just do it until it’s no longer profitable.  (And yes, I know that this answer is essentially a full reversal of what I said in the last paragraph.  A real toughie, huh?)

How did you get together with Source Point Press?

I’ve known the people at Source Point Press for years, and when Ken and I had the first four issues completed, his agent was shopping the project around.  Source Point Press approached me to see if we could work something out, and it was an excellent fit between their brand and what we’re doing.  All creators should, I think, work on their network.  Keep meeting people.  Keep talking to people.  Be polite.  Be someone others want to work with.

Sometimes I hear people ask: “How do I break into comics?”  And I almost always answer: “Dang.  Just be one of the people others are not trying to keep out of comics.”  That sound flippant, but it’s also true.  Be professional, reliable, quick, and friendly.  Be the type of person you’d like to work with, whatever that means to you.  Greedy people don’t get far.  Ditto people who make excuses or spread negativity, etc.  Talk. Interact.  Put yourself out there!

Comics is an amazing collaborative medium. Tell me a little about working with Ken Lamug.

Working with Ken Lamug is wonderful!  He gets where I’m coming from with the scripts and comes up with fantastic art.  There are rarely any hiccups in the communication and/or collaboration.  Everyone should go check out his children’s illustration work, too.  There is some tonal overlap with Monstrous, but it’s all still very different and wild and fun.

Fun fact: Ken Lamug lives in Las Vegas, and I live in Michigan.  We have talked extensively via Twitter messages, e-mails, and phone calls, but we have never met each other face to face.  I’m sure that we will eventually, but things are going so well now I’d worry about blowing it.

Earlier in the working relationship, he would send some process images and sketches, and I would send him outlines and notes.  Now, we mostly exchange finished products, as we really trust each other and trust ourselves.

Plus, I don’t know if I’ve said it extensively enough here, but Ken Lamug is an absolute animal.  He does it all: pencils, inks, colors, letters, covers, design work.  He’s 100% fantastic, and I’m lucky to work with him.

If you could go back in time ten years, what advice might you have for your younger self? Something you wish you knew?

I’d probably make fun of whatever outfit I was wearing ten years ago.

Seriously, I would tell myself not to get so attached to things that are doomed not to work out.  I know that sounds like good advice for everyone, but I get altogether too worked up about things that don’t turn out like I’d hoped, everything from jobs to creative projects to relationships.  With the creative stuff, at least, that is part of the path.  As a writer, I need to keep writing.  I have to write more stuff than will make it to the marketplace.  That’s just how the process works.

It’s a little heartbreaking at times, though.  “I really want this thing to get finished and into people’s hands!”  A high percentage of the time, for a variety of reasons, that scenario doesn’t work out.  So make another thing.  When I hear about creative people talking about working on one thing for years—decades, sometimes—I just feel sad.  Keep using your time to create different things, and eventually one of them will catch. Every new idea you can offer increases your odds.

Anything else I wish I knew ten years ago?  Appreciate your hair, younger Greg.  You’re going to lose most of it in the future.

Do you have any upcoming projects? Anything you’d like to promote? Anything else that you’d like people to know about you (Hobbies? Passions? Favorite TV Show)?

I do!  I’m excited that there is a second Wild Bullets on the way, more Monstrous, and another Holliston graphic novel.  I have some other projects, too, but they’re in the early stages.  Some movie stuff, some comics stuff.  I hope I’m pulling off an air of mystery here, as opposed to just an air of vagueness…

All my hobbies involve sitting.

Where’s the best place to find out more about Monstrous and the rest of your works?

People can check out my website: www.gregwrightcomicbooks.com

They can also find me on Facebook: www.facebook.com/gregwrightcomicbooks

And I have two Twitter accounts: @GregHenchman and @GregWrightBooks

Monstrous is available at Amazon and Barnes & Noble, and all my comics can be purchased directly from Source Point Press: http://sourcepointpress.storenvy.com/products

For those who like prefer digital copies to physical copies, all my comics are available digitally through Comixology, Drive Thru Comics, and ComicsBlitz.

The website for Monstrous is www.monstrousworld.com

Thanks for taking the time to hear me out!  I’m grateful for this opportunity.

See you all in Frankenstein’s Europe, folks.  Let’s get MONSTROUS!

***

 

Greg Wright has written several comic books: Monstrous, Wild Bullets, and Holliston: Friendship Is Tragic.

Greg earned a Ph.D. in American Literature and Film from Michigan State, and his award-winning fiction has appeared in a variety of journals. He has taught screenwriting, media studies, creative writing, and composition.

If he had a castle with a secret passage, he’d probably tell everybody and make it just a regular passage.

***

I’d like to thank Greg Wright for taking the time to answer my questions!

 

 

***

John McGuire

The Gilded Age Kickstarter is still going on. Check it out on Kickstarter here.

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Four Years Later

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

I’m about a month late with this particular article (this is my 212th “regular” blog post). Normally I like to use the beginning of October as my look back at the previous year’s blog posts and point out some of the ones that either got some reaction or others that I felt good about but got overlooked.

***

Behind the Comic – Why Kickstarter?

Insight on why exactly I’m doing a Kickstarter for The Gilded Age. And a snapshot of my feelings a few days before I pulled the trigger on something that determines whether a lot of my time might have been wasted on being a comic book writer.

 

Tales from the Loop – Thoughts about the Best Game I Played at GenCon

Probably the one post that surprised me with how well it did, but really it shouldn’t have. If playing the game was as fun as it was, then writing about the game should have had the same amount of excitement for it. If I remember nothing else from GenCon 2017, I will remember this particular game and session.

NES Games Left Off The Classic

I wasn’t sure if I would get the NES Classic. Considering how hard it was to find the system, it seemed more like a pipe dream than anything else. But then my old roommate, Mike, got me one. And I was amazed by what was included and a little disappointed by what wasn’t included. With a few tweaks, they could have taken it from a “10” all the way to “11”.

Death of Ideas

An essay about whether or not you should worry about the idea that “There are no new ideas” or “Sequels are killing the film industry”. I’d like to argue that it might not be as big of a problem as you think.

Not Like This

The aftermath of this year’s Superbowl when things were still very raw and my mind was trying to process everything that had happened.

Gotta admit, rereading it was a little rough.

20 Things I’ve Learn at Concerts

After decades of going to concerts in all sorts of venues from the extremely small to full on stadiums, I’ve decided to classify some of what I’ve seen and learned from all these shows. Think of it as a do and don’t do list (you get to decide which one is which).

Interview with a 9 Year Old

Much like everyone thinks that the past was always better than the here and now, so too do they think that the current generation will be the death of everything Personally, I believe it is just a different way of looking at the world. So in an attempt to get to know a tiny bit of insight – I interviewed my 9-year-old nephew.

***

John McGuire

The Gilded Age Kickstarter is still going on. Check it out on Kickstarter here.

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Free Comic Books for Halloween!

Every year the first weekend of May there is this little thing called Free Comic Book Day. Hopefully, you know about this, but if you don’t it is basically a day where comic stores have dozens of different titles put out from Marvel, DC, Archie, Dark Horse, Image, and just about every other publisher you can think of. It’s a great promotional day where they can give back to their fans and maybe get new people to visit their stores in order to get them hooked on comics!

Starting today (Happy Halloween!) and lasting through the end of November, Instafreebie is running a Free Comic Book Month of sorts (the first one they have ever done) and the Gilded Age Issue #1 is a part of it.

Check it out here (or click the banner above!).

There are 19 different titles you can partake of (it’ll cost you only your email address) and you’ll get access to the pdf of the comic.

It’s as easy as that.

***

John McGuire

The Gilded Age Kickstarter is still going on. Check it out on Kickstarter here.

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Tales from the Loop – RPG Review

Sometime soon as the week approaches its end, Stranger Things Season 2 will premiere taking with it many people’s weekends with it. Thinking about it makes me turn my thoughts back to Tales from the Loop. I talked about how it was my favorite game I played at Gen Con here, but I didn’t get into much in the way of gameplay details.

Tales from the Loop is about kids. It’s about nostalgia. It’s about playing in a world that King and Spielberg portray.

***

Character Creation

Possibly the best part of the game is the character creation. If you are a roleplayer (as opposed to roll-player) then it is perfect for you. Because, more than most games, this one wants you to develop your characters together. It wants you to come up with an idea, but then collaborate to figure out how your kid fits with the other kids. The discussion you end up having serves to help you determine why you guys and gals are actually friends. Each piece somehow builds neatly on what has come before. The game forces you to answer questions about who you are going to be playing, and by doing that, helps to bring to life a more fleshed out character.

You have your base stats where you take your Age and that is the number of points you can put into your primary Skills. Then the Kid types are divided into archetypes: Bookworm, Computer Geek, Hick, Jock, Popular Kid, Rocker, Troublemaker, and Weirdo (though, a little searching on the web can reveal some additional ones players have developed on their own). Each type has 3 sub-Skills they are proficient in, allowing them to devote more points in that particular ability than others (3 is the maximum in your “Key” Skills, where 1 is the maximum in your other Skills).

Next is your Iconic Item. In game terms, it is something that you can potentially use to add a bonus die to a roll, but in character building terms it is that one thing when you were growing up, that possibly identified you as “You”. Maybe it was your badass bike, or you cool jacket, or you cutting edge piece of technology, or…

You get the point.

Then there is your Problem. Problems are the things that all kids have. Think of them almost as a way to grow as a character. It doesn’t have to be solved during a particular adventure, but it is a motivating part of who your Kid is. Which really your Drive. Why are you doing this?

And what is your Relationship to the other players? Was there something in your past that forced you together? Are you siblings or cousins? Parents work together? Share detention most afternoons? All of these are valid and lend themselves to who you are.

Lastly, you have your Anchor. Where the game emphasizes that you can’t really depend on the adults for much help (they are so wrapped up in their own problems), this is the one adult who actually will help, support, and comfort you.

