LEGION – A Review

I love it when I’m surprised by something. I’m not talking about jumping out from behind an object and trying to get me to an early grave. I mean when some piece of entertainment shows up and completely flips all your thoughts and feelings about it in one episode.

Legion wasn’t going to be something I would bother with. Oh, it’s comics related, so I needed to at least check it out, but this was a character who I don’t believe I own one comic book with him in it. It was going to be this show that really didn’t tie into anything else that Fox was doing with the rest of its X-Men or Spider-man related properties. And it didn’t even have the bonus of being a Netflix show where maybe they might be able to get away with a little more (and possibly use that as their calling card for why you could check it out).

Legion defies all of that.

In fact, Legion sort of defies being identified at all… I’m getting ahead of myself. For those who don’t know, here’s the synopsis from Wikipedia:

David Haller was diagnosed with schizophrenia at a young age and has been a patient in various psychiatric hospitals since. After Haller has an encounter with a fellow psychiatric patient, he is confronted with the possibility that there may be more to him than mental illness.

Does that scream: Superhero to you? Because it doesn’t to me. And it is a good thing because it is barely a superhero show. Yes, there are characters with powers, but half the time I’m not entirely sure they are powers anyone would want. David is the worst of them all because he may be one of the most powerful mutants (yes, like the X-Men) in the world… and he’s pretty convinced he’s completely insane.

The show screws with the viewer almost as much as it screws with the characters. Half the time you can’t be sure anything you’re seeing is actually happening or if it is just something David thinks is happening.What year does this show take place in?

It is both linear and non-linear. It is psychedelic and perfectly normal. Everyone is crazy… or perhaps no one is.

What year does this show take place in? From the look of everyone, I might think some late 60s mod-style, but then there is a mention of email or something which derails that thought process. Maybe David is seeing the world as he saw it when he was a child, and so for him, it looks like something from 40 years ago? Or maybe I’m just trying to let my own brain make sense of the show and story.

The monster in David’s head.

Within the 8 episode season, it becomes apparent that there is someone else… something else who has its designs on David. The entire show is about putting together the fractured pieces of one character’s mind without having any idea what the final picture is actually supposed to be of. And then when you get to the end, you realize there are a handful of missing pieces… except, maybe there isn’t.

I wanted to write a proper review of this show. I wanted to dig into the nooks and crannies, but the more I think about it, the more I wonder if this show could be deconstructed in a regular way. The surprises announce themselves at various times so that you may figure out a piece here or a piece there, but what the bigger picture looks like becomes something else.

I want to praise the actors’ performances. Especially Aubrey Plaza… but to say too much about any of them would potentially give something away. This may be one of those shows where the less you know about what’s going on, the better off you might be (though, if you are an X-Men Historian, you should be fine also).


John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novellas Theft & Therapy and There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

My Top TV Moments of 2016

Atlanta, Legends of Tomorrow, and House of Cards

Atlanta, Legends of Tomorrow, and House of Cards

I love watching television. It started with  Batman: The Animated Series, progressed into my teenage years spent watching Homicide: Life on The Streets, and has coalesced now into me now having no shortage of quality programming to choose from, in between my writing.

I’m a firm believer in the saying that we’re currently living a golden age of television. A time where whatever your tastes are, you’ll find at least a couple of television programs that will fill your palate.

Netflix. Hulu. Amazon. Crackle. Heck even You Tube. All of these streaming providers, and more offer a great staple of original programming. Add to that such cable networks as Starz, USA, FX, HBO, Cinemax, Showtime, and you’ve got an infinite amount of things to watch.

So with everyone doing their own “Top TV List of 2016” list, combined with my television watching enjoyment, I thought I’d put together a short list of some stand out moments from TV land. These are the moments that held the most impact for me, ranging from mouth open in an “ohmigoddidthatjusthappen” reaction, to getting a little choked up at a particular moment.

And can I say as a writer, I also enjoyed the superb craftsmanship that was on display with each of the below moments. This guy was taken to class in a few instances, while also enjoying the work as a fan.




My “Laughed Out Loud Throughout The Entire Episode Like A Madman” Moment:

Atlanta/ FX/ Season 1, Episode 7, B.A.N

I’m going to start by saying this: WATCH THIS SHOW.


Next to Stranger Things, this series was my favorite new series of the year, and every episode is solid.

Basic premise: two cousins try to make their way up in the Atlanta rap scene and hilarity ensues. Believe me when I say, my weak description does nothing in the way to prepare you for how solid Atlanta is.

