4 Kickstarter Photo Finishes – Section Zero, Clonsters, 5 Seconds, and Grond 2

For some independent comic book creators, Kickstarter is the way to fund their comics. Typically, Kickstarters have thirty days to reach their funding goal. If they fail, the creators heads back to the drawing board (but not to draw comics). With so much riding on those thirty days, how intense is it for the creators when campaigns do not reach their goal until the last three days? Or even the last day? What’s it like to have a Kickstarter photo finish?

To find out, I spoke with four comic book creators who had Kickstarters fund near the end of the cycle – Karl Kesel, Stephen Kok, Michael Phillips, and Pat Shand. They shared what they did to push the campaigns and reach their goal in the end.

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Quick Bios:

Karl Kesel is a writer, inker, nice guy, and the co-creator of the 1990’s Superboy among many other accomplishments. He shares his experience with the Section Zero Kickstarter, which reached its funding goal with just hours to go.

Stephen Kok is a writer who has several comic book one-shots, all funded via Kickstarter, including Word Smith. He talks about the 5 Seconds Kickstarter that reached its goal with 3 days to spare.

Michael Phillips is the publisher of, and writer for, The Draconis Project and Grond and he discusses the path he took to fund the second issue of Grond.

Pat Shand is the writer responsible for the novel Guardians of the Galaxy: Space Riot as well as comics like Destiny NY, and Robyn Hood. He talks about his and Amy Shand’s Kickstarter for Clonsters.

* * *

Grond #2 written by Michael Phillips

 

Questions and answers from the frontlines of comic book crowdfunding

Q: What steps did you take to secure the pledges that put you over the top in the final day(s) of the campaign?

Pat Shand [referring to the Clonsters Kickstarter]: “You can expect big surges of support at the beginning and the end of the campaign so, to me, the way to secure yourself in the end is to keep support coming in during the middle of the campaign. If you’re near the finish line before the final day, you’re pretty much guaranteed to make it. To keep the campaign going and avoid slow periods, I consistently added new pledge levels and added freebies. I reached out to artists and other creators and, exchange for my support on their books, they offered me content I was able to give as extra incentive to backers. That way, even a low-level pledge of $15 would offer backers over $50 worth of content. It’s difficult for independent creators to compete with multi-million/billion dollar corporate publishers with market, but as far as content and value, the onus is on us to earn that support.”

Karl Kesel [referring to the Section Zero Kickstarter]: “HA! I did virtually NOTHING! The social media beast suddenly came alive and noticed us in the last 24 hours! I can’t explain it, really. The only thing I did was make sure to post a “countdown to zero” every hour so people knew time was running out (which I’m sure helped to some degree). But it wasn’t until I noticed the building momentum and thought “Hey! We might actually reach our goal!” that I offered some extra Superboy art as additional, high-end rewards. But really: I was trying to keep up with events, I wasn’t leading the way.”

Stephen Kok [referring to the 5 Seconds Kickstarter]: “I did another personal appeal to my mailing list. I knew quite a few people who were interested but have been too busy to do a pledge. It’s a reminder that there’s not too much time left. As Kickstarter is an all or nothing scenario, a last minute pledge could make the difference of whether a project goes ahead.”

Michael Phillips [referring to the Grond Book Two Kickstarter]: “I was always in contact with my backers and sent many updates to let them know how the campaign was going.”

Written by Amy and Pat Shand

Q: Hindsight being what it is, what would you do differently if you could redo the campaign?

Karl Kesel: “Two things:

  1. A VAST majority of our supporters simply wanted The Book. The high-end rewards (art, appearing in the book) did very well (and were essential in us reaching our goal) but the mid-level rewards made very little difference. Next time (and there will be a next time) I will run a much more streamlined campaign.
  2. When you’re doing Countdown posts, nothing makes you panic more than seeing people share things that say “7 Hours Left” when there’s only 3 hours! Or 2!!! Next time my “Countdown” posts will clearly state the exact time the campaign ends.”

Pat Shand: “Honestly, nothing. It was successful, and I learned a lot, which will make me more prepared for the next campaign. The thing about Kickstarter campaigns for independent comics is that every campaign is entirely different. You can ask for advice, you can learn all there is to learn, but the most important thing to understand is that you can never be fully prepared. Instead, you learn during the campaign and adapt to what you’re seeing every day. I would’ve loved to get funded 200% or 500% or some huge number like that, but I’m content with our 110% funding and learning what I did.”

Michael Phillips: “I would push for more time on social media websites. And I would also communicate with more creators and learn of new avenues to take to try to spread the word about my new campaign and how to get more backers.”

Stephen Kok: “There’s nothing I would redo but something I would add and do more things (launch party maybe?) to hype up the start of the Kickstarter. The beginning of a campaign is the key, a big start (lots of backers) will help push out the Kickstarter popularity ranking. It also takes the stress off the middle and end of the campaign if the target is on track early!”

5 Seconds written by Stephen Kok

Q: Since the campaign has ended, did you set up a Backerkit or webstore to continue to collect pre-orders? What are you working on now?

Michael Phillips: “I made sure that I had all of my stretch goals in place and utilized the MAILCHIMP email system to better communicate with my backers from my earlier campaigns and customers from the conventions that I have attended the past few years.”

[EDITOR’S NOTE – Michaels’s GROND “Oublar’s Revenge” Book Three is currently running on Kickstarter. It ends on .
https://www.kickstarter.com/projects/2113323524/grond-oublars-revenge-book-three]

Karl Kesel: “We are in the process of setting up a webstore at panicbuttonpress.com. I imagine we won’t be up-and-operational until mid-July, but if people keep an eye on the Section Zero Comic Facebook page, they’ll get the news as soon as the site goes live.”

Pat Shand: “On the independent side, I’m going on a book tour to support the publication of Destiny, NY Volume One this summer while working on production for Clonsters, which will be out in the fall. September 1st, I’m launching the Kickstarter for Destiny, NY Volume Two and will be pushing that hard. We’ll be publishing all of our Kickstarter books through my company, Continuity Entertainment, which I’m looking to expand on in big ways. We have a bunch of great books we’d like to publish, so the second half of 2017 will be focused on building that slate. On the freelancing side, my first novel Guardians of the Galaxy: Space Riot came out last month. In July, two more – Iron Man: Mutually Assured Destruction and Avengers: The Serpent Society – will be in bookstores everywhere.”

Stephen Kok: “I currently have a steampunk fantasy adventure currently on Kickstarter! I hope you have the time to check it out as well.”

[EDITOR’S NOTE – Stephen’s Word Smith – A Steampunk Fantasy Adventure is currently running on Kickstarter. It ends on .
https://www.kickstarter.com/projects/1917428739/word-smith-a-steampunk-fantasy-adventure]

 

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In their own words, there is no single path to reach the finish line. Despite that, each of them achieved their goal and are able to make these amazing comic books! I appreciate them for taking the time to answer my questions. You can find out more about them at:

Follow Karl Kesel and Tom Grummett’s Section Zero on Facebook

Note: the Panic Button web site is still under construction. You can find everything you need to know about this project at www.thereisnosectionzero.com

Stephen Kok has a Kickstarter going right now for his new comic, Word Smith – A Steampunk Fantasy Adventure

Pat Shand can be found at PatShand on Twitter or Tumblr!

Michael Phillips has a Kickstarter for the third issue in his Grond series, GROND “Oublar’s Revenge” Book Three

Section Zero by Karl Kesel and Tom Grummett

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Are you trying to visualize the Kickstarter finish line? No need! Kicktraq provided these charts that show the last 10 days of these campaigns, their goals, and when they crossed them.

SECTION ZERO -- Kicktraq Mini

GROND

CLONSTERS - an all-ages adventure comic -- Kicktraq Mini

5 Seconds - Action, Excitement, Romance and Time Bending -- Kicktraq Mini

 

Grond 1 written by Michael Phillips

 

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[Editor’s Note – Updated the information about PanicButtonPress to mid-July.]

 

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Egg Embry, Wanna-lancer™

Wanna-lancer™ Checklist T-shirt available at Cafepress

Interested in being a wanna-lancer? Start with the official Wanna-lancer Checklist t-shirt or wall clock or ice tea glass!

* * *

Egg Embry wrote comic book short stories, edited comic book series, wrote and drew a webcomic, and contributed to comic book journalism across the 2000s. Now, he buys the opportunity to write for a variety of tabletop role-playing games in the tradition of vanity press. His purchases have been published by:

The Free Comic Experiment – Gilded Age #1

I’m currently running a promotion where the first issue of my Steampunk Comic: The Gilded Age #1 is free to download.

The Gilded Age

https://www.instafreebie.com/free/2V0z3

or if you are already a member of Noisetrade you can find it here:

http://books.noisetrade.com/johnmcguire/the-gilded-age-1

The only thing required of you to get the free issue is to provide your email address.

A little about The Gilded Age:

Welcome to the world of The Gilded Age.

1877. The full dawn of Industrial Revolution has collided with the twilight of the age of magic and alchemy, leading to a most curious progeny: self-aware clockwork men. Man-made machines, with clockwork gears and steam-powered joints, serve man even as the followers of the old ways continue to nurse growing resentment of these new creations.

Trying to find its own way in this world, the Branning Troupe, made up of actors and carnival folk, moves throughout Europe performing its acts night in and night out. For some, the Troupe offers a direction to their lives; others seek the adoration of the crowds. For all, it represents a fragile, simple refuge from a world which has cast them out. They are a new family. And each member has their own desires and secrets…

Each issue of The Gilded Age is a complete story (“Done in One”) focusing on different members of the Branning Troupe. This allows for a wide variety of stories to be told: heists, western, horror, and fantasy.

And there is also now a Facebook site for all things Gilded Age:

www.facebook.com/TheGildedAgeComic

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novellas Theft & Therapy and There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

3 Comic Kickstarters You Need To Back – Niobe, Untold, and Grond

Demons, orcs, half-orcs, and a half-elf. Kickstarter offers some of the best fantasy and horror comic book options. This week, I’m counting down three winning comic book Kickstarters.

 

3) GROND “Oublar’s Revenge” Book Three by Midcity Comics
Ends by .

“Grond is now Kallok. Obberoth is dead. Valara’s fate is decided by Ugreth. Oublar is close to getting what he desires, being Mok’Dar.

BOOK THREE : PRESENT DAY

Obberoth is dead! A peaceful gift for a king turns out to be the death of him. Valara has been accused for the death of Obberoth and is outraged and is now fighting for her life.

Oublar  demands Taurok, Juug’la of the clan to hold a clan trial for the sentencing of Valara. Oublar’s plan has now been set in motion. Only Mok’dar can grant her freedom.

But the oath of Rom’gara has been broken, and the punishment for that is DEATH. Grond is shocked to see what is about to happen next.”

 

Egg’s Thoughts:

FUNDED AND WORKING ON STRETCH GOALS.

Full Disclosure: I’m co-writing a comic set in the Grond-verse for Midcity Comics. 

Do you have enough orcs in your life? No. No, you don’t. If you break out D&D or Pathfinder or Shadowrun or any tabletop RPG on the weekends, chances are you’re looking for more orcs in your day-to-day. Michael Phillips has you covered with the Grond series! A half-orc fighting his orc family! Orc-errific!

Grond is a half-orc and the son of a prince searching for acceptance among his orc brethren. Since these are orcs, they either accept him or plan to gnaw on his bones. Fortunately for the reader, they opt for bones and we get to enjoy the fights! This is a story of political intrigue, murder, and revenge. I’ve mentioned Grond several times over the course of its campaign. I’m excited about the book! The stories are from the orc point-of-view… No one but Michael Phillips would do that. For his part, Michael embraces the world and the orc culture. It reflects in the brutality of his work.

This Kickstarter offers Grond #3 as well as the option to get Grond 1 to 3 and other Midcity Comics goodies. Michael’s completed ten Kickstarters, so this campaign and the production cycle are a science.

 

Check out the Kickstarter here – GROND “Oublar’s Revenge” Book Three

 

 

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2) NIOBE: She is Life Hardcover & She is Death #1 Comic Book by Stranger Comics
Ends by .

“”With a world divided, who do you turn to?” Niobe by Sebastian Jones, Amandla Stenberg, Ashley Woods, Sheldon Mitchell, & Darrell May.

NIOBE: She is Life and Death Campaign:

Get an oversized special Kickstarter Exclusive edition hardcover collection of NIOBE: SHE IS LIFE with 32 pages of extra material not contained in the retail edition paperback and a Kickstarter Exclusive version of the first issue of the sequel NIOBE: SHE IS DEATH by Jones, Stenberg, May and new artist Sheldon Mitchell. Be the first to read the book well before its in-store release next year.

While first introduced in The Untamed, Niobe’s solo story begins years later with the character as a teenager. A child of prophecy is on the road to fulfilling her destiny… Niobe: She is Life.

With a world divided who do you turn to?  

Between two warring nations, in the heart of Western Ujoa, there is a haven to those who have lost their way. Some say you can rebuild your mind and spirit upon the mountains of Ugoma. For a Half-Elven (Sin-Galemren) girl with off-colored eyes, it is a chance to flee a dark past, and rest safely within the secret monatery of her ancestors. But you cannot run from destiny, or hide from the Devil.

Set within the original fantasy world of Asunda, Niobe: She is Life is a coming of age Beauty and the Beast love story threaded with murder and mystery that leads to all out war.

And the upcoming sequel… She is Death.

There is nothing more dangerous and beautiful than a wild woman.

Niobe: She is Death is a tale of hard truths and revelations for a young woman who is tired of running. Niobe has lost her faith – in humanity and the world around her. In the sequel to Niobe: She is Life, we will witness Niobe’s journey from heartbroken teenager to warrior woman, set to take on a world that would see her dead. Narrowly escaping a violent prison death, she learns that girls like her are being abducted. But the hunted becomes the hunter when she allies herself with a savage mentor who teaches her how to take vengeance on those who prey on the helpless – by being a bounty hunter herself.

Niobe: She is Life #4 – Ashley Woods Cover

Niobe will hunt down and capture human traffickers, rescuing the victims for the families who seek her help. But each step takes her further down the path toward a destiny she did not ask for and a burden she does not want.

Written by Sebastian A. Jones (The Untamed, Dusu) & Amandla Stenberg (Everything, Everything, Hunger Games)
Layouts and Concepts by Darrell May (The Untamed, Dusu)
She is Life: Illustrated by Ashley A. Woods (Lady Castle, Millennia War)
She is Death: Illustrated by Sheldon Mitchell (Cable, The Darkness, Vampire Hunter D)”

 

Egg’s Thoughts:

FUNDED AND DESTROYING STRETCH GOALS.

Niobe: She is Life is a beautifully illustrated graphic novel. Not enough good can be said about this project. The production values are second to none at Stranger Comics. Their books aren’t just comics, they’re art books.

The art. Ashley A. Woods: She [well, her art] is Life. What first pulled me into Niobe is Ashley’s visuals. Her designs captivate the reader even as they capture the spirit of the scripts she works from. The work she does as she weaves the world of Niobe into a visual cornucopia is staggering – it’s bright, beautiful, alien, familiar, and wonderful. For Niobe, Ashley’s work set the stage and made this a comic worth hunting down. But, don’t take my word for it, at the end of this article, I have several pages from Niobe featuring Ashley’s work.

The praise for the art is no slight to the work of Sebastian A. Jones, Amandla Stenberg, Darrell May, or Sheldon Mitchell. All of them bring their AAA games to the table. I cannot wait to have this book in my hands to take in all of the design elements poured into each page.

