Tag: deftones

Top Eleven Albums – Part 2

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So last month there was a bunch of Facebook posts to talk about your favorite albums, but not actually give any reasons… just post something and leave it like that. But as I said in part 1, context is key.

 

 

The Police – Message in a Box

This is a cheat and it isn’t one at the same time. This is a full collection of all their albums. But when I received this box set for Christmas I was 14 or 15 and I only had Synchronicity. But I also knew that I loved any songs by the band which came on the radio. For some reason, I asked for this thing which might have been $40 or $50 on that basis alone. And when I think about it, I probably only really knew about 5 or 6 songs of theirs.

So I got this full thing of like 78 songs which ran the gambit of their entire career. And like most things, I probably listened to it all once and then skipped to my favorite songs.

But as time went on, I started listening to the other songs. And I found ones that I never knew existed. Driven to Tears is a punch to the gut every time. The Bed’s Too Big Without You speaks to me anytime my wife and I are apart for too long. I Burn For You.

Deeper cuts for me.

So it is a Christmas gift, but more than that it is a gift where as I got older, it showed me different faces to the music. And while that might happen with any album, when it is an entire catalogue, it makes it to the point where you appreciate the band all the better.

 

Nirvana – Nevermind

Like so many people of my age, this album fundamentally changed how you listened to music. In many ways it is the true line of demarcation. There is certainly a time Before Nevermind and an After Nevermind stamp. But weirdly, I more remember when I first heard Smells Like Teen Spirit. It was at one of our High School Basketball games where it was played during the shoot-around just before the game. As much as I watched MTV, I didn’t know what this song was, but instantly liked it.

Later, I realized the irony of that moment with the Cheerleaders and the stands and all of that. Everything the song was sort of railing against, and here it was being played without any other regard.

And I had no idea what it was, but I was instantly drawn to the sound. I needed to know more. I needed to hear more.

The other part that I think about is when Chad Shonk had a BBS (Bulletin Board) and to test it out, we would chat across the computers through our modems (this feels like the stone ages now). But sometimes you weren’t sure if you were connected, so he would write:

Hello?

Hello?

Hello?

And I would respond with:

How low?

Pantera – Far Beyond Driven

With Cowboys from Hell and Vulgar Display of Power, I didn’t have those albums until Egg Embry made me a pair of tape copies. This was at the time when I would have just gotten a CD player in the car and so tapes weren’t going to get listened to all that often. Yet, I listened just enough to know I liked Pantera.

This album sealed that for me.

However, as much as the album told me how much of a metalhead I might have been, it was going to the concert for this tour that sealed it for me. It was at Lakewood Amphitheater in Atlanta and we managed to get like 13th row. Strange as that sounds to have seats for a Pantera show, it is a Top 5 show for me.

Alice in Chains – Dirt

I found out about Alice in Chains from the Singles Soundtrack (which would/should be in my top 20 for influential albums). Where Nirvana and Pearl Jam were the darlings of the magazines and MTV, Alice in Chains felt like it was still a secret (even though it was not). They felt more metal than any of the Grunge bands. And listening to this was the first time I’d really heard a concept album. It took you on a full story from beginning to end, made the agony of that downward spiral into drugs and death… you felt the pain.

Weirdly, I don’t know if I have a specific story for this. I remember it being a major soundtrack of my teenage life even if I never dabbled in drugs or alcohol, this was as good a reason why I stayed away.

Deftones – Around the Fur

It was another soundtrack that introduced me to the Deftones: The Crow 2. They had one song on there and were the standout track for me. I searched them out (back when you needed to go to record stores for such things) and found their first album and fell in love with the band.

This was the soundtrack of my 1997 and 1998. It accompanied me on many a road trip. It was a comfort when I needed to rage at the world and, probably, more importantly, was one of those albums that all my friends loved. Which, especially when you are younger, helps create an even stronger bond with the music.

Pearl Jam – Ten

If you’ve read my blog for any amount of time, Pearl Jam has been mentioned. Heck, if you’ve ever met me and we talk about favorite bands, I don’t hesitate to claim them as mine.

As to stories, Chad left his copy of Ten at my house and I had it for a few days when he asked for it back. I hadn’t listened to it at all. For some reason, without hearing any of their music, I was convinced I didn’t like them. But, seeing as I needed to bring the disc into school the next day, I played it.

