Steampunk Friday – Kickstart the Comic – Milford Green – A one-shot Victorian Alien Adventure Comic

I had to read War of the Worlds for school… that was the radio drama and the original book, and the ending struck me as pure genius at the time in both its simplicity and for how brave an idea that even was. I always wondered if you tried something like that today, would it work? Would people accept that ending or would they claim the author just didn’t know how to end the story.

Luckily, H.G. Wells doesn’t have to worry about such things.

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Milford Green

Writer – Samuel George London

Artist – Mikael Hankonen

Kickstarter Campaign ends on Sunday, March 4, 2018 at 6:59 PM EST.

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The Pitch:

In the summer of 1897, a socially awkward inventor investigates the crash-site of a flying vehicle to find out that we are not alone.

The Story:

Apart from winning “Prettiest Village in the British Empire, 1897” Milford Green is a normal village in the rolling hills of Southern England. That is until on one summer’s evening, Alfie Fairfield, a socially awkward inventor, sees some kind of flying vehicle shoot across the sky and crash land into a field. Being a curious fellow who is interested in any type of machinery, Alfie investigates to find out that we are not alone in this universe.

John’s Thoughts:

Even without the idea of aliens coming to Earth at the turn of the century appealing to me, the artwork by Mikael Hankonen is amazing. It reminds me of some of the old style animations that would pop up here and there in maybe a movie or random tv show. Not the best description from me, but it makes me “feel” what the story is going to be about as much as anything else… which is half the battle.

The Rewards:

For 48 pages worth of comic, paying only about $4 for the PDF is beyond a great deal. The print version goes for about $14. In addition, there is a Poster level which has about $3 difference if you can get in on the early bird. Finally, at the top end is a way to appear within the comic and get a 14.8 x 21.0 cm (you’ll need to do the conversion on that one!) art print of your character as well ($98).

The Verdict:

Even though a large part of the whole Steampunk genre owes its existence to H.G. Wells, the idea of aliens in that turn of the century world is not one I see very often. This makes Milford Green a welcomed addition. Check out the Kickstarter here!

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To find out more about Milford Green, check them out here.

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John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

 

 

 

 

Kickstart the Comic: 5 Seconds Volume 2

When is a power a gift and when is it a curse?

And could it be both?

What happens when the person you save has an extraordinary ability of her own.

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5 Seconds – Volume 2

Writer – Stephen Kok

Artist – P.R. Dedelis

Colors – Peyton Freeman

 

Kickstarter Campaign ends on Friday, March 2, 2018 at 6:02 AM EST.

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The Pitch:

What would you do if you could see 5 seconds into the future? How will Jake use this gift when meets a girl who can hear your thoughts?

The Story:

5 Seconds Volume 2 is a YOUNG ADULT – 70 page – PERFECT BOUND – Graphic Novel which picks up directly after the first 5 Seconds finishes. Jake finds himself dealing with a new situation, a girl who can read minds. What deep dark secret is the girl hiding and can Jake (with his best friend Ellie) find out before the past catches up with them?

John’s Thoughts:

I’m in that boat, having not read the first volume, but I’m willing to take their word for it with this self-contained story.

I sometimes (all the time) wonder about how it would feel to be able to see into the future. How could you not these days when every new discovery, every new piece of handheld technology, and every advancement in knowledge makes you feel as if the old school science fiction writers had been left to guide us into the future. Going back to HG Wells, we all want to know what might lurk for us around the next corner. What happens if we choose this path over another path.

Where are we going?

Add to that the idea of peering into other people’s heads… all at once it is both enticing and utterly frightening. I think that if we knew what was going on in our friend’s heads at any time we all would seal ourselves away from the rest of the world (and it wouldn’t even be close).

Put those two things together…

The Rewards:

On the higher end, you can get the original cover artwork ($235) or get drawn into the comic ($102). If you are looking to play a bit of catch-up you have the PDFs available ($6) or print copies of both volumes ($39). One thing I really like is that you can also get pdfs of his non-5 Seconds comics (Tabby, Blue, and Word Smith) and really play catch-up on everything Stephen Kok has put out into the world thus far ($12).

The Verdict:

While I haven’t read Volume 1, I have checked out Word Smith by Stephen and really enjoyed it. If you like fun comics with a cool gimick at the core (whether that is words are magic or a glimpse into the future), you may want to check out the Kickstarter.

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To find out more about 5 Seconds or other works by Stephen Kok, check them out here.

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John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

 

 

 

Steampunk Fridays – Kickstart the Comic – Make/100: Pneumatic Cases #2: Sleuthing Steampunk Spouses

The modern day Holmes and Watson are man and woman (or at least one version of them is)… but why not have that dynamic against the backdrop of a Steampunk world? And instead of the will they/won’t they – let’s just have them say I Do before the story even begins!

A love story, a murder mystery, and the happy couple who is at the center of it all.

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Pneumatic Cases #2: Sleuthing Steampunk Spouses

Published by Last Ember Press

Creator/Writer – John Wilson

Artist/Cover – Rowel Roque

Colors – Lisa Moore

Letters/Book & Logo Design – Brant Fowler

Edits – Lisa Moore & Brant Fowler

Kickstarter Campaign ends on Saturday, March 3, 2018 at 12:59 AM EST.

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The Pitch:

Lord and Lady Ravenscroft are two brilliant scientists and inventors whose Bohemian lifestyle and inventive ways are in direct contrast to the staid and proper ways of Victorian Era London.

Served faithfully by their steam-driven metallic Majordomo, Pneuman, and armed with a variety of elaborate self-created inventions, the Ravenscrofts pursue the one vocation that brings excitement into their world… solving murders!

The Story:

Brought in to consult on a mysterious murder, the Ravenscrofts began hunting down clues that might lead them to the devious culprit. Making waves and alerting the wrong people to their efforts nearly cost them their lives.

Now, the case takes them to Austria to seek out the next piece to this chaotic puzzle of murder and mayhem they’ve found themselves wrapped up in.

Issue 2, Page 1 Art – Rowel Roque Colors – Lisa Moore

John’s Thoughts:

I think I must have missed the first issue of this comic at some point, because I recognize the title, but obviously have not read it. Lucky for me, there are options to go ahead and catch up on the series. Regardless, this takes its nod from the mystery style stories of the time with a married couple at the center of it. I dig the idea of both of them being inventors as that way they both will have a chance to show off as the story progresses.

The sample pages/ opening to the story makes this feel like it might almost be a stand alone adventure for the two of them, and makes me very curious about whether the first issue was done in the same fashion. Given that my own Gilded Age comic is told in “done in ones”, it is a format that is near and dear to my heart.

Plus, kudos for the alliteration of their title…

The Rewards:

As part of Kickstarter’s “Make 100 campaign”, it’s a interesting idea to piggyback the Acrylic Charm ($39 level) with the comic campaign itself. I’ve seen many people do the small pin designs throughout the month, but couldn’t figure out a way to tie it into a potential comic campaign. Leave it to the Last Ember Press guys and gals to figure that piece out. In addition, at the $17 level they have basically a preorder for issues #3 and #4 as well which again is not only thinking towards the future, but really making it so that this project will get to its issue 3 and 4. At the highest level ($250) you can get Drawn In to issue #3… always a cool option.

The Verdict:

If you’re reading this blog, I’m guessing that you have at least a passing interest in all things Steampunk. This is definitely that… so what are you waiting for? Go to the Kickstarter page here!

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To find out more about Last Ember Press and their other comics, check them out here.

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John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Kickstart the Comic – The North Star: The Emancipation of Frederick Douglass

Reading a list of Frederick Douglass’s accomplishments is not only a place of awe but also a sort of slap in the face to the modern person. Here’s a person who had to teach himself how to read and write, in secret! Someone who was at the forefront of a movement for societal change in a way that had never been seen before.

It makes me think that if someone tells you that you can’t or shouldn’t do something that you are passionate about – don’t let them deter you. Look within, find the strength that is there, and put it on display for everyone to see.

Cover Layout

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The North Star: The Emancipation of Frederick Douglass

Published by Terminus Media

Creator/Writer – Baron Bell

Editor – Robert Jeffrey II

Artist –Koi Turnbull

Kickstarter Campaign ends on Friday, March 23, 2018 at 2:57 PM EDT.

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The Pitch:

The North Star graphic novel is an adaptation of Frederick Douglass’ memoir “The Life and Times of Frederick Douglass”.

The Story:

Frederick Douglass was born into slavery in 1818. Through the course of his life, his force of will, tenacity and ferocious sense of justice not only helped him escape his enslavement but self-educate pushing him onto the national and international stage as a statesman. His life intersected with many pivotal events that helped shape our young nation’s history. He was a man of faith, a businessman, a politician and a prophet of the 19th Century. Frederick Douglass forced a country to reevaluate its moral core. This graphic novel will bring these events to life with exciting and dramatic imagery and help to reintroduce one of history’s greatest abolitionists at a time when such heroes are few and far between.

John’s Thoughts:

One of the interesting ideas with doing a book about someone so influential from history is the opportunity to use it as a teaching aid for students. One of the first exposure to anything comic related was the old Illustrated Classics. It was there that a small seed of wanting to learn was planted. A book like this has the same potential for new readers, for new exposure, and for helping to simply expose more people to Frederick Douglass.

While the team will be marketing directly to schools, libraries, and community organizations, the hope is that people buy extra copies for the next generation.

The Rewards:

You’ll get the PDF at the $15 level and the print trade at $25. At higher levels, you have the opportunity to go ahead and get extra copies of the book as well as get a high-resolution poster signed by artists Koi Turnbull. At the highest end, you can have your likeness drawn into the book along with a co-producer credit ($1000).

The Verdict:

If you are a fan of historical comics. If you are a fan of Frederick Douglass. If you are a fan of teaching the next generation… you might want to give this one a shot.

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To find out more about Terminus Media, check them out on Facebook here.

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John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Steampunk Friday – Kickstart the Comic – Grimwood Crossing Vol. 1 & 2 – A Stylish Supernatural Western

The stranger comes to town…

The Sheriff must defend everyone against bandits…

The corrupt cattle owners do their best to hunt down the ragtag band…

Zombies…

Werewolves…

Vampires…

Just another western? I think not.

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Grimwood Crossing Vol. 1 & 2

Writer/Letterer – Conner Bartel

Illustrator – Atagun Ilhan

Logo & Book Designer – Marc Bartel

Cover Art & Design – James Liswed

Editor – James Davenport

Kickstarter Campaign ends on Wednesday, February 14, 2018 at 7:59 AM EST.

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The Pitch:

Read the complete story of the supernatural western comic series about a monster hunter and his young apprentice.

The Story:

Grimwood Crossing is the biggest town in the grim old west. Vampires, Werewolves, and Zombies are part of the everyday struggle for the townsfolk. That’s why Grimwood’s Sheriff also has the added job title of monster hunter. It’s a dangerous job so a replacement must always be arranged. With the help of his young, scat-talking apprentice, the Sheriff must fend off a vengeful outlaw with demonic powers.

In Vol. 2 the demonic outlaw confronts the duo face to face. The entire town must come together to keep the outlaw from destroying everything. Alliances are made, differences are put aside, and the community is put to the test.

John’s Thoughts:

Weird West stories hold a special place in my heart. One of the first real scripts I ever wrote was for a 8 page western comic with a werewolf appeared in it. So when you mention all the things which go bump in the night against the desperation and opportunity of the wild west… I’m going to at least take a look and see what it is all about.

From what I can tell of the characters, I like the idea of a former bandit suddenly helping a town against the monsters. And maybe they’re not entirely sure they can even begin to trust him. But they know that someone has got to protect them…

The Rewards:

At the $30 level there is an opportunity to have the book with a signed bookplate featuring the signatures of the writer and artist. Considering they live on two different continents, this would be pretty much the only way to get such an item.

For those of us who missed the Volume 1 Kickstarter, there is an opportunity to play catch-up at $20 for the print or $8 for the digital, both which are a great bang for the buck.

The Verdict:

Color me interested. The artwork gives the right feel for such a book and having it in black and white should only help that.  Around 200 pages of comics potentially… seems like a good deal to me.

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To find out more about Grimwood Crossing, check them out here.

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John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

 

 

 

 

Steampunk Fridays – Kickstart the Comic – Transylvanian Knights Issue 1

Gothic Horror, Weird West, Steampunk… in my mind they are separate and yet they fit together in very satisfying ways within my mind. Because what is Steampunk about, if not the horror of the past and the future fighting without any idea of exactly what will be left behind.

Plus, I’m a sucker for these other stories of Dracula…

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Transylvanian Knights Issue 1

Published by Comichaus

Writer/Co-Creator – James McCulloch

Artist/Co-Creator – Jonny Cannon

Letterer – Robin Jones

Design – Gavin Boyle

Editor – Pete Genepool

Cover by Jonny Cannon and Gavin Boyle

Kickstarter Campaign ends on Sunday, February 18, 2018 at 12:00 PM EST.

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The Pitch:

The 40-page first issue featuring classic characters from Mary Shelley and Bram Stoker in an all-new horror adventure.

The Story:

10 years after the vampire war, Transylvania is yet again under threat from Count Dracula, but as General Van Helsing hunts down the Count, two weary circus performers stumble onto a secret that could change everything.

Coming from a love of old monster movies, James McCulloch and Jonny Cannon come together to take the classic characters Count Dracula, Van Helsing, Frankenstein’s Monster and the Wolfman on a new adventure.

John’s Thoughts:

From the preview pages… it just feels like something right out of the old Marvel Monster books. I actually have a couple of them on my shelf (the black and white phone book sized ones) and what I see makes me think this could slide right alongside of those and feel right at home.

These pages begin to paint a picture of the history of this world. Of an ever-vigilant Van Helsing who cannot rest until he finds Dracula. And so while everyone sleeps, he becomes the soldier on the wall… waiting for his nemesis to return.

And now it seems he might have.

The Rewards:

40 pages of adventure horror for the low digital price of $1.39… that seems like a deal in and of itself. You can also get the print version for only $7. Moving to some of the higher values (which end at the $69 level) are original pieces of art from the comic itself (limited to 20 total backers at this level).

The Verdict:

It is a very modest goal needing only about $20 at the time of this writing. Mostly it has the feel of something that if you are into Dracula and how those characters could/would have continued onward from their last stories, then this might be the answer you are looking for.

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To find out more about Transylvanian Knights, check them out here.

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John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

 

Kickstart the Comic – The Espresso Detective Comic No. 1 Print Campaign

Sometimes you need something with a little kick.

Sometimes you need someone who will go the distance for you.

And sometimes you just need… a Dick.

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The Espresso Detective Comic No. 1 Print Campaign

Creator/Writer/Artist/Colorist/Letterer – Eric Erdek

Kickstarter campaign ends on Wednesday, February 14, 2018 at 6:29 AM EST.

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The Pitch:

Slavers in your town. Your neighbors are their clients. Restaurants. Massage – stolen people. Only one man gives damn, and he’s a Dick.

The Story:

His name is Caetano Sanchez, he’s named after Saint Cajetan, co-founder of the Theatines.

Famous for not owning property or asking for alms. Caetano mirrors his namesake since he seems to own nothing and yet is always seen in the coolest cars and pads. All borrowed… mostly from fallen enemies.

That’s where his saintliness ends. Soul-wrenching loss and heartbreak have made him a man that goes through women and friendships like a Saudi goes through bullets at a wedding (it’s called happy fire. Really, look it up).

Caetano seems to stumble victorious and unscathed from case to case saving the day like a trench-coated Jar Jar Binks. No skills or strategy other than planning how to get his next gorgeous client into bed. However, tearing at the edges of his happy-go-lucky facade is a much darker source to his powers.

Sanchez is addicted to Espresso mainly for self-medicating his MDD (Major Depression Disorder). He has also refined it to an art and a culture. His Nagula (Shaman Teacher) has made it so Sanchez has what appear as superpowers when he is buzzed on Espresso.

He’s a ladies man, a P.I., a Shaman’s apprentice and a savior of the weak and lost.

Literature has a new great Latin lover… and he’s a dick.

John’s Thoughts:

The whole Noir detective story is one that is either in your wheelhouse or not. The solo (mostly) guy who has to use his wits and maybe a bit of luck to not only arrive at the answer to whatever his current mystery might be but also juggle that with living the lifestyle of a P.I.

It’s both glamorous and utterly miserable at the same time… and in that juxtaposition is where you can get a great story. Whether it is about redemption or burying the past or whatever… we come for the tropes and trappings, but we stay for the stories.