The campaign has several other graphic novels from the same universe available.For the RPG side of my life, it also has the Niobe Pathfinder book as an add-on. “Want to play in Niobe’s world? Pathfinder is making a 32 page supplement book for Niobe, allowing fans their first opportunity to game in Asunda.” Comics and RPGs? Perfect for lil’ Egg Embry!

 

Check out the Kickstarter here – NIOBE: She is Life Hardcover & She is Death #1 Comic Book

 

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Untold – Karl Jones Variant Cover

1) Untold #1 and #2 by Daniel Farrand 
Ends by .

“Untold is a horror comic series that combines psychological unrest, with striking visual gore, to create a truly terrifying experience.

Through a series of dark and twisted visions shown to her by a disfigured demon. Alice must attempt to separate fact from fiction, and unravel the truth behind her Grandpa’s decade long stay in the UK’s most notorious insane asylum.

After a short lived reunion with her beloved grandpa, Alice finds herself confronted by the grotesque demon, Daisy, and is soon plummeted into a dark, and twisted vision.

Issue #2 will introduce The Dark Figure, who we briefly saw in issue #1, as we delve deeper into his world, and discover exactly what he is capable of.

Untold #1 (28 page) was successfully funded in 2016, thanks to the amazing support from 146 backers. We are offering anybody who may have missed out first time round, an opportunity to grab a copy of issue #1 within this Kickstarter.

Untold #2 (22 page) is the latest installment within the Untold series.”

 

Egg’s Thoughts:

FUNDED AND WORKING ON STRETCH GOALS.

Cut off your nose to spite your face? With a demon, would that be for spite or for Clive Barker reasons? Untold’s monster is a demon child without a nose named Daisy. Two issues – one in the can, one to be created using funds from this Kickstarter – of demons and asylums are available from this campaign.While a comic book project, this series has the feel that horror RPGs strive for. Creator Daniel Farrand presents a horror world of dark visuals and scares. Backing this campaign offers the option to get both issues for a deeper inspection of the world he’s crafting.

Check out the Kickstarter here – Untold #1 and #2

 

 

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Because I love tabletop RPG games and Kickstarters let me add a bonus to the list:

The S’rulyan Vault II Map at the Gaming Table

The S’rulyan Vault II by Kort’thalis Publishing
Ends on Thursday, June 22 2017 10:46 AM EDT.

“This project is a file/PDF for a high-resolution, printable map in both old school module blue and white, as well as, parchment color.”

Example Map from the S’rulyan Vault II

 

Check out the Kickstarter here – The S’rulyan Vault II.

 

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Examples of Ashley A Wood’s Niobe: She is Life art:

Niobe Example Pages by Ashley A. Woods

Check out the Kickstarter here – NIOBE: She is Life Hardcover & She is Death #1 Comic Book

 

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Egg Embry, Wanna-lancer™

Wanna-lancer™ Checklist T-shirt available at Cafepress

Interested in being a wanna-lancer? Start with the official Wanna-lancer Checklist t-shirt or wall clock or ice tea glass!

* * *

Egg Embry wrote comic book short stories, edited comic book series, wrote and drew a webcomic, and contributed to comic book journalism across the 2000s. Now, he buys the opportunity to write for a variety of tabletop role-playing games in the tradition of vanity press. His purchases have been published by:

Kickstart the Comic – Angelica Reigns #1

Sometimes it is about the story, sometimes it is about the art, sometimes it is about the promotion, and sometimes it is about the whole package. The Angelica Reigns has a little bit of each… a comic I can enjoy and a Kickstarter campaign I can take notes from… sign me up!

***

Angelica Reigns #1

From SFC

Brian Hawkins – Writer

Federico Sabbatini – Artist

Chiara Miriade – Colorist

Brant Fowler – Letters

Kickstarter campaign ends on Thursday, June 29, 2017 at 1:05 PM EDT.

 

 

The Pitch:

Angelica Reigns is the first solo series of the SFC Comics line. SFC is a world of super powered sports entertainment. These solo series are a chance to get to know the characters outside of the ring.

The Story:

Angelica is trying to establish a life outside of the shadow of her mother’s cult and Qakare’s power. She’s a young woman in a new city making new connections. All of that is put on hold when she becomes prey to a secret society called, The Faith. They are a faceless, timeless, and secret organization with roots that go back to the crusades. Their mission is to bring purity back to this world. They have ways to track and monitor dark magic. 

John’s Thoughts:

This one has the feel of maybe a Buffy style of story for Angelica. A young girl, fighting against supernatural forces bigger than herself, and, from the looks of it, has a couple of friends to help her on her travels. Consider me intrigued by the overall idea.

In addition, the work Federico Sabbatini is doing on the various images they’ve shown on the Kickstarter page are very nice, almost as if someone took a series of animated cells from a tv show or movie and put them on the page.

From Angelica Reigns #1 – Art by Federico Sabbatini & Colors by Chiara Miriade

The Rewards:

A couple of things they are offering that are a little above and beyond what you normally might expect at such lower levels is a 30 minute Google Hangout with the writer of the series ($30 Level). I could see that being not only an interesting conversation to pick his brain for a bit, but maybe even gain some insight on further learning the craft of writing comics (if one was so inclined). At the $150 level in addition to print versions of the books, you get a 1 hour Google Hangout.

Many of the comic Kickstarters have the idea of “putting you in the comic”, but Angelica Reigns might be the first one to make you “a major character in Angelica Reigns 2-4” ($500 Level). I’m thinking that if you ever wanted to be the villain, but didn’t want to deal with all the jail time… this might be your chance!

From Angelica Reigns #1 – Art by Federico Sabbatini, Colors by Chiara Miriade & Letters by Brant Fowler

The Verdict:

Looking over the Facebook page, they’ve hit upon some interesting cross-promotion with a couple of other Kickstarters (The Untold and Knight), both of which are holding their own Kickstarter campaigns right now. I love the idea of Indy creators banding together to raise all boats as opposed to treating each other as competition. Let’s get those stories out there and told!

***

For more information on Angelica Reigns or the rest of SFC comics, check out their Facebook Page here.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novellas Theft & Therapy and There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

 

4 RPG & 1 Comic Kickstarter You Need To Back – Monarchies of Mau, Buccaneer: Through Hell & High Water, Route 3, A Delve in the Cave, and The S’rulyan Vault II

Want to immortalize your cat (in art)? Design a pirate or a townie NPC? Ever want to read a comic about the road trip from Hell? Need a map through the mega dungeon? Want to meet fun tabletop gamers? If you answered, yes, then you might be building a RPG resume to go from wanna-lancer to freelancer and these are some of the best vanity press crowdfunding rewards that help you learn the RPG ropes. Let’s count these campaigns down!

 

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5) Monarchies of Mau Fantasy Tabletop RPG by Onyx Path Publishing
Ends on Thursday, June 15 2017 12:00 PM EDT. 

“Contribute to help us create a beautiful traditionally printed fantasy game book featuring cat monarchies – and get it into stores.

We want to talk to you about Monarchies of Mau. It’s a complete tabletop roleplaying game that acts as a companion game to, and is totally compatible with, my first RPG, Pugmire. The Monarchies of Mau is a nation of cats tenuously comprised of six city-states.”

Monarchies of Mau

Egg’s Thoughts:

Cats with Swords!

You either raised an eyebrow and want to click the link to the Kickstarter for this anthropomorphic cat-people in a feline fantasy setting OR you rolled your eyes and thought, “Puss in Boots… bah, Antonio Banderas! My arch-nemesis strikes again…” Clearly, you’re either pro-Planet of the Cats or you’ll be canned as Fancy Feast! There is no third option!

[EDITOR’S NOTE – Don’t listen to Egg. He wrote “cats with swords” and felt it was defining. Make your own decision on this one because he’s going to be Fancy Feast no matter what.
As always, may Gary Gygax keep and protect your dice.
]

As an added bonus, Monarchies of Mau has a pledge level in this campaign to name a feline (or canine) NPC and have it illustrated to resemble your pet. It’s an opportunity to immortalize a member of the family.

Check out Cats with Swords… er, Monarchies of Mau Fantasy Tabletop RPG by Onyx Path Publishing here.

 

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4) 5E Adventure: A Delve in the Cave by Jamie Chambers
Ends on Friday, June 16 2017.

“A curse. A cave. A crawl. 5E fantasy adventure by Jamie Chambers!

Returning to my personal and professional gaming roots with a short adventure for 5E of the original fantasy roleplaying game—a cavern crawl built to please hack-and-slash groups and storytellers alike!

It All Started When …

I accidentally wrote a 5E fantasy RPG adventure! Wanna help me print it? This is a short campaign … it ends on June 16, 2017.”

Jamie Chamber’s Gaming Table

Egg’s Thoughts:

Due to the limited number of details about this cave crawl – it’s for 5e, there’s a curse, and a cave – you’ll need to decide on this project based on the strength of who Jamie Chambers is. So, who is he? Jamie Chambers runs Signal Fire Studios, home of the revised Metamorphosis Alpha RPG, he was a designer and line editor for TSR’s Dragonlance, and a former Vice President on the board of directors for GAMA (Game Manufacturers Association). So, who is he? He’s a gamer with a resume that speaks volumes about his skill. Top that with the fact that I discussed his IndieGoGo campaign last week and suggested that, in a perfect world and since he’s local to me, it’d be cool to meet him. He read the article and said we should make plans. Like so many folks I’ve met through wanna-lancing and gaming and comicing, Jamie’s a nice guy and for that alone this campaign is worth backing.

But, because I’m a wanna-lancer, let me add this reason to back the campaign over and above his resume and affable personality, you can create a NPC and/or playtest this adventure online with Jamie. It’s a nice extra.

You can find the IndieGoGo campaign here.

 

* * *

 

3) Route 3 by Robert Jeffrey II and Sean Damien Hill
Ends on .

“Centuries old prophecies. Shadowy government conspiracies. Super heroic action. Just a typical day for teenager Sean Anderson. Route 3.

Route 3 is a super-powered road trip from hell. A Stone Mountain, GA teen finds out he’s been granted with a set of spectacular abilities, that he knows nothing about. He’s now on the run from a wide array of folks in a sort of super powered arms race across the Southeastern United States. Explosions, gunfights, telekinetic feats of awesomeness, and a little personal growth are all thrown into the mix.

We’ve collected all three issues of the first story arc into a superb collected edition that also includes a cover page gallery, “DVD” extras, and a forward by the talented artist/ writer Takeia Marie (Contributor to Rosarium Publishing’s APB: Artists Against Police Brutality).”

Route 3

Egg’s Thoughts:

Because Robert Jeffrey is our guildmate, and we love him and Route 3, we’ve shouted out this Kickstarter as much as possible on the Tessera Guild. It’s exceeded its goal (so the collected first story arc is coming) and the campaign is moving through stretch goals. I’m a fan of the series and ready to read more of Sean Anderson’s adventures!

Check out the Kickstarter here – Route 3

 

* * *

 

2) Buccaneer: Through Hell & High Water for Savage Worlds by Fabled Environments and Yellow Piece Games
Ends on Tuesday, June 20 2017 9:00 PM EDT.

“Pirates, Vodouisants, and Witch Hunters battle each other and beasts of legend in the mystic waters of the Caribbean. Climb aboard!”

Egg’s Thoughts:

Are you a fan of Savage Worlds (2003 Origin Gamers’ Choice Award for best role-playing game)? Oh, you don’t own the rules? Well, Pinnacle Entertainment has you covered because the core rule book is $9.99 in softcover.

To compliment the game and price point, Yellow Piece Games is kickstarting their pirate setting for Savage Rules. For $15, you get a PDF of the setting and customized rules and also a PDF of pirate NPCs that you get to contribute to. For my wanna-lancer resume, this adds experience with Savage Worlds and another NPC, all for a low price point.

Check out the Kickstarter here – Buccaneer: Through Hell & High Water for Savage Worlds.

 

* * *

 

1) The S’rulyan Vault II by Kort’thalis Publishing
Ends on Thursday, June 22 2017 10:46 AM EDT.

“This project is a file/PDF for a high-resolution, printable map in both old school module blue and white, as well as, parchment color.

Basically, this is a continuation of the first S’rulyan Vault which funded on Kickstarter just over a year ago.

The S’rulyan Vault II is more of the same… but different.  Obviously, there will be a totally new dungeon layout with lots of interesting things going on.  The files can be printed off so you’ve got one massive map or four quadrants in order to easily mix and match them with each other and the previous S’rulyan Vault.

This is the DriveThruRPG product listing for the original S’rulyan Vault.

Glynn Seal of MonkeyBlood Design will be doing the cartography, layout, and file preparation.

As for the accompanying PDF full of useful random tables and such for creating and running your own damn megadungeon!  On the fly, if you wish.  Here’s an example from Draconic Magazine.”

Example Map from the S’rulyan Vault II

Egg’s Thoughts:

Kort’thalis Publishing’s CEO (Cthulhu Excreted Officer) Venger Satanis is another nice soul. When I mentioned that I wouldn’t mind a RPG mentor in an article, Venger reached out and offered helpful advice, wanna-lancing opportunities, and, if everything works out, freelance RPG work.His help has been awesome and I cannot ask for more from a RPG professional.

Through Kort’thalis Publishing, Venger is making RPG magic. His current Kickstarter is an old-school megadungeon map. Do you need one or two system agnostic megadungeon maps? Yes. Yes, you do, and Venger has you covered.

Venger is also offering another opportunity – paid GM’ing. If you go to a con and run 8 hours of games using one of his systems/settings – Alpha Blue, Crimson Dragon Slayer, CDS 1.11, or The Outer Presence – he’ll pay you for in swag or money. You’ll need to read the description first and talk with Venger about it before you go, but being paid to GM is a cool job.

Check out the Kickstarter here – The S’rulyan Vault II. Check out his offer of paid GM’ing here.

 

* * *

 

There are a lot of great Kickstarters out there so let me add one more to the pile:

Grond 3

Grond #3 by Michael Phillips
Ends on .

“Grond is now Kallok. Obberoth is dead. Valara’s fate is decided by Ugreth. Oublar is close to getting what he desires, being Mok’Dar.”

Catch up on the back issues and support the creation of the current issue on Kickstarter here – Grond #3

 

 

* * *

 

 

Egg Embry, Wanna-lancer™

Wanna-lancer™ Checklist T-shirt available at Cafepress

Interested in being a wanna-lancer? Start with the official Wanna-lancer Checklist t-shirt or wall clock or ice tea glass!

* * *

Egg Embry wrote comic book short stories, edited comic book series, wrote and drew a webcomic, and contributed to comic book journalism across the 2000s. Now, he buys the opportunity to write for a variety of tabletop role-playing games in the tradition of vanity press. His purchases have been published by:

Three Comic Book Kickstarters You Need To Back – Section Zero, Route 3, and Grond #3

There is no Section Zero… or UFOs, or monsters, or time travelers. None. Um, rest assured…
Sean Anderson is a threat to the United States government. Or America’s only hope. Or both.
The assassination of the half-orc Grond could prevent an orc civil war. Or trigger the downfall of the Urughukai.

These three comic book Kickstarters – Section Zero, Route 3, and Grond #3 – offer some of the best in independent comics. Each one is worth checking out. Lets count’em down!

 

Section Zero

 

3) Section Zero by Karl Kesel and Tom Grummett
Ends on .

“MONSTERS! LOST WORLDS! UFOs! The strange and unknown! Karl Kesel and Tom Grummett finally finish the comic they began 17 years ago!

THERE IS NO SECTION ZERO

SECTION ZERO isn’t a secret section of the United Nation’s charter. It does not perpetually fund a team of experts and explorers to travel the world investigating the strange, fantastic, and unknown. The idea that this “team” looks into things such as UFOs, Monsters, Lost Civilizations, Time Travel, Ancient Gods and still-living Dinosaurs is no more than an urban legend. 

