In recent weeks, I’ve been working with my paintbrush more than I’ve been writing.
Turns out slashing with paint gets the darkness out of my system much faster than hammering on a keyboard.
And so I thought I’d share:
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Fire Lens is 3 lbs of canvas. It’s huge! The photo here is somewhat muted, but the live version is lustrous and dark, a shining white eye wreathed in deep crimson and black. It’s a room dominator, to be sure.
Dripping was a tortuous painting. It started as a watercolor experiment and became much more. I saturated my paints with as much water as they could hold (while still maintaining a bit of grey/black) and went to work. The acrylics drained down the canvas. The white lines you see are drip marks, which is exactly what I wanted. The muddled blacks and gruesome greys are where I let the watered paint form into little puddles. This is one sad, cold painting.
My kid, the G Man, won’t let me paint without him. He’s done almost as much canvas work as I have! Here’s a quick multicolor work he named Sunshine. It’s a stark contrast to my darkness, which I love about his method. He says this is what the sun looks like up close. Pretty close, right?
Most of my work is without purpose. I just paint what I want and let the brush fall where it may. Not so with The Hecatomb. This large canvas was created with a book’s front and back covers in mind. The book by the same name will be out soon. It’s a sequel to this and this.
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If you liked these, here’s a few Painting with Darkness posts from history. Like this. And this. And this.
And the darkest of all my art appears on these.
Until next time.