The Rewards:

$5 is all it takes to get yourself a print version of the book (26 pages). At the higher ends you can get various wall art ($75) or drawn into the book ($600), but one thing that really caught my eye was the $45 level with a very cool T-shirt.

 

The Verdict:

Normally the answer might be found at the bottom of a bottle of some darkish liquid. Something that will really knock you down and make you wonder who is in control of who. For this guy, it just happens to be Espresso that does the job…

And who are we to judge. So pick up the book and have a morning read with your coffee!

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To find out more about The Espresso Detective, go to the website here.

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John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Mindbubble Workshop Recap – How to Write Comics

 

Back in December, Robert Jeffrey and I had the opportunity to do an updated version of a workshop Terminus used to do back in the day at Libraries entitled “Wham! Zap! Pow! Writing for Comics”. Hosted by the wonderful folks at Mind Bubble, the idea was to take some early teens who might have an interest in creating stories within the comics side of things and just walk them through the process.

Basically, a bunch of the stuff I wish I had known when I first sat down to write a comic script. All that stuff you don’t think about when you are reading the latest issue of Batman. We wanted to give them a glimpse at how those 20-22 pages actually manage to get done. Really walk them through the process as best we could.

It was really cool to try to get a gauge on what they might be into, where we might find some common ground. Things I was either into or really into when I was their age (the more things change and all of that, I guess).

Video games and anime and Star Wars movies were brought up as examples of building a story and creating memorable characters. After that, we went through the creation of a comic page, taking them through some more general ideas (what’s a Panel, the difference between Dialogue and Narration, etc.), we walked through (with the use of Sean Hill’s excellent Route 3 artwork) going from Thumbnails to Pencils to Inks to Colors all the way to Letters.

But probably the best idea was the one Robert had about doing a page of thumbnails based off of a sample one-page script (we had two examples for the kids to choose from, though a couple decided to do their own thing – which was cool as well). So while I’m watching them go about trying to construct a thumbnailed page, I realized that we had plenty of time, so why not share in the fun (the Mindbubble team got in on it as well).

Let me tell you, I am no artist.

No, really, not an artist. And if I ever entertained any thoughts along those lines, this crushed them. I think I burned the page I constructed after the event, but I was more than willing to show to everyone that thumbnails weren’t supposed to be perfect. As one young lady told me, “it looks like a fat lizard” (it was supposed to be a Godzilla monster). My perspective was horrible. Stick Figure Madness is what it could have been called. The kids snickered and laughed as I walked around showing my “skills” off. I’m hopeful that it helped everyone understand that at the end of the day writing, drawing, coloring, whatever it is you want to do in comics is supposed to be FUN.

And that’s really the goal at the end of the day with any of this stuff, right?

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Mind Bubble does a number of these types of activities/workshops for youths in the Atlanta, Georgia area. You can find more information at https://mindbubble.org/.

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John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Steampunk Fridays – Looking Forward Back

 

I started doing this series of blog posts at the beginning of July. My thinking was two-fold:

1 – Check out who might be producing Steampunk comics.

Obviously, I write a Steampunk comic (The Gilded Age), so I’m already interested in the genre. However, aside from the DC covers they did that one month or something else random to come out which might mimic the ascetics, I really didn’t know what other indy creators might be doing within the genre.

2 – Help potentially spread the word for those creators.

Comics should be this thing where we are always helping each other up. And if I like something why wouldn’t I try to get another person to like it?

3 – Content for the blog.

Some weeks are easier than others to figure out a topic. This really gave me a direction that the Wednesday blog sometimes doesn’t have (which I like the free-form, but this is focused – or as focused as I’m going to get).

4 – See what was successful for other Kickstarters (especially those in the Steampunk realm).

As I was pretty sure I’d be kicking off a Kickstarter sometime in the Fall, this was an excuse to start to drill down and see what might be working and what wasn’t. Looking at the pages for how they were laid out, the various Reward levels, and just the level of artwork on the page. I took notes of what I liked and what I didn’t like.

So if you missed any of the weeks, here’s a handy recap of 2017!

Interviews

Interview with Ken Reynolds

Ken Reynolds is the creator of the comic Cognition: a comic where the lead characters are a clockwork and an evil rat who stop supernatural entities.

And if your brain didn’t begin dripping from your ears, you need to check this out.

Seriously, the comic is all sorts of cool.

Interview with the Creators of Arcane Sally & Mr Steam

The team over at the Arcane Sally & Mr. Steam comic are clearly doing something with their Steampunk… Ghost Story… Victorian supernatural action-adventure… Love Story?

Interview with the Creator of Hinges

What I wrote in the introduction still holds true:

There are moments when you start reading a comic and you just know there is something about it which speaks to you. And maybe you don’t understand every little thing which has been set out in front of you… maybe those are the things you’ll figure out on a reread. But when you lock in, that’s all it takes.

When I sat down to check out some Steampunkish comics a couple of weeks ago and came across Hinges by Meredith McClaren, I thought I’d read a few pages and move on with my life.Bauble and Orio had other plans for me.

Bauble and Orio had other plans for me.

Interview with the Creator of The Legend of Everett Forge

Everett Forge is in the mold of many of those same Westerns. He’s clearly a man on a mission to destroy Omega’s entire livelihood. He’s a myth, a ghost story the Robots tell each other at night – make sure you lube all your joints of Everett Forge will get you.

Interview with the Creator of Boston Metaphysical Society

Take the X-Files, set it in an alternate history of Boston, and force the characters to have to deal with a different set of social mores and expectation than we deal with today. BMS has run a handful of successful Kickstarters (and have 6 issues collected in their trade), so you are going to get your full story.

The Gilded Age Interviews

As part of my month-long Gilded Age Kickstarter campaign, I collected the various interviews I’d conducted with much of the team over the previous year. There are still a couple of people left to talk to… it’s on the to do list.

Interview with the Creator of Monstrous

Monstrous stems from a lifelong fascination with monster movies and their misunderstood heroes.  Even when they’re completing evil, monsters are always the most compelling thing about the stories they occupy.  I’ve always loved the Universal Studios monsters and Ghostbusters and the Hammer Studios movies.  I threw all of those influences together with plots from John Wayne westerns in this strange steampunk hybrid. Monstrous is like all of these things I’ve loved for years having a party together.

Interview with one of the Creators of The Jekyll Island Chronicles

The Jekyll Island Chronicles is a graphic novel adventure series blending historical fact with heavy doses of alternate history and adventure. Book One, The Machine Age War, opens the story in the days following The Great War – a time when a brief glimmer of peace and hope quickly fades as a cryptic organization moves to threaten fragile governments and their people with a campaign of chaos and terror. 

 

 

Kickstart the Comic

Word Smith

This was the first of the series, focusing on Victoria who crafts words. Through the use of this magic, she is able to affect the world around her. This Kickstarter ended up funding, and I have my digital copy!

Imaginary Voyages of Edgar Allan Poer #1 KS Exclusive

Edgar Allan Poe has lost everyone he ever loved and now he is losing his mind. Haunted by his wife’s ghost and his many literary failures, the poet tumbles into a fantastical world created by his genius…and his madness. This world called Terra Somnium is a nightmare region that merges his macabre literary creations and mythological gods and monsters of old, all hell-bent on stopping him from escaping the land of dreams.

This Kickstarter funded and I believe the second issue was funded as well, so if you missed them, keep an eye out for issue 3.

The Invention of EJ. Whitaker

This was a case where the Kickstarter was long over, but I still wanted to shine a little light on the project. In fact, I need to reach out to the creators about an interview I’ve been promised!

When Ada Turner, a young Inventor’s apprentice, creates a flying machine in 1901, she’s introduced to the dangerous side of the Industrial Age.

Blood & Dust Volume 2

The Old West is really that last bastion before the industrial revolution kicks into high gear. But there is plenty of bleed between the two areas, the same as Steampunk and Weird West style stories. That Gothic Horror feel of monsters being in a place where, by all rights, they should not be. And whether it is a Steampowered invention needing to put the darkness back in its place or the sidearm of a cowboy – it feels all connected even if it isn’t a 100% match of genres all the time.

The Death Defying #1

Arthur Conan Doyle & Harry Houdini.

The writer and the magician.

They were once the best of Friends.

When their friendship went to hell, 

The world wasn’t very far behind.

Stoker and Wells – The Graphic Novel

In 1894 London, a 20-something H.G. Wells and a 40-something Bram Stoker meet and have a very unexpected 48-hour adventure that leads to the creative inspiration for both writer’s first great success – THE TIME MACHINE for Wells and DRACULA for Stoker.  It is not only a thrilling, scary, fun, and beautifully drawn adventure tale, but also a story about putting aside fear and insecurity and stepping into your true identity.

Kickstart the Game

1879 London Adventure and Sourcebook

1879 is FASA’s steamweird roleplaying game, that takes the place of Shadowrun in our cosmology. Due to a weird science experiment that opens a stable wormhole, Earth’s magic cycle gets jumpstarted in the late Victorian era, leading to a Gilded Age with elves, dwarves, snarks, and trolls. As the world adjusts to its new races, technological progress races forward, as the Age of Steam begins to give way to the Age of Electricity. Clockwork computers exchange data over telegraph wires, steam-powered airships chug through the sky, and industrial applications of magic churn out new wonders daily.

Westbound: Revolvers and Rituals

Westbound is a game of adventure on the frontier. You’ll explore the magical wild west, encounter other frontiersmen, fight strange new creatures, and strike gold or die trying. Robbing trains, shooting up saloons, and rescuing damsels is all apart of a days work for a Westbounder.

When the soil’s turned sour,

And the well all dried up.

When men in suits put a gun in your hand

And send you to war.

When there’s nothing left of your home,

But ash and regret.

It’s time to turn Westbound.

Game Reviews

Space: 1889

As I said in the breakdown of the RPG Quickstart rules: Take the best parts of John Carter, Warlord of Mars, a mix of the crazy-fun science fiction of Jules Verne and HG Wells, and top it off with some of the pulp stories from the 30’s and 40’s about adventures on other planets (before pesky real science ruined it for everyone). The Imperial nations of Europe decided to look to the stars to appease their appetites for materials for Queen and Country (or Kaiser and Country as the case may be).

Other

5 Steampunk Movies You Should Watch

As I was coming up with this list of 5 Steampunk movies, I had to admit that there aren’t as many as you might think there are considering the number of costumes I see posted all over the web (or at conventions like Dragon Con). The following aren’t necessarily the best, but these are ones who contribute in their own way to the genre.

Short Film – Eye of the Storm

This is a music video. This is a short film. This is amazing looking.

The story centers around a sky captain making his way across the sky, making peace with what came before and steadying himself on what may come next. Accompanied by a large dog-sized dragon, he sees the green glow just past an oncoming storm and must make his decision on how to deal with it. Whether he should avoid it or push through to the other side.

Batman: Gotham by Gaslight

With the trailer for the animated movie debuting, I thought it was more than time to give a little focus on a Batman related Steampunk story… that I have not read as of yet. Share in the story of my failure…

Gears and Cogs

A few of the things that had caught my eye over that week: Draw with Jazza, They are Billions (video game), and Brass Empire (card game).

***

I’m looking forward to even more this next year!

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

 

In the Future, Retread the Past

We come to the beginning of the year and with it a chance to reflect on the previous year’s accomplishments and failures and set those goals for the following year. Every year I set out goals, but manage to only hit a small portion of what I had planned for the coming year. Sometimes the reasons are other projects which suddenly demanded my attention and other times it is a time squeeze or not managing my time just right or perhaps I’m setting my goals too high?

The thing is that each of these projects are like open boxes in my mind. If I’m not careful I’ll continue to open new boxes… which is great! However, if you never close any of the boxes, that can be worse than not having them in the first place.

2018 has to be about closing boxes so that new boxes can be worked on. And a big piece of that puzzle was actually accomplished late last year with the Gilded Age Kickstarter funding. Shutting the box (completing the graphic novel) doesn’t mean I’m finished with the Gilded Age, but instead means I have something I can point at and feel that sense of accomplishment we all get when we complete those large tasks.

The Look Back – 2017

Reviewing my previous to-do list is a little depressing because I can feel the frustration of my previous self. 2017 was to be the end of this “5-year plan” where… well I don’t exactly know what it is I was expecting.

The White Effect

I have one more path for this book before I do self-publish it. I entered it into the Angry Robot open submissions during the holidays. One way or another this must become a box that gets closed.

Edge of the World

Not much movement here. I still need to finish my self-edit. I would still like to send out query letters.

S.O.U.L. Mate

Above, I mentioned that having too many open boxes is better than the alternative, but in this case, the old Writer’s Block came to visit me. It was surprising considering I had the book outlined out… until I realized I didn’t have parts of it outlined out… and that brought me to a screeching halt.

The Gilded Age

This is where I can pat myself (and all those who supported the Kickstarter) on our collective backs. After helping out on the Route 3 Kickstarter, I was both excited and worried about launching my own. But when I finally pulled the trigger… it was even more nerve-wracking than I would have thought!

Regardless, this is a big success, and I’m looking forward to holding the trade in my hands.

Veronica Mars Novella 2

This was published earlier in the year and somewhat showed me that everything is timing. When the Kindle Worlds had just launched, we were pretty much ready with the 1st novella… and while it didn’t break the bank, it was a consistent seller, a handful here or there every month. This novella was released a couple of years later. There wasn’t a new book or movie or really much in the way of Veronica Mars news, and the sales of both books prove that out.

I’m still extremely happy to have published the story.

Short Stories

This was a very nebulous one and I did finish up a couple of stories, but they are still on the hard drive, so maybe I’ll give myself half credit.

Blogging

Another success story in that I still didn’t miss a week (though I came close a couple of times), but the other aspect was to be a little more focused with the Kickstart the Comic series or the Behind the Comic series… and I think I did a better job of it. My blog is probably still a little too scattered, but I like that.

Plus, I also launched a second blog over the summer in Steampunk Fridays… and let me tell you it is both a blessing and a curse to have a focused blog. Sometimes it means you have plenty of things to write about, interviews to run, reviews, or Kickstarters, and other times there is next to nothing happening. Very feast or famine.

I took the last couple of weeks off for the holidays, but I’m hoping to keep at it in the coming year.

Looking Ahead to 2018

What are my goals this year? How about forward motion on closing those open boxes? How about opening new boxes? How about publishing another book? How about selling books at conventions?

How about a little of all those bits and pieces? Things I’d like to work on in the coming year:

The Gilded Age

The White Effect

The Edge of the World

S.O.U.L. Mate

The Crossing

Ravensgate

Short Stories

The Next Big Idea for a Novel Series

Hollow Empire Season 2

You Must Be This Tall To Ride

Entropy

Lightning

The blog(s)

Something I didn’t even have an idea was on the horizon

I want to be excited by the paths I choose. I want to have some success. I want to get the books into people’s hands and have them love the ride.

So what are you doing this year?

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

[UPDATED] What RPG and Comic Kickstarter Christmas Gifts Did You Get?

Happy holidays! It’s gift time 2017 and Egg found several Kickstarter rewards under his Christmas tree. I thought I’d shout out and thank a few projects that went the extra mile and got their work out before the egg nog carried them away!

 

Egg Embry, RPG KS Ph.D.
(Charles Schulz would have done this better!)

 

UPDATED – 2017-12-26 AT 12:19AM EST – This one rolled in during Christmas day.

REVOLUTIONARIES — American War of Independence RPG by Make-Believe Games sent the first installment of their RPG on Christmas day. The game is about a version of the American Revolution and the timing of this piece has a light connection to Washington’s crossing of the Delaware River in that both occurred on Christmas.

“… for your enjoyment is the first installment of the Revolutionaries game, Fires of Liberty. This exclusive PDF sampler is loaded with bonus game content. It includes the Newport, RI setting and your first taste of the secrets behind the Culper Ring.”

 

With that, I’m at four Kickstarter gifts for Christmas 2017. I also heard that the rest of the Mindjammer KS came in as well as the v0.9 Unity RPG. It’s been a good Christmas!

 

* * * * * *

 

UPDATED – 2017-12-26 AT 08:00AM EST – This one came in not two weeks before Christmas day (12/14), it still deserves a mention.

Tiny Dungeon 2e gave its backers the Player’s Guide.