After all, none of these things exist.

SECTION ZERO is a fast-moving adventure comic combining the kinetic energy of Jack Kirby with the world of myth, folklore and urban legends. There’s danger around every corner as Our Heroes challenge the unknown and face the fantastic for yet another time. It’s also a story about love— what we’ll do for it, and how far we’ll go to get it back. But with added monsters!

SECTION ZERO was co-created by us— Karl Kesel and Tom Grummett— in 2000 following our successful, fun-fulled runs on DC’s Superboy. It was part of the Gorilla Comics imprint from Image Comics, which also included Busiek and Immonen’s Shockrockets, Waid and Kitson’sEmpire, Perez’s Crimson Plague, and Dezago and Wieringo’s Tellos. It was heady company and exciting times, and we poured our hearts and souls into the project.

But after finishing only three issues, personal matters meant Karl had to step away from the comic, and the book’s tag-line— There Is No Section Zero— became ominously prophetic. But we never fully abandoned our labor of love, and have worked to find a way to bring the book back— somehow, someway— ever since.

Section Zero Trade Mock-Ups

17 years later…

Kickstarter will help us finally finish what we begun. But we can’t do it by ourselves. We need people to make the journey with us, to stand beside SECTION ZERO as we face the Greatest Unknown— crowdfunding! We need your help, and we need your support. In a way, our original tag-line is more true than ever because There Is No Section Zero… WITHOUT YOU.

Egg’s Thoughts:

I’m going to fanboy here – I have NEVER read a bad comic that Karl Kesel and Tom Grummett have done together. Not one. These creators are the comics equivalent of peanut butter and chocolate but with no chance of an allergic reaction! They could write and draw the telephone book and it’d be a page-turner!

It’s $35 shipped in the US to get a 200-page trade that will be worth reading and re-reading and make you open up your comic boxes to fish out their prior productions to re-read. I would have happily paid more and I’m ready to see this comic come into being!

Check out the Kickstarter here – Section Zero

 

* * *

 

 

2) Route 3 by Robert Jeffrey II and Sean Damien Hill
Ends on .

Route 3 Page

“Centuries old prophecies. Shadowy government conspiracies. Super heroic action. Just a typical day for teenager Sean Anderson. Route 3.

Route 3 is a super-powered road trip from hell. A Stone Mountain, GA teen finds out he’s been granted with a set of spectacular abilities, that he knows nothing about. He’s now on the run from a wide array of folks in a sort of super powered arms race across the Southeastern United States. Explosions, gunfights, telekinetic feats of awesomeness, and a little personal growth are all thrown into the mix.”

Egg’s Thoughts:

This series is written by Tessera Guild member, Robert Jeffrey II. It’s an amazing story and high on my list to hold in my hot lil’ hands. But don’t take my word for it, check out John McGuire‘s write up of Route 3 here.

That disclosure out of the way, here’s my succinct thoughts. As a comic, Route 3 is as solid as the granite of Stone Mountain and as engaging as politics. As a Kickstarter from an independent comic book creator, Route 3 is kicking as much @$$ as MMA Fighter, Anderson “The Spider” Silva.

Check out the Kickstarter here – Route 3

 

* * *

 

Grond 3

 

1) Grond #3 by Michael Phillips
Ends on .

“Grond is now Kallok. Obberoth is dead. Valara’s fate is decided by Ugreth. Oublar is close to getting what he desires, being Mok’Dar.

The story starts here….

Grond 3 Cover Pencils

It is dusk on the first day of Krul’suu’luna (The Second Blood Moon). Obberoth Mok’Dar and his two sons, Ugreth and Oublar are strategizing their first attack against the Urughukai’s most hated adversary, King Rolfgar Stonefist. Suu’luna (the blood moon) is the most favored time of year to attack according to the Urughukai history. They believe that the Great Galrog’s spirit, the Urughkan god of war, will join them on the fields of battle to claim victory against the grunnarian race. Meanwhile, the young Grond is training vigorously to prove to his fav’aak(father) that he is ready for battle. Grond will have one chance to earn the title of “Kallok”(warrior) and prove his equality to his clansman or die. Taurok, Juug’la (judge) of the Urughukai and Head Chief of the horde of Clan Bloodtusks is responsible for training and preparing Grond for battle. Par’ Oublar, Ugreth’s brov’aak (brother) has emancipated from clan Bloodtusk to began a new clan by the name of Clan Grotskull. Oublar has not forgiven his father for the decision to spare his brov’aak’s (brother) life for the treacherous betrayal to his father and his clansman for breaking the oath of Grum’vlak, the sacred mating tradition only between the Urughukai. Oublar will get his opportunity to enforce justice now that his father has summoned him and his army to join him against the Fists of the Mountain, the grunnar. Oublar will soon realize that his servitude to his father will be more rewarding to him than he expected. Back at the mountain, King Rolfgar, is fully aware of the fight that ways against him from the powerful Obberoth Mok’dar. He pledges victory once more against the orcan filth and looks forward to seeing Obberoth’s head mounted next to the head of Ukklok Mok’Dar, his father.”

Egg’s Thoughts:

Full-disclosure – I’m working on a comic book mini-series for Midcity Comics (publisher of Grond and the Draconis Project).

This is a fact – There are not enough comic books featuring half-orcs. Like, that’s the one point that we can all agree on as a species, half-orcs need more representation in comics, books, movies, music, video games, and plays! With the exception of tabletop RPGs, their stories are few and far between. To bridge that gap, Grond the comic lives in orc culture using their language and customs to tell of a political power struggle. For the uniqueness of the subject matter of this series alone, help support the half-orc cause, check out Grond!

But let me give you the simplified pitch – “Grond is the tale of a half-orc fighting his pure-blood orc family!”

Either that statement moved you and you’re already looking for the link to the Grond Kickstarter or you were hoping for half-orc/orc love and you’d be better off reading the words of Jeremy Neill. No, none of that half-orc love in Grond, this series is all half-orc fighting orcs in all of its gory glory! Well worth checking out!

Check out the Kickstarter here – Grond #3

 

 

* * *

 

 

Egg Embry, Wanna-lancer™

Wanna-lancer™ Checklist T-shirt available at Cafepress

Interested in being a wanna-lancer? Start with the official Wanna-lancer Checklist t-shirt or wall clock or ice tea glass!

* * *

Egg Embry wrote comic book short stories, edited comic book series, wrote and drew a webcomic, and contributed to comic book journalism across the 2000s. Now, he buys the opportunity to write for a variety of tabletop role-playing games in the tradition of vanity press. His purchases have been published by:

Kickstart the Comic – Route 3: Vol 1

Full disclosure – I might have some interest in Route 3’s Kickstarter succeeding. Robert Jeffrey is not only a collaborator on this very site, but is a writing partner and good friend. I have watched him grow into his own as a writer over the years, and I have see how much sweat and blood he’s put into Route 3. This isn’t just a comic for him. This is a story he’s been dying to tell for some time.

With this Kickstarter, he’s going to get his chance.

***

Route 3: Vol 1

From Terminus Media

Robert Jeffrey II – Writer

Sean Damien Hill – Artist

Omi Remalante Jr – Colorist

Ann Siri O’Brien – Colorist

Kickstarter campaign ends on Sunday, June 18, 2017 at 3:50 EDT.

 

The Pitch:

We are raising funds primarily to get the completed collected edition, Route 3 Vol. 1, printed.

Let me repeat this:

THE BOOK IS FINISHED. COMPLETE. IN THE CAN.

The Story:

Route 3 is a super-powered road trip from hell. A Stone Mountain, GA teens finds out he’s been granted with a set of spectacular abilities, that he knows nothing about. He’s now on the run from a wide array of folks in a sort of super powered arms race across the Southeastern United States. Explosions, gunfights, telekinetic feats of awesomeness, and a little personal growth are all thrown into the mix.

An explosive scene of action from Route 3 #3. Pencils/ inks Sean Damien Hill. Colors, Omi Remalante

John’s Thoughts:

If you look at the top of this page you’ll see Robert’s name alongside my own. If you look on the Terminus Media Facebook page you’ll no doubt see our fingerprints all over the place. I’ve known Robert now for over a decade. This project, this book, has been one he has clawed and scrapped and promoted and talked about and… this list goes on and on. This book is a piece of him. When the last issue was completed, there was a joy there that can’t quite be fully explained. It’s like finally crossing a finish line after years of hard work.

However, the path of the indy comic creator is full of pot holes. Money runs out, print runs don’t happen, and you’re constantly torn between this odd thing of people devaluing your work (“It costs how much!?!”). This Kickstarter will help push the comic to a place where it can start funding itself… hopefully into an issue 4 and 5 and 6 and…

The Rewards:

The Kickstarter is for the first trade of the series which collects issues 1 through 3. There are the options to get either a pdf or the print version sent to you. At the $40 level a couple of digital prints become available. At the $75 level there is a limited opportunity to not only get Route 3, but you can also get a physical copy of Radio Free Amerika’s trade (which Robert co-wrote) (at the time of this writing there were only 7 of these left available).

If being drawn as one of the mercenaries is more your style, there is an opportunity to do just that at the $300 level.

The Verdict:

What’s that saying? The biggest no-brainer in the history of the world? Yep, that’s what this is. Not only is it Robert, so I’m supporting it, but I’m wondering if I can get him to throw in a special print or something… 🙂

Seriously though – so many comic book Kickstarters are looking for funds to even come into being. That is a different kind of crapshot as you can never be 100% sure the book is going to be completed. This is a FINISHED trade. All this money is going to print costs just so that he can get this out there and into the hands of the people.

Plus, he’s tired of the question – How can I buy the trade?

***

For more information on Route 3 or the rest of Terminus Media’s comics, check out their Facebook here.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Kickstart the Comic – The Few and Cursed #3

I love Westerns, but I’m not always sure comics love them. Much like Hollywood where their heyday was long before I was born, now it is a trickle here or there. Again, it’s lucky that Kickstarter exists to allow some of these genres a little opportunity to shine.

Of course, this one might be more of a post-apocalyptic western…

***

The Few and Cursed #3

From 321: Fast Comics

Felipe Cagno – Writer

Fabiano Neves – Artist

Dinei Ribeiro – Colorist

Kickstarter campaign ends on Friday, May 19, 2017 at 11:59 PM EDT.

 

The Pitch:

She has no name, no home, and no family, just a title: Curse Chaser. Water on the planet has been gone for seventy years and mankind has been reduced to a handful few perpetually living in hell.

And no hell is complete without its demons.

People will do anything to survive. When their lives, their children’s lives, when their world has no chance, that old and forgotten evil curse seems pretty reasonable, it’s just that much easier to strike a bargain with the Devil.

But not under her watch.

The Story:

The Few and Cursed is a post-apocalyptic western set in an alternate 1910 where monsters and the supernatural roam the wasteland that is now Earth. Going from town to town, crossing the oceans in horseback, the Redhead is the only variable possible of balancing the scale.

John’s Thoughts:

First, I have to be honest, the title grabbed me. Without knowing anything else, it caught my eye and made me click on the Kickstarter. From there, the setting and genre drew me in, and then the artwork finished the deal. On top of all of that I feel somewhat fortunate to have them already on issue 3 – it means that I’ll immediately have 2 issues to read once the campaign is over! And again, I have to note that it is amazing when you have the opportunity to do just that. Where missing that initial issue (or 2 in this case) isn’t the end for a potential reader.

One other thing about having those other two issues fund through Kickstarter… the 321: Fast Comics guys clearly know what they are doing. The first and second issues originally funded for about $16,000+ each. This one already reached their initial $6000 goal in the first 48 hours and looks like it will outpace those earlier campaigns.

What that really tells me is they not only provide a great product people have come back for each time.

Artwork by Fabiano Neves From The Cursed and Few #1

The Rewards:

Since you might have missed out on the first couple of issues, there is an assortment of both digital only and print + digital rewards to completely catch you up on the comic. As you move up the ladder, there is the opportunity to grab their anthology 321: Fast Comics Vol 1 & 2, a sketch book featuring Fabiano Neves’ art, or even a chase to get some of the variant prints they’ve done for all the issues.

For those with a little more money in their pocket, the $150 level offers an opportunity to get some original Redhead artwork.

The Verdict:

Given their track record with this series (and a couple of other ones as well), plus the interesting idea, and gorgeous artwork… this one is a no-brainer. And if you were on the fence at all, they provide you with an assortment of preview pages from issues #1 and #2 to help sway you completely.

I already locked in to get my digital copies of the first 3 issues!

Artwork by Fabiano Neves From The Cursed and Few #2

***

For more information on The Few and Cursed or the rest of 321: Fast Comics, check out their Facebook Page here.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Behind the Artist – Interview with Antonio Brandao

What’s exciting about doing comics is that you are going to get to work with multiple artists as time goes on. With each, they bring their own experiences and talents to a project in ways you couldn’t begin to predict beforehand. If your lucky they not only design and bring your words to life, but sometimes offer you a view on a character you didn’t even know was there.

I’m thankful to have worked with Antonio Brandao on Gilded Age issue #3.

***

How long have you been creating art/working in comics?

I’ve been working full time in comics since 2008.

At what point did you sit down and decide to become an artist?

At some point I was working in graphic design and started doing some work in comics. The comic work started to increase to the point where it was impossible to keep both doing both, so I decided to chose my life time dream to become a comic book artist.

Have you had any formal training?

I had a few classes related to art in my graphic design course. Other than that no formal training.

Gilded Age Issue 3, Page 1 – Pencils/Inks by Antonio Brandao, Colors By Nimesh Morarji

What’s the first thing you drew?

My first professional work was a penciled 2 issue mini to an independent publisher.

What things inspire you to create art?

I always loved to draw so it comes naturally. I guess everything inspires me.

Favorite artists/creators? Influences?

My favorite artists… let’s see… there’s a lot! From the “classics” John Buscema and Byrne to Mignola, Oliver Coipel, Stuart Immonen,… too many to reference here.

How do you manage your daily life with the art? Is this your 9 to 5 or is this your 10 to 2? If you have the old day job, what do you do? Do you do anything to market/promote yourself?

It depends. Sometimes I have some small side projects, and I have to limit my time working in comics but usually it’s a 9 to 5 thing. Unfortunately I don’t promote myself that much. Only the occasional sketch in my FB page.

What’s your process? Digital vs. by hand? What do you prefer?

Traditional all the way. Blue pencil, pencil, ink.

How do you work? Music while you draw? TV shows? Movies? No distractions?

I put some Youtube documentaries running. I guess I learn some stuff while drawing.

What have you worked on previously?

A lot of independent projects for some small publishers. Some private submissions for some publishers. A bit of everything honestly.

Are there themes and/or subjects you find yourself drawn to again and again in your art? Regarding comics, are there things that draw you in, something you see or read where you must put your own spin on the story/character?

I like to believe that I’m a versatile artist, and I tend to avoid repeating elements in my work. It might happen though…possibly unconsciously.

I always like to give my own spin to a character. Make it mine, without ignoring previous versions if they exist, of course. I especially like visually interesting characters. Something to make me push my limits.

Gilded Age Issue 3, Page 5 – Pencils/Inks by Antonio Brandao, Colors By Nimesh Morarji

Do you have a favorite thing to draw (genre, scenery, etc)? Least favorite?

I love to draw fantasy stuff, maybe because I’ve read a lot of Conan’s stories from John Buscema when I was young. My least favorite is the “slice of life” kind of stories.