The writing on this series is sharp as hell, the satire is extremely on point, and just watching Earn (Donald Glover), Paper Boi (Brian Tyree Heny), and Darius (Keith Stanfield) just trying to make it within the Atlanta music scene is great to watch.

One particular episode that stood out for me for how against the grain that this show is would be episode 7 titled “B.A.N.”. Paper Boi appears on an Atlanta talk show called Montague, and finds himself subjected to an interview that’s going nowhere fast.

What works extremely well about this in addition to Paper Boi’s deadpan reaction to all of the ridiculousness that’s taking place around him via the host and other guest, is how the episode is formatted.

As you’re watching B.A.N there are fake commercials mixed in with the actual Montague episode, creating this weird cross section of fake narrative and real life. Mixed into the talk show are some really creative news spots (the Trans-Racial segment deserves an Emmy nod on its own) that are hilarious and had me rolling.

My “No Honey, I’m Not Crying. There’s Something In My Eye Excuse” Moment

Game Of Thrones/ HBO/ Season 6, Episode 5, Door

In a season of Game of Thrones that had no shortage of great moments, this one stole the show for me.

In the most heart-wrenching, gut punch, kick in the nether region way possible.

Hodor (Kristian Nairn) has been the Bran Stark’s lovable big guy protector for all 6 seasons that we’ve watched Game of Thrones, and to see him taken out by the White Walkers was hard to watch.

When the famous catch phrase “Hodor” was explained, as a fan I was hit pretty hard. As a writer/ creator I silently stood up and did a slow clap for the creators of this show.

Masterful and impactful storytelling at its best.

My “I Was Smiling and Feeling All Types of Hyped” Moment

Legends of Tomorrow/ CW/ Season 2, Episode 7, Invasion

The CW Arrow-verse (Supergirl, Arrow, Legends of Tomorrow, The Flash) is like getting a fanboy Christmas every Monday through Thursday night.

You get a great helping of all of the DC characters that you know and love, and its not just pandering special effects laden theatrics being presented. Sure there have been some weak episodes and seasons for a few of the shows, but speaking from the perspective of a guy whose watched this universe grow from the earliest days of Arrow, these shows are fun and deserve to be checked out.

In the seasons before we’ve had small crossovers involving the crews from Arrow, The Flash, and Legends of Tommorrow. With this being the first year of having Supergirl at its proper home on the CW network, the creators of the universe decided that an ultimate crossover was in order.

If you’re a fan of comic books crossovers are a regular thing. Its nothing to see Spidey web-slinging across the Manhattan skyline with Iron Man skyrocketing pass him, or to see Batman doing his ole’ scowly face routine as he, Wonder Woman, and Superman team up to take on a world destroying despot.

For casual fans of the recent glut of super hero movies/ television shows, crossovers such as these are something new, as presented in the growing cinematic universes of Marvel Studios and DC Comics/ Warner Bros.

The same applies for the Arrow-verse. So after a 4 night crossover event,  for casual and long time fans of these DC properties, seeing the rooftop battle against the DC heroes and the invading alien Dominators was awesome to watch.

Some folks are definitely right to draw comparisons between this and the epic airport battle in this years Captain America: Civil War, but it was still fun to watch nonetheless. And I’ll also admit the Dominators were kind of on the cannon-fodder status for the heroes.

But dammit, what we got was an epic/fun scene of kick butt action, with a little bit of saving the day thrown in.

My “WTF. Did That Just Happen?” Moment

House of Cards/ Netflix/ Season 4, Episode 13, Chapter 52

The Underwood’s (Kevin Spacey and Robin Wright) are probably some of the worst people on Earth. They lie, they cheat, they manipulate, and they kill to get what the want.

And like Vic Mackie (Michael Chiklis) in The Shield and Walter White (Bryan Cranston) in Breaking Bad, the audience loves to root for them. In Mackie’s case I wanted him to get caught for the entirety of the series, but watching him duck and dodge the system was fun to watch, in a twisted sort of way.

In the final few minutes of Chapter 52 the Underwoods have taken their viciousness to a new level, having found themselves backed into a corner where there is no escape.

As result they decide to use their power as President and First Lady to set the country on a path of “fighting terror” in a total war type of fashion to deflect attention away from their troubles. The fact that it begins with a “sacrificial lamb” moment, with the death of an unfortunate character makes it all the more worse.

I don’t want to give away the whole story here of how things have led to this point, because the season deserves to be watched. This moment stands out as this year’s WTF moment for me.