Top Eleven Albums – Part 2

So last month there was a bunch of Facebook posts to talk about your favorite albums, but not actually give any reasons… just post something and leave it like that. But as I said in part 1, context is key.

 

 

The Police – Message in a Box

This is a cheat and it isn’t one at the same time. This is a full collection of all their albums. But when I received this box set for Christmas I was 14 or 15 and I only had Synchronicity. But I also knew that I loved any songs by the band which came on the radio. For some reason, I asked for this thing which might have been $40 or $50 on that basis alone. And when I think about it, I probably only really knew about 5 or 6 songs of theirs.

So I got this full thing of like 78 songs which ran the gambit of their entire career. And like most things, I probably listened to it all once and then skipped to my favorite songs.

But as time went on, I started listening to the other songs. And I found ones that I never knew existed. Driven to Tears is a punch to the gut every time. The Bed’s Too Big Without You speaks to me anytime my wife and I are apart for too long. I Burn For You.

Deeper cuts for me.

So it is a Christmas gift, but more than that it is a gift where as I got older, it showed me different faces to the music. And while that might happen with any album, when it is an entire catalogue, it makes it to the point where you appreciate the band all the better.

 

Nirvana – Nevermind

Like so many people of my age, this album fundamentally changed how you listened to music. In many ways it is the true line of demarcation. There is certainly a time Before Nevermind and an After Nevermind stamp. But weirdly, I more remember when I first heard Smells Like Teen Spirit. It was at one of our High School Basketball games where it was played during the shoot-around just before the game. As much as I watched MTV, I didn’t know what this song was, but instantly liked it.

Later, I realized the irony of that moment with the Cheerleaders and the stands and all of that. Everything the song was sort of railing against, and here it was being played without any other regard.

And I had no idea what it was, but I was instantly drawn to the sound. I needed to know more. I needed to hear more.

The other part that I think about is when Chad Shonk had a BBS (Bulletin Board) and to test it out, we would chat across the computers through our modems (this feels like the stone ages now). But sometimes you weren’t sure if you were connected, so he would write:

Hello?

Hello?

Hello?

And I would respond with:

How low?

Pantera – Far Beyond Driven

With Cowboys from Hell and Vulgar Display of Power, I didn’t have those albums until Egg Embry made me a pair of tape copies. This was at the time when I would have just gotten a CD player in the car and so tapes weren’t going to get listened to all that often. Yet, I listened just enough to know I liked Pantera.

This album sealed that for me.

However, as much as the album told me how much of a metalhead I might have been, it was going to the concert for this tour that sealed it for me. It was at Lakewood Amphitheater in Atlanta and we managed to get like 13th row. Strange as that sounds to have seats for a Pantera show, it is a Top 5 show for me.

Alice in Chains – Dirt

I found out about Alice in Chains from the Singles Soundtrack (which would/should be in my top 20 for influential albums). Where Nirvana and Pearl Jam were the darlings of the magazines and MTV, Alice in Chains felt like it was still a secret (even though it was not). They felt more metal than any of the Grunge bands. And listening to this was the first time I’d really heard a concept album. It took you on a full story from beginning to end, made the agony of that downward spiral into drugs and death… you felt the pain.

Weirdly, I don’t know if I have a specific story for this. I remember it being a major soundtrack of my teenage life even if I never dabbled in drugs or alcohol, this was as good a reason why I stayed away.

Deftones – Around the Fur

It was another soundtrack that introduced me to the Deftones: The Crow 2. They had one song on there and were the standout track for me. I searched them out (back when you needed to go to record stores for such things) and found their first album and fell in love with the band.

This was the soundtrack of my 1997 and 1998. It accompanied me on many a road trip. It was a comfort when I needed to rage at the world and, probably, more importantly, was one of those albums that all my friends loved. Which, especially when you are younger, helps create an even stronger bond with the music.

Pearl Jam – Ten

If you’ve read my blog for any amount of time, Pearl Jam has been mentioned. Heck, if you’ve ever met me and we talk about favorite bands, I don’t hesitate to claim them as mine.

As to stories, Chad left his copy of Ten at my house and I had it for a few days when he asked for it back. I hadn’t listened to it at all. For some reason, without hearing any of their music, I was convinced I didn’t like them. But, seeing as I needed to bring the disc into school the next day, I played it.

And then I played it again.

And then I got out a blank tape and copied it onto it.

With most albums, the first listen is rarely a “fell in love with it”. I normally find a couple of things I like and as I continue through, I like it more and more. But Ten was different. It spoke to me through the music and lyrics and the actual construction of the songs on the album. I fell in love with the non-hits like Deep and Garden to the point that I may love those songs as much as any hit they’ve ever put out.

And when Release comes to an end, and we slowly fade to what was the intro… my journey becomes complete.

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. The Trade paperback collecting the first 4 issues is finally back from the printers! If you would like to purchase a copy, go here!

Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His other prose appears in The Dark That Follows, Hollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

 

About John McGuire

Writer of comics and novels. In 2006 his first short story "The God That Failed" was published by Terminus Media in their debut comic Evolution Book 1. Since that time he has had stories published in Terminus Media's Evolution Book 2 and Evolution Special, Kenzer and Company's The Knights of the Dinner Table, and Four J Publishing's The Burner #3. Currently he is eagerly awaiting the digital publishing of his first creator-owned comic The Gilded Age #1 to be published online as well as his first novel The Dark That Follows later this year.
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