What’s the most challenging thing about being an artist in today’s world?

I’d say that the most challenging thing is to make your work appealing enough, sometimes in very limited time, to attract new projects and keep your head above water financially. It’s a worldwide market, and your art must stand out. Managing several different projects at the same time is also very challenging.

Developing a work ethic is hard.

If you could go back ten years, what advice might you have for your younger self? Something you wish you knew?

Draw.

Now draw more!

Practice makes perfect.

Don’t waste so much time.

What is your worst habit?

I drink and sometimes smoke.

Comic book wise, I sometimes tend to procrastinate things.

Gilded Age Issue 3, Page 10 – Pencils/Inks by Antonio Brandao, Colors By Nimesh Morarji

Goals? One year from now? Five years from now?

I’d like to make the jump to some big publisher in the next couple of years. Have some financial stability.

For the Gilded Age, you did the third issue of the comic. Had you ever done any Steampunk styled things before?

Nope. And I haven’t since. I must say that I loved the experience.

I think it’s because of your art that I now have to come up with a story for Vanessa (the Wolf-Girl). She comes across as so playful, I’m not sure if I knew that about her 100% before I saw her appear on the page. Did you have anything that surprised you once you finished a page?

Thanks!

I think that some characters get a life of their own in my head sometimes. It happens unconsciously… probably some hint I pick up when I read the script. Sometimes this gets reflected in the pages I draw. I only notice it when I review my work, and I see the character’s growth from the first pages to the last.

What are you currently working on?

I’m doing a 10 pages’ sci-fi story. A story for kids with super heroes and another sci-fi story for a Kickstarter.

Anything else that you’d like people to know about you (Hobbies? Passions? Favorite TV Show?)?

I love cinema! I think it relates a lot to comics. I also like going out with my friends and I’m an avid keeper of reptiles. Geckos to be specific.

Do you have a Bio that I can post at the bottom of the article? Best place to see your stuff on the web ( website)?

Well, I’m an artist/father, 39 years old. I was born and live in Lisbon, Portugal and I’ve been working in comics for almost a decade now. I grew up reading Marvel comics trying to imitate my favorite artist so I guess that my dream was to work in comics since I was a child.
I’ve been fortunate enough to do that for these last few years.
You can check my work at http://toze-barnabe.deviantart.com/

***

I want to thank Antonio for taking the time to answer all my questions. I’m always humbled by the skills artists provide my words to create something more than any of us could do alone.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Behind the Comic – Terminus Team Up #2

 

Terminus Team-up #2

Writer – John McGuire

Pencils – Shamus Beyale

Inks – Rich Perrotta

Colors – Ann Siri

Letters – Khari J. Sampson

Editors – Tony Cade & Robert Jeffrey II

***

And as I wrote in the intro, I cheated a little with this comic. You see, the point of the Team Up books are to present the character Amber Fox interacting with various other Terminus Media comic books. Issue #1, written by our own Robert Jeffrey II, had her interact with Terra Force.

(And by interact I mean try to steal something from them and pretty much have the whole team hunting her down.)

Issue 2 it was suggested that Amber Fox come to the Gilded Age.

Pencils – Shamus Beyale, Inks – Rich Perrotta, Colors – Ann Siri

I wasn’t exactly behind that idea. Not that I’m against the idea of having other characters pop up in my comics, but more that I wasn’t even sure where to begin with such an idea. At its core, The Gilded Age is a steampunk comic book where the technology level is late 19th Century for the most part. Amber Fox is from a future where she can effectively teleport, she has laser knives as her primary weapon, nanites travelling through her body… how in the world can I possibly make something like that work and not just feel…

Out of place.

This was an opportunity. Not only to tell another story, get another Gilded Age “thing” out there, but to find a way to do it that I was happy with. And like so many times when I’m not sure what to do about a writing related problem – I focus on something else. Allow my mind to work on the problem “behind the scenes” for a bit.

I don’t know where the solution came from, but I hit upon the solution for my problem. It would focus on the Time Traveling aspect of Amber Fox, but from more of a HG Wells inspired way. Looking at the cover above, you can get a good idea of what I might be talking about.

More than that, this needed to have something else. A reason for the story to exist beyond “hey wouldn’t it be cool if”.

From Amazon:

Terminus Team Up shows us the continuing adventures of Amber Fox, a woman who is tasked with recovering all manner of strange and powerful objects across space and time. And while she appears in this issue…

This story is not necessarily about her.

Nor is it about Lucas Knight, the inventor/scientist from The Gilded Age.

This comic is about beginnings and endings…

Think about Time Travel for a moment. What would you want to see?  A question pondered by fiction writers and scientists. And if you were a scientist looking at the end of the century? Could be that endings might be on your mind. And here is this woman with the ability to show you things you didn’t even know you wanted to see.

Things started falling into place. There was just one last piece: Shamus Beyale, the artist for the book. Since he came on the book as I was still working on the rough draft I thought it might be a good idea to see what things he might like to draw. I gotta think the worst thing for an artist is to hate drawing something like horses, and then reading the script where every panel apparently has a horse in it.

And bless Shamus, he came up with the last piece of the story. He mentioned how there was a “sense of death in the story” and he’d “like to see right before the end of things/eras”. End of the dinosaurs, Pompeii, the end of the neanderthals… all of this was just golden stuff and was tying the book together in a way hadn’t expected.

But he had one more… something that had a personal connection to him. From one of our emails about the project:

“The next thing would be something related to my culture. I’m Navajo and our people went through a genocide of sorts called the Long Walk. Although our culture didn’t end with it, we barely survived.”

Page 19 – One of the Long Walk Pages

It’s something I wasn’t even aware of, but once I read a little about it, I knew we needed it in the comic.

***

More than anything, Team-up 2 served to remind me of the truth about comic books: That nothing is done in a bubble. You have collaborators, reach out to them and see what can get them jazzed about doing a story your constructing. Hopefully, it makes them feel as much ownership of the project as the original creator has. In the end, you will have a stronger final product.

And something you can all feel proud of being a part of.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Wanna-Lancer Opportunity – Kickstarter for Sorghum & Spear

Why do I invest in RPG Kickstarters? Beyond the products, it’s to get the experience and writing credits to build a tabletop role-playing game resume. This week, I’m looking at a way to translate my wanna-lancer credits into an opportunity – a fantasy comic book series that seems designed with RPGs in mind.

[Ok, ok, ok… really, I’m looking for a way to push a worthwhile comic by a nice guy!… But there will be the potential for a RPG tie-in.]

Sorghum & Spear Art by Welinthon Nommo

Sorghum & Spear by Green County Creative
Kickstarter campaign ends on Monday, April 17 2017 7:00 PM EDT.

John McGuire did a fantastic write-up of Green County Creative’s Kickstarter for their comic book, Sorghum & Spear on the Tessera Guild. I’m a fan of the property, I’ve met creator/writer Dedren Snead at the Atlanta Sci-Fi and Fantasy Expo (super nice guy), I was happy to back the project, and I’m ready to read this comic book.

What is Sorghum & Spear? Sorghum & Spear is a fantasy saga that follows a group of amazing young girls who are called upon in a time of war to become the last line of defense against the Spora; a pantheon of demons bent on destroying their people and conquering the Eternal Realm.

Green Country Creative is producing an amazing comic for everyone to enjoy while dedicating it to people of color. Through this Kickstarter, Dedren is on a mission to make the world a better place. The Kickstarter has a charitable element that gives to Project Have Hope “to empower women in the Acholi Quarter of Uganda by providing education to both the women and their children and assisting the women to establish business opportunities to promote economic stability and sustainability.

Sorghum & Spear – Marlannah.         Dedren Snead and Welinthon Nommo’s character designs would be perfect for a RPG character sheet.

In the comic book, the story is a fantasy tale of young warrior women maturing into their independence and life juxtaposed against demons and war and last hopes. High fantasy told in comic book form.

The centerpiece of any comic is the artwork. Welinthon Nommo’s art for the covers, posters, and concepts elevates this sword and soul comic series. His work has enough dynamic power to leap off a comic book store shelf and go home with a happy reader. Like White Wolf’s Vampire: The Masquerade used Tim Bradstreet’s art to define the aesthetic of their World of Darkness, I hope to see Green County Creative use Welinthon’s work as their baseline. Its kinetic imagery combined with cell shading colors really makes the world feel vibrant and the characters pop. Just the few images available through the Kickstarter sold me.

Sorghum & Spear – Namazzi.        Dedren Snead and Welinthon Nommo’s character designs would be perfect for a RPG character sheet.

The property, with its story and art style, is ready to jump medias. They’re exploring animation and Sorghum & Spear has a back-of-the-napkin plan to expand into RPGs.

Now, don’t let me put words into other company’s months. Dedren has not launched an official RPG or, as far as I know, conceptualized the game. But the Kickstarter for the comic book has already reached its goal and continues to grow. That’s the first sign there’s real interest and that can translate into additional products.

Because that’s a positive sign, we’ve exchanged a few words and, assuming the RPG morphs from thought to form, I believe we’ll talk again about what I can do to bring this property from comic books to tabletops. If all goes well, I hope to collaborate with Green County Creative on a module or other RPG options. I’m looking forward to that day.

 

* * *

 

Egg Embry, Wanna-lancer™

Wanna-lancer™ Checklist T-shirt available at Cafepress

Interested in being a wanna-lancer? Start with the official Wanna-lancer Checklist t-shirt or wall clock or ice tea glass!

 

* * *

 

Egg Embry wrote comic book short stories, edited comic book series, wrote and drew a webcomic, and contributed to comic book journalism across the 2000s. Now, he buys the opportunity to write for a variety of tabletop role-playing games in the tradition of vanity press. His purchases have been published by:

Behind the Artist – Interview with Sean Hill, Part 2

Welcome to Part 2 of my interview with artist Sean Hill. The first part can be found here.

***

How do you work? Music while you draw? TV shows? Movies? No distractions?

I tend to listen to an enormous amount of YouTube videos while drawing, Or maybe an audiobook. I remember getting through The Song of Ice and Fire series that way. It’s something about sitting down and doing a numbing activity for hours on end while having information spoken in your ear nonstop that just kinda soothes me and helps me focus.

Art by Sean Hill

Do you have a favorite thing to draw (genre, scenery, etc)? Least favorite?

My absolute favorite thing to draw is samurai stuff, a close second is anything urban punk. It’s just a lot to work with for someone like me that gets wrapped up in details and the last thing would be DC or Marvel comics heroes. And I love figure drawing, there are so many different nuances to capture in so many angles that I can really get lost in in and never come out of it.

What’s the most challenging thing about being an artist in today’s world?

There are many, but for me personally it’s perception of the comics industry. When I was growing up I the 90’s we had Image comics and it changed everything. It made comic artists look like rock stars. The industry was making money hand over fist and young impressionable artists like me didn’t understand that this was an exception. That most comic artists don’t make it like this, and that even the most successful artists are spending most days and nights slaving over a drawing table. I don’t think I understood the amount of work that goes into this, and how much those artists that came before me or before Image had sacrificed to make a living at this. When I was young I wanted to work for DC or Marvel and I still do, but I don’t think back then I appreciated the difference between drawing characters for the big two and doing something for myself. Now I weigh those things out everyday. 

Art by Sean Hill

If you could go back ten years, what advice might you have for your younger self? Something you wish you knew?

1st some girl advice then I would him to start focusing on that comics dream now. Honestly at the time I had no idea what to do with art until I was 27 years old. When I started dating my wife I wasn’t doing anything and at the time I had no drive too.

Also I would tell myself to work hard, it’s better than anything. Always be the hardest worker in the room. In life you will always see people smarter, more talented, more connected but consistent hard work beats all.

What is your worst habit?

That’s also a long list but to narrow it down for comics stuff it’s video games. My wife recently got me a PS4 for my birthday and it’s crazy distracting 

Goals? One year from now?

In one year I want to be almost finished with the first chapter of a personal project I’m working on called Nazareth. I don’t want to giveaway too much of what it is but it’s basically a retelling of Christ story with a heavy Sci fi/ fantasy aspect and drawing from the historical social and political issues of the time.

Five years from now? 

In five years I would like to have it published and still working freelance for publishers as well

You did the art for the Gilded Age Issue 4 which is a story that mixes a bit more fantasy with the Steampunk aspect of things (With Charlie taking on a supporting role). How was it to contrast those two things within the framework of your art? 

I really like steampunk though I’ve never drawn it much before. As I was doing my research for the style I was really inspired by the design and attention to detail. As far as mixing the style with fantasy, it’s actually quite freeing in a way. Whenever you develop a style that becomes a genre (because people start telling stories in that particular style) it can become a paradigm. But I think fantasy has a more organic design sense (or at least my interpretation of it does) allowing me to kind of start from a definite place with the art and storytelling but then know I can meddle with it quite a bit and not be afraid of making mistakes.  

Art by Sean Hill – From Gilded Age 4

I know I was blown away by the pages you were turning in, with the last couple being absolutely heartbreaking… did you have any pages that you really had fun drawing or perhaps any characters?

I think I really liked drawing Charlie, he’s such a huge character with this still and settled peace and strength in him. He has such an integrity that can eclipse everything else going on almost like his big bulky frame eclipsing everyone and everything else in a room. 

What are you currently working on?

As for current projects. I’m currently helping out with the Evil Heroes book for Zenescope and doing some Indy work with Jaycen Wise creator Ureaus. Also doing something with artist Mshindo Kuumba, and still chipping away at Nazareth.

Anything else that you’d like people to know about you (Hobbies? Passions? Favorite TV Show?)? 

Hobbies are pretty simple for me, I love weight lifting and video games, I’m already working on my passions with drawing comics, I teach the Bible to middle school students at my church and  Game of Thrones is still one of my favorite shows to watch

Do you have a Bio that I can post at the bottom of the article? Best place to see your stuff on the web (website, Instgram, Deviant Art)?

Yes indeed most of my work can be seen:

http://nazirstudios.blogspot.com/?m=1

https://m.facebook.com/sean.hill.777/photos?ref=bookmarks

https://www.instagram.com/seandamienhill/

***

I want to thank Sean for taking the time to answer all my questions. His artwork and skill have made The Gilded Age all the better for them.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Behind the Artist – Interview with Sean Hill, Part 1

Sean Hill is an artist I’ve had the pleasure of watching grow into his skill. When I first encountered his artwork on Route 3 #1, he was clearly talented, but as he completed each subsequent issue… you could tell that his confidence in his craft was also developing. Of course, it didn’t take long for others to notice as well.

Lucky for me that he had some time, and I had a 4th issue of Gilded Age needing an artist.

Sean took some time out of his busy schedule of conquering the comic book world to answer a few of my questions.

***

How long have you been creating art/working in comics?

I’ve been drawing since I was about 6 or 7 years old. My grandfather (Otis Hill) would draw sometimes for me and he would encourage me to practice it myself. He’d take me to comic stores sometimes and I would try and emulate some of the work I saw in those comics and some books my mom had at home. 

As far as drawing comics though I think it’s  been about six years now ( time flies) my girlfriend at the time ( now my wife) was going to school for animation and she really encouraged me to draw comics since I would always say I used to want to.I think my first gigs were for Saint James comics ( now defunct ) and Terminus Media‘s Amber Fox vs the Terra force. I kinda miss those characters now that I think about it I still sometimes get the inkling to redesign those characters and redraw that book.

HaHaHa.

From Gilded Age #4 – Art by Sean Hill

At what point did you sit down and decide to become an artist? Have you had any formal training? What’s the first thing you drew? 