***

Oh, one thing I didn’t mention in the Character section is your Favorite Song. We all have/had one. Your character needs to choose one. In my mind, it’s like your walk-up music (and I could see getting a playlist with a group’s favorites and using them as potential story clues).

***

The System

Overall the system is pretty easy to figure out. While I have not played the Mutant Zero system that originated this one, it plays very streamlined and well (never seeming to get in the way of the Story you are trying to create).

You have Skills and for each level, you have a Skill you get to roll 1-six-sided dice (1d6). Every “6” you roll is a success. For most things, 1 success is enough to get by a challenge. If you do fail, you can potentially reroll by gaining a Condition (Scared, Upset, Exhausted, Injured, and Broken). Once you have a Condition, you have a minus 1 dice for your rolls until you get to a safe space (with an Anchor or potentially you Hideout).

The only time this gets tweaked a little bit are the BIG challenges (a Climax of the current story being one possibility). It is then that the Kids have to beat a particular number of successes as a team. Each one (or each subgroup) needing to accomplish a series of tasks in order to prevail.

And while Kids Can’t Die… they certainly can fail.

***

Location

While the game comes with both a Swedish Loop and an American Loop, my guess is that many campaigns will end up creating something a little more in their backyard. For a GM, those old memories of where the old tree fort in the woods actually lies should only help integrate everyone that much more within the game.

***

Mysteries

The last half of the book is for the Game Master. One is more of a sandbox style where it sets up a number of possibilities to explore with various Hooks for the players and NPCs to interact with. Past that are 4 scenarios  (“The Four Seasons of Mad Science”) that can be played as one-shots or as part of a larger campaign. From my various readings online, it seems the majority can be played in 3-4 hours each.

***

Overall, what is great about the game is that you can make it your own. Whether that means setting it up in the town you grew up in or inserting NPCs from your childhood or even dialing back a bit on the technology presented by the Loop and focusing more of the strange and unusual within the town/suburbs – you make it your own. And as the players get involved they help expand it into something that is everyone’s.

***

John McGuire

The Gilded Age Kickstarter is still going on. Check it out on Kickstarter here.

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

 

Steampunk Fridays – The Gilded Age Interviews

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

I knew around this time last year that at some point during 2017 I would need to run a Kickstarter for The Gilded Age. There was too much printing needing to be done. Too much trying to figure out how to spread the word on the book.

I’ve said over and over comics are the most collaborative thing I am involved with. Which meant that I had any number of people who I could interview who I directly worked with. Maybe take a minute or two to showcase them a little bit (and let me get to know them as more than maybe a Facebook page or an email address!).

Here are the people who brought The Gilded Age to life:

 

 

 

 

 

 

Behind the Artist – Interview with La’Vata O’Neal

 

 

 

 

 

 

 

Behind the Artist – Interview with Nimesh Morarji Part 1

Behind the Artist – Interview with Nimesh Morarji Part 2

 

 

 

 

 

 

 

Behind the Artist – Interview with Sean Hill Part 1

Behind the Artist – Interview with Sean Hill Part 2

 

 

 

 

 

 

 

Behind the Artist – Interview with Antonio Brandao

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

***

I’m still trying to get the rest to answer the long list of questions I had for them. I’ll update this post as I get them.

***

John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Kickstart the Comic – Gilded Age: Vol 1 – A Steampunk Graphic Novel

As I wrote last week, this Kickstarter has been a long time coming for me. There have been many late nights struggling over scripts or waiting for edits or all those moments receiving a new piece of artwork – it has built to this.I’m hopeful this is the next step in being able to tell stories within the comic book medium.

I love writing about these characters. I’m hopeful this is the next step in being able to tell more stories about them. And I’m looking forward to meeting the other members of The Gilded Age who have not appeared yet.

***

The Gilded Age

From Terminus Media

John McGuire – Writer

Sheldon Mitchell – Artist

António Brandão – Artist

Sean Hill – Artist

Rich Perotta – Inker

Tom Chu – Colors

Nimesh Morarji – Colors

Lavata O’Neal – Graphic Novel Cover Artist

Khari Sampson – Letterer/Copy Editor

Kickstarter campaign ends on Friday, November 17, 2017 at 11:59 PM EDT.

 

The Pitch:

We are raising funds primarily to get the Graphic Novel, The Gilded Age Vol. 1, printed. 100 pages collecting the first four issues of the comic book.

The Story:

The Gilded Age is about a group of performers, the Branning Troupe. Half actors and half carnival folk, the group travels throughout the countries of Victorian Era Europe. For some it offers a direction to their lives, others get the adoration of the crowds, and the rest find simple refuge from a world which has cast them out.

Each story would be done-in-one. They would tell stories that could be enjoyed by anyone picking up a random issue. The issues would have overlapping characters, but by and large, each issue would focus on one or a pair of characters.

The key would be that I was slowly building up my world. And making the readers care about various characters by giving each the screen time they deserved. And by doing this I allowed for different types of stories within the same world. Whether that is Western or Horror or a Heist or something Fantastical, the hope has always been to build the world from the character’s eyes rather than try and hit you with one thousand years of history.

The Gilded Age – Issue #2 – Page 12 – Pencils – Sheldon Mitchell – Inks -Rich Perotta – Colors – Thomas Chu

 

John’s Thoughts:

Comics have always been this way to connect with stories. Even before I was a “book reader”, I devoured comics. As the years went by, that never changed. I’m sure many of you have that same thing where you just can’t get something out of your system. Whether it is the collaborations or the characters or the universes or the ability to tell a story with a limitless visual budget or a way to connect to a younger version of myself…

I think it is all those things and a thousand others. I think it is about someone holding something your brain thought up and thinking – “Hey, that was pretty cool.”

However, the path of the indy comic creator is full of potholes. Money runs out, print runs don’t happen, and you’re constantly torn between this odd thing of people devaluing your work (“It costs how much!?!”). This Kickstarter will help push the comic to a place where it can start funding itself… hopefully into an issue 5 and 6 and 7 and…

The Gilded Age – Issue #3 – Page 5- Art – Antonio Brandao – Colors – Nimesh Morarji

The Rewards:

The Kickstarter is for the first trade of the series which collects issues 1 through 4. There are the options to get either a pdf or the print version sent to you. At the $40 level there is a chance to get the anthologies Terminus put out in the past. At the $60 level there is an opportunity to not only get Gilded Age but also Route 3 (if you missed that Kickstarter).

If being drawn as one of the Gilded Age Carnival Folk is more your style, there is an opportunity to do just that at the $300 level.

The Verdict:

Obviously, you should give this one a try, but I might be biased about such things (*might*).

Seriously though – so many comic book Kickstarters are looking for funds to even come into being. That is a different kind of crapshoot as you can never be 100% sure the book is going to be completed. This is a FINISHED trade. All this money is going to print costs just so that I can get this out there and into people’s hands.

The Gilded Age – Issue #4 – Page 4 – Art – Sean Hill – Colors – Nimesh Morarji

***

I’d like to thank you in advance for checking the project out! For more information on The Gilded Age, check out the Facebook here. If you’d like to know more about the rest of Terminus Media’s comics, check out their Facebook here.

***

John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age which is currently LIVE on Kickstarter!

Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list to keep up with all things Gilded Age.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

 

Behind the Comic – Why Kickstarter?

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

 

I’m worried.

Only a few days from the beginning of The Gilded Age Kickstarter, and I can’t help but be worried. Have I done everything I could have done? Will people show up and pledge? Will I make my goal? What happens if I don’t make the goal?

What happens if I do?

Over this last month, I feel like I’ve been living Kickstarter. Trying to listen to podcasts or check websites or just view as many comic book Kickstarter pages as I can to glean ideas on how they laid out their pages. Or how they did their reward levels. Or a thousand other pieces. Why did this one project fail while this other succeeded? Is there any reasoning and logic behind what I need to do?

For those who might not know, Kickstarter is a crowdfunding platform. It’s a place where creative people seek an amount of funding from a large amount of people to help turn their ideas into reality. Basically, if you have an idea for a product you can take it directly to the public to see if they might want to invest in your idea.

If you check out the site you can find anything from coolers to headphones to apps to novels to movies and everything else you might be able to think of. If you have an idea, then maybe you don’t need to go onto Shark Tank and pitch your idea to a bunch of millionaires. No, maybe you go to the people who might use or consume the product.

It’s funny. All these sites end up saying the same generic stuff over and over:

Have great rewards!

Have a great video!

Show lots of artwork!

Spam your email and Facebook and Twitter and…

DON”T spam your email and Facebook and Twitter and…

Make sure you launch at midnight!

Launch at Lunch!

Make sure you DON’T launch on a Wednesday!

Always launch on a Wednesday.

So you can see why my head might be spinning.

With the campaign I’m launching on Tuesday, October 17, 2017, I’m doing something that feels like it has been YEARS in the making. I’m actually afraid to look and see when the very first “Gilded Age” email shows up in my gmail (April 2009 is the answer). That’s when my very first conversations began when I first saw that Steampunk Cowboy image from artist Larry Watts.

Independent comics are a lot like herding cats who are being chased by dogs who are being examined by aliens who are from a long-lost civilization no one’s ever heard of before.

By that, I mean there are different personalities to interact with. I’ve long said the best thing about comics is the collaborative aspect of the medium. As a writer, you need each and every one of the people to put in a piece of themselves or it just won’t work. It means sometimes waiting for people. It means sometimes people waiting on you.

And it means producing the comics and then selling them.

The problem is that our model was to do digital versions of the comics but have a short print runs for conventions. And sometimes that meant we’d sell out of a particular issue waiting to reorder the books.

Kickstarter is a potential answer for those problems. Since The Gilded Age is done, this is about covering the printing costs. Really it’s like your preordering the graphic novel… with some potential bonuses.

