Tag: LOST

The Best Show You’re Not Watching – The Lazarus Project

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A few years ago I came up with an idea for a book. I’d always been a fan of time travel… of What If stories… of Groundhog Day shenanigans… and this idea combined them all in a way that just made sense to me. I sat down to write this story about a man who lives his life only to die and have everything restart sometime in his adulthood. The world would be different, an alternate timeline would have been created somewhere along the way, but most of the fundamentals would still hold the same. So while the Allies might have still won World War II, you might be married to someone else in this new world.

How unnerving would that be? How would you go about trying to find a way to center yourself within this new life? What about your friends? Your family? The woman you were once married to… do you have to leave all of that behind this time?

And what about next time things reset? Or the next life?

And then what if you found out you weren’t the only one experiencing this?

All of those thoughts and feelings about our actions in the world and how each of us are sometimes tied together in ways we would scarcly believe… all of that went into my novel: The Echo Effect (available here for purchase). I’d not see a version of all of this in anything I’d consumed until I started watching The Lazarus Project.

What I discovered was a show that I might have written in another lifetime. The basic plot is that George is a regular guy – he develops apps for a living (or he hopes for a living). He has a girlfriend who he is massively in love with. And in the background of this nice, pleasant story, the news is beginning to talk about a virus spreading. A few months pass and some very familiar images begin to show up in his life: masks, excess deaths, fear, paranoia… until the day that his now pregnant girlfriend gets sick and dies.

And then the world resets about 9 months.

Only George doesn’t forget what happened before. Yet he’s the only one. So he starts preparing for the worst, scaring his lady and friends, and basically acting like a crazy person. It isn’t until a woman shows up (Archie) who informs him he’s not the only one who can remember the previous timelines. That she works for a Lazarus Project who has been tasked with ensuring the big, world ending threats, don’t end up destroying the world. She tells them that the catch is they can only go back to July 1 of the current year, and if the clock strikes midnight on June 30, then that new July 1 becomes a new Save Point.

And she offers him a seat at the table to help them avert the civilization endings.

The thing I love about this show is that within the first episode I was all in on George and his plight. Maybe it was due to writing a book that felt somewhat like a twin to this story, but I could really sympathize with his struggle to try and retain his sanity at the beginning. And then later when he is forced to do some really, really, terrible things… I still found myself rooting for him to find a way out of the mess he’d made. Even if that meant falling short of his true goal.

Each episode trys to focus on various other characters who are apart of the Project. In this I’m reminded of the flashback sequences from Lost. Here, they look at some of the aborted timelines, where we see the issues each of them have stuggled with in the past while also doing a nice job of still connecting to George’s journey throughout. These are flawed humans dealing with some level of shit which can only wear and tear on your pysche.

These shows do a masterful job of making small connections mean nothing when they are introduced, but soon enough you begin to see how every little thing connects. Sometims you expect it and other times you will be completely caught off-guard by how a reveal in act 1 of an episode suddenly changes everything about something you previously thought you knew and understood.

The only bad thing I have to say about the show is that it is only 8 episodes so far, and the cliffhanger they left us on after season 1 had me completely in shock wishing my DVR had one more episode. However, from what I’ve read, they are in the process of filming right now, so the wait may not be quite as long.

If you like any of the shows or movies I referenced above… if you like really good science fiction with solid character work… if you like paying attention and having it pay off later – then this is the show for you.

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John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

The LOST Problem

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I was having a discussion with someone the other day about LOST and they mentioned being disappointed in the ending. I didn’t take it as anything more than their opinion. They certainly weren’t bashing it (as opposed to what I talk about here).

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And then they said something that made me rethink the whole idea of what many people had problems with. He basically said:

“Yeah, it’s like they had a plan to start, but not a plan to finish. They just kept asking questions, and never thought about the answers to those questions.”

And he’s more than likely right. 100%.

Listen, I loved LOST with all its warts, but for all those people who didn’t like the ending because they thought they were just “making it up as they went along”… I hate to break it to you, but…

Most of the time they are all making it up as they go along.

And it made me really think about how things are different between books and TV (or any kind of serialized entertainment). They are always making it up on the fly for the TV shows. Sure, they may have a general idea of what needs to happen between now and say the end of the current season. Heck, they may have an idea on how the series is going to end, but episode 4? Yeah, they are making that stuff up as they go.

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The big difference is that when you are writing a book and figure it out as you go along, you have the opportunity to go back and edit the early stuff so that it makes it look like you had your act together the whole time. Those murder mysteries are various threads pulled together at the end. But when they get to “The Butler Did It”, they can then use the the second draft to seed all those little clues which will make sense on a second viewing.

That when you write “The End” in your book you know it doesn’t mean that, but that it is an opportunity to make sure everything before now “fits”. Because until you write “The End” you really don’t know what your story is about. Oh, you think you know, but the twists and turns haven’t revealed themselves to you. It truly is an iterative process.

But serialized story-telling doesn’t have that option. They hit publish, send it out into your homes, and then have to live with it for better or worse. Literally flying by the seat of their pants. And what is the best way to propel your story forward?