I remember when I was 7 being a huge fan of Knight Rider and the old Superman movies. I was obsessed with trying to draw them and make it as perfect as I could. I’m not really sure if I ever wanted to be anything else other than an artist. It just seemed like one of those natural callings I guess. I remember looking at that old Levi’s commercial with Rob Liefeld, it was my first look behind the scenes of how comic artists made comics. I think when I saw that though I realized what type of artist I wanted to be.

 What things inspire you to create art? Favorite artists/creators? Influences?

There are a lot of things that inspire me to create, movies, fashion, real life people and places, all that stuff as far as artists the list gets pretty extensive. I think of all the things that do keep me creating there are a few artists that are consistently in my head all the time.

#1 is Bernie Wrightson, I was exposed to his work as a little kid, my mom had The Stand by Stephen King, and, of course, all the illustrations in that are by Bernie.

The other is Gustave Dore from Paradise Lost, another book my mom owned and a lot of Wally Wood and Frank Frazzetta pen and ink work. Also artists like Mshindo Kuumba, Ivan Reis, Todd Mcfarlane, Eddy Barrows, Lewis LaRosa, the list goes on and on.

How do you manage your daily life with the art? Is this your 9 to 5 or is this your 10 to 2? If you have the old day job, what do you do? Do you do anything to market/promote yourself?

I honestly am really loose with the time management thing, most times I keep in mind that I have to do certain amount of pages in a week and I just try to get that done as best I can. Sometimes the deadline is really tight and I have to become more organized but more often than not I find consistency is far better than being a great time manager. If your consistently showing up at the drawing table to get work done it can be better than managing your time well enough to know you might have only two hours to draw for one month straight but you loose steam somewhere In the middle. I find if I just keep showing up at the table and just relaxing a bit about time and just focus on the work, it gets done eventually and most times on time.

The hard part is though this is not my 9 to 5. For that I’m an Inventory manager at an art store and I have a job as a husband to my wife and then from 10 to 3 or 11 to 4 in the morning I’m a decent comic book artist that’s managed to trick people into paying me to draw for them.

As far as promotion I’m admittedly an introvert, I’m quiet I don’t call for a lot of attention really, but I do rely on social media for promotion of my work though. It’s just apart of being in a creative field, you just have to show people what you’re doing in order to get work. I’m mostly on Facebook or Instagram but I sometimes use twitter and blogger as well.  

Sean Hill’s Route 3 Roughs

What’s your process? Digital vs. by hand? What do you prefer?

My process is  really simplistic, I start most of my stuff in my sketchbook. I keep an 11 x17 moleskine sketchbook it’s really big to carry around but I tend to anyway. When I get a script or just doing cognitive storytelling for myself, I get a business card and trace out 5 pages across my moleskine page throughout the entire page. This gives me about 20 pages I can thumbnail on one sheet. I start my thumbnails out pretty tightly, I try to get as much detail as I can and try to really flesh out as much as I can. The more I do at this stage the less I have to do on the final artwork. During this stage I’m referencing as much as I can and trying to get a flow for the story. Once that’s done I use my phone to take pictures of all the thumbnails and upload them to Dropbox or e-mail them to myself or whatever. 

Sean Hill’s Not so Rough Route 3

After that I’m at home and in Manga Studio, I open a story folder with as many pages as I need. From there I drag and drop each thumbnail picture into every corresponding page and start on the pages. 

Drawing the actual page is pretty simple as well, I used to do some pretty tight penciling and then ink my stuff but it was taking forever and as I got more comic assignments I became a little more confident in my inking, I no longer rely on such tight pencil work. As a matter of fact, because it’s digital, I don’t even bother using a pencil brush. I make a new layer over my thumbnail, and I make both layers blue. I drop the opacity on the thumbnail and start roughly sketching over it. When the roughshod are satisfying, I jump right into the inks. When I’m inking, I tend to noodle around a lot and most times it causes me to draw a lot of unnecessary lines but it’s fun, and I’m kinda like going on the fly with the inking anyway.

Cover by Sean Hill & Fran Gamboa

What have you worked on previously? 

I finished some Route 3 a bit ago, and I have been chipping away at a personal project for a while now. I got the chance to do some covers for Zenescope Entertainment’s DeathForce series and also Hellchild : the Unholy. I also got the chance to work on Grimm Tales of Terror: the Monkeys Paw and some DeathForce covers .

Cover by Sean Hill

Are there themes and/or subjects you find yourself drawn to again and again in you art? In regards to comics, are there things that draw you in, something you see or read where you must put your own spin on the story/character?

Three books come to mind that I really felt like I had an obligation to tell this story right, and I felt really connected to. 

#1 Dark Shaman a four part mini series I did for Zenescope, it was about a long dead Native American Shaman who comes back from the dead to seek just for his dead tribe. He start trying to kill this group of college students vacationing in a cabin. Two of those college kids are native themselves and I really enjoyed how the main hero had to get in touch with her culture and roots to over come this Shaman. It dealt with a lot of issues some natives go through with cultural identity. It’s difficult to live in a modern world we’re the culture you should know is either at worse ignored and at best appropriated. 

#2 is Route 3, and again it’s because of identity. The character of Sean Anderson is trying to find his place in the world and is conflicted with the loss of his Mom and the fact he just doesn’t fit in to “black culture” all that well things only get worse when he finds out he has destructive powers he can’t control yet. But it gives him an opportunity to make his place in the world. I can identify with that being s quite kid growing up in “the hood” and not fitting in all that well 

#3 is gonna be The Gilded Age, I though the dynamic between the main characters was interesting and seeing how they dealt with their conflicts was both really entertaining and really heart breaking, but in real life many of us have been on that emotional roll a coaster 

As far as adding things into stories, I think I am more often doing it nowadays then when I first started. I used to have this notion that the writers vision must be adhered to at all times, but I truth comics is a collaborative effort and everyone is gonna bring something unique to that story and that’s fine as long as it services the story. 

***

Sean’s work can be be seen:

http://nazirstudios.blogspot.com/?m=1

https://m.facebook.com/sean.hill.777/photos?ref=bookmarks

https://www.instagram.com/seandamienhill/

***

I want to thank Sean for taking the time to answer all my questions. His artwork and skill have made The Gilded Age all the better for them.

Part 2 of this interview is available here.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Kickstart the Comic – Sorghum & Spear – Book One

Every couple of weeks I journey to my local comic book store, pick up an ever-growing stack of comics, rinse and repeat. I have to keep reminding myself as an independent comic writer, that there are others struggling to get their voices and stories heard. Many of them have turned to Kickstarter to do that. So I am challenging myself to keep a look out for any comic books that catch my eye.

This week is one I’ve been looking forward to for a little while.

***

Sorghum & Spear Book One

From Greene County Creative

Dedren Snead – Writer/Creator

Timothy Geathers – Art Director

Welinthon Nommo – Exterior Art and Concept Design

Kickstarter campaign ends on Monday, April 17, 2017, at 7:00 PM EDT.

 

The Pitch:

When I first started researching this project, I imagined my mighty warrior goddess, Namazzi, holding a spear high to inspire her people as they charged into battle. As I created the mythos of the Eternal Realm and the first arc began to take shape, I wanted to relate my world with something that was symbolic to much of the story; something analogous but not obvious.

I liked the idea that sorghum is an ancient and powerful thing that originated from Africa; a gift that was shared with the world. The ability of sorghum to not just survive outside of its homelands but to thrive in other cultures and civilizations, eventually becoming an integral part of their legacies unveiled a mystical attribute I saw not just of this indigenous crop, but of the indigenous people it represented as well.

The “recipe” of Sorghum & Spear is that every character in our tale is growing and blossoming into something new.

The Story:

Sorghum & Spear is a fantasy saga that follows a group of amazing young girls who are called upon in a time of war to become the last line of defense against the SPORA; a pantheon of demons bent on destroying their people and conquering the Eternal Realm.

John’s Thoughts:

I first heard about Sorghum & Spear about 4 months ago when the creator, Dedren Snead, sat in on a Terminus Media writing afternoon. He had all these beautiful images of these powerful African women holding swords and bows and weird staffs with skulls adorning the tops. There’s magic and there are demons.

I don’t remember if I peppered him with tons of questions or just waited until he gave out little bits and pieces of information. Either way, I was hooked on the idea. Of course, then he broke the news to me that an actual comic book I could buy off of him right then and there did not actually exist… yet. He’d been building up to it, hoping to release a Kickstarter in the Spring of 2017 and… well, look what time it is.

The Rewards:

This Kickstarter is for the first issue of the comic book. In addition to some of the more standard reward levels (screen savers, pdfs and print copies of the book, as well as an 11×17 Glossy art poster), this Kickstarter has a couple of interesting ties to its origins with one level getting you 50 Heirloom Sorghum Stalk seeds and another providing you with a Namakula Wrist Bracelet showing you have contributed to Project Have Hope (who provides sustainable support and economic freedom to women in Uganda by offering their handcrafted jewelry on their behalf).

At some of the higher levels, there is also the opportunity to have your likeness drawn into the book as an “official Marduri villager”. And for those wanting a little bit more information about the world itself, at the $75 level you can get a 22-page print copy of Marlannah’s Hand Journal… really allowing you to immerse yourself in the world and the upcoming storylines.

Do you dare read the book?

The Verdict:

I was a day one contributor. It’s my hope that not only does this Kickstarter fund, but that it drives Dedren and Timothy and Welinthon and everyone else over there at Greene County Creative to put out more issues and, dare I say it, that Animated Series he’s teasing.

***

For more information on Sorghum & Spear – Book One, check out their Facebook Page here.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

 

Kickstart the Comic – Delilah Blast #1

Every couple of weeks I journey to my local comic book store, pick up an ever-growing stack of comics, rinse and repeat. I have to keep reminding myself as an independent comic writer, that there are others struggling to get their voices and stories heard. Many of them have turned to Kickstarter to do that. So I am challenging myself to keep a look out for any comic books that catch my eye.

After a few light weeks, I’m ready to see what might be available.

***

Delilah Blast #1

From Evoluzione Publishing

Marcel Dupree – Writer/Publisher

Joel Cotejar -Artist

Ramon Burge – Colorist

Marco “ETDollman” Della Verde – Letters/Production/Edits

Kickstarter campaign ends on Saturday, March 18, 2017 at 9:52 AM EDT.

 

The Pitch:

I came up with Delilah Blast in 2010 after listening to a Do Something by Britney Spears and Science by System of a Down. Once the idea was sparked, I spent a lot of time to develop the character because I felt like at the time there was a huge lack of strong female characters that depended mainly on their wits. After I mapped out the story, I wanted to make it all ages because at the time there weren’t many all ageas comics besides Tony Titans and Billy Batson and Power of Shazaam.

I met Joel on Digital Webbing, he agreed with my feelings. The 2 of us talked and spent time crafting a world that has elements of steampunk, 50’s scifi and post apocalyptic genres.

The Story:

Science runs the world and the Earth is governed by the E.S.A, the Earth’s Science Association. Everyone is allowed to join the organization on their sixteenth birthday, but unfortunately for Deliah Blast she oversleeps, missing the entrance exams and putting her dream in jeopardy. However, when another opportunity to achieve her dream presents itself, Delilah is more than willing and ready to take it, even if it means going to a dangerous alien planet to retrieve obscure technology that could change the world and Earth forever.

Artwork from Delilah Blast by Joel Cotejar

John’s Thoughts:

I’m constantly lamenting the fact that there aren’t enough people wanting to put all-ages comic books out there. I recall a Heroes Con a couple of years ago where I had to tell various parents with their younger kids that my table just didn’t have anything “age appropriate” for them. And while I’m sure they appreciated my honesty, I came away from that con wanting to find a way to do a comic for those fans.

Sadly, I haven’t managed to do that just yet, but it seems that Marcel Dupree and Joel Cotejar decided to take matters in their own hands!

The Rewards:

This Kickstarter is for the first issue of the comic book. As such, there are the standard pdf version of the comic as well as the physical copy for those more tactile inclined. T-shirts, wallpaper, and trading cards also make an appearance with each increase.

One of the things that I really like is as you go up the Rewards ladder, there includes an “Ultimate Edition” where you not only get the regular issue and backup story, but you also get to see the scripts and layouts. As someone who likes to see how the sausage is made, this often allows the reader in on some of the things which don’t make it to the page.

As you continue up the path, a couple of options stuck out to me, at $90 you get some Delilah Blast goggles – always a cool idea for Steampunk related cosplay. But the big one, the breakout, might be the $100 Best Friend level, where in addition to physical and digital versions (audio as well!), you get a “hand made Tikki Plushy”. That is a little bit of genius.

A plush toy of this guy. How cool is that? Artwork from Delilah Blast by Joel Cotejar

The Verdict:

These guys seem to be doing something to not only reach out to the younger comic readers, but also have some clever ways to potentially push their product down the line. And this is a great chance to get in on the ground floor!

***

For more information on Delilah Blast #1, check out their Facebook Page here.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Behind the Artist – Interview with Nimesh Morarji, Part 2

Last week I started conversing with Nimesh about how he got his start in comics and got some insight on exactly how he sees his job of coloring in regards to telling a great story. This week we get into his work on The Gilded Age #3.

***

Do you have a favorite thing to color (genre, scenery, etc)? Least favorite?

I do believe my colors works very well with SciFi, but I personally prefer History periods like Medieval, Western, SteamPunk. But this genre is a bit tricky, so me coloring this, the editors need to want clean shiny colors over muted muddy colors. My least favorite, I think, is working on a book where you don’t have any chance to be creative, to work on a book where, let’s say everything is established and all you need to do is to copy what’s been done.

What’s the most challenging thing about being an artist in today’s world?

This one is a hard one. I do believe that today you can do whatever you want (well, in the past too, but now it’s more “easier”), so I will say the most challenging thing about being an artist in today’s world is Yourself. You are your own obstacle I guess.

If you could go back ten years, what advice might you have for your younger self? Something you wish you knew?

I think I needed to go a little more back and say “Internet”. In the future there will be this thing called Internet and provide everyone with more chances to do what they want.”

But if I had to go 10 years back I would say that the time I’m wasting learning 3D as a shortcut for not drawing is a complete waste of time. GO LEARN/IMPROVE ON DRAWING instead.

What is your worst habit?

Wondering off on social media. Dammit, that thing will get you!

Goals? One year from now? Five years from now?

My main goal is to make the Comic book industry my main profession. I’ve been working with Indies and I’ve been blessed with the money that it’s coming from this. Also I’ve been learning a lot. My goal for one year from now is to have a bigger client Rolodex that keeps me busy. And from 5 years from now I want to have worked for at least one book on Zenescope and Dynamite and I want to have clients enough to make me give up my regular job and just do comics.

Gilded Age #3 Art – Antonio Brandao Colors – Nimesh Morarji

You did the coloring for The Gilded Age Issue 3 which has a dream sequence to start things off. It’s one of my favorite things in the issue, and I love how you really mixed in some of those darker greens and the red eyes following/chasing Hanna only to wash it away with the knight shows up. How did you land on that color scheme not only throughout that scene, but then contrast it against the rest of the issue.

I’m glad to hear that you like it, I also love that sequence and I do use that sequence as portfolio piece.

After reading the script and looking at the pages I noticed how this 3 pages contrast even artistically. For page one and 2 I wanted to showcase Hanna’s horror and the first thing that came to my mind was Nightmare on Elm Street. I went to see some scenes of the movie and I noticed that when Nancy (the girl from the movie) was dreaming and thus entering the Freddy realm things looked ugly, cold and disgusting. With the third page where the knight shows up I noticed that the artist made this shiny look to it and the first thing that came to my mind was a classical Disney Prince charming thing.

