Concert Review: 10 Years

10 Years is among my top 5 or 6 bands. However, it is a clear number 2 for my wife. A few years back I loaded all their music onto her phone so that she could listen to them while working. I think it became a “Huh, these guys are pretty good.” to “Wow, these guys are amazing!” to “Why don’t we follow them around and see every show!”

(Excuse me while I hitch up a trailer to my car…)

But since it took a little bit for her to get into the band, we missed them many times they’ve come to Atlanta in the past. However, a couple of years ago I saw that they were going to play “The Autumn Effect” in its entirety, so we made a point to go and was blown away by both them and the crowd. So when they announced this latest tour would play “Division” all the way through, we were excited to see them again.

The show was downtown at the Masquerade which is located in Underground Atlanta. While the super success of “big-time” arenas and the like might have never fallen 10 Years’ way, you wouldn’t know it from their shows. Jesse Hasek (the lead singer) always feels in the moment. Like he’s convinced that every show they are going to do no one is going to show up… and then when we do, he is very grateful. And this show was no different. They came out with a fury, pausing only at first to comment on the fact that this particular album is a bit more difficult to play live than some of their others.

It was one of those comments that made me think as we watched them move through the heavy portions to the softer ones. There is something about live shows for me that can help illuminate the meanings of songs. I’ve probably listened to these songs over a hundred times a piece, but at some point, I stop really hearing the words. In concert, it becomes a different story as I’m singing along at the top of my lungs, for as long as my throat will hold out. And there are these connections where I think – “oh, wow… that lyric is really powerful” or “this song just became one of my favorites”.

“Division” by 10 Years

Highlights:

The lead guitarist and the keyboardist as the only ones onstage, a pair of spotlights illuminating either side of the stage as they made their way through the lead-in to “All Your Lies” (my favorite song on the album). The build-up is quiet at first, slowly building until a female voice begins to speak. Her voice gets threaded over and over on top of itself as the music continues to grow frantically. It threatens to become a jumbled mess and then it ends… just in time for the song to truly begin.

The pit during “Shoot It Out”. For the first time in a very long time, I felt the urge to jump in and knock some people around. Then I remembered I’m almost 43 with a bum ankle and thought better of it!

Lowlights:

People who decide to record the concert with their phones. I actually don’t care what you do, but maybe step back to a spot where you aren’t completely obscuring other people’s viewpoint.

***

One side story from just before the show went on. Courtney asked me how I originally heard about 10 Years nearly 15 years ago. I pointed over to Egg Embry and said, “He told me it was a band I should check out.”

Of course, Egg has a swiss cheese brain and went, “Really?”

So I went on to tell him that a few years after he introduced me to them they’d come out with “Feeding the Wolves”, their 4th album and I told him, “Hey, you should check out this band 10 Years, they are really good.”

To which he replied, “Yeah, I know. I told you about them!”

So apparently we both have swiss cheese for brains!

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. The Trade paperback collecting the first 4 issues is finally back from the printers! If you would like to purchase a copy, go here!

Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His other prose appears in The Dark That Follows, Hollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

 

Concert Review: GHOST

 

This past Friday I went to see Ghost play at the Roxy just north of Atlanta (actually across the street from where the Atlanta Braves now play). A friend had asked if I wanted to go and seeing as how I had heard about 2 songs from them… I obviously said yes.

Here’s the thing about Ghost, they are a Dark Metal or Doom Metal or Heavy Metal Band… I’m honestly not entirely sure. They are definitely all those things, but as I told a guy at work, their stuff is very catchy… more so in my mind than a lot of the Metal I’ve listened to in the past (and still listen to). Even when I was at the show itself, songs I’d only heard maybe 4 or 5 times were already in my head, and I found myself singing lyrics I didn’t even realize I’d known.

With Metal shows, you never know quite what you are going to get. They are very theatrical. And by having 8 people in the band (yes, 8!), it allows them to have a very “full” sound during the show. I remember going to shows in my 20s where everyone in the place was around 18 to 25 and there would be the couple of “older” guys in the back bobbing their heads along with the music. Now enough time has passed that I’m the “older” guy in the back bobbing my head. But at the Ghost show, it was a true meeting of so many different types of people. You had your 18 to 25-year-olds, you had your slightly older metal-heads, your Goth guys and gals, your more straight-laced people, families (mom, dad, and two 13ish daughters right beside me), and even those who dressed up and wore the face paint to match the band.

So definitely one of those shows where you were never going to be “out-of-place”.

The actual show was excellent. They sound pretty much as they do on the albums. And to top it off they played for 2 hours and 45 minutes (with a 15-minute intermission!). Only Pearl Jam has ever matched something like that of all the bands I’ve seen.

Highlights:

There were costume changes, a keytar solo (which is something that I never knew I needed in my life until I saw it – amazing!), a sax solo (yes, these are the reasons they don’t “fit” in a category), a guitar battle between two of the eight band members (Cardinal Copia and 7 Nameless Ghouls), the introduce the band segment (ladies and gentlemen: Ghoul!), Cardinal Copia’s alternate idea for what they should do instead of an encore song (let’s just say that it was very crude and funny and would have broken way too many city ordinances). The lead singer was very personable, interacting with the crowd, and telling stories (i.e. buying time for the band).

The venue had good sight lines. The acoustics were great. In fact, if I was going to see another band there I would look into having seats right on the balcony edge to get the more comfortable seats (see Low Lights for the problem with the seats).

Low Lights:

Probably the introduce the band segment, while funny, with 7 “Nameless Ghouls” to introduce, it went on a little too long.

This has nothing to do with the band, but instead with the venue: the seats we had didn’t fold up, so while you’re standing the back of your legs are constantly banging against them. Plus, if someone is still sitting in the row ahead of you, there was a real danger of me kneeing them in the back of the head (luckily no incidents to report).

Overall:

I’m looking forward to really delving into the records now (you know, listening to them 30 or 40 times in the next month or so!). And looking forward to when they come back to Atlanta.

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. The Trade paperback collecting the first 4 issues is finally back from the printers! If you would like to purchase a copy, go here!

Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His other prose appears in The Dark That Follows, Hollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com