Funding this is about everyone who had a hand in the creation of this comic. Too many times have I seen projects get started only to die before anyone ever gets to see them. I want to continue this journey and tell more stories and collaborate with these creators who have impacted the better portion of a decade of my life.

Hopefully, you can help me do just that!

***

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list to learn about the upcoming The Gilded Age Kickstarter.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

31 Days of Horror – Part 2

Continuing with a month of creepies and crawlies…

Part 1 is here.

Day 4 – Maggie

(currently streaming on Amazon Prime)

Directed by Henry Hobson – Staring Arnold Schwarzenegger and Abigail Breslin

A slow burn with this one. To be honest, it really does take about 30 minutes for the movie to get going, but once it did I was more than glad that I’d stuck around for it. Maggie is more about the slow deterioration of a person than about the actual jump-style scares. It’s about the horror of your body being eaten away by some fiendish virus. About knowing that someone you love is slowly going to lose control, but that you need to/have to stick by them until the very end – no matter what that means.

Day 5 – The Thing (2011)

Directed by Matthijs van Heijningen – Staring Mary Elizabeth Winstead and Joel Edgerton

On a day when a different sequel to an older 1980s movie was being released, I opted to go with a different sequel… uhm prequel. This version of the Thing decided to go back and tell the story of the Norwegian Base seen in the 1982 film. It dwells a bit more on the alien nature of the creature since they are the ones who dig it up in the first place. However, because of this immediate knowledge that there is something among them, the whole aspect of “it could be any one of us” is probably not played up as well as they could have. Many times the creature seems to reveal itself when discretion might have been the better option. My guess is that they wanted to go a bit more on the monster horror movie side rather than a purely psychological one.

I still enjoyed it, and you can tell they went to painstaking efforts to try and match everything you saw in the original with what you were seeing there. Though, it had been long enough since I’d seen the 1982 film, that some of them escaped me, until…

Day 6 – The Thing (1982)

Directed by John Carpenter – Starring Kurt Russell, Wilford Brimley, and Keith David

A cheat, as I have seen this movie, but since I was on a Thing kick, it only made sense to watch this version. The dread of the unknown, the whole “who can I trust” is very much on display in a way you don’t always see pulled off very well. Even remembering what I could about this one, I still got to play along with the characters trying to determine who might be the Thing and who might still be human.

The ending is just about the perfect answer to the question and takes on a slightly different feel having read The Things earlier in the week.

***

Not quite the 7 days worth of scares I set out to do, but I’m all for getting some of this back on track as we approach another weekend.

***

John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list to learn about the upcoming The Gilded Age Kickstarter.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Steampunk Fridays – Kickstart the Comic – Blood & Dust Volume 2

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

The Old West is really that last bastion before the industrial revolution kicks into high gear. But there is plenty of bleed between the two areas, the same as Steampunk and Weird West style stories. That Gothic Horror feel of monsters being in a place where, by all rights, they should not be. And whether it is a Steampowered invention needing to put the darkness back in its place or the sidearm of a cowboy – it feels all connected even if it isn’t a 100% match of genres all the time.

But since it’s my blog – I’m saying it’s ok.

***

Blood & Dust Volume 2: Glenny Family Values

Michael Martin & Adam Orndorf – Writers/Creators

Tone Rodriguez – Artist

Raymund Lee – Colorist

Kel Nuttal – Letters and Design

***

Pitch:

Momma is off her chain, out of her mind and starving.

Free for the first time in decades and hell-bent on making up for lost time, Ruth is headed straight for the town of Boggy Depot to feed on its inhabitants. The only one who can stop her is Judd Glenny, her grandfather and the one who made her in the first place… who’s regretted it every night since.

The Story:

Glenny Family Values is the second volume of the Blood & Dust saga that began with volume 1, The Life & Undeath of Judd Glenny and is an 80-page graphic novel continuing the story of Judd Glenny and his vampire family. Ride along with Eddie Jacobs and listen to Judd tell the tale of how the Glenny Family came to be and the hellish night Judd died and was reborn. All while racing to stop Ruth from killing…everyone.

John’s Thoughts:

Vampires on a rampage. A man who needs to track them down before more people die. Undead mothers and their children…

The imagery previewed on the Kickstarter page both have that gritty feel of a western along with the pure blood and gore as viscera really drips off the page (off the fangs?).

As much as all of that certainly caught my eye, it was Michael’s story about what this comic means for him. Sharing that his ex-wife passed away (Small Cell Ovarian Cancer) some 7 years ago, and then that he’s survived two bouts with Kidney Cancer – this book is his legacy, as he says:

“I’m not trying to write 100 good stories, I’m trying to write one great one.”

That inspires me, chills me, and mostly causes me to root for Michael (and his team) that this Kickstarter is successful and that he manages to get one more step closer to his goals.

The Rewards:

While this one is for Volume 2, if you missed out on Volume 1 there are Reward levels for you with both physical copies only $25. Starting at $25 you have a Kickstarter Exclusive Wraparound cover. For those who want original pages, those start at $150, and if you are feeling really dark and gruesome this Halloween season, you might want to check out the Double page slaughter ($300) which is a double-page spread of the original pencils. As they put it “something you have to see for yourself”.

The Verdict:

I haven’t read the first volume of the series, but that’s almost all I need to jump in and start reading. I mean, if ever you were going to jump into a comic like this – October feels like the right time.

***

For more information on Blood & Dust Volume 2, check out their Facebook page here.

***

John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list to learn about the upcoming The Gilded Age Kickstarter.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

31 Days of Horror – Part 1

Every year I want to make October something cool. I want to watch as many horror movies as I possibly can. I want to fill the excess time with scares and vampires and zombies and whatever monster lives under my bed.

Yet, every year, I look up and it’s basically Halloween.

But not this year. This year I’m determined to do something every day. Whether it is a movie or a short film or a short story or a game or whatever… I’m going to embrace it!

Day 1 – Honeymoon

(currently streaming on Netflix)

Directed by Leigh Janiak – Staring Rose Leslie and Harry Treadaway

There are four characters in this movie and two of them only appear for about a total of 5 minutes of screen time. The entire focus of this movie is on the newly wedded couple who have gone to her cabin in the woods for the week. A week of isolation, and sex, and fishing and strange lights outside, and wandering around in the woods and…

But really, this movie owes more to something like Invasion of the Body Snatchers and Gaslight than anything else. It is really about how much do you know the person you’re with. And if they act “strange” is something actually wrong with them or is it you, being paranoid. As the viewer, you are there with Paul, trying to figure out if there is something legitimately wrong with Bea or if we might be dealing with a situation more different than we think.

This is one of those movies where I enjoyed it right up to the end, but the coda was probably unneeded in its present form. Definitely worth watching if just for the slow build of things being just wrong.

Day 2 – The Things

By Peter Watts

You can read this short story at Clarkesworld for free here.

If you have read John W. Campbell, Jr’s novella Who Goes There? or seen John Carpenter’s The Thing, then you might have an idea of what this short story is about. But instead of a strict retelling from another of the humans, this is from the POV of the Creature.

Watts does a great job in almost making The Thing into a sympathetic character who is as confused about our world and our ways as we are of it. There is true anguish as it tries to decipher what it can about humanity’s nature, why we would choose to become stuck in one form, and all the ways it thought it could potentially survive the encounter.

If you’ve seen the movie, Watts also has an answer about who might have been human and who might have been a Thing at the end.

Day 3 – Vicious

Written, directed and produced by Oliver Park

You can watch Vicious on Youtube here.

There isn’t anything unique about the story. A girl is alone in her house… or is she? Even if we’ve seen that movie a thousand times, when it comes to the horror side it really boils down to, is this thing scary?

Yes.

Through the use of the soundtrack, slow shots, a couple of jump scares, and an occasional camera shot that is just off-center making you watch the background more than any character in the foreground.

It has a viewing suggestion that I will echo here: watch alone, in the dark, with headphones.

***

Three days down, many more scares to go.

***

John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list to learn about the upcoming The Gilded Age Kickstarter.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Steampunk Fridays – Short Film – Eye of the Storm

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

Technically this is a music video, but if after watching it you don’t feel like you want to see a whole movie made in this style… well, I don’t have words for you. It’s done well enough that I think it’s ok to call it a film.

“Eye of the Storm” – By Lovett, from the album Highway Collection, 2011 – Directed by Christopher Alender

The story centers around a sky captain making his way across the sky, making peace with what came before and steadying himself on what may come next. Accompanied by a large dog-sized dragon, he sees the green glow just past an oncoming storm and must make his decision on how to deal with it. Whether he should avoid it or push through to the other side.

This feels like the end of his journey. Whether that implies his death or simply his last grand adventure, I’m not entirely sure.

Using a technique that reminds me a bit of Sin City with that mixture of animation and stylized actors. His goggles remain on his face, the orbs acting as two beacons in the dark night. They are our proxy to his eyes, able to still convey emotion even without being able to see what lies beneath.

This film has no spoken dialogue, but the song itself acts as our emotional center. It builds slowly, quietly, a simple peace. And then, when the storm crashes into the ship, and he is fighting the currents, the volume raises… crashing into the listener. Once through the rain and the wind, he sees the green light in the distance and pushes his machine directly toward it.

On my second watch, I brought up the lyrics and listened to the song only, allowing my memory of the scenes to supply the visuals.

For all that it cost

In the end there was no price to pay

For all that was lost

That storm carried it away

The storm carries all the mistakes he made. It carries the past away. And then it carries him onto his next (final) destination.

Or, perhaps he rids himself of those things. And by unburdening, he allows himself to actually become truly free.

 

 

Check it out and you tell me. Is this the end or the beginning?

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You can find more music from Lovett on his website, as well as a behind the scenes for this video.