So I tried to translate this 2 feeling (the horror/disgust and the Prince that saves the day) in to colors. I believed the green on Hanna trying to escape would bring that disgust looking feel and it would contrast beautifully with the red glow of the monster while the next bright blue tints page would shine of readers face and evoke that prince charming saving her.

This was a unique scene on the book so I had to be very careful on my color choices because I couldn’t do it again in the book or the effect would be invalidated. So I’m extremely pleased to know that you felt that.

Did you have any favorite pieces within the issue you thought came together exactly the way you had envisioned?

Oh, yes, Page 5, Flashback scene. The muted colors worked very well in there in my opinion.

Also, page 10, that last panel, it’s so beautiful. The Artist drew it so well and with the colors laid down I do believe the reader feels Vanessa’s loneliness at that moment. It is a dramatic panel that I still today look at and feel the sadness.

Gilded Age #3 Art – Antonio Brandao Colors – Nimesh Morarji

What are you currently working on?

I’m currently working on a Project for Wayward Raven Media called Balloon World and I already have lined up to start coloring O Lusitano the first Portuguese superhero and 2 more projects that I can’t name yet due to NDA’s.

Anything else that you’d like people to know about you (Hobbies? Passions? Favorite TV Show?)?

If you guys could check out the Western themed comics that I’m creating that would be awesome I guess.

😛

I´m making it available in WebComics format on nimprod.com and you can read it for free (shameless promotion, I know).

I’m currently spending all my free time on coloring comics and practicing drawing as I’m going to draw my comic later on too but sometimes I take a break and watch some movies, TV shows and read Comics. Westworld is definitely a must watch, are any of you watching it?

Where’s the best place to see your stuff on the web (website)?

Best place to see my stuff probably is my Facebook page https://www.facebook.com/nimeshmorarjiart/ where I post Works in Progress, process, and final pieces.

***

Nimesh also provided a little Bio:

My name is Nimesh.
I’m from Portugal and I’m a self-taught ComicBook Colorist. Currently I’m working in a freelance basis.

In my 3rd year coloring professionally, I’ve worked with publishers, such as Terminus Media, WayWard Raven, and Arcana. Titles that I’ve worked on includes: Carlton Harvey’s Soul of Suw, James B. Emmett’s The Committee, and Chuck Amadori’s Pale Dark.

With a background in illustration, I’m aware of how color can impact a story and my vision is to help creators bring dimension to their worlds. 

***

I want to thank Nimesh for taking the time to answer my questions. And I definitely appreciate his contributions to helping bring The Gilded Age to life.

And make sure to check out his Western Comic at nimprod.com.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Tessera Guild at the Atlanta Sci-Fi and Fantasy Expo 2017 – March 11 and 12

Come meet the members of the Tessera Guild at the third annual Atlanta Sci-Fi and Fantasy Expo on March 11th and 12th, 2017.

North DeKalb Mall in Decatur, GA. Admission is free.

Robert Jeffrey IIJohn McGuire, and Egg Embry, along with Sir Leland Beauchamp, will host four panels over the two days:

 

I AM BlackSci-Fi.com
Saturday, March 11th from 3:00 to 3:50 EST

Hosted by Robert Jeffrey II as well as William Satterwhite

“Since its inception BlackSci-Fi.com’s goal has been to be “the premier site for the latest updates on Sci-Fi, Sci-Fact and Fantasy entertainment, news, people, places, and events and the measure of their impact on the African-American community, while also seeking to inform and inspire the imagination of individuals who aspire to live beyond the boundaries of everyday life”

Join Editor-in-Chief Robert Jeffrey II, and contributing writer William Satterwhite as they discuss the in’s and out’s of working for BlackSci-Fi.com, the websites goals and future plans, while touching on the general state of Black speculative fiction.”

 

You wrote something. Now what?
Saturday, March 11th from 5:00 to 5:50 EST

Hosted by Robert Jeffrey II as well as Bobby Nash and Milton Davis

“Join writers Bobby Nash, Milton Davis, and Robert Jeffrey as they discuss what happens after (or during) writing a book (novel, comic, short story, etc). Enjoy this insightful look into each writers path to becoming a published author followed by a Q&A session.”

 

John McGuire co-hosting: Freelance Writing and the 9 to 5

Freelance Writing and the 9 to 5
Sunday, March 12th from 3:00 to 3:50 EST

Hosted by John McGuire, Robert Jeffrey II as well as Nicole Kurtz, and William Satterwhite

“The Ups, the Downs, and Everything Between
By day, mild-mannered 9 to 5-er, but by night they create worlds! Join freelance writers as they discuss keeping a balance between the daily rigors of their 9-5s and writing careers.”

 

Sir Leland Beauchamp co-hosting: Dice, Kickstarter, Cash-in

Dice, Kickstarter, Cash-in
Sunday, March 12th from 12:00 to 12:50 EST

Hosted by Egg Embry and Sir Leland Beauchamp

“Role-play, write-up, and crowdfund your RPG adventures!
Have an original adventure, series of monsters, or tabletop game? Interested in crowdfunding its publication? Join Egg Embry and Leland Beauchamp for a a beginner’s guide to monetizing your tabletop RPG products. We’ll create a D&D creature to take through a hypothetical Kickstarter (idea to pitch to funding to production to delivery to what comes next).”

 

Egg Embry co-hosting: Dice, Kickstarter, Cash-in

For directions to North DeKalb Mall and this free convention, visit the ASFE website here.

 

 

* * *

 

 

Egg Embry, Wanna-lancer™

Wanna-lancer™ Checklist T-shirt available at Cafepress

Missed the show? Interested in being a wanna-lancer? Start with the official Wanna-lancer Checklist t-shirt or wall clock or ice tea glass!

 

 

* * *

 

 

Egg Embry wrote comic book short stories, edited comic book series, wrote and drew a webcomic, and contributed to comic book journalism across the 2000s. Now, he buys the opportunity to write for a variety of tabletop role-playing games in the tradition of vanity press. His purchases have been published by:

A Thought for Today – Seventeen Years The Wolverine

Welcome to A Thought for Today, a knockoff… er, homage of J Edward Neill’s A Thought for Every Thursday.

Every so often we’ll pose a question (or several) regarding a specific current event, a modern moral issue, or a philosophical conundrum. Instead of answering it myself, we look to you for the resolution.

It’s all in good fun.

Here we go…

 * * *

Seventeen Years The Wolverine
OR
I’m the best there is at what I do. But what I do is… play Wolverine… for 17 years…

Hugh Jackman played Wolverine in nine films. Three in the original X trilogy, three solo Wolverine/Logan films, and three from the new X series. Deadpool is the only Fox X-Men theatrical release that Hugh Jackman did not appear in (though referenced in the movie and during the promotional tour). Jackman stated that Logan (released 3/3/17) will be his final appearance as Wolverine.* For his work on these films, he’s received modest financial compensation (only enough money to buy nations) and two awards – Saturn and People’s Choice. Putting aside the money and assuming, after 17 years, Hugh Jackman really is retiring from Wolverine, what type of recognition does he deserve? In this day and age where 17 years in any job is unique, what would his service merit? If you were the 20th Century Fox executive charged with the fond farewells to Hugh, how would you express ‘thank you for all you’ve done’? A dinner and speech? An award? Solid gold Wolverine claws? Retiring the character (likely in favor of X-23)? Your decision, what does he deserve?

· X-Men (2000) – Won the Saturn Award: Best Actor category
· X2: X-Men United (2003)
· X-Men: The Last Stand (2006)
· X-Men Origins: Wolverine (2009) – Won the People’s Choice Award: Favorite Action Star category
· X-Men: First Class (2011)
· The Wolverine (2013)
· X-Men: Days of Future Past (2014)
· X-Men: Apocalypse (2016)
· Logan (2017)

*Writer’s Note – I’d lay odds that Jackman will cameo in Deadpool 2. And Deadpool will sew his mouth up. And we’ll all laugh despite hating the X-Men Origins: Wolverine reference.

* * *

If you want real philosophical questions from J Edward Neill, check out his A Thought for Every Thursday entries are right here.

For more writing from Egg Embry, wanna-lancer, go here to read about buying a role-playing game resume.

Behind the Artist – Interview with Nimesh Morarji, Part 1

As a writer of comic books the first question people like to ask (after “so you draw the comics”) are – how in the world does that actually work? So many times those same people are completely taken aback by how many hands and fingers touch a comic book page before it becomes something they can see. Even then, it is a bit of magic.

I, personally, think one of the unsung heroes of the industry are the colorists. I’ve been fortunate to work with a couple of good ones in regards to The Gilded Age. So I reached out the colorist on the 3rd issue, Nimesh Morarji, to see if I could get a better handle on just what made him tick.

Gilded Age #3 Art – Antonio Brandao Colors – Nimesh Morarji

***

How long have you been creating art/working in comics?

I would say I’ve created art as long as I remember. As a toddler we all do art I guess :P. But professionally I’ve been working in comic since 2013.

At what point did you sit down and decide to become a colorist? Have you had any formal training?

I’ve been wanting to develop my own comic book since around 2005. It’s a western themed book where Women take the lead in a shared universe. My ability to draw at that time was very limited as I gave up drawing a long time ago. So around 2005 I was trying to develop my comic using 3D software like Poser, and I learned a bit of modeling on Maya and 3DS Max, but the results never satisfied me. It always looked very stiff from what I wanted to do. Then after some frustrating years of learning Max and Maya, I started to look other options.

Digital Painting was starting to be a thing and lots of artist were posting stuff about it. I fell in love with what they were doing, so I started to learn that. Comics started doing digital coloring as a norm and comics were my true passion. I believed that with what I learned with digital painting could help me focus on digital coloring, I could always get some gigs and with that money I could hire artists do draw my comic, and I could color it.

It sounded like a perfect plan in 2010, After this amazing *cof* cof* cof plan set up, I saw a DC comic book colorist making some online course available with opportunity to One on One while we were doing the classes, so I decided to invest on that.

What’s the first thing you colored?

The first thing I colored professionally? I think it was The Almighties from Actuality Press.

What things inspire you to create art? Favorite artists/creators? Influences?

I think Movies, TV Shows and books inspire me, I like to be entertained so I love to entertain as well. Favorite Artists in coloring are Marte Gracia and Justin Ponsor. I love the way they use bright saturated colors and make them look “real” with great use of lighting and the ability to tell the stories with colors. I will never forget how Gracia did a shock scene in ALL NEW X-MEN by showing the characters in black and white. I loved it.

I think it’s safe to say that Alex Sollazzo, Gracia, and Ponsor are my influences.

How do you manage your daily life with the art? Is this your 9 to 5 or is this your 10 to 2? If you have the old day job, what do you do?

My daily life is extremely busy to be honest. I gave up a lot of things in my life to work on this. Since I was a kid (we are talking on the 80´s here, and yeah I’m old)I dreamed working in the comic book industry, but here in Portugal there isn’t such industry. So, at one point I shifted to the movie industry but my family never believed that the entertainment industry would fit me as they wanted me to carry on the family business (being a commercial person or economist and stuff like that) so they pressured me to not pursue what I wanted.

I caved in and did what they wanted.

After living unhappy all my life doing things I didn’t care for or liked, I turned my back to everything to start over and do stuff that I wanted, so now with 3 years of professional career I’m betting all my chips on this and so far I can’t complain.

I do have a day job while I’m moving up on my career as a Comic Book colorist and coloring/working in this industry is what I want to do.

Do you do anything to market/promote yourself?

To Market/Promote myself I usually post my stuff (as projects allows) on social media, DevianArt and such.

What’s your process like when you are preparing to color a comic? How do you make sure that you are enhancing the artwork?

I don’t believe that the colorist job is to enhance the artwork, I do believe that the colorist job is to help tell the story with colors. Creating a mood in a panel, making the reader feel the shock that the characters are feeling or making the reader feel the fear of the scene happening. This is what I believe the colorist is there for: to help tell the story.

My process usually is, read the script and take some notes of important dramatic things happening on the story then I do research. I go online and try to see some still images of movies or tv shows that tried to convey that drama, what they did, how they did, and I analyze all that. I like to color when I have all pages ready cause this way I can lay down colors on those important moments to help me set the mood of the book and create a guide line for the rest.

Gilded Age #3 Art – Antonio Brandao Colors – Nimesh Morarji

How do you work? Music? TV shows? Movies? No distractions?

I prefer watching streams. I know, it’s odd. watching people work while working, lol. But yeah, I love to hear other artists talk about their experiences in life of art and that motivates me to work instead of wasting my time going on Facebook and such.

(to be honest, you will find me more on social media when I’m at my regular day job rather than when I’m working on comics :P)

What have you worked on previously?

On comics? I started on a webcomic dedicated to Marvel’s character called NOVA, and then I worked on the Almighties. After that I met Chuck Amadori online and it led me to work with Isle Squared Comics on a couple of titles and later they helped me develop my Western comics. Wayward Raven Media got me for 3 of their titles (currently finishing on one of it) and Terminus Media. Along all this I worked on 2 or 3 titles for Portuguese comics. I’m currently coloring the First Portuguese super Hero title (I believe it’s issue 5) and did some work for Arcana Anthology as well.

It’s been 3 crazy years going from my regular job to sitting on the computer and coloring comics in my free time.

Are there themes and/or subjects you find yourself drawn to again and again in your work?

I try to avoid doing the same over and over again and on coloring its hard because even though there are millions of colors not all of them work well together. But I guess there are Blue/Orange colors that I keep doing most of the time, but I try to do more.

***

This is only the first part of my conversation with Nimesh. Check out Part 2 next week.

***

Nimesh also provided a little Bio:

My name is Nimesh.
I’m from Portugal and I’m a self-taught ComicBook Colorist. Currently I’m working in a freelance basis.

In my 3rd year coloring professionally, I’ve worked with publishers, such as Terminus Media, WayWard Raven, and Arcana. Titles that I’ve worked on includes: Carlton Harvey’s Soul of Suw, James B. Emmett’s The Committee, and Chuck Amadori’s Pale Dark.

With a background in illustration, I’m aware of how color can impact a story and my vision is to help creators bring dimension to their worlds. 

***

I want to thank Nimesh for taking the time to answer my questions. And I definitely appreciate his contributions to helping bring The Gilded Age to life.

And make sure to check out his Western Comic at nimprod.com.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

You Got Time Travel Mixed With My Steampunk!

This past week, Terminus Media debuted digital copies of their Team Up books: Terminus Team-Up #1 and #2.

Yours truly wrote the second issue.

Pencils – Shamus Beyale, Inks – Rich Perrotta, Colors – Ann Siri

From Amazon:

Terminus Team Up shows us the continuing adventures of Amber Fox, a woman who is tasked with recovering all manner of strange and powerful objects across space and time. And while she appears in this issue…

This story is not necessarily about her.

Nor is it about Lucas Knight, the inventor/scientist from The Gilded Age.

This comic is about beginnings and endings…

***

You can download it from Amazon here.

And don’t forget about issue #1, by our own Robert Jeffrey II, here.

 

Sci-Fi! Action! Adventure! Oh My!

First and foremost, posts are coming.

Like, soon. 🙂

Wanted to kick things off though with a new release announcement. If you’re looking for some awesome comic books, and sci-fi adventure check out some new offerings that I’ve written below.

The Scribes of Nyota: Our Voices, Our Imagination, A Compendium 

I’ve got a story in The Scribes of Nyota: Our Voices, Our Imagination, A Compendium, titled The Crossing: Moonlit Skies titled The Crossing: Moonlit Skies.