  • This is a bonus product, but it’s comprise of stuff you’re gonna get in the final product. It’s basically the first half of the final book, all the rules.
  • It does look exactly like the rules section in the final product (in content and layout.)
  • This will never contain micro-settings. You’ll get a separate corebook for that (which will have rules + micro-settings.)
  • This will be going on sale soon-ish (likely after the New Year), so we wanted to give it to you first.
The cover of the book! Design by Robert Denton, Art by Michael Leavenworth
The cover of the book! Design by Robert Denton, Art by Michael Leavenworth

 

* * * * * *

 

Let’s start with the white elephant gift – Free League’s Forbidden Lands – Retro Open-World Survival Fantasy RPG and what they sent for Christmas.

[NOTE – I removed all of the backer-only links.]

  • … download the full 186-page Swedish Alpha PDF of Forbidden Lands, under the Swedish title Rov & Ruiner.
  • … the PDF of the combat cards used for the hidden combo system in close combat, and you can download initiative cards…
  • The current (Swedish) draft of the character sheet can be downloaded…, and the big map of the game is to be found… (Swedish, same version as has been shared before, English version…).

What makes this a white elephant gift? It’s all (mostly) in Swedish.

For the international audience – we will complete the English Alpha in the weeks ahead, and we will try to share each chapter as they are completed to get the material to you as soon as humanly possible.”

Seriously, this is by no means a bad gift because it means that we’re well on our way to getting the finished (i.e., English) product. It gives me something to look forward to in 2018!

 

* * * * * *

Up next is one that I have a short contribution in, Sensational: A Superpowered RPG where Empathy Matters.

“Twas the night before the night before Christmas…
…and just after 3am, I sent you all the rulebook!”

This is a superhero RPG where superpowers are derived from emotions. I’m still reading it but so far it’s a good product and I’m looking forward to slinging some dice using it. For my part, I created one of the criminal NPCs, N. T. Edison, aka Unsequence. If the game sounds interesting to you, I’d suggest contacting Thomas Constantine Moore on Twitter about picking up a copy.

 

* * * * * *

The only physical Kickstarter product I got for under the tree was a comic I’d been eager to check out, GROND Book Three, Oublar’s Revenge. My buddy, Michael Phillips, spread the holiday cheer with two copies of the comic, three prints, three post cards, and three metal cards. His Kickstarter update with the shipping notice had an amusing holiday moment to share:

“I am glad to let you all know that your rewards, including the international orders have been shipped on time. It was interesting standing in line at the post office for 10 mins with only 6 people ahead of me before I got to the counter to start mailing all 55 packages. Minutes later, I looked backed to see that the line had grown to more than 25 people staring angrily at me while the clerk was checking each package one at a time. My wife was with me but soon left to go sit in the car and wait, fearing for her life that someone would go “POSTAL” on me for having so many packages at once. I was determined to get your rewards mailed before Christmas like I promised, so you can get them before the holidays.”

Want to give Grond a try? Ping Mike here.

OUBLAR PRINT
OUBLAR PRINT

 

* * * * * *

This is not an exhaustive list of what Kickstarters (and RPGs/comics) dropped for Christmas, it’s just what I got. Did you get any Kickstarter products under the tree (or in your inbox)? If so, feel free to comment them below.

I hope your holiday was as full of little pieces of happiness! For my part, I want to thank everyone in my life and all of the warm wishes I received.

 

* * * * * *

 

Want your RPG Kickstarter reviewed? Have some RPG wanna-lancer thoughts to share? Contact me here or on Facebook (Egg Embry) or on Google Plus (+Egg Embry).

Disclosure: This article contains affiliate links to DriveThruRPG.com and Amazon.com.

Savage Worlds: Fast, Furious, and Fun! - Available Now @ DriveThruRPG.com

 

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Egg Embry, Wanna-lancer™

Wanna-lancer™ Checklist T-shirt available at Cafepress

Interested in being a wanna-lancer? Start with the official Wanna-lancer Checklist t-shirt or wall clock or ice tea glass!

* * * * * *

Egg Embry wrote comic book short stories, edited comic book series, wrote and drew a webcomic, and contributed to comic book journalism across the 2000s. Now, he buys the opportunity to write for a variety of tabletop role-playing games in the tradition of vanity press. His purchases have been published by:

Want your RPG Kickstarter reviewed? Have some RPG wanna-lancer thoughts to share? Contact me here or on Facebook (Egg Embry) or on Google Plus (+Egg Embry).

Steampunk Fridays – Batman: Gotham by Gaslight

A quick one this week… as the Holiday Season gets its full weight down on us.

Years ago there was this comic called Gotham by Gaslight. It featured Batman living in a turn of the century style world where Jack the Ripper had come calling to Gotham.

If you went down the checklist of comics that I should read, this one might have checked all the boxes:

Elseworld – If you are a Marvel fan, this is DC’s version of What If where they showcase alternate timelines or alternate stories from the main ones. It means they can do pretty much whatever they want and not have to worry about Continuity of why Batman might be in the early 1900s.

Jack the Ripper – There is something about Jack that makes him this fascinating figure from history. The fact that no one knew who he was. The various theories over the years about his identity. The gruesomeness of his crimes.

Batman vs. Jack – Take one of the greatest characters, a detective, and put him against this one person who apparently had us all fooled.

So how was the comic? I don’t know. I’ve never actually read it.

I don’t know why. Even as I’m writing this all out, I don’t know why. I always meant to pick it up… it is a comic fail for sure.

Soon though, I can potentially make up for my egregious error (or at least partially make up for it) as they are going to release it to DVD next year! And I think now would be a perfect time to visit that world and enjoy the movie before finally reading the graphic novel. I won’t sit there the whole time comparing it because I’ll watch it first!

It’s kind of a win, win… right?

Ok, it’s kind of a cop-out, but at least I’ll be righting my own 20-year error!

You can check out the trailer here:

 

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

 

Unfinished Business

Weirdly, in the aftermath of running a successful Kickstarter to get a project I’ve been working on for years, I’ve been thinking a lot lately about unfinished projects sitting on my hard drive. How for every file and folder that lies dormant on the computer, I will soon have something that is somewhat “complete”.

It was due to these incomplete projects that I created the Gilded Age the way I did in the first place. Too many comic book projects had gotten started only to fizzle out. It was very much the idea that the Gilded Age might only last 1 issue and I had a full 4 issue story-arc planned. What do you do with that? How do you get around the fact that 1 issue could very well be the only thing anyone ever sees?

In fact, there was a while there where Egg and I would email back and forth about 1 issue comic ideas because that was something we could see actually being done and finished. It was something concrete whereas the many talks about 50 issue comic storylines might (only might) have been a little beyond any of us.

Yet, even with those constraints, so many of them never saw the light of day.

And I’ve been thinking about them.

They say you are supposed to Kill Your Darlings as a writer. Basically, when you are writing, even if you love a scene or a paragraph or even just a sentence – you have to be willing to cut those just as easily as anything else.

And there is also some saying about always moving forward (I think). If something doesn’t work out, then toss it aside and start on the next thing. Something about ideas not being precious. That any creator worth their salt can come up with 100 more… and then 100 more.

Yet, I look through the files and remember things I’d forgotten. I see that there was potential within these projects. I see that there could still be potential within so many Lost ideas.

Maybe it is that Kickstarter success that suddenly has shown me a finish line is actually possible? Has it got me convinced there might be a way to bring those things back to life in some form or fashion?

It’s not about the business of the pieces… not yet at least. That will come. The questions about what does this particular thing being brought out of storage actually accomplish. What if by focusing on these older toys, I don’t give enough focus to newer ones?

I’m caught in a weird time loop of my own doing. Lamenting what should have been out a decade ago if only I’d have pushed the right buttons. How I could have been further along whatever path I currently make my way down.

But mistakes have been made along the way.

So what do you do about those old things? I’m a collector. I don’t throw things out without good reason. I believe that ideas are very precious, but I know that more will always be forthcoming. I could never just be rid of them. Do they represent too much thought, too much work, too much… growth?

Without each word, line, paragraph, half-finished script, or even finished scripts that never became comics… my current work wouldn’t exist. Without every pain of trying to pull or get pulled across a finish line, my couple of books, The Gilded Age, and a handful of short stories would not exist (or at least they would not exist in the way they do today).

So I don’t push delete on these things. I don’t erase them from my mind or my flash drive. I don’t purge the emails of random thoughts and nuggets of storylines… for they offer me a glimpse at all the paths I’ve been on until today.

Sure, they may frustrate me that they didn’t get there, but they might have helped me get there.

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

Steampunk Fridays – Interview with one of the Creators of The Jekyll Island Chronicles

When I was younger, my grandparents would drive to Jekyll Island (on the coast of Georgia) to go fishing. They’d wake up before the crack of dawn, somehow get my smaller frame from the bed to the back of the car, and drive the forty-five minutes to the beach where we’d spend much of the day fishing and learning about various fish worth eating and not worth eating.

So when I saw that there was a steampunk related comic called The Jekyll Island Chronicles… I had to reach out.

***

How long have you been creating/working in comics?

There are three of us in this endeavor and we all have been either reading or making comics since we were kids.  I (Steve) used to sit in my room and draw my own versions of Spider-man and the Fantastic Four.  Our actual jobs are all doing different things, so becoming graphic novel authors became a side hobby for us later in life.  We actually started working on The Jekyll Island Chronicles in January of 2013.

At what point did you sit down to become a writer/artist? Do you remember the first thing you drew/wrote?

I think I am the one with the most graphic arts background.  My dad worked in a factory during the day and would come home at night and paint portraits for friends and family members, to make extra spending money.  He taught me how to draw when I was old enough to hold a pencil.  I remember a book of Disney characters that I drew when I was a kid.  I remember him sitting at the kitchen table with me and building dinosaur models.  I have since graduated to more extensive and difficult kits, and scratch built a bunch of my own.   Creating art has a wonderful, calming effect on me.

All three of us have been heavily involved in writing projects of our own in the past as well.  Ed wrote another book several years back and Jack and I have been writing plays and sketch comedy for our church for many years.

Who inspires you? Or do you have a favorite artist or creator?

Jack loves experiences:  he is a Disneyphile through and through.  He would build a scale (and highly detailed) model of Disneyland in his house if he could.  Ed is a voracious reader and plows through novels constantly.  He loves sci/fi, mysteries, and westerns.  And I get inspirations everywhere, no place in particular.  Sometimes, I just like to walk through a retail shopping center and look for things that inspire me.

How do you manage your daily/family life with your creative work? Is this your 9 to 5 or is this your 10 to 2?

Hah!  We all have really demanding jobs.  This is our hobby.  Nights, weekends, while watching tv or sports at night.  I am usually sitting drawing thumbnails on my ipad to make life easier for our artists.  We try to meet periodically to line up on story and plot development (maybe once or twice a month).  We tell our spouses we don’t play golf (at least not well), so this is our club membership.

It’s often difficult to get word out about independent/small press comics. What do you do to market and promote your books? Anything work really well or really poorly?

It’s been an eye-opening experience.  I have an author friend at work who told me that marketing of books has changed over the years—authors are really much more responsible for this and publishers are, well, publishers.  I have found this to be generally true.  Not bad.  Just generally true.

Our publisher at Top Shelf, Chris Staros, told us pretty much the same thing after we signed our book deal.  They publish the books, invite us to the Cons where they are present, put the books out in the proper channels, but we do the heavy lifting on the marketing (Facebook & websites, blogging, boosting posts, local book signings, reaching out to newspapers and magazines, etc etc etc).  We had to learn how to do a bunch of stuff, from a literary marketing standpoint, that we have never done before.  But Chris is a great sounding board for us and happily answers any questions we have.  It’s so good to have his knowledge and experience base in our corner when we need it (which is A LOT!)  We are working with a PR firm on putting together proposals for the release of Book Two.  So, we are hoping to have more firepower in that area.

What’s your process look like when you’re writing? Do you go with the full outline? Or are you a fly by the seat of your pants type?

We have to have an outline.  We use the classic three-act story structure, but because we are a series, we have to layer that structure over each book as well as the entire series.  I guess that’s why trilogies make sense.  For Book One, I had a lot of the basic story arc in my head, and Jack and Ed helped me fill in a bunch–like the whole Jekyll Island connection.  Book Two was more of a blank page than Book One, so it was harder.  We use note cards with plot points and move things around constantly in the beginning.  When we get the arc locked down, we divide and conquer the writing duties, usually giving one person an act to tackle.  We come back, read together, edit together, and make suggestions.  The key is to hold your writing loosely.  You can’t be so dogmatic to “have it your way”.  If that happens, you frustrate everyone and it flies in the face of collaboration and making each other better.  We are long-time friends, so that makes it easier.  But even then, every once in a while, we have to work through things.  It really is a lot of give and take.

I currently live just north of Atlanta, in Suwanee, Georgia, but I’ve been to Jekyll Island dozens of times when I was younger. So it was very cool to even see that this book existed. What inspired you to create Jekyll Island Chronicles?

Ed was instrumental in coming up with the idea to place much of the story at Jekyll.  When I explained the original idea to him, he asked if I had ever been to Jekyll.  I had been in Atlanta for 25 years and had never gone there, and only just heard of it but never really knew about its history.  So, my wife and I took a weekend, went to down to the island, toured it and my brain exploded.  It was the PERFECT set up for the characters and the scenarios, which were all post-WWI and at the height of the gilded age at Jekyll.  It is a Georgia treasure and our hope is that people, especially Georgians, will become a little more knowledgeable about their own history.

What’s been the reaction to the book?

It’s been extremely positive.  Of course, our family and friends have been our biggest cheerleaders.  We’ve gotten good reviews on Amazon (especially) and Good Reads.  Every once in a while we get someone who “doesn’t get it” or takes issue with the alt history portions of it.  We even had one guy who reviewed it and got the plot/character points wrong, so did he even read it??  But then again we were named one of the Top 10 Books Every Young Georgian Should Read for 2017 (all graphic novels go in that category)—so that was a nice feather in our cap.  We already had a second printing.  We had a line of people waiting to sign the book at the NY Comic Con, so that was pretty cool.  We’ve gotten a lot of interest from podcasters, bloggers and people wanting to do interviews.  This is our first rodeo, but so far, so good.

Are there themes and/or subjects you find yourself drawn to again and again in your work?

We started this whole process with themes.  We wrote down the things/principles we believed and wanted to be true for our story.  First, we saw a lot of cynicism with heroes—dark heroes, conflicted heroes—and we wanted to do something different.  Maybe even classic.  My grandfather fought in the US Cavalry in WWI to gain his citizenship.  He was a regular, simple man of principle.  He knew right from wrong.  He wasn’t perfect, but he wasn’t constantly dark and conflicted.  We wanted a return to classic heroism.  We wanted people who were willing to work together in spite of their differences.  Our country is torn down the middle today and we are all saddened and sick of it.  At least we have a built a world where people can come together for the greater good.

Also, we wanted to have a world where it wasn’t evil to have resources.  Andrew Carnegie gave away like $300 million dollars.  He built a system of libraries all across the country.  Not all people with wealth are robber barons, you know?  Jack and I worked for one for decades.  There is good and evil is ALL people–not just one group, one type, or one party.  We hoped that the book would force people to actually look for the good in all of our heroes.  Finally, we wanted a story where the veterans were the biggest heroes.  We owe SO MUCH to them.  It’s no surprise that our original heroes are the broken WWI vets that get “rebuilt” to fight the atrocities of the early 20th century anarchists.

Your first graphic novel was released by Top Shelf & IDW Publishing. How did that relationship come about?

We actually sponsored a class at SCAD in Savannah to help us create a pitch packet for publishers/production companies that might be interested in our idea.  Once we got the packet done, we approached Chris Staros with Top Shelf.  He was Georgia-based, actually Marietta-based, which was right around the corner from all of us.  We called him, took him to lunch one day, introduced ourselves, and handed him the pitch packet.  He said he would take a look at it and give us comments.  The next day he called me and said he thought it was good—really good—and if we finished it, he would like to keep the whole thing in Georgia and publish for us.  WOW.  I know that this is NOT how it is supposed to work.  But, it happened for us and we were, and still are, very grateful to Chris and his confidence.  When Top Shelf got acquired by IDW, that confidence transferred over to them.  They have been huge supporters of ours and they now have us in their catalog that they send to production companies for tv/film.

You currently have 1 graphic novel out there with a second one due out next year. What’s the overall plan with Jekyll Island Chronicles?

The plan is to keep making books until we get too tired and stop (or someone tells us to stop).  At least we want 3.  But the larger goal is 6. The story arc of the original Jekyll Island Club ends in WWII.  We would love to take it that far.