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novellas Theft & Therapy and There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Tales From the Loop – Thoughts About the Best Game I Played At GenCon

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

I’m not burying the lead on this one. Heck, I put it right there in the title. Tales from the Loop was the best game experience I had at Gen Con. To the point that I talked about the game session to my wife like I was telling her about some awesome movie I’d seen (ask her about my retelling of How to Train Your Dragon – the rated R version – now full of lots of swearing!). I told my sister, a nut for everything 80s, because the game does a great job at delivering on a premise.

So what is Tales from the Loop – Roleplaying in the 80s that never was?

Think about your favorite kid led movies from the 1980s. Do you have a list in your head?

Goonies?

Flight of the Navigator?

E.T.?

Stand by Me?

Monster Squad?

Explorers?

Cloak and Dagger?

Short Circuit?

D.A.R.Y.L.?

These are the movies just before you get to the John Hughes films in your mid-teens. These are the movies where the kids are the heroes. Where they aren’t treated as dummies just because they aren’t the adults. If anything, the adults are normally the clueless ones who have no idea that a bigger world exists around the next corner, but their kids know it all too well.

This is the feeling Tales from the Loop taps into the nostalgia of that time when you both couldn’t wait to grow up, but also began to understand that it was pretty cool to be a kid sometimes. When you created adventures with your friends, when you bike was your gateway to the larger world, and when the woods were a sanctuary from whatever bothered you.

Tales is a game that takes that premise and puts it into a world very much like our own (or any of the worlds from those movies) but uses the backdrop of artist Simon Stålenhag’s paintings where fantastical machines are becoming more and more commonplace. From the Kickstarter page:

In 1954, the Swedish government ordered the construction of the world’s largest particle accelerator. The facility was complete in 1969, located deep below the pastoral countryside of Mälaröarna. The local population called this marvel of technology The Loop.

While it is a Swedish game, one of the stretch goals set up an American counterpart Loop in Boulder City, Colorado. Again, the thing is you could set this game in the town you grew up in. Those memories of growing up on the coast or in the mountains or playing in the creek or riding your bike through the subdivisions are what the game evokes within the players. It becomes easy to play because you’re tapping into a piece of you from Before you got old(er) and had adult responsibilities.

***

When Egg mentioned adding Tales from the Loop to our game schedule, I had no idea what he was talking about. I just smiled and said, “Yeah, whatever. I’m just glad to be going.” Later I looked up the game’s Kickstarter and thought, “Interesting. A game where you play kids in a 1980s style setting.”

Then promptly forgot about it again until the Friday night of GenCon.

Egg was unable to attend the session as he was Cubical 7’s guest at the Ennie Awards. So Lee and I made our way to the room where the game was to take place. After a few minutes our Game Master, Bill Carter, appeared, having hustled from another game. For a while, it was just the three of us. Lucky for us that Alan Precourt and David Cochran decided to swing by and see how things were going. Bill “convinced” them to join in the game, realizing that 4 would probably be better than 2. And off we went into character creation.

Many games we played during the weekend were pregenerated. They had their own stats and histories and connections to the other pregenerated characters. So it can be a bit of a crap-shoot as you’re never 100% on how they are going to work, especially if you’ve never played the system.

However, Bill had us create characters for this game, and I’m especially glad he did.

You pick out an archetype: The Loner, The Jock, The Computer Nerd, etc. in order to have a little bit of framework for your character. But the thing is, you’re a kid, you’re not going to be great at 100 different things like some games. You have 4 main attributes: Body, Tech, Heart, and Mind. You’ll divide up your character points here among those.

Oh, how many character points do you get? How old is your character? Pick a starting age between 10 and 15. Got it? That’s how many points you have to divide.

Pretty cool, right?

Art by Simon Stålenhag

Ah, but there is a catch. There is one other main stat: Luck. Much like other games, using a Luck point lets you reroll a failed roll. So how many Luck points do you get? 15 minus your age. So the younger you are, the luckier you are, but the fewer Build points you’ll have.

The thing that any roleplayer will tell you is that your stats are only part of the story for your character. The story… who you are… what are you afraid of… what do you aspire to be? These are the keys to not only your character but will potentially inform your relationships with the other kids. And that may be the biggest piece of this game. Your kids are going to be friends and it’s really up to the players to figure out why.

In our particular game, I chose the Rocker. A bit of a clumsy, still growing into himself, an 11-year-old kid whose brother had passed away maybe a year or so prior. His parents rode him – trying to have him live up to be his brother, but in his grief, he found his brother’s old guitar and something clicked.

So, I had a background, but how to tie it into the other characters. Why are you friends?

Well… what if the Computer Nerd was helping me actually record something?

What if the Skater-Jock was just big enough to protect the Computer Nerd from the school bully?

And what if the Hick and the Rocker had found friendship in the older brother’s death?

Sounds like we’ve got some friendships going.

And just like that, we were ready to play.

I don’t want to give away the details in case Bill wants to run it again (or maybe publish it at some point). Suffice to say, our four kids immediately noticed something was wrong while at school. You might say that Strange(r) Things were afoot… and it was up to us to figure out why the world seemed to blink or why the robots were acting strange or why- seriously, I probably should stop.

Our attempt at Taunting the missing Egg Embry

***

After the game, Lee and I met back up with Egg and proceeded to talk his ear off about the session, about the people we’d played with, and just the joy of the session. I’m sure he was tired of hearing about it by the time we went to bed that night. The next morning we made a b-line to the Modiphius booth where I snagged a hard copy of the game (when we swung back by later that afternoon, they were sold out).

The book comes with all the rules needed to play as well as 4 adventures to get everyone started. So far I haven’t had a chance to bust the game out and play, but I did look to see if they were running any adventures at Dragon Con a couple of weeks later (if they were, I didn’t see any). Regardless, I’m looking forward to jumping into that world!

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For more information about Tales from the Loop, check out the Modiphius Entertainment site here.

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novellas Theft & Therapy and There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Steampunk Fridays – Kickstart the Comic – The Invention of E.J. Whitaker

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

Women kicking ass. That’s one of my wife’s favorite things to ask about any kind of media. Conversations normally go like this:

“Does it feature women kicking ass?”

“Yes.”

“Then I’m in.”

The following comic spotlight feels like it is going to be just that: A woman who is forced to outfox those who would try to do her wrong. However, unlike the normal Kickstart the Comic, this Kickstarter actually finished up at the end of last year (check it out here). Still, the comic is due out in a few short months (you can order your copy here), so I thought I’d give it a write-up.

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The Invention of E.J. Whitaker

The Gibbs Sisters – Writers/Creators

Mark Hernandez – Penciler/Inker

Hasani Mcintosh – Colorist

Earl Womack – Cover Artist

Starline Hodge – E.J. Whitaker Emblem Designer

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Pitch:

When Ada Turner, a young Inventor’s apprentice, creates a flying machine in 1901, she’s introduced to the dangerous side of the Industrial Age.

The Invention of E.J. Whitaker is a combination of science, adventure, romance, and transformation that we have been starving to see visualized since our teenage years gobbling up series after series by Octavia Butler and later Tananarive Due. It was in part developed because of our appreciation and passion for telling classic stories featuring smart, aspirational, and diverse female characters.

The Story:

At the turn of the century, in America’s great Industrial Age, Tuskegee University student Ada Turner is a brilliant and charming inventor with dozens of patents to prove it but she’s got one big strike against her: She’s a woman…and…well, frankly put, she’s got more than a few strikes going on. So in an effort to have her work taken seriously, she comes up with her best invention yet: the pseudonym of E.J. Whitaker…

When “E.J’s” patent for a wondrous flying machine begins garnering national attention, Ada finds herself relentlessly pursued by William, a mysterious young businessman, and his colleague, Samuel. Ada must keep her identity and popular invention under wraps but can she, as more and more powerful people set sights on EJ Whitaker…? People with intentions to use the inventions for their own financial gain and get Ada out of the picture.

(artwork from Pinterest site for The Invention of E.J. Whitaker)

John’s Thoughts:

First off, I like the idea behind the story. Steampunkish espionage. While everyone else is chasing Tesla or Edison, E.J. Whitaker seems to be carving her own path through the world. From the Kickstarter, it describes the sisters’ background in “indie comic book and animation”, which you can definitely see from the concept art they have posted on their website.

(Concept art featured at www.ejwhitaker.com)

Speaking of the art, I love the mixture of engineering patents mixed in with their artwork. I’m not sure if they are all real or not, but it is a nice touch.

The Rewards:

This would be the part where I would tell you about the various rewards, but sadly I (we) missed the Kickstarter.

But you can still order a digital copy of issue #1 for $10 here!

The Verdict:

After some delays, it appears that the comic book is set to come out Winter, 2017. After that, they have designs on doing additional issues leading up to a full trade. Seems like an excellent time to support an indy book to me.

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For more information on The Invention of E.J. Whitaker, check out their webpage here.

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novellas Theft & Therapy and There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Kickstart the Comic – Frankenstein, Texas

The weather is beginning to turn a bit cooler. Soon enough the calendar will change from September to my favorite month: October. A whole month where it is ok to bask in the idea of the horror genre. A whole month dedicated to experiencing as many scares as possible.

Let’s get a jumpstart on it.

***

Frankenstein, Texas – a 48-page western horror graphic novel

From Dan Whitehead

Dan Whitehead – Writer

David Hitchcock – Artist

Kickstarter campaign ends on Wednesday, October 18, 2017, at 10:36 AM EDT.

The Pitch:

What if Mary Shelley’s famous gothic novel was a lie? What if Victor Frankenstein paid Captain Walton to announce both he and his creation had perished and vanished in the Arctic? What if instead, the pair headed west, across Europe, to Ireland and from there to the new world? To America?

The Story:

This is a tale of action and adventure, but also a story that explores ideas of damnation and salvation, of fresh starts and bitter ends, and what it takes to atone for the deadliest of sins.

At the heart of the story is the complex relationship between Frankenstein and his creation. The man, constantly wrestling with the knowledge that he created life from death, and the monster, heartbroken by the violence that rages inside him and determined to prevent his “father” from repeating the mistakes of the past.