Edited by Maurice Waters, President of BlackSci-Fi.com and Creator Shawn Alleyne of Pyroglyphics Studio, “The Scribes of Nyota” aims to inspire imagination, while shining a light on a segment of society whose stories aren’t often heard.

Definitely check out the book because there are a collection of awesome stories and art to be found in the anthology.

The Crossing: Moonlit Skies, tells the story of two dimension hopping heroes, who find themselves on the run from crazy moon god worshiping acolytes.

In other words, for our protagonists, a typical Monday.

There’s gun play, hover trains, snappy dialogue, and high action. The story acts as sort of an interlude within a comic book series concept that fellow Tessera Guild member/ novelist/ comic book writer John R. McGuire and I have come up with.

Stay tuned for more news on the comic book series, but for now you can take a dip into the world of The Crossing by picking up the anthology here.

 

Terminus Team Up #1

Who doesn’t love sci-fi superheroics with great dialogue, awesome art, and kick ass stakes?

Not you intrepid reader! You can find all this and more in a story I wrote titled Terminus Team Up #1: Amber Fox vs Terra Force.

A description of the book reads “Amber Fox is just your regular dimension hopping acquisitions expert. But sometimes you end up needing to take a job from the more shady of characters. So when Amber is hired to steal a rare item of note from a team of super-powered individuals known as Terra Force, she may have overstepped her bounds. And let’s just say that Terra Force don’t take too kindly with people breaking and entering…”.

You can also pick up Tessera Guild member John McGurie’s second issue in this series that takes place in the world of his creator owned project The Gilded Age, here.

And more posts are coming, I swear.

Kickstart the Comic – Vessels #2: The Traitor and the Bear

Every couple of weeks I journey to my local comic book store, pick up an ever-growing stack of comics, rinse and repeat. I have to keep reminding myself as an independent comic writer, that there are others struggling to get their voices and stories heard. Many of them have turned to Kickstarter to do that. So I am challenging myself to keep a look out for any comic books that catch my eye.

The great thing about these Kickstarter projects is that many times even if you missed issue #1, they make it very easy to catch up.

***

Vessel #2: The Traitor and the Bear

From Card Shark Comics

Dave Cook – Creator/Writer/Publisher

Rafael Desquitado Jr. – Artist

Dennis Lehmann – Colors

Micah Myers – Letters

Kickstarter campaign ends on Sunday, March 5, 2017 at 8:19 AM EST.

The Pitch:

Vessels is the brainchild of comic writer and multi award-winning video game critic Dave Cook AKA Car Shark Comics, and is a love letter to RPG gaming – most notably the From Software series Dark Souls.

It stars Wake, a gifted warrior with the ability to enter the realm of dreams and bend it to her will. She and her comrades G’Dala (a skilled mage) and Marillon (a master thief with a motor mouth – like Deadpool!) and tank-class D’Saahl set off to halt the imminent death of their world.

However, the laws of reality are breaking down as the Veil seeps into the waking world. Logic, physics and time are becoming convoluted, with weird and deadly effects, such as the giant teddy above which falls from the sky in issue #2.

The Story:

Our hero – a legendary warrior named Wake – and her companions G’Dala and Marillon must travel the land to halt the decay of reality itself, and unravel the mystery of the Vessels – five bloodthirsty knights hell-bent on stopping Wake from completing her goal.

John’s Thoughts:

One thing the regular comics scene doesn’t do very much of is fantasy based comics. I’m finding that sub-genre is certainly finding its footing through Kickstarter related projects. Vessels looks as if it is following a bit into Dark Tower territory with the idea of a more fantasy world suddenly coming into contact with very strange objects (see: a giant teddy bear). A world in transition with our heroes trying to save the day… or at the very least trying to let the world that they know hold on for a little bit more. And of course the enemies who will do everything in their power to ensure there will be no happy endings.

One other nice thing is you get a little sampler of the first four pages of Vessels #2 linked on the Kickstarter page.

The Rewards:

This is the Kickstarter for the second issue of the comic book. However, they make it very easy for you to immediately catch up with the series by offering reward levels containing pdfs or physical copies of Vessels #1 & #2. In addition, there are opportunities to get some prints… one of which is the excellent throwback to the 8-bit era showing our heroes as old-school video game characters. Lastly there is the opportunity to also sample a couple of their other series: Bust and Comichaus as add-ons to your Vessels orders.

The Verdict:

I love the opportunity to see how others world build (or maybe in this case it is world destroy). Fantasy settings offer all sorts of opportunities to shake up the genre and make sure you leave the readers guessing at what your next move might or might not be. Again, having a giant teddy bear drop out of the sky ensures this reader that things are going to be different from what you think.

And that is a very good thing. I look forward to reading it.

***

For more information on Vessels #2 and Card Shark Comics, check out their Facebook Page here.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Behind the Artist – Interview with La’Vata O’Neal

Doing this comic book thing as a writer who can barely draw stick figures means I have to lean on the artists who work with me. There is a level of trust that must exist when you hand over your finely crafted words for them to work their magic. So far, I’ve been very lucky in this regard on all the various comic related things I’ve done, but that is especially true with the Gilded Age.

I was happy when I reached out to La’Vata O’Neal (who has done the cover for the Gilded Age Graphic Novel… more on that later…) and she agreed to an interview.

***

How long have you been creating art/working in comics?

I’ve been working in comics since Mr. Tony Cade decided to pick me up to do some work for him.

(Tony Cade is the Editor-in-Chief over at Terminus Media.)

At what point did you sit down and decide to become an artist? Have you had any formal training? What’s the first thing you drew?

When I was little I was interested in shapes and figures, still am of course, anything that isn’t a number or word! Though, I’m interested in writing due to its creative nature as well.

What things inspire you to create art? Favorite artists/creators? Influences?

I didn’t have an early influence back then because it’s really like an old love. It’s the serenity of it, though now I’m greatly inspired by many artists now, deceased or living. I’m particularly fond of old paintings because of the way they were able to capture a story in one image. They spoke with such power with just one image.

How do you manage your daily life with the art? Is this your 9 to 5 or is this your 10 to 2? If you have the old day job, what do you do? Do you do anything to market/promote yourself?

I sketch daily and paint weekly, it’s like my fingers are possessed-

I’m joking!

I do sketch daily though to keep the creative flow. Whatever I produce in sketches I try to share and it keeps me relevant. I post to facebook, tumblr, and Instagram as the best way to market myself. At some point during the week though I’m always interested in learning new creative ways of doing art, so I’m usually reading up on some art form or for example how to do animation, etc. But At the moment I’m juggling a 9 to 5 job on top of the freelance business.

What’s your process? Digital vs. by hand? What do you prefer?

I love both to be honest; traditional is more expensive so the digital helps keep the budget down-but both, all day every day if I could! My process is a longer explanation, but a lot of it derives from traditional practices.

How do you work? Music while you draw? TV shows? Movies? No distractions?

I love to work while listening to music and if not music then an audible book.

What have you worked on previously?

I worked on a mobile game app, doing character design and illustration.

Are there themes and/or subjects you find yourself drawn to again and again in you art? In regards to comics, are there things that draw you in, something you see or read where you must put your own spin on the story/character?

Let’s see, reoccurring themes…Fantasy mostly, I’m most drawn to that I believe. But realistically, I’m drawn to anything that’s fiction as long as the story is good! As for putting my own spin on characters, it’s something I reserve for others to do at the moment.

Do you have a favorite thing to draw (genre, scenery, etc)?

My favorite thing to draw are fantasy characters, they’re interesting in their own way because they’re so dynamic and otherworldly. But as long as character has enough character they’re interesting to me.

What’s the most challenging thing about being an artist in today’s world?

I would say keeping afloat, isn’t that always the case though. It’s rough being freelance if you don’t know what you’re doing.

If you could go back ten years, what advice might you have for your younger self? Something you wish you knew?

Wow…hm…I know exactly what I would say and it has everything to do with being more exposed to the art world. The more exposure the more you’ll understand.

What is your worst habit?

My worst habit…daydreaming, maybe? Lol

Goals? One year from now?

Let’s see, one year from now I look to be employed by a studio and not just doing freelance, I’d like to try being under some other artists so I can learn more.

For the Gilded Age, you worked on the cover to the trade (which is amazing by the way). I know we went back and forth with some ideas about how to present the characters, but it seemed like the tarot card idea just worked not only on a story level, but visually just nailed it. After we figured out that direction, how long did you work on those pieces – fine tuning them?

It might have taken me around 30 total hours to complete the cover. It was a very pleasant experience working on the Gilded Age trade cover!

Have you worked on any Steampunk style images before?

I have not actually but trying something new is always a learning experience and it can also be fun!

What are you currently working on?

I am currently working on my own project which still needs time to develop but it’s in the works, so keep an eye out! 😉

Anything else that you’d like people to know about you (Hobbies? Passions? Favorite TV Show?)?

Well that depends if people really want to know! I like being the mysterious type.

Where’s the best place to see your stuff on the web (website)?

www.leonealart.com

***

I want to thank La’Vata for not only taking the time to answer my questions, but for being such an amazing artist. The cover for the Gilded Age Trade is ridiculous in every (great) way!

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Why Collaborate?

Every day that I keep at this – the writing, the editing, the story-telling – I’m hopefully getting a little better. But much like an athlete who trains by themselves, eventually they must turn to others in order to truly gauge how good they are, where their deficiencies might lie, and what things they can do to simply improve overall. They say you can never improve unless you are playing with people who are better than you are.

It’s not that much different on the writing side. Except that writing lends itself more to the solo aspect. You could go days or weeks or months without any feedback on the next project you’re writing. The only comfort you gain is knowing the story is progressing. That, too, can be just as maddening.

I think it is why I not only like to collaborate, but I seem to seek out such opportunities whenever I can.

During the earliest days of Terminus Media, when it was just a group of 5-6 guys trying to figure the whole “writing” thing out. Times where we might not even know what we did not know. Every week was a new potential project, every week was a new idea presented by someone at the table, and we did our best to foster that sharing. You could see where other people were having problems, and hopefully, not make the same mistakes on your own work (you inevitably did, of course).

I started to learn how to accept (constructive) criticism by sharing my words with others. I learned that the best way to learn was to DO the work. If there was a project that needed something written, the following week was spent figuring out how to actually write a short film script, or a TV script, or a comic script.

One week I had no idea and the next, knowledge replaced the nothingness.

Years later, Mr. Neill and I were talking about a serialized possibility. Here we both were trying to finish novels or start new ones, but there was something about getting our heads together and seeing what could happen.

Hollow Empire happened.

The biggest benefit, unseen by me (and probably cursed by Jeremy later) was editing. You effectively add a partner in this realm as well. Hopefully their strengths can fix your weaknesses and vice versa. Perhaps you are a little too sparse in your descriptions and your partner too sparse on the dialogue – now’s the perfect opportunity to learn from each other.

In those first drafts, which Jeremy edited to the bone, my prose got a little tighter. When I got new chapters in from him, it forced me to push to get better. I wanted him to be excited when my emails came rolling in. We all need to be pushed. Having a partner, someone you are accountable to, means that when you aren’t hitting your deadlines then you’re letting someone else down. Building the world through these characters in a way that makes the whole work really about those characters more than about the “Big Events” which may be going on around them.

Getting better with every keystroke.

In the last couple of years, I’ve worked with Robert Jeffrey on a pair of projects. Each of us bringing some ideas to the table and we settled on one idea from each list: The Crossing & Entropy.

The thing is that with another head there, you obviously have double the potential ideas. However, you are really forced to push your own ego aside… for the betterment of the story. When it is only you, it means a singular vision, but it also means you’re pretty much confined to whatever the old brain comes up with. With another person contributing ideas, you have more opportunities to find the best idea. You’re no longer insular… BUT you have to be willing to allow the other person to have that idea. If you are the type of writer who can’t deal with writing “someone else’s story” then you might as well stay a solo act.

To live in someone else’s world where much of the original idea was someone else’s, but you could still be a cog in the machine and help it get further than it could have done on their own. The ability to make something better than one person simply through the ideas being shared and passed back.

But the best part is being able to lean on someone else to help carry a bit of the workload. And when Writer’s Block threatens to show up, you simply give your co-writer a call or email. That way they can talk you off the ledge, getting you back to work all the sooner.

The dirty secret about all of this, whether it is short stories, novels, comics, film, or whatever… it doesn’t have to be such a lonely pursuit. You DON’T HAVE to go it alone. You can help your fellow creators, and they can help you as well.

Hopefully each learning a little bit more through the experience.

 

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Kickstart the Comic – Grinidon: A Fantasy Graphic Novel Vol 2

Every couple of weeks I journey to my local comic book store, pick up an ever-growing stack of comics, rinse and repeat. I have to keep reminding myself as an independent comic writer, that there are others struggling to get their voices and stories heard. Many of them have turned to Kickstarter to do that. So I am challenging myself to keep a look out for any comic books that catch my eye.

There are hidden gems running around out there, they only need to be uncovered and enjoyed!

Artwork from Grinidon by Erwin Arroza

***

Grinidon: A Fantasy Graphic Novel Vol 2

from Grinidon

J. Miles Dunn – Writer, Publisher

Erwin Arroza – Artist

Kickstarter campaign ends on Sunday, January 22, 2017 at 5:21 PM EST.

 

The Pitch:

Before beginning Volume 1, J. Miles Dunn spent more than twenty-years developing the story and characters of Grinidon. He wanted to create a world with depth and history to make the experience as rich and authentic as possible. Each character and faction has their own story and motivation, and as you read the series, you continuously discover new and interesting things to explore.

The Story:

Carnasus, the capital of the southern kingdom, lies in wait of its destruction. They know they cannot defeat the northern army that marches to destroy them, so if they do not find some way to prevent this attack from happening, these will be the final days of their long and bitter war.

In secret, and against the wishes of the city’s Regent, a disgraced knight has been tasked to lead a group of companions to assassinate the king of their advancing rival.

Artwork from Grinidon by Erwin Arroza

Meanwhile, far away to the north at the camp of Carnasus’ enemy, Prince Demetrius prepares the army for the arrival of his father – and begins a countdown to his own end, as well.

Artwork from Grinidon by Erwin Arroza

John’s Thoughts:

Sometimes the best part about missing out on the very first Kickstarter they did for Volume 1 is that you don’t have to wait to get some piece(s) of the story (assuming you’re looking at a digital version of the book). So it is with Grinidon.

More than that, what’s amazing is how Erwin Arroza manages to do so much with light and shadows in the preview pages. Every image conveys some level of importance with no panel out of place or unnecessary. It doesn’t matter if he’s showing us a storm on top of a mountain, or a fleet of ships with the sun at their backs. This world is immense. There is heart and soul in every shot.

From Dunn’s own backstory, TWENTY YEARS working on this story, I’m fully expecting an epic tale where the story pushes at every boundary a comic has to offer. To have the fortitude to not give up his dream at some point along the way (20!), it helps those of us struggling with getting our own projects out there something to aspire to.

The Rewards:

Whether you supported the first volume or are showing up only now, there are an assortment of potential reward levels to either scratch your digital or physical itches. At some of the higher dollar levels, $250 and up, you also have the opportunity to get your likeness used as a recurring character. Definitely a cool idea for those looking to possibly spend a little more in order to have this book see the light of day.

Scrolling down you get to see various images they are providing as 11×17 prints. Everything from the book’s logo to Volume One’s cover to an alternate print (“by popular demand”).

Something I really like is that among all of the other images from the comic, of t-shirts, and extremely cool acrylics, is a couple of pictures showing how your physical copy will be shipped. I don’t know if that type thing would sway anyone, but it is certainly a nice final touch. And it shows a level of detail that you might not always find with other Kickstarters.

