Concert Review: GHOST

 

This past Friday I went to see Ghost play at the Roxy just north of Atlanta (actually across the street from where the Atlanta Braves now play). A friend had asked if I wanted to go and seeing as how I had heard about 2 songs from them… I obviously said yes.

Here’s the thing about Ghost, they are a Dark Metal or Doom Metal or Heavy Metal Band… I’m honestly not entirely sure. They are definitely all those things, but as I told a guy at work, their stuff is very catchy… more so in my mind than a lot of the Metal I’ve listened to in the past (and still listen to). Even when I was at the show itself, songs I’d only heard maybe 4 or 5 times were already in my head, and I found myself singing lyrics I didn’t even realize I’d known.

With Metal shows, you never know quite what you are going to get. They are very theatrical. And by having 8 people in the band (yes, 8!), it allows them to have a very “full” sound during the show. I remember going to shows in my 20s where everyone in the place was around 18 to 25 and there would be the couple of “older” guys in the back bobbing their heads along with the music. Now enough time has passed that I’m the “older” guy in the back bobbing my head. But at the Ghost show, it was a true meeting of so many different types of people. You had your 18 to 25-year-olds, you had your slightly older metal-heads, your Goth guys and gals, your more straight-laced people, families (mom, dad, and two 13ish daughters right beside me), and even those who dressed up and wore the face paint to match the band.

So definitely one of those shows where you were never going to be “out-of-place”.

The actual show was excellent. They sound pretty much as they do on the albums. And to top it off they played for 2 hours and 45 minutes (with a 15-minute intermission!). Only Pearl Jam has ever matched something like that of all the bands I’ve seen.

Highlights:

There were costume changes, a keytar solo (which is something that I never knew I needed in my life until I saw it – amazing!), a sax solo (yes, these are the reasons they don’t “fit” in a category), a guitar battle between two of the eight band members (Cardinal Copia and 7 Nameless Ghouls), the introduce the band segment (ladies and gentlemen: Ghoul!), Cardinal Copia’s alternate idea for what they should do instead of an encore song (let’s just say that it was very crude and funny and would have broken way too many city ordinances). The lead singer was very personable, interacting with the crowd, and telling stories (i.e. buying time for the band).

The venue had good sight lines. The acoustics were great. In fact, if I was going to see another band there I would look into having seats right on the balcony edge to get the more comfortable seats (see Low Lights for the problem with the seats).

Low Lights:

Probably the introduce the band segment, while funny, with 7 “Nameless Ghouls” to introduce, it went on a little too long.

This has nothing to do with the band, but instead with the venue: the seats we had didn’t fold up, so while you’re standing the back of your legs are constantly banging against them. Plus, if someone is still sitting in the row ahead of you, there was a real danger of me kneeing them in the back of the head (luckily no incidents to report).

Overall:

I’m looking forward to really delving into the records now (you know, listening to them 30 or 40 times in the next month or so!). And looking forward to when they come back to Atlanta.

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. The Trade paperback collecting the first 4 issues is finally back from the printers! If you would like to purchase a copy, go here!

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His other prose appears in The Dark That Follows, Hollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

About John McGuire

Writer of comics and novels. In 2006 his first short story "The God That Failed" was published by Terminus Media in their debut comic Evolution Book 1. Since that time he has had stories published in Terminus Media's Evolution Book 2 and Evolution Special, Kenzer and Company's The Knights of the Dinner Table, and Four J Publishing's The Burner #3. Currently he is eagerly awaiting the digital publishing of his first creator-owned comic The Gilded Age #1 to be published online as well as his first novel The Dark That Follows later this year.
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