Page 1 – Art by David Hitchcock

John’s Thoughts:

This is a 48-page graphic novel of Frankenstein in the Old West… it’s one of those ideas that I’m both scratching my head about and also wondering – why didn’t I think of that? What better place for the Doctor and his Monster to lose themselves than in the untamed frontier of America far from their birthplaces?

The Rewards:

Fairly cheap for the digital version of the basic graphic novel ($4), but the printed copy is also very reasonable ($14). Sadly for those coming onboard at this point, the $68 Wanted Dead or Alive level is all gone, and with it your chance to make a cameo in the comic. As to some of the higher end options – the Saloon Decorator ($204) allows you access to an original page of artwork (9 spots are left at the time of this writing). Or the Town Marshall ($272) gets you an original commission of your choosing by the artist (5 spots left).

The Verdict:

The artwork on the page and the core idea tell me to back the comic book. They’ve launched at a perfect time of year for such a story, and I’m looking forward to seeing the finished book.

Art by David Hitchcock

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For more information on Frankenstein, Texas, check out their Facebook Page here.

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novellas Theft & Therapy and There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Steampunk Fridays – Kickstart the Game – Westbound: Revolvers and Rituals

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

Magic and technology colliding… that’s what we’re talking about here. An untamed wild where anything can be done and the only person stopping you from living your dreams is you. Take that smoke wagon from its holster and fire again and again on your orcish enemies. Dodge dragon fire while riding on horseback.

I mean, that’s what being in the Weird West is all about!

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Westbound: Revolvers and Rituals

From Island of Bees

Kickstarter campaign ends on Friday, September 29, 2017, at 1:59 AM EDT.

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The Pitch

Westbound is a game of adventure on the frontier. You’ll explore the magical wild west, encounter other frontiersmen, fight strange new creatures, and strike gold or die trying. Robbing trains, shooting up saloons, and rescuing damsels is all apart of a days work for a Westbounder.

When the soil’s turned sour,

And the well all dried up.

When men in suits put a gun in your hand

And send you to war.

When there’s nothing left of your home,

But ash and regret.

It’s time to turn Westbound.

The Game

This Kickstarter is for the full version of the game, but they did put a free Basic version and a Quickstart adventure to “try before you back”. In addition, there are also a handful of videos to help walk through some of the basics.

Reading through those Quickstart Rules, the big idea here is that there aren’t any dice, but instead it uses a deck of 52 cards to help define your character. But more than that, it appears to combine some aspects of collectible card games in that “The Deck is Your Stamina”. As such, it appears that as you make your way through the day there is a tangible and very visual way to determine not only your health but the potential strength of a character through simple current deck sizing.

The free adventure, Triumph at Saint Kiaro is worth checking out as well. Not only does it provide some visuals as far as how the decks are laid out, but there are premade characters to let you jump right into things.

Final Verdict

Westbound is definitely a game that falls more within the Weird West genre than all the way in the Steampunk one, but, as with many things, I believe those aspects play off of each other fairly well. I love the fact that not only is there a Quickstart Guide available, but there is also a scenario to play through so you can really take the game out for a test spin.

One interesting idea with using a deck of cards as both your stamina and how you do checks is that as you proceed through the day, it might make sense not to take a rest if you have a bunch of higher value cards left in the deck (you wouldn’t want those lower tier cards suddenly showing back up in the deck). While there is some level of randomization even with what can get shuffled back into the deck, this creates a different sort of strain on your character – something not really available in dice games.

This is one of those games I’d like to play in person. The decks of cards make good reminders, plus I can see where if you were to do a campaign, you might have a specific “special” deck for each one (character accessories are always fun). Some of the stretch goals seem to lend themselves to this very idea.

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For more information on Westbound: Revolvers and Rituals check them out here.

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John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list to learn about the upcoming The Gilded Age Kickstarter.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Dragon Con 2017 Recap

Dragon Con always feels a bit like coming home. Even when the numbers of attendees keep going up and up, even when more hotels are added, and even when we take over more and more of downtown, there is just something about Dragon Con that makes it feel different. Long before Georgia became Hollywood South, this was the place for those actors on the shows and movies we all loved would come by for a visit. They would gather us all around and tell their stories to all who would listen.

And for a little while, the gulf between our lives and their lives disappeared.

I hadn’t thought about it much before Friday night, but I’ve been coming to Dragon Con since 1993 when Chad Shonk’s father dropped us off at the entrance to the hotel and we made our way to see Todd McFarlane.

I still have my signed Amazing Spider-Man 300.

It was my first convention. Heck, it was pretty much my first idea that such things even existed. You mean creators of the Funny Books I love to read are coming to my town? I’m sold.

About 10 years ago I convinced my wife to come to Dragon Con for a day. Serenity either had just come out or was coming out, so virtually the entire cast was going to be there. She went, had a great time, and while it took a couple of years before she would be a regular, it has become our little vacation in the city for Labor Day Weekend.

2017

My big take aways for this year were:

  • Standing in lines is not a lot of fun.
  • Standing in lines and not getting into the panel you wanted is really no fun.
  • Being in the overflow room for a panel and then having the feed cut out is just right out.
  • Avoid the dealer’s room on Saturday if at all possible.
  • There are a lot of people in Downtown Atlanta on Labor Day weekend!
  • It never gets old to see the people coming in for the Chic-fil-a Kickoff Classic (college football game for those who don’t know) have confused looks on their faces at the various costumes running around.
  • The costumes continue to impress me year after year. I stand in awe to those people’s dedication to their craft.
  • I love listening to the actors when they are passionate about their work.
  • Catching up with friends might be the single best part.

This year took a different turn when the day before we were to go downtown, Courtney found a hotel room available within 2 blocks of the Hyatt. And we could get it for only Friday and Saturday night. Since we normally don’t go down until Friday and almost never go on Monday, this worked out perfectly.

Throughout the course of the weekend, we’re always amazed at the level of costumes and the creativity everyone has. Whether it is the Zoltar machine from the movie BIG to a robot controlled Stewie from Family Guy, people continue to push the boundaries for the next cool thing. Which is awesome to see, even if I don’t envy the amount of time it might take them to create.

Friday

Somehow on Friday morning, even after getting there at 9:30 for a 10:00 panel, we were forced to the overflow for Nathan Fillion. No biggie. He’s honestly entertaining enough that after a few minutes I mostly forgot he wasn’t in the room… until the Feed cut out for about 10 minutes, and then when they got the audio back, it was probably another 5 before we got the visual. Not anything crushing, but not the way we want to start things off. After seeing him, I realized we’re not doing our due diligence having not seen Con Men (though it was on this weekend, so I have them recorded).

After an aborted attempt to see Wallace Shawn (Inconceivable!) and a decision not to try to fight my way into the Stan Lee panel (they started lining up 2+ hours early), we decided to venture over to the dealer’s room in an attempt to see the wares before the craziness of the weekend really kicked into gear. Last year there was a line to get in by about 2:30, so we made sure we showed up closer to when it opened at 1.

Here’s the thing about the Dealer’s room that I’ll never understand: why is it people stand in the middle of the aisles and talk to each other? I don’t mean the “hey, let’s go this way” but full conversations. Given how packed the room gets, I’d think you’d want to do such things in an area where you wouldn’t be obstructing traffic.

While Friday’s trip was more about identifying potential buys on Sunday, Egg had put me on the look out for Kevin Hearne‘s Iron Druid Chronicles which my wife pointed out after about 2 minutes in the room. I ended up speaking with Kevin for a few minutes and grabbed a couple of copies of the comic.

The final panel attempt on Friday was one for the Gilmore Girls featuring Sean Gunn. Apparently, a room which holds 350 people is not enough by about 50 people and superfan that my wife is – was shut out.

I feel like this is the second time we’ve missed out on a Gilmore Girls/Sean Gunn panel… but maybe it’s just a false feeling of Deja vu?

We dropped in on TesseraGuild’s own Amanda Makepeace (and daughter) who was busy holding down her table in the art area. Prints were flying off her table and, spoiler alert, she ended up winning the “Best Space Scene” at the Dragon Con Art Show!

War for Jupiter

Saturday

Waking up on Saturday with an extra hour of sleep (due to not having to drive into downtown) was nice. I also realized that the 10 AM panels don’t necessarily fill up (unless you’re Nathan Fillion, I guess). There was no line, the Con could let you right into the room.

John Cusack was interesting as he’d never been to Dragon Con before, but he also wasn’t there to actively promote a project. So it really became a series of questions from the audience about all of his movies. I wasn’t sure if he just wasn’t as comfortable in such a setting or what. You could tell when he was really engaged with a question based solely on the length of his responses. Possibly because he’d answered the question a million time previously, some of his answers ended up being slightly longer Yes/No responses.

Though, I don’t want it to seem like it was a bad panel, far from it. Just that many times on these type question/answer sessions the worry is always “how many questions can we get them to answer?” and this was a bit more like “I’m going to get through all the questions.”

The highlight question was:

“Do you ever get stopped in real life by someone who wants 2 dollars?”

A laugh. “Every day… every day.”

The Flash panel reminded me that it is beyond cool that John Wesley Shipp is a part of the cast. To have that link to the old show and to see how much he respects these actors and the work they put in… it’s amazing. Danielle Panabaker was definitely the star of the panel as the majority of the questions went to her (many with the questions centered around her Killer Frost alter-ego).

The highlight of the evening was supposed to be The Barrowman Show. As soon as we saw such a thing existed we were set ongoing. Apparently, everyone else at Dragon Con had the same idea and it filled up completely. I can only imagine the craziness that went on behind closed doors.

Sunday

On Sunday, we began with another DC Universe panel: Arrow.