One last bit of information… “Beginning now through February 14th, we are accepting submissions from our fans to create an alternate cover for Volume 1 of our series!”

While it might not directly impact the Kickstarter, I believe it could be another way of spreading the word in these last few days. And if you are an artist, it could be a way to help yourself out with a bit of exposure and potential art credit.

The Verdict:

These guys clearly know what they are doing as they’ve past their original goal of $8,000 with 5 days left to go. I’m excited to contribute to the project and can’t wait to read these two volumes!

 

***

For more information on Grinidon: A Fantasy Graphic Novel Vol. 2, check out their website here.

For the full information on the Fan Art Competition, check out their Facebook Page here.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Kickstart the Comic – Quest for the Last Tree

Every couple of weeks I journey to my local comic book store, pick up an ever-growing stack of comics, rinse and repeat. I have to keep reminding myself as an independent comic writer, that there are others struggling to get their voices and stories heard. Many of them have turned to Kickstarter to do that. So I am challenging myself to keep a look out for any comic books that catch my eye.

Plus, should I ever run a Kickstarter for The Gilded Age, maybe I can see what worked or what didn’t work and apply those lessons.

***

quest-for-the-last-tree1

Cover to Issue #0 by Noor Rahman

Quest for the Last Tree

from Conflux Comix

David Seropian – Writer, Letterer, Publisher

Noor Rahman – Artist, Graphic Designer

Kickstarter campaign ends on Thursday, November 17th, 2016 at 12:14 AM EST.

 

 

 

 

The Pitch:

QUEST FOR THE LAST TREE issues #1 and #2 introduce a unique pair of heroes: Lucine and Asterion. She’s a teenage warrior priestess who shines with light. He’s a very hungry minotaur who lurks in the shadows. Together, they’re a “beauty & the beast” team like nothing you’ve seen before!

The Story:

A thousand years from now, Earth is shrouded in eternal darkness: an endless winter’s night. In this post-apocalyptic future where science and sorcery meet, a girl named Lucine grows up in a hidden monastery, home to a sisterhood of women dedicated to the service of the goddess Gaia. Trained from childhood to become a warrior priestess, Lucine comes of age and travels to a far off village to take her first lover. There she falls for the wolfishly handsome Moki, who seems to be kind – but in this savage world, can any man be trusted?

John’s Thoughts:

Egg Embry and I always lament that there aren’t more fantasy comics out there. Growing up on the Dungeons and Dragons cartoons and then the various Dragonlance or Forgotten Realms books… it was always a little odd that the genre didn’t cross over into the comic book format more often. So here’s a ready to read fantasy style story, so we’re part of the way there.

The kicker (forgive the pun) is that they have the first seven (7!) pages of issue #1 to try out. This is a wonderful idea, as so many times the backers don’t always know exactly what to expect from the actual story being presented. Here the preview shows much of Lucine’s backstory, from being raised in the monastery to receiving her Mark of Sisterhood.

The thing is, you can have a great story, but if the artwork doesn’t feel right or just doesn’t match, then it doesn’t much matter.

Lucky then that Noor Rahman is extremely skilled in the art department. And showing me those pages only helps to reinforce that aspect.

But who am I kidding here? You had me at a girl and her Minotaur.

quest-for-the-last-tree2

Covers for Issue #1 & #2 by Noor Rahman

The Rewards:

From the small amount of research that I did, it appears earlier this year issue #1 came out, so with the $5 first level (normally a “Thank You” level) you not only get the Thank You, but also a PDF of that issue. At $10 you get digital versions of both issues. Print versions of both appear at the $25 level.

One interesting idea mixed into their rewards is the Kickstarter exclusive issue #0, which is a fancy way to give us a combo print copy of the first 2 issues, an all-new cover, and 8 additional pages of concept art. I know many people who back projects love things that are exclusive, as it let’s them feel even more a part of the process (and let’s the creators provide them with something that is fairly unique to that particular moment in time as another kind of thanks). This seems like a slam-dunk idea here. It shows up in the $50 level.

Looking over their unlocked stretch goals, they include a pdf of issue #0 for everyone at the $10 level and up and signed print copies.

The only locked stretch goal is to Meet the Makers (available to those backers of $100 or more), which allows offers a 30-minute video conference with at least one of the creators (and possibly both).

The Verdict:

I only wish I’d found this one a few days earlier as we are closing in on the last day. Lucky for me, they are above their original goal of $6,050 and on their way to funded.

This is a obvious “Yes” for me.

***

For more information on Quest for the Last Tree, check out their website here.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Behind the Comic – Anatomy of a Panel

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One panel.

How much can we cram into one panel? It’s one moment of a story. Yet, in a medium where you might only have 5-6 of them on a page, and then perhaps only 20-24 pages total… there’s not a lot of room to waste. Every panel has to have a purpose within the story.

gildedage0204_pencils-panel-1

 

The Gilded Age

At a time where the Industrial Revolution collides with the twilight of magic, the vaudevillian Branning Troupe, made up of actors and carnival folk, moves throughout Europe performing its acts. And each member has their own desires and secrets…

Issue #2

Page 4 – Panel 1&2

The Team

Pencils – Sheldon Mitchell

Inks – Rich Perotta

Colors – Tom Chu

Letters – Khari Sampson

Concept

A slight cheat, but as you can see, these two panels are really pieces of each other. Much like on TV or at the movies where I wanted to try to emulate that idea of transferring from a previous moment to this moment… here and now. Then we pull out to see this man: Silas Gideon. As much as anything else, and even though we see him on the first 3 pages, this is our real introduction to the man for whom this story is about.

So what do we see?

A gun, empty glasses, a mechanical arm, a long face, and scars… lots and lots of scars. This is a man who, as the previous pages would show, has been through wars. More than that, this is a man who is weary. Perhaps someone who has to find a bit of sanctuary inside the bottom of a glass. Someone who knows the way of the gun and is tired of it.

The Script

Page 4 Panel 1

Inset panel.  Close-up on Silas’s eye.  Now.  He is older (forty-something), so the years of service, battle, have aged him.  There is an intensity that occupies his face… his “being”.

Narration – Greece, 1881

Page 4 Panel 2

Pull back and see that he’s staring at his own reflection in a dirty old mirror (the kind that would sit on top of a dresser), the edges of which have already turned a milky white.  He should have his fair share of scaring along his chest, old bullet wounds, knife slashes, and other untold ones.

Here you can see what I wrote. These were the things I was trying to convey to the artist. I try to explain something more than just the image that I have in my own mind to the artist. My hope is to give them a glimpse of what I’m thinking. Technically I could have said “Close-up on Silas’s eye.” and that would have probably been enough. However, I need to add more (for my sake as much as anything). Talk about the battles. Talk about the intensity.

In panel 2, I’m trying to convey more about what is around him because panel 1 is about him (why I coupled these two panels together here). I spent most of my time with the scaring, because I believe, more than anything, this scarring is just an external image of what he is internally fighting for every day.

gildedage0204_lettered-panel-1

 

The dialogue that was included in the image above is not in the script. Actually, it is in the script, but was listed under Panel 3. The letterer shifted it to this panel which is an interesting choice. Sometimes they’ll do that so as to fit my words on a page, but Khari Sampson is adept at reading the script, seeing the images, and acting as a final eye on the project. Here the shift adds to that little bit extra to a panel that might have been needing just a little bit more.

It’s spoken by someone off-stage (someone we’ll meet in the very next panel, in fact).

“Does it bother you anymore?”

What? Life? Death? All of it? That’s our question. That is a heavy line for a man who might not know what answer to give.

***

Comics at their core are collaborative. They must be. You take an idea, give it shape with words, the artist turns those words into a visual, the colorist blending colors in and out of the shapes, and the letterer finding a way to fit sometimes way too many words into the space of one panel.

Every piece needing to work in conjunction so as to build a story.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

What This Blog Looks Like Now Will Shock You!

Good things take a while. Bad things arrive instantly wherever they are not wanted.

Projects drag on for much longer than you ever thought possible. And I have the patience of… well, something with a lot of patience. There is a fine line between patience and stubbornness. Most times, I’m not sure I understand the difference. Either way, I do my best to remain upbeat about the little hiccups. I try not to worry about the medium-sized issues which tend to pop up every now and again regardless of the project you might actually be working on right then and there.

But when it all goes sideways. When Lucy pulls that damn football out from under you just as you prepare to strike the goal.

lucy-football

That’s the moments that make you wonder if the Thing is ever going to actually happen.

I worry about what other people think. Not in the way you’re probably thinking. More in the writing itself. I wonder if people have it in the back of their minds that “oh, it’s nice he’s doing that comic book thing. Oh, that’s good he did that novel thing. But…”

And the “But” could be any number of things, but in my mind what the “But” signifies is that age old question so many writers tend to want to worry about – Am I a real writer?

Said with the same emphasis Pinocchio might have used when he asked if he was a real boy.

pinochio

You see, to my friends and family I wonder if they view this as a Hobby? Dreaded word that is. That maybe I’m just staying up until 2 in the morning because I got nothing better to do. That maybe I’m kidding myself in this pursuit.

So I want to have those moments where there is something tangible. Even if they might not “get” what I’m doing with the various comics, when I hold up a copy of the book there is something tactile they can see. And maybe they don’t have any idea of the work that went into it, but it is there.

Now, some/most/all of this might just be in my head. Stephen King said that (at least I think it was him) if you got paid for something you wrote and it was enough to pay for a utility bill – that’s it. You’re a “Real Writer”.

And I have managed to do that. Multiple times.

Yet doubt is there.

And then the doubt kicks into overtime when a couple of things don’t go my way. Earlier this year I sent a pitch and sample chapter(s) to an assortment of agents who represent Science Fiction for my novel The White Effect. Nothing, no takers. Earlier this month I entered a contest #Pitchwars with the same novel and got the same result (as in, I didn’t get anywhere with it).

Yesterday I found out I wasn’t accepted into the DC Comic Workshop.

Now, I understand… in my head, that these things are long shots. That the good things take time to happen.

But… it gets hard. Lucy needs to let me hit that ball from time to time.

dragoncon

Then maybe it is fitting that this week, along with Robert Jeffrey, I’ll be participating in my second ever Dragon Con Panel to talk about a project that at multiple times I was 100% sure was never going to see the light of day. Because that’s just how these things go. Sometimes it is good to be wrong.

The panel (4 PM on Friday) is going to discuss the KABI Chronicles, a motion comic Terminus Media did for the Centers for Disease Control (yes, THAT CDC), to create a series of stories that could both entertain as well as teach teenagers and young twenty-somethings about STIs and HIV. Something that we started working on 5 years ago. Something that went from 3 episodes to 7 episodes. Something that was delayed and then restarted and then delayed and then…

Something that I helped to write. Something I helped to create.

And now it is out there.

Nice timing…

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Convention appearance: Onyxcon Infinity 2016

Hi dudes and dudettes. Decided to channel my inner Ninja Turtle/ Bill & Ted lexicon there.

Myself and comic book creator William Satterwhite (creator of the webcomic Stealth, regular contributor to BlackSci-Fi.com) are scheduled to appear on 8/20 from 1-7 at Onyxcon Infinity.

We’ll have copies of Stealth: The Life and Times of Allen White, the Radio Free Amerika: Season 1 graphic novel, and other awesome merchandise!

Heck, if you just want to geek out and talk comics, stop on by our table.

Head here for more information about the event, and spread the word! 🙂

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For My Fellow Creators Who Stay On The Grind

I’ve been a freelance writer for 10 years. I started out working for The Atlanta Voice Newspaper back in 2006, and I’ve been able to build a pretty decent career as a “hired gunslinger” when it comes to the written word. With the guidance of awesome folks like Maurice Waters, Tony Cade, Mark Stancil, and Dennis Malcolm Byron, I’ve been able to grow in this freelance world of journalism and comics.

The freelancing has provided me with some awesome opportunities, and put me in front of people that I never thought I’d ever be in the same room with. I’ve had a chance to interview such hip hop icons as Ludacris, Chuck D, and Andre 3000. I’ve had a chance to do client work on such award nominated/ critically acclaimed series like the CDC’s Kabi Chronicles: The Edge, Barron Robert Bell’s Radio Free Amerika and William Satterwhite’s Stealth: The Life and Times of Allen White.

Heck I even parlayed my love of comic books into doing a phone interview with one of my writing inspirations, the late great Dwayne McDuffie, for a story I did on black comic book creators with The Atlanta Voice Newspaper.

So when I say I’ve been blessed/ fortunate to have the career that I’ve had, that’s an understatement. I’m extremely grateful for every opportunity that has graced my pallet, not even including the creator owned comic book work that I’ve done.

But I want more. 🙂

This is what I'd love my 9-5 to be: writing full time, or something close to it. :-)

This is what I’d love my 9-5 to be: writing full time, or something close to it. 🙂

I want to do this full time, or at least close to it. I want to be able to provide for my family, and still parlay this love of the written word into my primary 9-5.

Is that greedy? Is that unrealistic? Maybe so, in today’s economic climate. But I’d be damned if I didn’t say I didn’t want more.

And you know what? I don’t just want it for myself, I want it for my fellow Tessara Guild members John McGuire, Amanda Makepeace, Chad Snok, J Edward Neill. For the kick ass poet/ rapper I know as I my little brother, Brandon Jeffrey, a.k.a OB. For my director/ writer/ Jane of all Trades cuzzo Gabrielle Hawkins. I want it for my ride or die brother in arms Sean Hill. For Barron Robert Bell. For Tony Cade. For Mark Stancil. For Takeia Marie. For Tanya Woods. For Maurice Waters. For Nicole Kurtz. For Deon Brown, William Satterwhite, Vincent Christie, Bobby NashAshton James Mason, and heck, everyone else I know I’ve missed because I’m apparently suffering early onset memory loss.

I want our collective love and passion for the fields of writing, art, comics, filmmaking, etc., combined with our strong worth ethic to parlay into something where we can do this for our 9-5’s. Because, hell we deserve it, and we are constantly putting in the work and drive to get there.

What I wanted to do with this post was give a shout out to my folks who grind at the 9-5’s that they have to work, to get to where they want to work (or at least closer to where both career’s bring in equal amounts of income).

Two songs that I love that I feel capture this idea of a creator doing what they have to do, to do what they love, are Lupe Fiasco’s Hip-Hop Saved My Life (feat. Nikki Jean), and Ace Hood’s Hustle Hard. I’m a hip hop/ rap fan so both speak personally to such a drive to find a way to do what you love, so you can take care of those you love, and still enjoy what you’re doing.

This post is for those folks like myself who would rush out at 5:00  pm on the dot to do an interview with someone halfway across the country. For those people who stay up to 1:00 am in the morning to knock out final edits on a personal project, or client work, knowing you have to be up at 6:00 am that day for your other job. Or for those who become true weekend warriors to put the final touches on an awesome piece of art, realizing that Monday brings yet another day of the main job that puts food on the table, and a roof over your families’ head.

And hey, reaching such a level can be done. I look at those creators who are doing what they love full time, 24/7 and feel driven to get to where they are, while also being extremely happy for them. Not for the reason of making a crazy amount of money. Nope, I simply want to get to a point where I actually love what I’m doing full time.

Heck, at least close to full time would be great, so I’m not choosy.

So to all my fellow “after 5:00 pm/ weekend/ up to all hours of the night/ holiday warriors-creators” I salute you with a Captain Benjamin Sisko toast. You, and all of your work is mad’ appreciated yo’.

Now get back to creating so we make these dreams a reality.

Benjamin_Sisko_toasts_the_good_guys_zps274bf4dc

Captain Benjamin Sisko approves this message