I see on your website that there are teaching materials based on the comic. Can you talk a little about how you came to that idea as well as your goals with the program?

Well, the story has a TON of facts in it.  The alt history component actually has a lot of HISTORY.  We always loved the idea of using the book to teach history and have students weave through the narrative of what is true and what is not.  So we approached Glen Downey (an author who is an expert in this area) and he agreed to put together teaching materials for us.  They are all available for free on our website.  We have a public high school in the Jekyll area that is using it in both the US and world history class, and a private school here in Cobb County that is doing the same thing.  Ideally, this is a great way for creative teachers to introduce their students not just to history but also to the medium of the graphic novel.  We think this is a big idea.

Comics is an amazing collaborative medium. Tell me a little about the artists on the books.

We met both of our artists in our SCAD class.  They were students who, at the time, were finishing up their studies.  Moses Nester is our illustrator/inker and SJ Miller is our colorist.  One is in ATL and one is in Vegas.  Everything is done digitally.  I take the script, gather reference photos, drop them into an app for my ipad called Strip Designer and create tight comps/thumbnails, send them electronically to Moses who inks, sends to SJ for coloring and sound effects and then back to me for final approval.  It seems to work pretty well.  Our artists are very gifted individuals with a bright career in front of them!  We are just so happy that we have access to them at this time of their lives—and we hope this is given them so good experience to bounce off of for the future.

If you could go back in time ten years, what advice might you have for your younger self? Something you wish you knew?

I wish I knew that I was really responsible for my creative outlets in life.  I mean, I have always been creative, but sometimes at work, I was waiting for that itch to be scratched there.  And at times, that didn’t happen.  I wish I had been more aware of the idea to create instead of consume, and now I hope that our creative endeavor helps others to do the same.  Bottom line, if opportunity doesn’t knock, build a door (with credit to Milton Berle for that fine axiom).

Where’s the best place to find out more about Jekyll Island Chronicles and the rest of your works?

Like us on facebook

https://www.facebook.com/jekyllislandchronicles/

or go to our website

https://jekyllislandchronicles.com/

Steampunkers are welcome to check out our website, where we have a link for selling the book, pre-ordering book two and buying other merch. And the book is available in bookstores and on line everywhere.

STEVE NEDVIDEK has worked in film, radio, and television and received his Masters Degree in Theater from Wake Forest University, where he completed his thesis in make-up design. He is an avid cartoonist, model maker, writer, and movie watcher, and resides in the Atlanta suburbs with his wife, kids, and dog.

ED CROWELL holds advanced degrees in political science and international affairs. He is an executive at a non-profit and a writer with dozens of published articles. A lifelong fan of science fiction and fantasy, he and his wife have two children who went off to college, but left Ed and Cynthia with two cats, a fish, and a dog.

JACK LOWE is a student of film making and themed entertainment. A passionate storyteller with a bent toward immersive, multi-sensory experiences, Jack and his wife, three children, two dogs, and two cats live in the shadow of Kennesaw Mountain in Atlanta.

Ed is on the left, Steve in center, Jack on right

***

I want to thank Steve for taking the time to answer my questions!

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

 

Kickstart the Comic – Penumbra: Fear the Bunny Lord!

There is a term for comic books that became a slightly bad way of referring to them: Funny Books. Meaning they were good for a few laughs, but that was about it. Yet, my friend and I like to take that derisive term and embrace it when we talk about comics. Whether it is Marvel or DC or Image or anything and everything else out there – they are our funny books. They should bring smiles to your face because you are enjoying what you’re reading because that means the people creating the book must have been having “fun” as well.

***

Penumbra: Fear the Bunny Lord!

From Shades of Vengeance Comics

Writer/Letters – Jonathan Lewis

Artist – Sebastian Sala

Colorist – Slamet Mujino

Kickstarter campaign ends on Sunday, December 3, 2017 at 9:34 AM EST.

***

The Pitch:

Penumbra: Fear the Bunny Lord, is the story of the Mistress of Shadows meeting her greatest foe, a lagomorph with great night vision!

The Story:

On a heist to steal a piece of alien technology, rumored to increase the abilities of any Empowered who holds it, she faces off against Wild Hare. He has an aim to test his skills against the slickest of escape artist. Together with the small army of security, Wild Hare will make sure it isn’t Penumbra’s lucky day.

John’s Thoughts:

Like I said in the preamble, this looks like a comic where the creators are just cutting loose and having fun. I mean, a master thief up against a two-legged bunny? And the thing is that comics don’t always have to be these dreary things that we force ourselves through just to have said: “hey, I read that thing – yeah, it depressed the hell out of me, but I read it!”

I gotta think that after you read this issue the response is much more likely to include lots of laughter rather than tears.

The Rewards:

The other thing about this campaign is that the overall amount being asked for is only about $467, so the rewards all lean towards the various digital rewards. However, if you want to spring for something a little different, the $66 level has a “Personal short story by the writer including Penumbra and an Original character of your choice”. If you have that one character you wish you could include in other people’s worlds, here’s your chance.

The Verdict:

Master thieves and the Rabbits that chase them. Nuff said. Go get yourself a funny book.

***

To learn more about Penumbra, check out the Shades of Vengeance website here.

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

 

Steampunk Fridays – Kickstart the Comic – Stoker and Wells – The Graphic Novel!

Another one made for Steampunk Fridays… I’m not sure how much more I need to say… let’s get to the comic!

***

Stoker and Wells – The Graphic Novel

Writer – Steven Peros

Artist – Barry Orkin

Colors – Chris Summers

Letters – Marshall Dillon

Editor – J.C. Vaughn

Kickstarter campaign ends on Tuesday, November 21, 2017 at 3:39 PM EST.

***

The Pitch:

In 1894 London, a 20-something H.G. Wells and a 40-something Bram Stoker meet and have a very unexpected 48-hour adventure that leads to the creative inspiration for both writer’s first great success – THE TIME MACHINE for Wells and DRACULA for Stoker.  It is not only a thrilling, scary, fun, and beautifully drawn adventure tale, but also a story about putting aside fear and insecurity and stepping into your true identity.  

The Story:

In a nutshell, Stoker and Wells meet in London of 1894 and through extraordinary fictitious circumstances, rooted in historical accuracy (which will remain under wraps until publication!), find themselves forced at gunpoint to travel 4000 years into the future in a time machine, not of their own design.  The machine is pre-programmed to return to 1894 exactly 48 hours later, so Stoker and Wells are dealt a huge blow when… the time machine is stolen!  Now the two men must journey through the weird and dangerous Earth of 5894 to find their machine before it returns without them, aided by “Nina”, an Eloi, and “Wren”, who claims to be a “reformed” Morlock…

John’s Thoughts:

These real-world people living out the strange lives that eventually their characters will encounter is that cool kind of idea that fills my head with all sorts of ideas. Who else could you potentially use? And what crazy adventure(s) could you take them on?

Pencils & Inks: Barry Orkin / Colors: Chris Summers / Letters: Marshall Dillon

Plus, in this particular case… well, I’ve always loved the Time Machine and who doesn’t love Dracula (you’re wrong if you raised your hand!)? Definitely not a pair I would have thought to combine, but I’m interested to see how this might work out.

The Rewards:

One of the cool things is that at the $75 reward level, you can get a Billy Tucci cover (a Kickstarter exclusive). At higher values you can get a Billy Tucci Portfolio review ($300) or a Script Evaluation for your screenplay or tv pilot ($300 and not one you see all that often on the comic side).

 

Pencils: Billy Tucci / Colors: Barry Orkin

The Verdict:

They said Wells and Stoker. They said time travel. They said Morlocks. They said Castle Dracul…

Enough said.

***

To learn more about Stoker and Wells, check out the Facebook Page here.

***

John McGuire

The Gilded Age Kickstarter is still going on. Check it out on Kickstarter here.

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

5 Gamebook, Prose, and Comic Kickstarters You Should Read – Malika, Neverland, The Awakened III, Penumbra, and Decision Underground

After reading the Kickstarter for the gamebook, Rider of the Black Sun, its rekindled my love for Choose Your Own Adventure-style projects. Putting my RPG review aside for a day, I look at two gamebooks, two comics, and a fantasy prose anthology as I combine all of my interests – games, comics, and writing – in one article!

 


Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

 

Malika – Warrior Queen Part Two by You Neek Studios
Ends on .

“Malika – Warrior Queen is a historical fantasy that takes place in a 15th-century West Africa. Part Two concludes Malika’s epic story!

 

Set in fifteenth-century West Africa, Malika (pronounced “Ma-LIE-ka”): Warrior Queen follows the exploits of queen and military commander Malika, who struggles to keep the peace in her ever-expanding empire. In Part Two of the hit graphic novel series, Malika uncovers a painful betrayal by one of the people closest to her. The treachery unnerves a usually stoic and composed Malika, allowing her enemies both known and unknown, internal as well as external, encircle her, positioning themselves for the destruction of Azzaz, the empire she spent her entire adult life building. Can Malika recompose herself and save her people once again? Or is this betrayal the beginning of the end for Malika and the people of Azzaz? Only time will tell.

Malika prepares to address the crowd at the Hall of Hassan
Malika prepares to address the crowd at the Hall of Hassan

It’s been amazing to see how well Malika has been received since it’s release in May. One of the most rewarding experiences was having chapter one of the graphic novel selected for Diamond Comic’s Free Comic Book Day event in May, where it was one of the most sought-after and best-reviewed books of the bunch!

Producing this series has definitely been the most painstaking for me as a writer. The last two years have been filled with sleepless nights, months of research, moments of self-doubt and more. But I’ve loved every minute of it. Why? Because as much as this is a fictional story, it is both heavily inspired and framed by African history. I drew inspiration for some aspects of Malika’s story from one of West Africa’s most significant female rulers. Queen Amina of Zazzau. In addition to that, Malika’s empire, Azzaz, is surrounded by African kingdoms and empires that existed before colonization. Africa has a wealth of history and mythology that is yet to become mainstream knowledge for everyone to experience and be inspired by. My hope is that the Malika series slowly begins to change that.”

The Olon Jin make their first appearance
The Olon Jin make their first appearance
And its not pretty
And its not pretty

 

Egg’s Thoughts:

I’m a fan of diversity in gaming – Mythic d6, A Far Off Land, AMP: Year Four, Seven Worlds – and comics – Niobe, Route 3, Sorghum & Spear – so I’m excited to see the sequel to the Free Comic Book Day Malika #1 on Kickstarter! This comic offers sword and soul and is something I am eager to read. I’d love to see this go the distance and make it over to be a RPG!

 

The first graphic novel is available through Amazon here.

You can support the Kickstarter here.

 

* * * * * * 

 

NEVERLAND – Here Be Monsters! by Jonathan Green
Ends on Sat, December 2 2017 5:00 PM EST.

“J. M. Barrie’s ‘Peter Pan and Wendy’ meets Sir Arthur Conan Doyle’s ‘The Lost World’ in this brand-new, thrilling gamebook adventure!

NEVERLAND is a brand new adventure gamebook – a multi-path book, very much in the style of Choose Your Own Adventure or Fighting Fantasy Gamebooks, in which you choose the course of the story – inspired by both Peter Pan and Wendy, by J. M. Barrie, and The Lost World, by Sir Arthur Conan Doyle.

It’s Treasure Island meets Jurassic Park! It’s Cutthroat Island meets King Kong! It’s Pirates of the Caribbean meets The Land That Time Forgot! It’s Pirates versus Dinosaurs! And you can play as either shipwreck survivor Wendy Darling or automaton avenger Peter Pan. Anybody who has read and played The Wicked Wizard of Oz or Alice’s Nightmare in Wonderland will have a very clear idea of what to expect!

My name is Jonathan Green and I am an author, editor and games designer. I am probably best known for my Fighting Fantasy adventure gamebooks, as well as YOU ARE THE HERO – A History of Fighting Fantasy Gamebooks, and my Pax Britannia steampunk novels.”

[EDITOR’S NOTE: Amazon UK links have been replaced with affiliate Amazon US links.]

Adventure gamebooks written by Jonathan Green
Adventure gamebooks written by Jonathan Green

                                                                           

Pax Britannia steampunk novels by Jonathan Green
Pax Britannia steampunk novels by Jonathan Green

                                                                           

YOU ARE THE HERO - A History of Fighting Fantasy Gamebooks - Parts 1 & 2
YOU ARE THE HERO – A History of Fighting Fantasy Gamebooks – Parts 1 & 2

 

Egg’s Thoughts:

I’m a fan of gamebooks/Choose Your Own Adventures/Tunnels & Trolls’ solo adventures and I’m a fan of Peter Pan so this book is the concept. What would you do as Peter Pan? Jonathan Green lets you decide.

 

More books by Jonathan Green are available through Amazon here:

You can support the Kickstarter here.

 

* * * * * * 

 

Penumbra: Fear the Bunny Lord! by Shades of Vengeance
Ends on Sun, December 3 2017 9:34 AM EST.

“Everyone’s favorite mistress of shadows is back! But can she defeat the bunny lord?

Penumbra: Fear the Bunny Lord, is the story of the Mistress of Shadows meeting her greatest foe, a lagomorph with great night vision!

On a heist to steal a piece of alien technology, rumored to increase the abilities of any Empowered who holds it, she faces off against Wild Hare. He has an aim to test his skills against the slickest of escape artist. Together with the small army of security, Wild Hare will make sure it isn’t Penumbra’s lucky day.

Will she succeed? Will she get paid? Did she think to bring carrots? Back the comic and you’ll find the story in your email before even Penumra could steal it!”

 

UPDATE 2017-11-15 10:15AM – Ed Jowett shared the creative team with me:

  • Written by Johnathan Lewis
  • Art by Sebastian Sala
  • Colours by Slamet Mujiono
  • Penumra created by Ed Jowett

 

Egg’s Thoughts:

[Disclosure: I am working for Shades of Vengeance on their Era: The Consortium RPG.]

 

Ed Jowett of Shades of Vengeance is a nice guy who does gaming and comics and employees lil’ Egg Embry. He has two Kickstarters up right now, this one and the Era: The Consortium – A Universe of Expansions 2. He’s one of the hardest working folks in gaming and this comic is a product of that work-ethic. Zany heroic comedy as a thief faces a bunny-man!

 

To see more comics, and books, from Shades of Vengeance, click here.

You can support the Kickstarter here.

 

* * * * * * 

 

The Awakened III Anthology by Battlefield Press International and Samurai Sheepdog
Ends on Wed, December 6 2017 9:54 PM EST.

“The Awakened III brings together several amazing authors to tell their stories of triumph, failure, fear, and acceptance.

On the world of Grimaton, turning nineteen is more than just a rite of passage into adulthood. When the two moons cross, it can also change your life forever. As awakened, the men and women of Grimaton are possessed of magic in the form of a special bond with an animal or a knack for manipulating the underlying energies of the land. They throw rainbow fire, swim beside alligators, or shape the blood of their enemies into weapons.

Join us for a third time as publishers Battlefield Press International and Samurai Sheepdog work together to bring ten amazing authors together. In our latest anthology you’ll find tales of triumph, failure, fear, and acceptance set once again in the fantasy world of Grimaton. Enjoy new stories with the heroes and villains from Book I. Meet entirely new characters as interesting and dynamic as the rest. Return to the fictional realm of the awakened and watch as its remarkable history continues to grow. When the moons cross, anything can happen.

  • Ed Greenwood
  • Darrin Drader
  • Darren W. Pearce
  • Ty Johnston
  • Doug Herring
  • Ted Fauster
  • Torah Cottrill
  • Rosemary Jones
  • Jonathan M. Thompson
  • Hal Greenberg and Ken Shannon
  • Kevin Glusing
  • Interior art by Ruth Ducko”

 

Egg’s Thoughts:

When Jonathan M. Thompson of Battlefield Press International told me about this – that his company was trying out prose publishing – I was excited by the prospect and even more interested after seeing the contributor’s list! It’s sword, it’s sorcery, it’s prose, it’s a series, and it’s a win! They have two prior anthologies to sample (links below).

 

More books from this series are available through DriveThruFiction (here) or Amazon:

You can support the Kickstarter here.

Read an interview with Jonathan M. Thompson about a prior project here.

 

* * * * * * 

 

Decision Underground: A Choice-Based Criminal Adventure by Jimbo Mclaughlin
Ends on Tue, December 12 2017 7:12 PM EST.

What is Decision Underground?