One thing about the highly entertaining Arrow panel or as it came to be called: Game of Arrow. Thea (Willa Holland) was/is clearly obsessed with the show. She had theories, she had thoughts about the end of the season. It was hilarious how she’d get going on a rant before the moderator tried to steer things back to Arrow. And then one of the others would push her to keep talking about it.

She says she wants to guest on a podcast to talk about it. I think you could do far worse than her. Plus she clearly knows her stuff. At the very least she’d bring a passion about the show!

Then it was onto a fan run panel about LEGION. If you haven’t seen the show, you can check out my review here. Lots of theories and thoughts were thrown out. I even supplied my own thoughts about the show – how maybe the reason we’re not sure of when exactly takes place is that just like any memories you have – we’re always wrong about when they take place. I mean, how many times have you thought a movie was only 5 years old when it came out over a decade ago?

In what has become a staple at Dragon Con over the last few years, I end up closing out things in the Venture Bros panel. Regardless of whether the show has a season ongoing or about to come out or nowhere near debuting… things are going to be funny and weird. This year the panel was made up of many of the voices from the show (including Dr. Venture and Wide Whale). Sadly, Doc Hammer and Jackson Public weren’t able to be there – apparently hard at work on the next season!

So I suppose I forgive them.

They showed off a book of artwork, sketches, character designs, etc. coming out in late Fall from Dark Horse which looked very cool (and something I need to add to the old wishlist). The trailer is here.

We capped off the evening with dinner with a couple of friends where we occupied that poor server’s table for far too long, but it had been far too long since we’d seen John and Jeane, so we didn’t have much of a choice!

I also attended a writing workshop session (as well as another writing related panel – at this point I couldn’t tell you what days they were actually held!) run by Michael Stackpole: 21 Days to a Novel. I still need to transcribe my notes, but I’m interested in giving the technique a proper try on my next project.

As we made our drive back, a little of the con depression began to creep in, but considering my month of Gen Con and then this convention that might have been exhaustion more than anything else.

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John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list to learn about the upcoming The Gilded Age Kickstarter.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

 

Steampunk Fridays – Interview with the Creator of Boston Metaphysical Society

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

One of my favorite things about Steampunk stories is how the genre lends itself to the use of real world people and places… but with a twist. Monster hunters set on their path by some of the leading scientists of the era (Tesla, Edison, Bell, and Harry Houdini!). An X-Files in a Steampunk world!

I can see why it started its life as a tv show pitch.

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How long have you been creating/working in comics?

About five years.

At what point did you sit down to become a writer? Do you remember the first thing you wrote?

I was a child, so it’s tough to say when or what exactly. I was always inventing stories in my head then probably by the second grade, I was writing my own.

Who inspires you? Or do you have a favorite artist or creator?

Other indie creators inspire me, but right now Marjorie Liu’s Monstress and Lady Killer by Joelle Jones are my favorites.

How do you manage your daily/family life with your creative work? Is this your 9 to 5 or is this your 10 to 2?

What a question. Hahahaha. Time management is always hard. I work part-time for LA Fitness as an instructor, plus have a husband, two dogs, and house that gets cleaned (by me) on occasion.  I usually write in the afternoons from 2-5 pm and do what I call administrative tasks (expense reports, signing up for cons, travel arrangements, inventory, etc.) for an hour after I get home from the gym. Obviously, laundry and dog walking get squeezed in there somewhere…. And my husband.

It’s often difficult to get word out about independent comics. What do you do to market and promote your books? Anything work really well or really poorly?

I do a blend of social media, exhibiting at cons, reaching out to blogs, reviewers, doing panels and interviews like this! I don’t think you should focus on just one aspect of marketing. However, I do like reaching out at Comic Cons or steampunk conventions because you can develop a relationship with a potential fan.

What’s your process look like when you’re writing? Do you go with the full outline? Or are you a fly by the seat of your pants type?

Most of my stories require some research, then I do character bios, a beat sheet, an outline, then a treatment where I break down the scenes and page count for comics. If I’m doing prose, I pretty much do the same except the treatment is broader in scope, but allows for me to go off in different directions if need be, or if I’m feeling inspired.

What inspired you to create Boston Metaphysical Society?

It was a combination of my love of history, science fiction, and The X-Files. However, the original story was a TV Pilot that I wrote at UCLA School of Theater, Film and TV when I was a graduate student in the MFA Program in Screenwriting. It was suggested I turn it into a six issue mini-series, which I did. And here we are.

Was this a case of coming up with the story first and then the setting or vice versa?

The story and setting came up simultaneously in this case.  I thought it would be cool to have paranormal detectives set in an alternate history of Boston and the United States and have to deal with a different set of social mores and expectations than we deal with today.

Or at least not quite so blatant.

What’s been the reaction to the book?

Excellent. I have what I refer to as a small group of ardent fans. And I love them all.

Are there themes and/or subjects you find yourself drawn to again and again in your work?

Absolutely. I almost always deal with the theme of classism. In the case of Boston Metaphysical Society, I also dealt with racism and sexism.

After running 4 successful Kickstarters for Boston Metaphysical Society, what have you learned about the process of Kickstarter? What do you think has contributed to hitting your goals on Boston Metaphysical Society? Did you worry about “going to the well” too soon after each one?

Soooo many questions….LOL. Once upon a time, back before 2013, you could pretty much throw something up on Kickstarter and get it funded. Not anymore. You have to create a fanbase before you launch and post what is essentially a grant proposal as your Kickstarter page. There is much more professionalism in how projects are presented now.

Many of the reasons we make our goals so quickly is that I have a core email list of people who I’m 99% sure they will back the project. Not only because they like it, but I have delivered on all past rewards in a timely fashion. I don’t like to do more than one campaign a year as it is very time intensive and takes away from my productivity. I do think there is a risk of “going to the well” too much, but I have friends who have no problem with it and have been successful.

Do you view the platform as a testing ground for the concepts?

I don’t view the platform as a testing ground for concepts when it comes to comics. Most comics use Kickstarter as a pre-order mechanism. However, I can see how tech items might use it that way.

You currently have 6 issues (a full trade) of Boston Metaphysical Society. What’s the overall plan with Boston Metaphysical Society?

All stories after the timeline of the original six issue series will be in 32-34 page one shots. I’ve just completed a draft of the first story which will feature Granville Woods and Tesla. These will be complete standalone stories focusing on two or three of the main characters. Anything that occurs before the beginning of the six issue series will be in prose. In fact, I’ve got a first draft of the first novel which begins five years before the start of the comic. Unfortunately, I haven’t had time to go back and rewrite it yet.

Comics is an amazing collaborative medium. Tell me a little about working with artist Emily Hu.

Emily has been a joy to work with. We set up a schedule where she would deliver three pages a week. I would review them, then give her notes while she continued on to the next three.  We worked together for almost four years and she completed the entire series. We hope to work together again in the future if her schedule permits it.

If you could go back in time ten years, what advice might you have for your younger self? Something you wish you knew?

Start reading comics sooner. Let me explain… My brother has probably the largest graded collection of Daredevil comics in the U.S., but I was never interested in superhero comics because I thought that was all that was available. It wasn’t until I decided to adapt the TV Pilot that I took a sequential art class and started reading indie comics. That was such a revelation. I loved them and wondered where they had been all my life.

Do you have any upcoming projects? Anything you’d like to promote? Anything else that you’d like people to know about you (Hobbies? Passions? Favorite TV Show)?

 

Yes! I’m very excited to announce a couple of things. The first is that I was hired to write a four issue mini-series for SFC Comics/Evoluzione Publishing called, Kasai: The Homecoming.  It will be my first time writing a superhero and I loved doing it. It’s set in a world where many superheroes are pro-wrestlers. My series will focus on a young female pro-wrestler from Japan who is half-human and half-fire demon. It will be on Kickstarter in early 2018.

The other project is a short story called, The Scout, which will be in the anthology, The Fourth Monkey. It is an anthology which deals with social and environmental issues and will launch on Kickstarter on Sept. 12, 2017.

I also wrote a short story for The Enyes Anthology called Saturday Night Fever. It contains various stories from indie creators about the Enyes family; a family where each of its members are either monsters or have some sort of relationship with monsters. It will be on Kickstarter in 2018.

And definitely look for us on Kickstarter for the Granville and Tesla standalone story in early 2018. Right now the working title is Boston Metaphysical Society: The Scourge of the Mechanical Men.

Where’s the best place to find out more about Boston Metaphysical Society and the rest of your works?

Website: www.bostonmetaphysicalsociety.com

Facebook: https://www.facebook.com/BostonMetaphysicalSocietyComic/

Twitter: http://www.twitter.com/mholly

Instagram: https://www.instagram.com/mcholly1/

Storenvy: http://bostonmetaphysical.storenvy.com/

***

A TV, feature film, and comic book writer, Madeleine is the winner of the Sloan Fellowship  for screenwriting, and the Gold Aurora and Bronze Telly for a PSA produced by Women In Film. She also won numerous awards while completing the UCLA MFA Program in Screenwriting. Having run a number of successful crowdfunding campaigns for her comic, Boston Metaphysical Society, Madeleine now teaches a crowdfunding class for independent creators at Pulp Fiction Books in Culver City as well as guest lecturing at UCLA Professional Program in Theater, Film and TV, Scriptwriters Network, and Dreamworks Animation. She has also published the book, Kickstarter for the Independent Creator.

Boston Metaphysical Society webcomic is the recipient of an HONORABLE MENTION at the 2013 GEEKIE AWARDS and was nominated for BEST COMIC/GRAPHIC NOVEL at the 2014 GEEKIE AWARDS. The comic has also been nominated for a 2012 Airship Award as well as a 2013, 2014 and a 2015 Steampunk Chronicle Reader’s Choice Award. Her novella, Steampunk Rat, was also nominated for a 2013 Steampunk Chronicle Reader’s Choice Award.

