Lucifer – An In-Progress Review

I broke my wife.

When the show first came on, I watched it because I love shows which feature an interesting version of the Devil. I don’t need the pure horror version. I want a version that has a particular viewpoint or agenda… one that makes some level of sense within the world they exist. Maybe that means they are true and pure evil or maybe it means they have a job to do whether they like it or not.

Which brings us to Lucifer. I watched it right away and occasionally Courtney would wander into the room, watch half an episode and say “I think I’d like this show, but…” This continued for about a season and a half before I got too far behind on Lucifer and then they canceled the show – so no reason to catch up, right?

Still, weird things happen for shows these days. Sometimes they get to have a second life and when Netflix is calling, you go ahead and answer.

But now the show becomes this thing that I’ll eventually catch up on. I mean, there are a ton of shows I’d like to be watching, but I also have to keep my cats in the manner they’ve grown accustomed. And that’s where I left the show, in the limbo of wanting to see it but not having enough time.

Yet, somewhere along the way, my wife decided she needed a new show to watch. And the notification on Netflix mentioning the fifth season popped up. And soon she was binging like no one’s business. 4 seasons were done before I really knew what she was doing. And now she is after me to catch up. So now I must put other shows on the back-burner so that I’m caught up before the next season pops up on Netflix.

Rewatching season 2 (and some episodes in Season 1) reminded me how well the show was put together. The case of the week formula is nothing new, but the underlining plot lines of the seasons have enough of the mythology to keep you guessing about where exactly they are going to end up. About the time you think “we haven’t seen this thing” is about the time they push that storyline to the forefront.  With each episode, they build the secondary characters up a little more so that you not only understand their value to the show but also are pulling for them to continue to grow their own story-lines. When we get the odd pairings and see characters interact in ways we haven’t seen before… that’s stuff I really like to see.

And of course, there is the lead player himself. This version who has left his post in Hell for the sunlit skies of Los Angeles… he sees manipulations of his father behind everything. He only wants to be his own man, make decisions for himself, and yet he feels foiled each and every time (whether it is true or not). The idea that he is assisting the police because he is all about punishing the guilty – does that truly make him evil or not? What value does he have to his partner? To the people around him? And what value do they have to him?

I’m beginning the 3rd season, well into episodes that I’ve never seen before. And where last season had the ongoing storyline with his Mother (yes, that’s right) which wasn’t overly dark or sinister; this season has a bad guy with the name of Mr. Sinner. Someone who seems to have it out for our resident Devil.

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John McGuire is the creator/author of the steampunk comic The Gilded Age. The Trade paperback collecting the first 4 issues is finally back from the printers! If you would like to purchase a copy, go here!

Want to read the first issue for free? Click here! Already read it and eager for more?

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His other prose appears in The Dark That Follows, Hollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

About John McGuire

Writer of comics and novels. In 2006 his first short story "The God That Failed" was published by Terminus Media in their debut comic Evolution Book 1. Since that time he has had stories published in Terminus Media's Evolution Book 2 and Evolution Special, Kenzer and Company's The Knights of the Dinner Table, and Four J Publishing's The Burner #3. Currently he is eagerly awaiting the digital publishing of his first creator-owned comic The Gilded Age #1 to be published online as well as his first novel The Dark That Follows later this year.
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