Decision Underground is a choice-based novel in which you must choose your own path through a dangerous and twisted criminal underworld where making the wrong decision could lead to very serious consequences ranging anywhere from getting locked up for the rest of your life to being murdered horribly. Choosing wisely however, could lead to stacks of cash, infamy, and most importantly; your freedom and your life.

 

Egg’s Thoughts:

Like I mentioned with Rider of the Black Sun and NEVERLAND – Here Be Monsters!, I am a fan of solo adventures/CYOA/gamebooks and this one is, to me, unique – a Choose Your Own Crime. Instead of being set in fantasy or sci-fi or superhero worlds, it’s set in our world and you’re a nogoodnik. Grand Theft Auto the book, I like the concept and want to see how it goes… I mean, how many endings are death and how many are jail?

 

You can support the Kickstarter here.

 

* * * * * *

 

Signal Boost:

 

Era: The Consortium – A Universe of Expansions 2 by Shades of Vengeance 
The critically acclaimed Sci-Fi RPG returns to Kickstarter: get expansions to the universe, as well as the Definitive Edition Rulebook!
Ends on .

Read my interview with Ed Jowett of Shades of Vengeance here.

Want to know more about the game? You can get the (free) Quickstart pack right here and try it out!

Why signal boost this? Because I’ll be writing one of the stretch goals – Sirona Specials Part 1 (Sessions 1-10)!

 

* * * * * *

 

Want your RPG Kickstarter reviewed? Have some RPG wanna-lancer thoughts to share? Contact me here or on Facebook (Egg Embry) or on Google Plus (+Egg Embry).

Disclosure: This article contains affiliate links to DriveThruRPG.com and Amazon.com.

Savage Worlds: Fast, Furious, and Fun! - Available Now @ DriveThruRPG.com

 

* * * * * *

 

Egg Embry, Wanna-lancer™

Wanna-lancer™ Checklist T-shirt available at Cafepress

Interested in being a wanna-lancer? Start with the official Wanna-lancer Checklist t-shirt or wall clock or ice tea glass!

* * * * * *

Egg Embry wrote comic book short stories, edited comic book series, wrote and drew a webcomic, and contributed to comic book journalism across the 2000s. Now, he buys the opportunity to write for a variety of tabletop role-playing games in the tradition of vanity press. His purchases have been published by:

Want your RPG Kickstarter reviewed? Have some RPG wanna-lancer thoughts to share? Contact me here or on Facebook (Egg Embry) or on Google Plus (+Egg Embry).

Kickstart the Comic – The Last Ember #1: Teenager by Day, Fire Goddess by Night

Sometimes it is a name. Sometimes it is the art. Sometimes it is something else that I can’t always put my finger on. And sometimes it is a bit of all of that. The Last Ember #1 is a little of all those things. And more than enough to capture my attention.

***

The Last Ember #1

By Last Ember Press

Writer/ Letterer – Brant Fowler

Penciller – Giulia Lalli

Inker/ Colorist – Lisa Moore

Editor, PR Director – Jay McCarthy

Kickstarter campaign ends on Saturday, November 18, 2017 at 12:59 AM EST.

***

The Pitch:

Ember Madison was an ordinary teenage girl with ordinary teenage problems. She lived a relatively average life… until that night when the fire started. Everything changed after that.

The Story:

As seen in The Last Ember #0, this is not the first time abilities like this have manifested. In fact, it keeps happening over and over again, as it is destined to be. But something has happened and now Ember is the last of her kind… the last goddess of fire!

The Last Ember is the first and lead title of Last Ember Press’ Emberverse line. The series will delve into the mythology of Ember’s world as she learns about her past and what that means for her present and her future. 

Ember will have to discover why she is the last of her kind, and what consequences that has for her life, her dreams, her aspirations. She hasn’t even figured out what college she wants to go to and now she must determine what she does with this huge responsibility thrust upon her.

John’s Thoughts:

If I’ve learned anything from my own Kickstarter, it’s that the days both fly by and seem to drag on forever. On those where no one seems to want to back your book, they last for eons. And for the ones where you are getting backers from everywhere – they never last long enough.

Coming of age stories. Figuring out who we are. Why we are here? What is our connection to the past? These are universal questions everyone struggles with. How Ember Madison figures out her place will be very interesting.

The Last Ember #1 is closing in on their funding goal with a handful of days to go ($3054/$3500), and feels like a comic that deserves to see the light of day.

The Rewards:

One thing that this Kickstarter has done is add various Milestone Bonuses as they reach different funding levels. Unlike Stretch Goals, these actually happen on the way to funding. So far it has been various additional Pinups and other digital comics, which is definitely a good way to bring some excitement to those intermediate levels (like 60% funded).

Aside from the digital and print copies of both #0 and #1 being available at the early levels, if you really want to delve into the full catalog of Last Ember Press, the $100 gets you a print copy of every comic they have currently published.

And at the top end, there is also an option to get the Last Ember Press team to work on one of your comic book projects ($300). As you can see from their work on the page, you’ll get high quality in return.

The Verdict:

I’ve thrown my money in on this one. The fact that even at the lower reward levels they are ensuring so many milestone bonuses means you’re constantly getting something new to look forward to. So check them out!

***

To learn more about Last Ember Press, check out their website here.

***

John McGuire

The Gilded Age Kickstarter is still going on. Check it out on Kickstarter here.

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Steampunk Fridays – Kickstart the Comic – The Death Defying #1

 

One of my loves has always been stage magic. I’m the guy that those tv shows about real life illusionists and every David Copperfield is for. I’ll stop what I’m doing to watch that stuff. And it wasn’t long before I discovered who Harry Houdini was. I’m not sure what it is about him – the fact that he brought a mixture of escapism to his tricks or that he was around during the height of Vaudeville or what, but I know I’ve written at least one school paper on the man.

So a comic with him (and Arthur Conan Doyle) is something that piques my interest.

***

The Death Defying #1

Christopher Sebela – Writer

Gavin Guidry – Artist

Marissa Louise – Colors

Micah Meyers – Letters

Kickstarter campaign ends on Tuesday, November 14, 2017 at 6:33 PM EST.

***

The Pitch:

Arthur Conan Doyle & Harry Houdini.

The writer and the magician.

They were once the best of Friends.

When their friendship went to hell, 

The world wasn’t very far behind.

The Story:

Harry Houdini and Arthur Conan Doyle used to be fast friends, visiting one another and writing letters back and forth, until their differing views on the afterlife set them against one another on stages and newspapers across the globe. Years after their breakup, the two continue to battle about spiritualism, the belief that the living can communicate with the dead. Doyle, creator of the great detective Sherlock Holmes, believes in ghosts, mediums, even photos of fairies. Houdini spends his time debunking the seances and the frauds who run them. The two are at war, two ideological armies whose battle of words is about to become a battle to the death for the very fate of humankind.

This Kickstarter is to fund production and printing of The Death Defying #1, the first in a series of four 30-page issues.

John’s Thoughts:

In real life Doyle and Houdini were friends, but this divide of ideologies proved to be too much. Doyle needed to believe, and I sometimes think Houdini wanted to find someone he couldn’t disprove (he never did). This feels like very ripe territory to construct a story. How does a skeptic deal with some coming supernatural apocalypse? How does a believer deal with the idea that he will be the downfall of his former friend?

Like I said, ripe territory for a story (the first 6 pages are previewed on the Kickstarter Page).

The Rewards:

This is the first issue, so there are the standard pdf only or print versions of the comic. But a couple of things jumped out at me. At the $12 level, you can get a print copy with the variant cover by Tyler Crook (of Petrograd, Harrow County, Bad Blood, and The Dark and Bloody).

For those script-writers who would like a little bit of help with their craft, Christopher Sebela will consult on your single issue script. For those of us who might not have an editor readily available, I can see this as being a relatively cheap way to get a non-biased second opinion on your story ($75 level).

And for the slightly deeper pockets you can appear in the comic you’re buying ($100 level), an always cool option.

The Verdict: 

Time is running low on this particular Kickstarter with less than a week to go. I’d love to see this one make its mark and provide us all with the opening chapter of a very cool story idea.

***

For more information on Christopher Sebela, find it here on his website.

***

 

John McGuire

The Gilded Age Kickstarter is still going on. Check it out on Kickstarter here.

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

The Gilded Age Posts

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

 

Doing my 4 Years Later look back last week, I realized that I’ve written a few posts on The Gilded Age, but never really compiled them into any kind of comprehensive Index. Instead, you would have had to search and claw and dig through the Tessera archives to potentially find any of this.

What follows is a collection of stories about selling the comics, coming up with the comics, and sometimes just finding a way to make the comics. I hope you check them out.

 

New York Comic Con Recap – Stories from the Con

While the overall post is about various things that happened, but the Steampunk Guy tale is directly related to my experience trying to sell a copy of The Gilded Age.

And something about Divergent Points.

The Gilded Age

Behind the Comic – The Gilded Age

Every Hero has their own Secret Origin, and this happens to be The Gilded Age’s Secret Origin!

Behind the Comic – The Gilded Age 2

A blog about the second issue of the comic, but also about the ups and downs of bringing a comic book to life in the first place. There are delays, expected and unexpected. Starts and stops. But don’t lose faith, it can and will eventually happen.

You Got Time Travel Mixed With My Steampunk!

This was a post announcing the digital release of Terminus Team-up #2, which also happens to take place in The Gilded Age.

I need to remember to do a full-on post for this one at some point, as I love the way it turned out.

Behind the Comic – Terminus Team Up #2

Oh, look at that. I did write a post about it. A story about how Amber Fox (Terminus Media’s resident Laura Croft meets Dr. Who) and how I managed to figure out a way to get another Gilded Age story out there mixed with my favorite subject: Time Travel!

Behind the Comic – Anatomy of a Panel

I wanted to take a look at one panel from The Gilded Age and really break it down. Look at the script, look at the pencils, look at the inks and colors and then the lettering. How does it all come together?

Steampunk Fridays – The Gilded Age Interviews

This is the post from a couple of weeks ago which pretty much serves as my Index of Interviews for the various people who worked on the books. I don’t know if I say it enough that I am very fortunate to have worked with all of them. They’ve made me a better creator.

Kickstart the Comic – Gilded Age: Vol 1 – A Steampunk Graphic Novel

Hey, have I mentioned that there is a Gilded Age Kickstarter still running? And we have just passed the funding mark and are now setting our sights on a couple of Stretch Goals? Still not convinced? Maybe you should check out this post where I break it all down.

Behind the Comic – Why Kickstarter?

Where I bear my soul a little bit and talk about what I’m hoping to accomplish with this Kickstarter Campaign. About how I’m nervous that all these years worth of work might be for nothing if this thing doesn’t fund. This was written in the days just before the campaign went live and my stress level might have been a bit high.

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John McGuire

The Gilded Age Kickstarter is still going on. Check it out on Kickstarter here.

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Steampunk Fridays – Interview with the Creator of Monstrous

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

The Universal Monster movies are really what introduced me to those creatures of the night. And while I’m probably most partial to the Creature movies, I loved Frankenstein, Dracula, and the Wolf Man. It not only set them in popular culture but also provided a blueprint on how you might go about using them in other formats.

Add that to a Steampunk setting and you have something that seems to hit all the right buttons.

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How long have you been creating/working in comics? 

I had published a few short comics stories in anthologies before my first one-shot came out in 2015.  That comic is called Wild Bullets, and it follows the four siblings of the Bullet family as they attend their parents’ Thanksgiving dinner.  They each take a turn telling the story, and when they do, a different artist handles each section in a different genre and style (crime, science fiction, adventure, and horror).  They’re all dysfunctional pulp adventurers: a detective, a mad scientist, an archaeologist, and a monster hunter.

Since then, I’ve published several issues of Monstrous and Holliston: Friendship Is Tragic.  Monstrous is a fun romp where the stories all take place in a steampunk, Frankenstein-dominated Europe.  The monsters and robots fight for their own interests, and everybody is a little bit monstrous.  

The Holliston graphic novel is based on the cult TV show by Adam Green, but it’s not just for fans of the show.  The basic idea is that it’s like The Big Bang Theory, except for horror nerds.  There are references to Stephen King, serial killers, and John Carpenter movies.  The story tells about four friends who find a cursed credit card that threatens to destroy them, destroy their friendship, and destroy the town of Holliston itself. There is a new Holliston comic on the way, and more Monstrous will be out soon!

At what point did you sit down to become a writer? Do you remember the first thing you wrote?

I have written allllllll kinds of garbage in my life.  I literally do not remember what it was like before I was writing.  I wrote comics and illustrated stories as a kid, mostly ripping off the stuff I liked.  That method is still pretty much what I do.  People who read my comics probably think: “Oh, I bet he likes ______ because he stole ______ from…”  And they’d be right.  All creators are thieves!

I taught screenwriting for a couple of years at Kalamazoo College, and I wrote movie scripts then.  Comic book scripts are much more likely to be made into something than movie scripts, so I tried that out.  I really love collaborating with the great artists I get to work with, and being able to share a comic with someone is very, very cool.

Who inspires you? Or do you have a favorite writer or creator?

There are scads of creators I could point to: Alan Moore if I’m feeling a little pretentious, Rick Remender if I’m being honest, etc. 

But I figure I should use this venue to give a shout-out to someone who might not be a household name yet but deserves to be.  I’ll say Ryan Ferrier.  He is a comic book writer in a variety of genres working with lots of companies, but his D4VE series and Hot Damn are just a bunch of fun, taking weird premises and wringing every last little bit of lunacy out of them.

If you haven’t read his stuff, fix your life right away, folks.  (He also wrote the forthcoming Kong on the Planet of the Apes, which promises to be cool, but give his original stuff a whirl, too.)

How do you manage your daily/family life with your creative work? Is this your 9 to 5 or is this your 10 to 2?

I am literally working on this response after 10:00 p.m.  And on a school night, too!

I have no idea how I manage this stuff.  If somebody knows, please tell me.

The upshot of working on creative stuff while having another job (I teach college English courses) is that when I come to the writing I know I need to focus because my time is limited.  When I “have all the time in the world” to work on something, I tend to fart around longer on the Internet.  I might claim that time as “research,” but if I do, I’m a filthy liar.

Also, my writing process is a pretty straightforward thing.  I do a lot of prewriting and outlining, so I know exactly where I need to go with the story.  I highly recommend this method, as it takes some of the airy-fairy, arty-farty aspects of writing out of the process.  I mean, it’s not all sitting under a juniper tree on a dewy April morning to achieve the necessary inspiration or whatever.  Just write the damn thing.  I’ll talk more about not screwing around waiting for some idiotic celestial muse in a bit.

It’s often difficult to get word out about independent comics. What do you do to market and promote your books? Anything work really well or really poorly?

What works best is having really rich, organized people do it for you.  But that’s not a luxury a whole lot of independent creators have at their disposal.  There are plenty of tools I would recommend using, like social media, podcasts, and lots and lots and lots of face-to-face conversations with people at anything and everything related to the comic (or book or whatever the person wants to promote).  Get out there and tell everyone who will listen!  And, please, for the love of everything that’s holy, try to make it interesting.

This past weekend, I did a signing at Barnes & Noble, and that was sandwiched between two other weekends at comic cons (Kalamazoo and Grand Rapids).  I spend a lot of time meeting people and telling them about what I have created.  I’m really excited about my comics, and I hope that enthusiasm is contagious.  From my perspective, nobody will ever care more or work harder to promote your work than you.

What’s your process look like when you’re writing? Do you go with the full outline? Or are you a fly by the seat of your pants type?

Oh, I don’t just have a full outline; I have a bunch of them.  I like to use the screenwriting model of writing out the beats of any story, organizing it, chopping it up how it needs to be broken down to look like a story that humans can recognize.  I write a logline, a synopsis, character bios, the works. 

I use Blake Snyder’s beat sheet.  Then I write a page breakdown.  If my notes on a single page can’t fit into a single line of description, I’m probably doing too much with a single page.  (Of course, I set all my rules up clearly just so I can cheat.)

My last step is actually writing the script itself.  I specify the panels, camera angles, etc.  Some other writers are more freeform, but I could sketch out the page breakdowns I am visualizing in my head if artists ever wanted that kind of thing.  I’m open to that, but so far nobody has ever really wanted me to be that absolute with my control issues. 

And the good news is that my artists (Ken Lamug on Monstrous, Steve Sharar and Josh Werner on Holliston, and Sean Seal, Steve Sharar, Jason Jimenez, Joe Freyre, and Sarah Dhyne on Wild Bullets) come up with things I never pictured throughout this process.  And it’s always better than I anticipated.  They’re terrific!  It’s like a constant stream of birthday presents!