By asking questions. The writer(s) ask questions of their characters, of their settings, of their conflicts… they put obstacles up sometimes without knowing how a character is going to get out. They trust that when all else fails they’ll get it figured out. That crazy thread they are weaving into a story will flow from one plot to the next without anyone tugging too hard (and make the whole thing collapse on itself).

In Breaking Bad, Walter leaves behind a watch in the first episode of the last season (during a flashforward I believe). But at some point they show Walt without the watch… so now they have to figure out the “why“.

The creators of LOST have said as much about writing themselves into corners because they figured they could get themselves out of it.

In writing, there are generally two types of writers: Pantsers and Plotters

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Calvin and Hobbes get it. Which makes me wonder if Bill Watterson had this problem.

 

Pantsers don’t normally know what their characters are going to do. They might have a short bit of knowledge about what the story is about, but beyond that they trust in the process to help them build and build and build until their tale is told.

Plotters like to have things completely outlined. They want to know what the beats of the story are going to be from chapter 1 all the way until the end.

And most people fall somewhere in the middle. I’ve done it both ways. The Dark That Follows was almost completely pantsed. During Hollow Empire, J Edward Neill and I had a kick-off meeting where we talked about where we wanted the story to go, a little about what the beats would be for each chapter, but the actual details for every little thing wasn’t mapped out.

I’m currently working on a new novel: The Edge of the World, and I have a solid outline for the first half, and then a more general outline for the second half. And what I’ve noticed as I go through a second draft are the little points that still need to be added to that first half. Things I learned about the characters as I wrote them. What their strengths, weaknesses, and desires were. Stuff discovered through the process of putting words on the page.

If I had published each chapter on its own, there would be no opportunity to fine tune things. And characters might not resemble themselves at all come the end of the story (for the worse).

So when I watch something like LOST and see them trip up over some plot point it doesn’t make me pull my hair out or completely stop watching, but it might make me wonder just how much they did know to start.

And hope that they can course correct if they need to before it completely jumps the shark.

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is FREE!

He also has a short story in the recently released anthology Beyond the Gate, which is free on most platforms!

He can also be found at www.johnrmcguire.com.

This Is Why We Can’t Have Nice Things

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The Walking Dead returned a couple of weeks ago.

But I’ll get to that in a second. And actually this is not specifically about the Walking Dead, it is just one of the latest “things” to get this treatment. I’m probably going to be all over the place with this post. Apologies in advance.

I want to talk about this thing that we all do. Well, I’m not 100% on that stat, but let’s say a fair number of internet people do and it drives me nuts.

The people who want to say one of the following:

“This show is not as good as it used to be.”

“This show isn’t as good as everyone says it is (effectively saying you are all sheep who are watching it).”

I know it is human nature to compare something to something else. We do it because it helps us identify things. Comparing helps us understand what it is we are watching. We think – this is kinda like X thing, and I really liked X thing, so I’m probably going to like this Y thing.

I do it too. There are certain shows, movies, books, songs, etc. that I am much more likely to enjoy than someone else. Time travel, zombies, anything dealing with alternate worlds, and Groundhog Day style movies/TV shows are all in that wheelhouse for me. If you have some aspect of those things I’m going to probably check you out.

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Back in college I didn’t necessarily go to see every movie that came out. I’m not saying this as a statement of pride or anything else. It just was a fact. Even without going every week I saw a good number of movies. But by trying to narrow down a little bit, be a little bit discriminate meant that I missed a lot of bad movies. And I know this to be the case because if you’ve ever been up at 2 in the morning you see plenty of the “Bad” movies on HBO or TBS or TNT or… The flip side of that was, of course, I also missed out on a lot of good movies. That was the trade-off I was willing to make because I KNEW if something was really good a friend would let me know. And if something was only “OK”, well maybe I didn’t need to see that one.

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Choosing that path meant that I saw movies that, most of the time, I didn’t have much bad things to say. Oh, maybe I wasn’t floored by the latest Tom Cruise movie, but it wasn’t necessarily a terrible movie by any stretch of the imagination. As time went on, those bad movies got forgotten or just relegated to the status of “Eh, it was ok I guess”.

Not the strongest endorsement, and I’m sure I had friends who thought that there were no movies I hated, but they didn’t realize I’d already done some level of weeding before I ever entered the theater. I mean, unless you are watching Mystery Science Theater 3000, there is little reason to watch a bad movie (note, however, I do not say there are no reasons – get enough people together and the worst movies can be the best experiences).

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But what I don’t understand is this need to tear down things that other people like. That other people enjoy. Those people who are just waiting in the weeds… they want to tell you why something sucks or that Season 1 was soooo much better, the first movie was better, book 3 was the best and everything after those things were just absolute garbage.

Note, this isn’t about discussions where something isn’t exactly to another’s tastes. I love to talk about and dissect various movies, books, tv shows, etc. A back and forth about how maybe one thing was a little bit better than something else. A talk in which you are thinking about the things you liked and the things that you didn’t like.