She also has an anthology of short stories and novellas called Boston Metaphysical Society: Prelude  (in print as well as eBook) based on the Boston Metaphysical Society universe available at all major online retailers. The Boston Metaphysical Society short story, Here Abide Monsters, is part of the Some Time Later anthology from Thinking Ink Press. She is currently writing the first novel based on the series and was hired by SFC Comics/Evoluzione Publishing to write a four issue mini-series based on the SFC character, Kasai.

Formerly a nationally ranked epee fencer, she has competed nationally and internationally. She is an avid reader of comics, steampunk, science fiction, fantasy, and historical military fiction.

Madeleine lives with her rocket scientist husband, David and two rescue dogs: Ripley and Bishop.

***

I want to thank Madeleine Holly-Rosing for being so gracious with her time!

***

John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list to learn about the upcoming The Gilded Age Kickstarter.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Gen Con 2017 Recap – Part Two

You can read Part One Here.

Day 1 Continued

The thing no one realizes is that navigating the Dealer’s Room requires a commitment of time. As it turned out, we had about an hour and a half before the room closed on the day. The goal became see as much as possible while also visiting with some contacts and old friends.

While not the largest Dealers’ Room I’ve been in (New York Comic Con takes that prize), Gen Con doesn’t short change you on the options. Who knew there were so many board, roleplaying, and card games being developed and played?

We immediately ran into David Rodriguez, of Skylanders, Destiny, IDW’s First Strike comic series, and about a billion other things that I’m forgetting right now. I met David many years ago (through Egg) when we roomed together at Chicago Comic Con. It’s always nice to see the successes he’s had over the years, and it led to one of my favorite conversations ever:

Egg – So what are you working on these days?

David – Destiny.

Egg – … um, what’s Destiny?

Yes, Egg doesn’t know what Destiny is. I thought we were going to have to pull David off of him. Luckily, calmer minds prevailed.

After our examining of 5% of the Dealer’s Room, it was on to the game library inside of Lucas Oil Stadium. I’m not sure I’m ever going to be in Indianapolis for a football game, so it was cool to be on the field in an empty stadium.

The Game Library was pretty extensive. So extensive that after our failed attempt to play Arkham House (I’d suggest if you are going to play really complicated games that you get someone who has played the game previously to be around to assist). As it was we spent over an hour setting the game up, played a bit, realized we were playing wrong, still couldn’t figure out how the good guys might end up winning, and put the game away.

At this point, we were saved from our own indecision by Ben. Ben was just looking to game and luckily had bought a copy of Hero Realms earlier that day. It was a fun game (I ended up winning our 4 player game). Pretty easy to teach the rules, and seemed like it had a fair amount of replay value. After the game, though, it was nearly 2 in the morning and time to get back to the hotel and catch some sleep.

Day 2

Friday was a tale of 2 different games: Call of Cthulhu and Tales from the Loop.

Call of Cthulhu is one of those games I often read about. People love Lovecraft and to hear it spoken about in such high regard made it one of those games we had to check out. It also helped that Danny O’Neil was our GM for the session (this was just Egg, Lee, and myself). Egg had contributed to the Dread House Kickstarter, so we were interested to see how it played. Luckily the scenario wasn’t the one he wrote for.

It felt like CoC was very much a Roleplaying game vs. a Roll-playing game. Yes, there are dice rolls, but much of the beginning session was spent gathering clues, talking to NPCs, and interacting in character with each other. When the weirdness began and Sanity checks were called for, it was almost more fun when you failed a check. What did that mean for your character? How would you react to the next bit of oddness? And would you have anything left when it was finished (my character’s answer was a NO, as he failed nearly all of his checks)?

I had a great time. Danny was an excellent GM. It would definitely end up as one I’d like to play again next year.

Tales from the Loop was the second game we played. It was just Lee and I as Egg was the Ebay high bid to be the guest of Cubicle 7 at the Ennies. And from what I understand, he had a great time. But I still feel a little bad for him, because after playing Tales from the Loop we proceeded to talk about it for the rest of the weekend.

There is a reason it won Game of the Year.

I want to write more about it, so I’m not going to go into a ton of detail about the session (in a forthcoming post). What I will say is that all those 80’s kids movies where all sorts of crazy nonsense seem to happen when the parents are away: Goonies, Explorers, Monster Squad, etc., well, that’s what this game is. It takes the best of that genre and lets you play as a kid.

Do yourself a favor and check out the game.

Day 3

Lesson Learned from Gen Con: don’t schedule things at 8 in the morning. That is waaaaay too early. You will skip it.

So it was that Mouse Guard was our first session. I really like the comics, so I was interested to see how the system worked. The basic setup was our group of Mouse Guard needed to find a snake’s nest and deal with the eggs we found there. Using pre-gens, each character had a few roleplaying style traits that they could appeal to during the course of play. Say that you often put other’s needs above your own – you might get a bonus dice to help with that particular skill check. In addition, if someone wanted to assist another character with a check, they could as long as they were willing to accept a condition (tired, injured, etc.) if the roll backfired.

The bigger question I had about the system was more that one of your Skills was your Mouse Nature. You could use this skill when nothing else seemed to fit (or pretty much whenever it might make sense – which could be nearly every time you checked something). As my character’s Nature was probably his best stat, I wasn’t so sure why I would ever use anything else. Perhaps it works itself out in longer campaigns?

The final Boss battle was very different. Basically, you could choose one of 4 different tactics (Defense, Feint, Attack, and Maneuver) as did the GM and then one by one you would almost play a game of Paper Rock Scissors where however the cards came up different things happened. In the end, the Guard was trying to reduce the enemy to 0 before they were reduced to 0 (this was a team determined score). A very interesting idea, but for some of the characters, there wasn’t much to decide. If you were primarily a defensive character, you should probably go with your strengths, but this would leave your combat turns more or less the same. Again, in a longer campaign, I could see a metagame forming as the DM tries to anticipate your moves based off previous battles.

The evening saw us play 7th Sea. Egg and I had supported the 2nd edition Kickstarter and now have more pdfs than I could read in a hundred lifetimes (seriously, it is the gift that keeps on giving). In regards to the session itself…

The successes (known as Raises) work well enough, but my problem is things don’t always feel balanced. The number of Raises you get basically helps to determine the number of things you can accomplish in a round (# of actions you get). Multiple times I saw people get 5 and 6 Raises to my 2 or 3, which meant that they were getting to just do more things. Over a short combat this is less of an issue, but as the rounds increase, the difference of 2 additional “things” means one of the players just isn’t able to do as much.

So while the over the top play was fun, the actual rules didn’t sit well with me.

Day 4

Did I mention not to schedule things at 8 AM?

In the morning.

When you should be sleeping?

Because we didn’t make that session either.

Since this was get-away day, we tried to do the remainder of the Dealer’s Room (you know, that last 95%). I’m proud to say that I think I saw nearly everything, even if it was a drive-by. One of the stand-outs was Shadows of Esteren, a series of RPG books that I nearly bought just to look at the beautiful artwork. It’s definitely one I’m going to keep my eye on for possibly adding to my pdf collection.

As to purchases, I did get a copy of Tales from the Loop (I told you I really liked the game) and a card game called Brass Empire (go figure a Steampunk game MIGHT appeal to me). Still, haven’t busted either of them out to play, but I’m looking forward to doing so.

Wrap Up

Would I go back? Absolutely.There are so many things that I would have liked to do. I’d never roleplayed at a convention before, so this was an eye-opening experience to that. There were tons of games and systems I would have liked to

There are so many things that I would have liked to do. I’d never roleplayed at a convention before, so this was an eye-opening experience to that. There were tons of games and systems I would have liked to play, so those would go to the top of the list.

So did the Convention live up to what I had in my head? Yes and then some.

***

John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list to learn about the upcoming The Gilded Age Kickstarter.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

 

Steampunk Fridays – Interview with the Creator of The Legend of Everett Forge

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

Cowboys and Robots.

I’m a sucker for the Western genre. Anytime they cross my tv, I end up stopping on that channel to watch. And Heaven help my poor wife if the word Tombstone is mentioned anywhere in there. She might as well give up on me being productive for the rest of the day (even though I own the DVD).

Everett Forge is in the mold of many of those same Westerns. He’s clearly a man on a mission to destroy Omega’s entire livelihood. He’s a myth, a ghost story the Robots tell each other at night – make sure you lube all your joints of Everett Forge will get you.

***

How long have you been creating/working in comics?

I’ve been working in comics since about 2014, that’s when I officially started work on The Legend of Everett Forge.

At what point did you sit down to become a writer? Do you remember the first thing you drew/wrote?

I’ve been writing for as long as I can remember. I was super into Goosebumps when I was a kid, so the very first stories I wrote were all lighthearted, scary ones.

Who inspires you? Or do you have a favorite artist or creator?

So many people. Family inspires me to continue pursuing my dreams. And the list of creators out there who inspire me is way too long. I’m just extremely fortunate to be surrounded by so many amazing, loving, and talented people.

How do you manage your daily/family life with your creative work? Is this your 9 to 5 or is this your 10 to 2?

Writing is my 10 to 2 for sure. It’s a tough thing trying to balance family life and my creative work. I don’t want to sacrifice any time with my wife and daughter, so I will write while they’re at the grocery store, visiting family, or when they’re asleep.

It’s often difficult to get word out about independent comics. What do you do to market and promote your books? Anything work really well or really poorly?

With essentially no budget, I stick to the cheap and easy social media methods like Facebook and Instagram. I’m fortunate enough to be friends with a lot of indie creators who help get the word out about my comic as well. Kickstarter, in my opinion, works the best. It’s an amazing platform to get your work out to thousands of people from across the globe. From just two Kickstarters, my readership has expanded over a couple hundred. That is pretty solid for a new indie title.

What’s your process look like when you’re writing? Do you go with the full outline? Or are you a fly by the seat of your pants type?