What inspired you to create Monstrous?

Monstrous stems from a lifelong fascination with monster movies and their misunderstood heroes.  Even when they’re completing evil, monsters are always the most compelling thing about the stories they occupy.  I’ve always loved the Universal Studios monsters and Ghostbusters and the Hammer Studios movies.  I threw all of those influences together with plots from John Wayne westerns in this strange steampunk hybrid. Monstrous is like all of these things I’ve loved for years having a party together.

The potential of this setting and these characters really feels limitless to me.  I have loads more stories in this universe than I have time to write.  Frankenstein’s Europe, teeming with steampunk robots, Dracula, and Igor running tech support on brains in jars—it all just strikes a chord with me.  I don’t think I know how to get bored here.

Was this a case of coming up with the story first and then the setting or vice versa?

The notion of a shared universe with monsters and robots duking it out, trying to live their everyday lives, was the initial impetus I had.  I love the 70s horror comics Marvel put out about Dracula and Frankenstein.  The best part, to me, was taking these characters and just logically extending their stories to see what might be interesting about them.

Eventually, they basically turned Frankenstein’s monster into Captain America, and they gave Dracula a fantastic adversary by creating Blade.  Those weird changes are the kinds of things I want to do with Monstrous. Take something already established and bring a new sense of excitement and possibility.  Get all the toys out of the toybox and have fun.  The stories come mostly out of wanting to see something crazy on the page.  I keep tossing out bizarre scenarios to Ken Lamug, and he routinely delivers on this insanity in amazing and entertaining ways.

What’s been the reaction to the book?

Most people seem to like it a lot.  If they don’t, they’re too polite to tell me.

The response has been overwhelmingly positive.  Monstrous seems to tap into a bunch of things that people really enjoy, and that’s why we keep making more.  There are some possible developments as well to adapt it into a movie or a game.  I don’t have anything definite to report, but that level of interest is very exciting!

I really like telling stories about unusual families, either “families” that are not really related but instead made up of people who need to bond with each other in order to make their lives work (as in Monstrous) or actual families that stray pretty far from how we think of families working (like the deeply dysfunctional Bullet family). 

More specifically, in Monstrous many of the relationships are between father figures and daughter figures.  I guess I gravitated toward that dynamic because I feel like the father-daughter pairing, which should be fairly common in fiction, more or less isn’t.  I just wanted to see what kind of mileage a horror/western hybrid might get out of a less conventional pair at its heart.

Most of my creative work tends to be fast, fun, and escapist.  That’s not really a theme.  It’s just my overall disdain for reality.

After running a successful crowdfunding venture on Monstrous on Kickstarter, what have you learned about the process of crowdfunding? What do you think has contributed to hitting your goals on Monstrous? Do you view the platform as a testing ground for concepts? Any plans on more Kickstarters?

Ooh, that’s a tough one.  There are so many people out there who have the Kickstarter thing down to a science.  Ours was successful, but I don’t know how much I personally had to do with it.  I mostly just got nervous and spazzed out for a month.  Seriously, I lost my voice and got pneumonia.  If I had a lesson to pass on about Kickstarters, it would probably be: “Don’t be like me.”

Ha ha ha!  Who am I kidding?  That lesson extends far beyond just Kickstarters.

In all seriousness, I think it’s important to have a few videos and plenty of visual information.  Don’t run a Kickstarter if the project isn’t in the final stages!  Ideally, it should be completely finished.  Treat a Kickstarter more as a hype machine to get your thing—whatever it is—in front of different audience members.  For people who are already supportive fans, treat it as a pre-order system.

As for Kickstarter being a testing ground, that is a kind of pleasing notion.  Kickstarter is a Darwinian Thunderdome for ideas.  The only problem, though, is that some projects are too pricey or too niche to really work that way.  It is a good wake-up call, though, if the Kickstarter doesn’t work or barely squeaks by.  That idea needs re-tooling and adjustment.

As for future Kickstarters, Travis McIntire at Source Point Press has talked about us doing a Kickstarter for the second Wild Bullets.  I don’t know if we will, but I’m willing to give it a shot.

Get it?  Get it?  Bullets?  Shot?  Oof.  Remember, kids: “Don’t be like me.” 

What’s the overall plan with Monstrous (series length)?

This question is a real toughie.  I have ideas that could fill up loads of stories, but I also don’t necessarily want to outlast the interests of my readers and wind up making everyone sick of it.  I am sure that all long-time comics fans can point to a particular arc or character or series that has severely overstayed its welcome.  I don’t want that to be the case with Monstrous.

As of this moment, the series will at least go twelve issues with the plan to group four issues together into three trades, maybe have a bigger omnibus at the end.  But if I can be entirely honest and mercenary about it, I will probably take the corporate model and just do it until it’s no longer profitable.  (And yes, I know that this answer is essentially a full reversal of what I said in the last paragraph.  A real toughie, huh?)

How did you get together with Source Point Press?

I’ve known the people at Source Point Press for years, and when Ken and I had the first four issues completed, his agent was shopping the project around.  Source Point Press approached me to see if we could work something out, and it was an excellent fit between their brand and what we’re doing.  All creators should, I think, work on their network.  Keep meeting people.  Keep talking to people.  Be polite.  Be someone others want to work with.

Sometimes I hear people ask: “How do I break into comics?”  And I almost always answer: “Dang.  Just be one of the people others are not trying to keep out of comics.”  That sound flippant, but it’s also true.  Be professional, reliable, quick, and friendly.  Be the type of person you’d like to work with, whatever that means to you.  Greedy people don’t get far.  Ditto people who make excuses or spread negativity, etc.  Talk. Interact.  Put yourself out there!

Comics is an amazing collaborative medium. Tell me a little about working with Ken Lamug.

Working with Ken Lamug is wonderful!  He gets where I’m coming from with the scripts and comes up with fantastic art.  There are rarely any hiccups in the communication and/or collaboration.  Everyone should go check out his children’s illustration work, too.  There is some tonal overlap with Monstrous, but it’s all still very different and wild and fun.

Fun fact: Ken Lamug lives in Las Vegas, and I live in Michigan.  We have talked extensively via Twitter messages, e-mails, and phone calls, but we have never met each other face to face.  I’m sure that we will eventually, but things are going so well now I’d worry about blowing it.

Earlier in the working relationship, he would send some process images and sketches, and I would send him outlines and notes.  Now, we mostly exchange finished products, as we really trust each other and trust ourselves.

Plus, I don’t know if I’ve said it extensively enough here, but Ken Lamug is an absolute animal.  He does it all: pencils, inks, colors, letters, covers, design work.  He’s 100% fantastic, and I’m lucky to work with him.

If you could go back in time ten years, what advice might you have for your younger self? Something you wish you knew?

I’d probably make fun of whatever outfit I was wearing ten years ago.

Seriously, I would tell myself not to get so attached to things that are doomed not to work out.  I know that sounds like good advice for everyone, but I get altogether too worked up about things that don’t turn out like I’d hoped, everything from jobs to creative projects to relationships.  With the creative stuff, at least, that is part of the path.  As a writer, I need to keep writing.  I have to write more stuff than will make it to the marketplace.  That’s just how the process works.

It’s a little heartbreaking at times, though.  “I really want this thing to get finished and into people’s hands!”  A high percentage of the time, for a variety of reasons, that scenario doesn’t work out.  So make another thing.  When I hear about creative people talking about working on one thing for years—decades, sometimes—I just feel sad.  Keep using your time to create different things, and eventually one of them will catch. Every new idea you can offer increases your odds.

Anything else I wish I knew ten years ago?  Appreciate your hair, younger Greg.  You’re going to lose most of it in the future.

Do you have any upcoming projects? Anything you’d like to promote? Anything else that you’d like people to know about you (Hobbies? Passions? Favorite TV Show)?

I do!  I’m excited that there is a second Wild Bullets on the way, more Monstrous, and another Holliston graphic novel.  I have some other projects, too, but they’re in the early stages.  Some movie stuff, some comics stuff.  I hope I’m pulling off an air of mystery here, as opposed to just an air of vagueness…

All my hobbies involve sitting.

Where’s the best place to find out more about Monstrous and the rest of your works?

People can check out my website: www.gregwrightcomicbooks.com

They can also find me on Facebook: www.facebook.com/gregwrightcomicbooks

And I have two Twitter accounts: @GregHenchman and @GregWrightBooks

Monstrous is available at Amazon and Barnes & Noble, and all my comics can be purchased directly from Source Point Press: http://sourcepointpress.storenvy.com/products

For those who like prefer digital copies to physical copies, all my comics are available digitally through Comixology, Drive Thru Comics, and ComicsBlitz.

The website for Monstrous is www.monstrousworld.com

Thanks for taking the time to hear me out!  I’m grateful for this opportunity.

See you all in Frankenstein’s Europe, folks.  Let’s get MONSTROUS!

***

 

Greg Wright has written several comic books: Monstrous, Wild Bullets, and Holliston: Friendship Is Tragic.

Greg earned a Ph.D. in American Literature and Film from Michigan State, and his award-winning fiction has appeared in a variety of journals. He has taught screenwriting, media studies, creative writing, and composition.

If he had a castle with a secret passage, he’d probably tell everybody and make it just a regular passage.

***

I’d like to thank Greg Wright for taking the time to answer my questions!

 

 

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John McGuire

The Gilded Age Kickstarter is still going on. Check it out on Kickstarter here.

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Free Comic Books for Halloween!

Every year the first weekend of May there is this little thing called Free Comic Book Day. Hopefully, you know about this, but if you don’t it is basically a day where comic stores have dozens of different titles put out from Marvel, DC, Archie, Dark Horse, Image, and just about every other publisher you can think of. It’s a great promotional day where they can give back to their fans and maybe get new people to visit their stores in order to get them hooked on comics!

Starting today (Happy Halloween!) and lasting through the end of November, Instafreebie is running a Free Comic Book Month of sorts (the first one they have ever done) and the Gilded Age Issue #1 is a part of it.

Check it out here (or click the banner above!).

There are 19 different titles you can partake of (it’ll cost you only your email address) and you’ll get access to the pdf of the comic.

It’s as easy as that.

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John McGuire

The Gilded Age Kickstarter is still going on. Check it out on Kickstarter here.

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

4 Gaming & Comic Experiences You Should Try Out – RPG Design Camp 2, LexiCon, Savannah Comic Con, and AndoCon

I’m continuing to write about different RPG Kickstarter themes such as all of the campaigns originating in Georgia or all of the games use the Savage Worlds engine. For this column, I’m examining the RPG experience away from the table – conventions and camps. To continue the expansion of gaming, we need more stores, more online games, and more conventions so there’s a variety of experiences for every type of gamer and, consequently, we’ll attract more gamers. In turn, to support those games, organizations, and gamers we’ll need more product. To support that goal, these campaigns offer chances to play and create more RPG content!

 

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

4) LexiCon – April 20 to 22, 2018
Ends on Mon, October 30 2017 11:59 PM EDT

“More Boardgaming Events, More Boardgames, More RPGs, More Games in the Library, More People and More Fun! April 20 to 22, 2018.

Come Join the Fun at LexiCon 2018  April 20th noon to 22nd at 6:00pm, Lexington, KY.

It’s LexiCon’s Fifth Anniversary. Hooray! LexiCon Tabletop Boardgaming Convention is one of the best regional convention in the country because:

  •  Great Attendees Like You
  •  Our Ginormous Library, 1,500 + games and growing
  •  Learn to Play events, of which there are many
  •  100 + Play to Win Games
  •  Lots and Lots of RPGs all day and night
  •  West Sixth Brewing featured Adult Social Gaming Night Parties
  •  Great Cosplay Contest
  •  Fantastic LARPing
  •  Lots of Great Vendors.
  •  We simply take over the Clarion Hotel Convention Center for the weekend and play tons of games and have fun!

Some highlights from last year:

  • Over 1,100 turnstile attendees last year.
  • Over 160 Scheduled Events including tournaments, board games, RPGs, LARPs, Cosplay and so much more.
  • National Qualifying Tournament for Settlers of Catan.
  • The Unsurpassed Nighttime Adult Parties, sponsored by West 6th Brewing and The Barrel House.
  • Prizes, prizes, and more prizes.
  • Lexicon gives away a ton of prizes throughout the weekend, including prizes for just showing up in any kind of costume.

Find up to date information here on our Facebook page.

 

Egg’s Thoughts:

This is a growing convention. It’s well situated geographically (the two biggest North American gaming conventions are in Indianapolis and Columbus, both just shy of 200 miles from Lexington, Kentucky). They’ve positioned LexiCon in April while Origins Game Fair is in June and Gen Con is in August. Being ahead of those shows on the calendar and close by, LexiCon is like the local opening act to the big shows. With their track record of shows funded via Kickstarter (here), this seems like a safe bet to open up gaming season.

 

Support their campaign here.

 

3) Design Camp 2 – The Conversion! with Ben McFarland, Jason Sonia, and Brian Suskind
Ends on Wed, November 1 2017 4:53 AM EDT.

“We’re planning a short winter project to showcase the process of converting a D&D3.0 adventure to 5E & PFRPG while updating the design.

ARE YOU READY TO LEARN ADVENTURE DESIGN?

Maybe you are a GM who wants to create better encounters, deadlier dungeons or more creative adventures.

Or perhaps you are trying to become a Freelance RPG Designer and want to learn how to construct award-winning games.

Or you could be a gamer who just wants a cool adventure to run for your home game. No matter who you are…

RPG DESIGN CAMP is here for you!

This time we are taking an older adventure, the Silver Box, and letting you adapt, change and add to it to make it awesome!

In the Silver Box a thrilling encounter with highwaymen uncovers a missing artifact that hurls the PCs into an amazing adventure. The chase leads them on a woodland pursuit into a cave complex where the mystery only increases with the discovery of a pile of dead highwaymen. Who killed the thieves? And where is the Silver Box? From there the PCs follow clues to a nearby city and a series of thrilling urban encounters. Finally, in the conclusion, the heroes face off against the real thieves of the Silver Box in a dramatic shipboard battle in the city harbor.

Or does it? Your decisions can and probably will alter the adventure toward new directions.

  • Perhaps the whole adventure will take place in the cave complex
  • Perhaps the city will turn out to be under siege by a vampire hoard
  • Perhaps the conclusion will be atop a floating tower rather than a ship?

The options are limitless and the deciding factor is you! Don’t just run the adventure be part of the design process and choose the adventure!

What is Design Camp?

Design Camp is a collaborative experience where game designers and interested individuals share the process of RPG content creation– sometimes that means writing a supplement, or an adventure, or setting material, or, like this project, converting a manuscript from one game system to another.

The adventure we’re planning to convert is The Silver Box, formerly placed in the Iron Kingdoms setting, and covering a number of urban and wilderness locations with a variety of NPCs. We’ll discuss it more in updates.

How does Design Camp work?

We interact with backers through a Basecamp site on the internet (basecamp.com), using that site’s infrastructure to chat, email, host files and communicate. We also post here on Kickstarter to provide redundant communication for the project.

You’ll have a chance to pitch your own design elements during the process, and vote on submitted elements. If your element wins, you can work with designers to implement it, if you want, or you can leave it to us to make those proverbial donuts.

We work hard to make sure our process is fairly transparent and responsive to backers and their questions. In the end, we want you to understand and feel comfortable with the process of RPG design.”

 

Egg’s Thoughts:

Normally I post gaming campaigns and, more or less, let them speak for themselves. Sure, I put up some thoughts, but they’re just a quick review, but not so for RPG Design Camp 2. I missed the first one and I regret that. So, I want this one to fund, fund, fund so I can go! My shtick is wanna-lancing – I want to be a RPG freelancer – and this is not unlike getting to hear Wolfgang Baur and Dan Dillon‘s thoughts on 5e monster creation from which I learned a great deal.

I’ve shared the RPG Design Camp posts a few times and one of the questions I got was who are these RPGers? While I don’t know them enough to say hi at Gen Con, I did hunt down some biographical data from a few sources:

  • Ben McFarland – Due to its depth, I’m not going to try and summarize his resume. Instead, you can read it here.
    • A sample of Ben’s writing credits via DriveThruRPG can be seen here.
  • Jaye Sonia – From his Kickstarter bio:
    “I’m a proud Pathfinder RPG fan, a game designer, a writer, a traveler, and the proud creator of Rhune: Dawn of Twilight, as well as the co-creator of Bloodlines & Black Magic. I also own and operate Storm Bunny Studios.
    In addition to my own products, I’ve written for: Bazaar Magazine, The Shadowlands Campaign Setting, Kobold Press, Kobold Quarterly, Open Gaming Monthly, Open Design, Total Party Kill Games, and Wayfinder.
    I’m an avid gamer and proven creator; Bloodlines & Black Magic will be my third project on Kickstarter!”