As a writer I love trying to figure why something was done a certain way. As a fan of the form(s) I love to think about what might have worked better from that angle as well. Sometimes those things line up and sometimes they don’t.

I’m not stupid, I know that not everyone likes everything they see.

Why do we need to tear something down? Why do we have to nitpick things?

I notice this more due to the Internet forums. And yes, I understand I should just avoid bothering with them, but I’m clearly a glutton for punishment. And I’m always floored by venom being thrown at certain things because other people like them.

When do you just get to enjoy it?

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Everything we consume has some kind of flaw. Nothing is 100% perfect. But why nitpick every last detail?

It seems like the only time this doesn’t apply is with shows that most people come in late on. Something like Breaking Bad. These things are done or almost done and we’ve consumed them in a way that maybe doesn’t allow for complete introspection. To put it another way, when you are binge watching something, you are more worried about getting to the next episode more than wondering why Walter White reacted in the way he did.

By watching a character arc in a matter of hours instead of weeks or years, everything has more weight and less weight at the same time. It means that maybe those tweaks and changes seem a bit more flawed than they need to be… because that true time to watch over the course of years is no longer needed.

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Case in point: LOST. I am unapologetic about my love for this show. Is it perfect? No, of course not, but I’m willing to live with a few warts for one of the better shows on the tv screen (at least as far as I’m concerned).

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So many of the genre shows sometimes take the brunt of it. I remember that when Lost was heading towards the end of Season 1. Mysteries were being laid out, shit was getting real, and I remember reading a blog where the guy said that he’s not watching Lost because he feels like it is going to do to him what X-Files did to him (not solve the mysteries they laid out). Hey, that’s fine don’t watch, but then when don’t sit there and tell everyone else why they are dumb for watching and enjoying.

Because you know you’ve seen it. That sadistic glee where someone says they aren’t going to bother with something because of some reason. But then spends the next X number of years bashing that TV show because it can’t be any good (if it was, they would like it).

But this is Season 1 we’re talking about and you’ve condemned it, without having watched, because you don’t trust the writers to answer all the questions they are asking (it is an entirely different blog post that would be needed to answer what did or didn’t get answered).

I guess what bothers me is it feels so much like the crap that we are supposed to be over. We’d rather complain about something versus just turning the channel. We sit around and hope to be right about something being bad. What the hell kind of sense does that make? Does the ability to tell someone “I told you so” outweigh everything else in your life? Is that the only bit of joy left to you is to take away someone else’s joy so that they can join you in the pit of despair?

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I’m not sure what part of the human condition this belongs to, but it has always bugged me. I don’t understand people who watch a TV show, read a comic series, and to a lesser extent watch movies or read novels who seem to take pleasure when something popular gets taken down a peg.

And don’t get me wrong, this is not necessarily a critique of when a show has jumped the shark. We’ve all seen that happen, and many times I realize it and still watch because of the investment in the characters outweighs some of the BS.

I’m talking more about those people who lay in the weeds to tell you “haha! I told you it was terrible and now you have to think it too!”

Maybe this sensitivity comes from being a writer and trying to see where something might have went wrong is a part of the process, but when you are giving feedback you are supposed to give “Constructive Critiques”. The people I’m talking about wouldn’t know how to do much more than “It’s stupid and so are you!”.

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Why do we need to hate something? Wouldn’t it just be easier to love something different? Why can’t we change the channel?

Of course the flip-side to all of this is that desperate want for someone to agree with you that something is the BEST THING EVER!

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This phenomenon is something I see mentioned in conjunction with the Walking Dead currently. It gets these monster ratings and that only seems to enrage certain people out there. But it isn’t the only thing.

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I decided to get into Doctor Who this season. Yes, I realize that there have been 25+ seasons and 11 Doctors, but with a new incarnation I thought this would be the best time to maybe give it a try. So imagine my horror when everyone was talking about ending their own viewing of the show with the demise of Matt Smith’s Doctor. So many people were on Facebook talking about stopping, and I wanted to write each of them to say “Hey, I’m finally ready to fall in love with something you love and… hey where are you going?”

Why does it matter? Why does it matter to me that everyone who was watching (and I assuming loving the show) still continue with the new Doctor? What does it matter to me? And why would I even allow it to possibly affect my own enjoyment of the show?

It doesn’t. And yet, just tonight I read a blog post where the writer just had a passing slam about the new version of the show. Literally 2 sentences in a blog completely unrelated to Doctor Who in any way possible. Talking about how this version is just terrible.

And then it occured to me. That little shot at something that I like, without any explanation, feels like (whether it is or not) a personal shot at me. That by me saying “I like this thing” anytime someone else comes along and says “Well I hate that thing” it must mean that they hate something about me. And I’d rather not be hated, but somehow there is nothing I can do about it.

What is wrong with me? Why should I care?

I wish I knew.

 

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. Each episode is only $0.99. But you can go ahead and purchase the full novel (all 6 episodes) right now for $4.99 with the above link!

He also has a short story in the recently released anthology Beyond the Gate, which is free on most platforms!

He can also be found at www.johnrmcguire.com.