I always start with a general outline. I don’t get too detailed with it as I’ve come to find that often times the story will tell you how it wants to be told. For example, in the second issue, I wrote and re-wrote a couple pages over and over again because they just weren’t coming out the way I outlined them. Then I realized that the way I was writing them was way more organic than what the outline had. Sometimes, as a writer, you have to give a little of the control over to the story.

What inspired you to create The Legend of Everett Forge?

I always say I wish my inspiration was deeper and more meaningful…but, to be honest, I just wanted a story that had robot cowboys! A college professor once told me that if you can’t find the stories you want to read, write them yourself. So, that’s what I did!

Was this a case of coming up with the story first and then the setting or vice versa?

Well, it all initially began with me wanting to see robot cowboys. Then in high school, I wrote a short story about an unnamed gunslinger who has to fight his way out of an old west town full of robots. The story ended up lost somewhere in my hard drive until I came across it a few years later in college. I was minoring in Film Production, so I decided I wanted to expand on it and turn it into a screenplay. I worked on that for about a year or so, on and off. After I finished it, I shelved it again. It wasn’t until a couple years later, after I attended one of my first Comic Cons, that I decided I wanted to revisit the story again in comic book form. And here we are!

What’s been the reaction to the book?

So far, so good! Reactions from the Steampunk community regarding the comic have been extremely positive. Even those who aren’t big into either Steampunk or Westerns have enjoyed it. But, I think my favorite reactions are from the people who typically aren’t into comics. I have one reader who hadn’t read a comic in over 20 years, but after he saw my first Kickstarter, he decided to pledge and now he’s one of our biggest fans.

Oh, and just a few weeks ago someone shared one of our posts and said they want to cosplay as one of the characters from the story.

That’s amazing!

I don’t think you can get a bigger compliment than that!

Are there themes and/or subjects you find yourself drawn to again and again in your work?

I seem to always be drawn to stories about death, vengeance, or humanity. I love exploring all three. Fortunately, The Legend of Everett Forge focuses heavily on all of those in varying ways.

After running 2 successful Kickstarters for The Legend of Everett Forge, what have you learned about the process of Kickstarter? What do you think has contributed to hitting your goals on The Legend of Everett Forge? Did you worry about “going to the well” too soon after each one? Do you view the platform as a testing ground for the concepts?

Networking and expanding my fan base have proven instrumental in hitting our goals. My very first Kickstarter failed miserably. I only had a few pages of the comic done by that point, I had only started my facebook page maybe three or four months prior, and I knew very few people in the industry. After the Kickstarter flopped, I sat down, licked my wounds, and started to put myself out there more. Within a year I had become close friends with dozens of indie creators and more than doubled my fan base.

You currently have 2 issues of The Legend of Everett Forge. What’s the overall plan with The Legend of Everett Forge?

Yeah, the second issue should be out in about a month or so. The initial story arc for Forge will run seven issues. After that, I have two additional story arcs for him that will close out the entire saga. If I’m lucky, I’ll be able to tell the tale of Everett Forge for the next ten years!

Comics is an amazing collaborative medium. Tell me a little about ClickArt Studios.

They’re the best! Back in 2014 when I was looking for an art team, I posted an ad on DeviantArt. Rai responded almost immediately and showed me their work and stated that he and his wife Ochie were big Steampunk fans. I knew almost instantly that they were the ones I wanted to work with. Then the concept art started coming in, and suddenly these characters that had been in my head for years started to come to life in ways I could have never imagined!

They’re all such amazingly talented and kind people! I love working with them and I just love them in general. I hope to have a very long career with them!

If you could go back in time ten years, what advice might you have for your younger self? Something you wish you knew?

I’d tell my younger self not to wait to pursue his dream. I spent so many years thinking I wasn’t ready or doubting that anyone would even want to read my work. Had I spent all that time actually getting my stuff out there, I’d be light years ahead of where I am now.

Do you have any upcoming projects? Anything you’d like to promote? Anything else that you’d like people to know about you (Hobbies? Passions? Favorite TV Show)?

I’m currently working on a new comic series with Godsend creator, Lee Jiles. It’s called Red Scare. It’s still in its early stages, but so far it is looking great. I’m also working on a pitch for a superhero story. Other than that, I enjoy playing video games and reading comics. I love spending time with my family. My favorite TV Show is Westworld. Shocking, right?! 😛

Where’s the best place to find out more about The Legend of Everett Forge and the rest of your works?

Check us out on Facebook at facebook.com/EverettForge. Otherwise, follow me on Kickstarter and Instagram.

***

I want to thank Scott Wilke for being so gracious with his time!

***

John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list to learn about the upcoming The Gilded Age Kickstarter.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Gen Con 2017 Recap – Part One

You can read Part Two Here.

Before

For as long as I can remember, for as soon as we learned of its existence, there was talk among my gaming crew about going to Gen Con.

“More games than you can imagine.”

“Artists all over the place.”

“Play games until you can’t see anymore. Then wake up and do it again.”

Yet, it might as well have been El Dorado or some other bit of myth. When you are in Georgia, Wisconsin or Indiana or wherever the convention was being held (“somewhere in the Midwest, right?”), that might as well be on the other side of the globe. Add to the fact that none of us had any money at this point.

A pipe dream. And like most pipe dreams it lingered for a while. Random mentions of it throughout our college years, but no one was ever serious. Heck, we had Dragon Con for all of that “stuff” right in our back yard.

Then as our college days faded and with it all the extra time we seem to have in our youth… well, now we had money, but no time to go do it. And even though we still got together from time to time, many of us had moved away, got married, etc.

You know, the adult stuff.

But it was an itch for one of my friends, Lee. He had always been the one to bring it up. Sometimes out of the blue, always trying to gauge potential interest. Even as people wearied of Dragon Con embracing other “stuff”, he continued to look north.

Last year he was convinced. Sort of a now or never some 25+ years since originally bringing it up. Egg Embry joined him and off to Indiana they went.

I must admit I was jealous. I had the opportunity, but after the trip to Alaska at the beginning of summer, a trip to Indiana didn’t seem the best decision.

When they got back the talk had changed. It was no longer something they wanted to do again… at some point in the future, but they were already planning for 2017. And there was no reason for me not to crash their party this time.

Who would have thought the nerds and geeks would need to take over the football stadium. Awesome!

Day 0

As a comic writer, I’ve done a few conventions over the years, but aside from Dragon Con and New York Comic Con, nothing else compares to the size of Gen Con. They took over Lucas Oil Stadium (where the Colts play) this year because the Convention Center didn’t have enough room. 4-day badges sold out. 60,000+ people.

And every one of them either want to play games, buy games, sell games, or maybe just soak it all up.

We arrived on Wednesday night, managed to get checked into our hotel room, and then headed out to see what trouble we could get into, maybe grab a bite to eat, get the lay of the land.

Indianapolis is flat.

And after a few hours of walking around, I was extremely happy with this situation.

We’d already planned out our gaming sessions back in May/June. The goal was to play about 7 different gaming systems. You see, we’ve been pretty much Dungeons and Dragons players most of our gaming lives. We’ve dabbled in the White Wolf Vampire/Werewolf games. There were at least one West End Games Star Wars campaigns. Even a bunch of one-offs with Palladium’s Rifts and Macros sessions. But this was an opportunity to play different things, branch out a little bit, maybe even figure out that the might be *gasp* a better system than D&D.

Day 1

Vampire 5th edition was held at 10 AM on Thursday, which also coincides with the actual “start” of the convention (basically when the dealer room actually opens). What this really means is a mass of people – and by mass of people I mean thousands of people – are lined up in the convention center waiting to be let in. It was so packed in that area there was enough room for two people to walk past each other if you sucked in your gut and possibly leaned into the other people pressed against the wall.

So it would reason our game was at the far end of this area. If only we had Fezik to clear a path… drowning in the sea of people we somehow pushed, slipped, sidestepped, and probably pissed off a handful of people who thought we were trying to cut in line, we made it to the room and a short time after we started the game.

This was actually a playtest. Whether you’d played Vampire back in the day or not, they were making tweaks to the rules (a good thing for me because all I remembered of the system was that I rolled a lot of 10-sided dice). For the adventure, we were provided pre-generated characters. They had their various stats right there as well as a brief background and desires. Well, I say brief, but it was two pages worth of information before you even reached the stats.

The story was one of a drug deal gone sideways. Personally one of the best moments of the session was when the Game Master said to us “yeah, you’re pretty much off script at this point”. In my head, it was like we had figured out a loophole in the story – and since this was a playtest, it kind of meant we actually were contributing to making the adventure better down the road.

As to the system itself – I enjoyed that when you’re playing a vampire the Hunger is always present. Mechanically they simulated that by having one of your die a different color (red anyone?) and if you rolled a 10 on the special die then things could get… messy.

I did see something in this game that would come up again and again in other games we ended up playing over the weekend. Playing non-combat focused characters works really well in a campaign as there will be plenty of places to really roleplay your abilities, but in a four-hour session where you’ll never play that particular character again… well, it makes things a bit more awkward once combat actually breaks out. It’s not so much that I mind other players being able to do cool things in battle, but more that I wasn’t sure how I might contribute with sub par physical stats.

Lil’ Egg Embry Reporting…

After the game, we rushed out to meet Dan Davenport and his wife, Lisa, for lunch (both extremely nice people who made the wait for our food all the more bearable) (check out Dan’s Blog here). Egg had connected with him online, so this became a great opportunity to put a face to each other. Of course, I’m not sure they knew what they signed up for as Egg peppered the two of them for a complete history of their gaming days. I kept waiting for him to say”Egg Embry, press corps, follow up question on my previous question about the

“Egg Embry, press corps, follow up question on my previous question about the aforementioned item…”

When lunch was finished, we made our way back to the convention center and dove into the Dealer’s room…

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Hope you enjoyed Part 1, Part 2 will be up next week.

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John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list to learn about the upcoming The Gilded Age Kickstarter.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.