And then I played it again.

And then I got out a blank tape and copied it onto it.

With most albums, the first listen is rarely a “fell in love with it”. I normally find a couple of things I like and as I continue through, I like it more and more. But Ten was different. It spoke to me through the music and lyrics and the actual construction of the songs on the album. I fell in love with the non-hits like Deep and Garden to the point that I may love those songs as much as any hit they’ve ever put out.

And when Release comes to an end, and we slowly fade to what was the intro… my journey becomes complete.

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. The Trade paperback collecting the first 4 issues is finally back from the printers! If you would like to purchase a copy, go here!

Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His other prose appears in The Dark That Follows, Hollow Empire, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

 

The Song of Your Life

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I may have written about this scene before, but it bears repeating. In Before Sunset, Ethan Hawke is on a book tour where he is talking about his next project: this idea of a song transporting you back in time. How it grabs you and can make you remember things you’d forgotten – all of it locked within a song.

I love that idea. And I know that music has had a big influence on my life. Even as I write this blog, Alice in Chains is grooving on the speakers beside me (Jar of Flies). But each of the songs below have a specific meaning in the time and place for me and to this day, hearing the song means having this little memory attached.

***

1988 – The Beach Boys – Kokomo

I’m standing beside my sister as she dials the number to the local radio station. For some reason, even though I’m 12, I don’t seem to understand that there might be multiple radio stations out there, so we’re dialing the “Oldies” station. We get through and my sister asks to hear a Madonna song. There’s a pause and then they say “We don’t play Madonna.”

“Oh.”

Still desperate to hear something from that decade. “Well can you play Kokomo by The Beach Boys?”

Pause. “Yes, that we can play.”

1997 – Limp Bizkit – Stuck

Driving back from Virginia with Lee and Egg, we’d gotten this sampler tape from Limp Bizkit when they’d opened for Korn in Athens, Georgia. Fred Durst was handing them out to anyone who would take them, and after seeing them play Faith, well I figured what the hell.

The sampler had two songs on it: Counterfeit and Stuck, but I can only hear Stuck in my head as we played the damn song probably 50 times on that trip. And with every play, Egg’s “metal voice” would come out with the word “STUCK!”

1996 – Deftones  – Teething

The original Crow soundtrack might be one of my top 10 cds of all time. It is amazing from front to back, and instantly takes me directly to the film and the feeling it tried to invoke.

Now… the second Crow film was… it was not good. But I saw the soundtrack, and I knew that Korn has a song on it. But it was the song directly after that one which grabbed me on the very first listen. I might have run out that following weekend to find their cd and ever since they’ve been my second favorite band – all because I had hopes the second Crow soundtrack would match the first.

1992 – Pearl Jam – Yellow Ledbetter

There once was a time, before the internet, where in order to find out about new bands and new songs from bands you loved you had to go to a record store and HOPE to find something. Sometimes that meant getting bootleg copies of concerts or imports from Europe.

In Pearl Jam’s case, it meant finding the Import version of the Jeremy single which had not just one, but two b-sides: Footsteps and Yellow Ledbetter.

I may have paid around $20 for those two songs, but it didn’t matter. To have those meant I had everything Pearl Jam had done (little did I know how wrong that idea was even in ’93). Regardless, that 3-song cd didn’t leave my cd player for a good while.

1993 – 95 South – Whoot, There It Is

It’s Spring Break and the Grunge bug has taken me over. But I’m down in Florida for a couple of days visiting one of my friends from South Georgia and he’s much more into Hip Hop. So that’s what we listen to as we drove south, and as we drove around the beach town (which I forget which one it is), and as we are just hanging out at the hotel with some girls also staying there.

It was also cold, maybe in the low 40s (for Florida that might as well be negative numbers). And there we all were huddled together for warmth. Nothing came of that evening, we went home the next day, but it’s one of the first moments in my young teenage life where I didn’t feel completely awkward or tongue-tied.

When I got home I bought the single of this song on tape.

***

Of course, being a teenager almost any music would key off on some very important and interesting events whether you’d planned it that way or not. Still, these moments… these songs, silly or not, hold a candle for a memory inside my head. And I’m grateful for it.

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His prose appears in The Dark That Follows, Theft & Therapy, There’s Something About Mac, Hollow Empire, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com