    • A sample of Jaye’s writing credits via DriveThruRPG can be seen here.
  • Brian Suskind – From his Linkedin profile:
    • Game: Southlands (2014, Kobold Press, forthcoming) – Lead Designer
    • Game: Midgard Tales (2013, Kobold Press, forthcoming) – Designer
    • Game: Midgard Legends (2012, Kobold Press) – Designer
    • Game: Journeys – Bosun’s Booty (2012, Kobold Press) – Designer
    • Game: Journeys to the West (2012, Kobold Press) – Designer
    • Game: Dark Roads and Golden Hells (2011, Kobold Press) – Designer
    • A sample of Brian’s writing credits via DriveThruRPG can be seen here.

If their resumes (all of which are first rate) aren’t enough, let’s whet your appetite a bit more with two *free* (until this campaign ends) RPGs that’ll let you assess the quality of the product that they’ll produce:

I’m ready for this camp and I hope to see you there!

 

Support their campaign here.

 

2) AndoCon – March 9th-11th, 2018 
Ends on Thu, November 2 2017 9:00 PM EDT

“AndoCon 2018 is an Atlanta-based gaming convention focused on gaming and the geeky lifestyle.

What is AndoCon?

AndoCon is a 3-day gaming convention in Atlanta, Georgia. It will be held Friday thru Sunday, March 9th-11th, 2018 at the Atlanta Marriott Peachtree Corners. This is our fifth convention and we’re dedicated to making it bigger and better than the first four. And you can be part of that!

AndoCon focuses on gaming and the geeky life. We specialize in tabletop gaming of all sorts — board games, card games, roleplaying games – combining these with a variety of other events and a friendly, welcoming atmosphere to create an enjoyable experience for everyone.

If you’d like to attend, simply buy a badge and come game and hang out with us in March. Badge prices will go up after the Kickstarter. Plus, there are things you can get now through the Kickstarter that won’t be available later. Finally, by pledging to the Kickstarter, you can help build the AndoCon community now, which will make for a better convention for everyone later!

Thanks for checking out our Kickstarter. We hope to see you in March.

What Can I Do at AndoCon?

There are many ways to get your Ando on at AndoCon. Here’s just some of what’s going on. As we nail down more specifics, we’ll update this page and provide continued event announcements at AndoCon.org.

  • Play board games and card games
  • Play roleplaying games, including D&D Adventurer’s League
  • Attend game shows, courtesy of Florida Whammy Entertainment
  • Meet and game with our special guests
  • Shop the dealer room with games and other great stuff for purchase
  • Participate in gaming and geek life panels
  • Special events (TBD)
  • Attend a live recording of the NerdBurger Podcast, where you can even get on the mic and share your geekiness with everyone.

Why We’re Using Kickstarter

For three years, AndoCon got a great rate at its former venue, in part because we were new to the local gaming scene. We’ve grown, and that’s a good thing. But it also means we needed to find a new venue, which we have. And now that AndoCon is bigger than ever, the cost to rent space at a great venue is higher.

Additionally, being bigger and better incurs additional behind-the-scenes, organizational costs. And it costs money to bring back to AndoCon some of the great guests and events we’ve all enjoyed in the past.

Getting funds locked into place earlier is absolutely essential to being able to set up and run everything as smoothly as possible, which in turn will give you a better experience.

Special Guests

So who are these special guests we talk about? Here’s who we have on the slate right now. More will be added as we square things away with folks.

  • Kevin Lanzing, designer of the Flashpoint: Fire Rescue board game, recently featured on Wil Wheaton’s Tabletop series
  • David Lupo, designer of the Addictive Alchemy card game
  • Craig Campbell, designer of the Murders & Acquisitions RPG
  • Derek Kamal, designer of The Dig RPG and author of Homes
  • James Dawsey of Vigilance Press and creator of the Tianxia RPG
  • Jason Stone, board game designer, creator of (among others) Five Golden Rings
  • Marco Leon, designer of the Enter the Shadowside RPG
  • And more to come…

AndoCon prides itself on supporting local, indie game developers. Several of our special guests are from the Atlanta area.”

 

Egg’s Thoughts: 

I shared my thoughts on the campaign here and I did an interview with Ando Poore of AndoCon here. The short version is, I want to go!

 

To back this campaign click here.

For more information about AndoCon, click here.

 

1) Savannah Comic Con – February 24th and 25th, 2018
Ends on Wed, November 15 2017 8:00 PM EST.

“We want to bring a ton of great Comic Book Creators to Savannah Feb 24 2018 and put on a fun show for everyone!

We’ve been working on this event for quite a while now and YOU can help us bring Savannah Comic Con on Feb 24, 2018 [and Feb 25th too] from the planning and dreaming phase into reality. We’ve set a very low goal to cover the bare bones of putting a show together while still keeping the show very affordable for fans.

Update: All Vendor booths and Artist Alley rewards are now good for both days. While they last. After Kickstarter, more spaces will be made available at their regular price.
All VIP passes are now good for both days as well  🙂

We’re proud to say that our Year One Special Guests include:

Cory Smith (X-Men, TMNT)
Ian McGinty (Adventure Time, Welcome to Showside)
Eryk Donovan (Constantine, Eugenic)
Sanford Greene (Power Man and Iron Fist)
Wilfredo Torres (Jupiter’s Circle, The Shadow, Adventures of Superman)
Chris Giarrusso (G-Man, Mini-Marvels)
Jarrett Williams (Hyper Force Neo)
Tracy Yardley (Sonic the Hedgehog)
Samantha Glow
Justin Peterson
Rian Sygh (Rick and Morty)
Katy Farina
(Steven Universe)
Aaron Conley
(Sabretooth Swordsman)
Fred Stressing
Bob Frantz
(Monty the Dinosaur)
Robert Pope
(Looney Tunes, Scooby Doo)
Michael Lee Harris
Rashad Doucet

ALL GUESTS ARE SUBJECT TO CHANGE”

 

Egg’s Thoughts:

Reason I’m interested in the show.

  • Award-winning artist [2015 Judges’ Choice Award – JordanCon Art Show and 2017 Best Space Scene – DragonCon Art Show] and Tessera Guild co-founder, Amanda Makepeace, has a table for the show.
  • Marvel artist and, more importantly, my buddy, Wilfredo Torres, is going to be there.
  • Downtown Savannah, GA is one of my favorite cities. It was established during the colonial period, yet it feels like SCAD (Savannah College of Art and Design) owns an absurd amount of downtown and that’s a win since so much of gaming (and comics) is driven by art and they have an eye for it.
  • As a vacation destination, I enjoy historic Savannah and putting a comic book convention and friends there screams good times!

 

Find their Kickstarter here.

 

* * * * * *

 

Want your RPG Kickstarter reviewed? Have some RPG wanna-lancer thoughts to share? Contact me here or on Facebook (Egg Embry) or on Google Plus (+Egg Embry).

 

Disclosure: This article contains affiliate links to DriveThruRPG.com and Amazon.com.

Savage Worlds: Fast, Furious, and Fun! - Available Now @ DriveThruRPG.com

 

* * * * * *

 

Egg Embry, Wanna-lancer™

Wanna-lancer™ Checklist T-shirt available at Cafepress

Interested in being a wanna-lancer? Start with the official Wanna-lancer Checklist t-shirt or wall clock or ice tea glass!

 

* * * * * *

 

Egg Embry wrote comic book short stories, edited comic book series, wrote and drew a webcomic, and contributed to comic book journalism across the 2000s. Now, he buys the opportunity to write for a variety of tabletop role-playing games in the tradition of vanity press. His purchases have been published by:

Want your RPG Kickstarter reviewed? Have some RPG wanna-lancer thoughts to share? Contact me here or on Facebook (Egg Embry) or on Google Plus (+Egg Embry).

Steampunk Fridays – The Gilded Age Interviews

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

I knew around this time last year that at some point during 2017 I would need to run a Kickstarter for The Gilded Age. There was too much printing needing to be done. Too much trying to figure out how to spread the word on the book.

I’ve said over and over comics are the most collaborative thing I am involved with. Which meant that I had any number of people who I could interview who I directly worked with. Maybe take a minute or two to showcase them a little bit (and let me get to know them as more than maybe a Facebook page or an email address!).

Here are the people who brought The Gilded Age to life:

 

 

 

 

 

 

Behind the Artist – Interview with La’Vata O’Neal

 

 

 

 

 

 

 

Behind the Artist – Interview with Nimesh Morarji Part 1

Behind the Artist – Interview with Nimesh Morarji Part 2

 

 

 

 

 

 

 

Behind the Artist – Interview with Sean Hill Part 1

Behind the Artist – Interview with Sean Hill Part 2

 

 

 

 

 

 

 

Behind the Artist – Interview with Antonio Brandao

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

***

I’m still trying to get the rest to answer the long list of questions I had for them. I’ll update this post as I get them.

***

John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Kickstart the Comic – Gilded Age: Vol 1 – A Steampunk Graphic Novel

As I wrote last week, this Kickstarter has been a long time coming for me. There have been many late nights struggling over scripts or waiting for edits or all those moments receiving a new piece of artwork – it has built to this.I’m hopeful this is the next step in being able to tell stories within the comic book medium.

I love writing about these characters. I’m hopeful this is the next step in being able to tell more stories about them. And I’m looking forward to meeting the other members of The Gilded Age who have not appeared yet.

***

The Gilded Age

From Terminus Media

John McGuire – Writer

Sheldon Mitchell – Artist

António Brandão – Artist

Sean Hill – Artist

Rich Perotta – Inker

Tom Chu – Colors

Nimesh Morarji – Colors

Lavata O’Neal – Graphic Novel Cover Artist

Khari Sampson – Letterer/Copy Editor

Kickstarter campaign ends on Friday, November 17, 2017 at 11:59 PM EDT.

 

The Pitch:

We are raising funds primarily to get the Graphic Novel, The Gilded Age Vol. 1, printed. 100 pages collecting the first four issues of the comic book.

The Story:

The Gilded Age is about a group of performers, the Branning Troupe. Half actors and half carnival folk, the group travels throughout the countries of Victorian Era Europe. For some it offers a direction to their lives, others get the adoration of the crowds, and the rest find simple refuge from a world which has cast them out.

Each story would be done-in-one. They would tell stories that could be enjoyed by anyone picking up a random issue. The issues would have overlapping characters, but by and large, each issue would focus on one or a pair of characters.

The key would be that I was slowly building up my world. And making the readers care about various characters by giving each the screen time they deserved. And by doing this I allowed for different types of stories within the same world. Whether that is Western or Horror or a Heist or something Fantastical, the hope has always been to build the world from the character’s eyes rather than try and hit you with one thousand years of history.

The Gilded Age – Issue #2 – Page 12 – Pencils – Sheldon Mitchell – Inks -Rich Perotta – Colors – Thomas Chu

 

John’s Thoughts:

Comics have always been this way to connect with stories. Even before I was a “book reader”, I devoured comics. As the years went by, that never changed. I’m sure many of you have that same thing where you just can’t get something out of your system. Whether it is the collaborations or the characters or the universes or the ability to tell a story with a limitless visual budget or a way to connect to a younger version of myself…

I think it is all those things and a thousand others. I think it is about someone holding something your brain thought up and thinking – “Hey, that was pretty cool.”

However, the path of the indy comic creator is full of potholes. Money runs out, print runs don’t happen, and you’re constantly torn between this odd thing of people devaluing your work (“It costs how much!?!”). This Kickstarter will help push the comic to a place where it can start funding itself… hopefully into an issue 5 and 6 and 7 and…

The Gilded Age – Issue #3 – Page 5- Art – Antonio Brandao – Colors – Nimesh Morarji

The Rewards:

The Kickstarter is for the first trade of the series which collects issues 1 through 4. There are the options to get either a pdf or the print version sent to you. At the $40 level there is a chance to get the anthologies Terminus put out in the past. At the $60 level there is an opportunity to not only get Gilded Age but also Route 3 (if you missed that Kickstarter).

If being drawn as one of the Gilded Age Carnival Folk is more your style, there is an opportunity to do just that at the $300 level.

The Verdict:

Obviously, you should give this one a try, but I might be biased about such things (*might*).

Seriously though – so many comic book Kickstarters are looking for funds to even come into being. That is a different kind of crapshoot as you can never be 100% sure the book is going to be completed. This is a FINISHED trade. All this money is going to print costs just so that I can get this out there and into people’s hands.

The Gilded Age – Issue #4 – Page 4 – Art – Sean Hill – Colors – Nimesh Morarji

***

I’d like to thank you in advance for checking the project out! For more information on The Gilded Age, check out the Facebook here. If you’d like to know more about the rest of Terminus Media’s comics, check out their Facebook here.

***

John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age which is currently LIVE on Kickstarter!

Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list to keep up with all things Gilded Age.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

 

Behind the Comic – Why Kickstarter?

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

 

I’m worried.

Only a few days from the beginning of The Gilded Age Kickstarter, and I can’t help but be worried. Have I done everything I could have done? Will people show up and pledge? Will I make my goal? What happens if I don’t make the goal?

What happens if I do?

Over this last month, I feel like I’ve been living Kickstarter. Trying to listen to podcasts or check websites or just view as many comic book Kickstarter pages as I can to glean ideas on how they laid out their pages. Or how they did their reward levels. Or a thousand other pieces. Why did this one project fail while this other succeeded? Is there any reasoning and logic behind what I need to do?

For those who might not know, Kickstarter is a crowdfunding platform. It’s a place where creative people seek an amount of funding from a large amount of people to help turn their ideas into reality. Basically, if you have an idea for a product you can take it directly to the public to see if they might want to invest in your idea.

If you check out the site you can find anything from coolers to headphones to apps to novels to movies and everything else you might be able to think of. If you have an idea, then maybe you don’t need to go onto Shark Tank and pitch your idea to a bunch of millionaires. No, maybe you go to the people who might use or consume the product.

It’s funny. All these sites end up saying the same generic stuff over and over:

Have great rewards!

Have a great video!

Show lots of artwork!

Spam your email and Facebook and Twitter and…

DON”T spam your email and Facebook and Twitter and…

Make sure you launch at midnight!

Launch at Lunch!

Make sure you DON’T launch on a Wednesday!

Always launch on a Wednesday.

So you can see why my head might be spinning.

With the campaign I’m launching on Tuesday, October 17, 2017, I’m doing something that feels like it has been YEARS in the making. I’m actually afraid to look and see when the very first “Gilded Age” email shows up in my gmail (April 2009 is the answer). That’s when my very first conversations began when I first saw that Steampunk Cowboy image from artist Larry Watts.

Independent comics are a lot like herding cats who are being chased by dogs who are being examined by aliens who are from a long-lost civilization no one’s ever heard of before.

By that, I mean there are different personalities to interact with. I’ve long said the best thing about comics is the collaborative aspect of the medium. As a writer, you need each and every one of the people to put in a piece of themselves or it just won’t work. It means sometimes waiting for people. It means sometimes people waiting on you.

And it means producing the comics and then selling them.

The problem is that our model was to do digital versions of the comics but have a short print runs for conventions. And sometimes that meant we’d sell out of a particular issue waiting to reorder the books.

Kickstarter is a potential answer for those problems. Since The Gilded Age is done, this is about covering the printing costs. Really it’s like your preordering the graphic novel… with some potential bonuses.

Funding this is about everyone who had a hand in the creation of this comic. Too many times have I seen projects get started only to die before anyone ever gets to see them. I want to continue this journey and tell more stories and collaborate with these creators who have impacted the better portion of a decade of my life.

Hopefully, you can help me do just that!

***

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list to learn about the upcoming The Gilded Age Kickstarter.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Steampunk Fridays – Kickstart the Comic – Blood & Dust Volume 2

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

The Old West is really that last bastion before the industrial revolution kicks into high gear. But there is plenty of bleed between the two areas, the same as Steampunk and Weird West style stories. That Gothic Horror feel of monsters being in a place where, by all rights, they should not be. And whether it is a Steampowered invention needing to put the darkness back in its place or the sidearm of a cowboy – it feels all connected even if it isn’t a 100% match of genres all the time.

But since it’s my blog – I’m saying it’s ok.

***

Blood & Dust Volume 2: Glenny Family Values

Michael Martin & Adam Orndorf – Writers/Creators

Tone Rodriguez – Artist

Raymund Lee – Colorist

Kel Nuttal – Letters and Design

***

Pitch:

Momma is off her chain, out of her mind and starving.

Free for the first time in decades and hell-bent on making up for lost time, Ruth is headed straight for the town of Boggy Depot to feed on its inhabitants. The only one who can stop her is Judd Glenny, her grandfather and the one who made her in the first place… who’s regretted it every night since.

The Story:

Glenny Family Values is the second volume of the Blood & Dust saga that began with volume 1, The Life & Undeath of Judd Glenny and is an 80-page graphic novel continuing the story of Judd Glenny and his vampire family. Ride along with Eddie Jacobs and listen to Judd tell the tale of how the Glenny Family came to be and the hellish night Judd died and was reborn. All while racing to stop Ruth from killing…everyone.

John’s Thoughts:

Vampires on a rampage. A man who needs to track them down before more people die. Undead mothers and their children…

The imagery previewed on the Kickstarter page both have that gritty feel of a western along with the pure blood and gore as viscera really drips off the page (off the fangs?).

As much as all of that certainly caught my eye, it was Michael’s story about what this comic means for him. Sharing that his ex-wife passed away (Small Cell Ovarian Cancer) some 7 years ago, and then that he’s survived two bouts with Kidney Cancer – this book is his legacy, as he says:

“I’m not trying to write 100 good stories, I’m trying to write one great one.”

That inspires me, chills me, and mostly causes me to root for Michael (and his team) that this Kickstarter is successful and that he manages to get one more step closer to his goals.

The Rewards:

While this one is for Volume 2, if you missed out on Volume 1 there are Reward levels for you with both physical copies only $25. Starting at $25 you have a Kickstarter Exclusive Wraparound cover. For those who want original pages, those start at $150, and if you are feeling really dark and gruesome this Halloween season, you might want to check out the Double page slaughter ($300) which is a double-page spread of the original pencils. As they put it “something you have to see for yourself”.

The Verdict:

I haven’t read the first volume of the series, but that’s almost all I need to jump in and start reading. I mean, if ever you were going to jump into a comic like this – October feels like the right time.

***

For more information on Blood & Dust Volume 2, check out their Facebook page here.

***

John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list to learn about the upcoming The Gilded Age Kickstarter.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.

Steampunk Fridays – Kickstart the Comic – The Invention of E.J. Whitaker

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

Women kicking ass. That’s one of my wife’s favorite things to ask about any kind of media. Conversations normally go like this:

“Does it feature women kicking ass?”

“Yes.”

“Then I’m in.”

The following comic spotlight feels like it is going to be just that: A woman who is forced to outfox those who would try to do her wrong. However, unlike the normal Kickstart the Comic, this Kickstarter actually finished up at the end of last year (check it out here). Still, the comic is due out in a few short months (you can order your copy here), so I thought I’d give it a write-up.

***

The Invention of E.J. Whitaker

The Gibbs Sisters – Writers/Creators

Mark Hernandez – Penciler/Inker

Hasani Mcintosh – Colorist

Earl Womack – Cover Artist

Starline Hodge – E.J. Whitaker Emblem Designer

***

Pitch:

When Ada Turner, a young Inventor’s apprentice, creates a flying machine in 1901, she’s introduced to the dangerous side of the Industrial Age.

The Invention of E.J. Whitaker is a combination of science, adventure, romance, and transformation that we have been starving to see visualized since our teenage years gobbling up series after series by Octavia Butler and later Tananarive Due. It was in part developed because of our appreciation and passion for telling classic stories featuring smart, aspirational, and diverse female characters.

The Story:

At the turn of the century, in America’s great Industrial Age, Tuskegee University student Ada Turner is a brilliant and charming inventor with dozens of patents to prove it but she’s got one big strike against her: She’s a woman…and…well, frankly put, she’s got more than a few strikes going on. So in an effort to have her work taken seriously, she comes up with her best invention yet: the pseudonym of E.J. Whitaker…

When “E.J’s” patent for a wondrous flying machine begins garnering national attention, Ada finds herself relentlessly pursued by William, a mysterious young businessman, and his colleague, Samuel. Ada must keep her identity and popular invention under wraps but can she, as more and more powerful people set sights on EJ Whitaker…? People with intentions to use the inventions for their own financial gain and get Ada out of the picture.

(artwork from Pinterest site for The Invention of E.J. Whitaker)

John’s Thoughts:

First off, I like the idea behind the story. Steampunkish espionage. While everyone else is chasing Tesla or Edison, E.J. Whitaker seems to be carving her own path through the world. From the Kickstarter, it describes the sisters’ background in “indie comic book and animation”, which you can definitely see from the concept art they have posted on their website.

(Concept art featured at www.ejwhitaker.com)

Speaking of the art, I love the mixture of engineering patents mixed in with their artwork. I’m not sure if they are all real or not, but it is a nice touch.

The Rewards:

This would be the part where I would tell you about the various rewards, but sadly I (we) missed the Kickstarter.

But you can still order a digital copy of issue #1 for $10 here!

The Verdict:

After some delays, it appears that the comic book is set to come out Winter, 2017. After that, they have designs on doing additional issues leading up to a full trade. Seems like an excellent time to support an indy book to me.

***

For more information on The Invention of E.J. Whitaker, check out their webpage here.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novellas Theft & Therapy and There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Kickstart the Comic – Frankenstein, Texas

The weather is beginning to turn a bit cooler. Soon enough the calendar will change from September to my favorite month: October. A whole month where it is ok to bask in the idea of the horror genre. A whole month dedicated to experiencing as many scares as possible.

Let’s get a jumpstart on it.

***

Frankenstein, Texas – a 48-page western horror graphic novel

From Dan Whitehead

Dan Whitehead – Writer

David Hitchcock – Artist

Kickstarter campaign ends on Wednesday, October 18, 2017, at 10:36 AM EDT.

The Pitch:

What if Mary Shelley’s famous gothic novel was a lie? What if Victor Frankenstein paid Captain Walton to announce both he and his creation had perished and vanished in the Arctic? What if instead, the pair headed west, across Europe, to Ireland and from there to the new world? To America?

The Story:

This is a tale of action and adventure, but also a story that explores ideas of damnation and salvation, of fresh starts and bitter ends, and what it takes to atone for the deadliest of sins.

At the heart of the story is the complex relationship between Frankenstein and his creation. The man, constantly wrestling with the knowledge that he created life from death, and the monster, heartbroken by the violence that rages inside him and determined to prevent his “father” from repeating the mistakes of the past.

Page 1 – Art by David Hitchcock

John’s Thoughts:

This is a 48-page graphic novel of Frankenstein in the Old West… it’s one of those ideas that I’m both scratching my head about and also wondering – why didn’t I think of that? What better place for the Doctor and his Monster to lose themselves than in the untamed frontier of America far from their birthplaces?

The Rewards:

Fairly cheap for the digital version of the basic graphic novel ($4), but the printed copy is also very reasonable ($14). Sadly for those coming onboard at this point, the $68 Wanted Dead or Alive level is all gone, and with it your chance to make a cameo in the comic. As to some of the higher end options – the Saloon Decorator ($204) allows you access to an original page of artwork (9 spots are left at the time of this writing). Or the Town Marshall ($272) gets you an original commission of your choosing by the artist (5 spots left).

The Verdict:

The artwork on the page and the core idea tell me to back the comic book. They’ve launched at a perfect time of year for such a story, and I’m looking forward to seeing the finished book.

Art by David Hitchcock

***

For more information on Frankenstein, Texas, check out their Facebook Page here.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novellas Theft & Therapy and There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Steampunk Fridays – Interview with the Creator of Boston Metaphysical Society

Check out John McGuire’s The Gilded Age steampunk graphic novel on Kickstarter!

One of my favorite things about Steampunk stories is how the genre lends itself to the use of real world people and places… but with a twist. Monster hunters set on their path by some of the leading scientists of the era (Tesla, Edison, Bell, and Harry Houdini!). An X-Files in a Steampunk world!

I can see why it started its life as a tv show pitch.

***

How long have you been creating/working in comics?

About five years.

At what point did you sit down to become a writer? Do you remember the first thing you wrote?

I was a child, so it’s tough to say when or what exactly. I was always inventing stories in my head then probably by the second grade, I was writing my own.

Who inspires you? Or do you have a favorite artist or creator?

Other indie creators inspire me, but right now Marjorie Liu’s Monstress and Lady Killer by Joelle Jones are my favorites.

How do you manage your daily/family life with your creative work? Is this your 9 to 5 or is this your 10 to 2?

What a question. Hahahaha. Time management is always hard. I work part-time for LA Fitness as an instructor, plus have a husband, two dogs, and house that gets cleaned (by me) on occasion.  I usually write in the afternoons from 2-5 pm and do what I call administrative tasks (expense reports, signing up for cons, travel arrangements, inventory, etc.) for an hour after I get home from the gym. Obviously, laundry and dog walking get squeezed in there somewhere…. And my husband.

It’s often difficult to get word out about independent comics. What do you do to market and promote your books? Anything work really well or really poorly?

I do a blend of social media, exhibiting at cons, reaching out to blogs, reviewers, doing panels and interviews like this! I don’t think you should focus on just one aspect of marketing. However, I do like reaching out at Comic Cons or steampunk conventions because you can develop a relationship with a potential fan.

What’s your process look like when you’re writing? Do you go with the full outline? Or are you a fly by the seat of your pants type?

Most of my stories require some research, then I do character bios, a beat sheet, an outline, then a treatment where I break down the scenes and page count for comics. If I’m doing prose, I pretty much do the same except the treatment is broader in scope, but allows for me to go off in different directions if need be, or if I’m feeling inspired.

What inspired you to create Boston Metaphysical Society?

It was a combination of my love of history, science fiction, and The X-Files. However, the original story was a TV Pilot that I wrote at UCLA School of Theater, Film and TV when I was a graduate student in the MFA Program in Screenwriting. It was suggested I turn it into a six issue mini-series, which I did. And here we are.

Was this a case of coming up with the story first and then the setting or vice versa?

The story and setting came up simultaneously in this case.  I thought it would be cool to have paranormal detectives set in an alternate history of Boston and the United States and have to deal with a different set of social mores and expectations than we deal with today.

Or at least not quite so blatant.

What’s been the reaction to the book?

Excellent. I have what I refer to as a small group of ardent fans. And I love them all.

Are there themes and/or subjects you find yourself drawn to again and again in your work?

Absolutely. I almost always deal with the theme of classism. In the case of Boston Metaphysical Society, I also dealt with racism and sexism.

After running 4 successful Kickstarters for Boston Metaphysical Society, what have you learned about the process of Kickstarter? What do you think has contributed to hitting your goals on Boston Metaphysical Society? Did you worry about “going to the well” too soon after each one?

Soooo many questions….LOL. Once upon a time, back before 2013, you could pretty much throw something up on Kickstarter and get it funded. Not anymore. You have to create a fanbase before you launch and post what is essentially a grant proposal as your Kickstarter page. There is much more professionalism in how projects are presented now.

Many of the reasons we make our goals so quickly is that I have a core email list of people who I’m 99% sure they will back the project. Not only because they like it, but I have delivered on all past rewards in a timely fashion. I don’t like to do more than one campaign a year as it is very time intensive and takes away from my productivity. I do think there is a risk of “going to the well” too much, but I have friends who have no problem with it and have been successful.

Do you view the platform as a testing ground for the concepts?

I don’t view the platform as a testing ground for concepts when it comes to comics. Most comics use Kickstarter as a pre-order mechanism. However, I can see how tech items might use it that way.

You currently have 6 issues (a full trade) of Boston Metaphysical Society. What’s the overall plan with Boston Metaphysical Society?

All stories after the timeline of the original six issue series will be in 32-34 page one shots. I’ve just completed a draft of the first story which will feature Granville Woods and Tesla. These will be complete standalone stories focusing on two or three of the main characters. Anything that occurs before the beginning of the six issue series will be in prose. In fact, I’ve got a first draft of the first novel which begins five years before the start of the comic. Unfortunately, I haven’t had time to go back and rewrite it yet.

Comics is an amazing collaborative medium. Tell me a little about working with artist Emily Hu.

Emily has been a joy to work with. We set up a schedule where she would deliver three pages a week. I would review them, then give her notes while she continued on to the next three.  We worked together for almost four years and she completed the entire series. We hope to work together again in the future if her schedule permits it.

If you could go back in time ten years, what advice might you have for your younger self? Something you wish you knew?

Start reading comics sooner. Let me explain… My brother has probably the largest graded collection of Daredevil comics in the U.S., but I was never interested in superhero comics because I thought that was all that was available. It wasn’t until I decided to adapt the TV Pilot that I took a sequential art class and started reading indie comics. That was such a revelation. I loved them and wondered where they had been all my life.

Do you have any upcoming projects? Anything you’d like to promote? Anything else that you’d like people to know about you (Hobbies? Passions? Favorite TV Show)?

 

Yes! I’m very excited to announce a couple of things. The first is that I was hired to write a four issue mini-series for SFC Comics/Evoluzione Publishing called, Kasai: The Homecoming.  It will be my first time writing a superhero and I loved doing it. It’s set in a world where many superheroes are pro-wrestlers. My series will focus on a young female pro-wrestler from Japan who is half-human and half-fire demon. It will be on Kickstarter in early 2018.

The other project is a short story called, The Scout, which will be in the anthology, The Fourth Monkey. It is an anthology which deals with social and environmental issues and will launch on Kickstarter on Sept. 12, 2017.

I also wrote a short story for The Enyes Anthology called Saturday Night Fever. It contains various stories from indie creators about the Enyes family; a family where each of its members are either monsters or have some sort of relationship with monsters. It will be on Kickstarter in 2018.

And definitely look for us on Kickstarter for the Granville and Tesla standalone story in early 2018. Right now the working title is Boston Metaphysical Society: The Scourge of the Mechanical Men.

Where’s the best place to find out more about Boston Metaphysical Society and the rest of your works?

Website: www.bostonmetaphysicalsociety.com

Facebook: https://www.facebook.com/BostonMetaphysicalSocietyComic/

Twitter: http://www.twitter.com/mholly

Instagram: https://www.instagram.com/mcholly1/

Storenvy: http://bostonmetaphysical.storenvy.com/

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A TV, feature film, and comic book writer, Madeleine is the winner of the Sloan Fellowship  for screenwriting, and the Gold Aurora and Bronze Telly for a PSA produced by Women In Film. She also won numerous awards while completing the UCLA MFA Program in Screenwriting. Having run a number of successful crowdfunding campaigns for her comic, Boston Metaphysical Society, Madeleine now teaches a crowdfunding class for independent creators at Pulp Fiction Books in Culver City as well as guest lecturing at UCLA Professional Program in Theater, Film and TV, Scriptwriters Network, and Dreamworks Animation. She has also published the book, Kickstarter for the Independent Creator.

Boston Metaphysical Society webcomic is the recipient of an HONORABLE MENTION at the 2013 GEEKIE AWARDS and was nominated for BEST COMIC/GRAPHIC NOVEL at the 2014 GEEKIE AWARDS. The comic has also been nominated for a 2012 Airship Award as well as a 2013, 2014 and a 2015 Steampunk Chronicle Reader’s Choice Award. Her novella, Steampunk Rat, was also nominated for a 2013 Steampunk Chronicle Reader’s Choice Award.

She also has an anthology of short stories and novellas called Boston Metaphysical Society: Prelude  (in print as well as eBook) based on the Boston Metaphysical Society universe available at all major online retailers. The Boston Metaphysical Society short story, Here Abide Monsters, is part of the Some Time Later anthology from Thinking Ink Press. She is currently writing the first novel based on the series and was hired by SFC Comics/Evoluzione Publishing to write a four issue mini-series based on the SFC character, Kasai.

Formerly a nationally ranked epee fencer, she has competed nationally and internationally. She is an avid reader of comics, steampunk, science fiction, fantasy, and historical military fiction.

Madeleine lives with her rocket scientist husband, David and two rescue dogs: Ripley and Bishop.

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I want to thank Madeleine Holly-Rosing for being so gracious with her time!

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John McGuire

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list to learn about the upcoming The Gilded Age Kickstarter.

His prose appears in The Dark That FollowsTheft & TherapyThere’s Something About MacHollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com.