Death of Ideas

There are no original ideas.

This year is the worst box office year for movies in forever.

The only things which make money are sequels.

Now that Marvel has led the way, everyone wants their own universe… whether it’s a good idea or not.

No one makes the comics/books/tv shows/movies/etc I want to consume.

***

This, or something like it, fills my Facebook feed and fills up blogs I frequent and dominates the headlines of various other places on the internet. Complaining about the state of entertainment currently available. Complaining that is it all more of the same and why doesn’t someone do something about it.

Complaining.

Maybe, just maybe, we’re not looking hard enough?

***

Remember when you were a kid? Assuming you were anything like me, you probably were a fan of Star Wars. And when I was 8 or 9, I remember first hearing what became an ever-persistent rumor of a Star Wars saga which would span a total of 9 episodes. Nine! On the playground, during sleepovers and birthday parties we tried to wrap our heads around the very idea of such a thing. What would that even look like? Would they come out every couple of years?

None of us say in the bedroom, stomped our feet, crossed our arms, and held out breath because “Why isn’t anyone doing something new?” It never occurred to us.

Did you imagine what those other 6 episodes might look like?

Later, in my teens, everything was still new enough that even if there was a sequel to something like Batman, it was something to look forward to… not lament its very existence.

***

The entertainment world has certainly changed the way they do things with any action or genre type movie (and some random comedies as well). They are looking for the sequel. The almighty trilogy.

The way we devour movies and tv shows have reached the point where there is enough “stuff” available that it only makes sense to try to serve some existing fan base out there. It’s just flat-out easier to get buy-in on something people already recognize.

And I don’t believe this has to be a bad thing. I don’t worry about whether there are too many Super Hero sequels or that Star Wars Episode VIII is on the horizon. If you’re a Harry Potter fan, how jazzed are you that there are more stories coming from that world.

Why does this have to be a bad thing?

***

And I know what you’re saying. The big production companies only want to make a dollar (or more like many millions of dollars) and so they aren’t investing in the smaller movies. And why would they when the next Avengers movie is going to print money?

I sometimes wonder if back in the 50s and 60s whether people were annoyed by the idea of another John Wayne Western was coming out.

Were you really put out by having all those great/cheesy/insert another adjective here for the horror movies in the 80s? I love some of them in many ways, and even I didn’t bother watching most. It didn’t mean I couldn’t watch something else if I wanted to.

***

I have a friend who talks about his current comic monthly pull list. And every few months he mentions cutting the number of Marvel comics he is reading. And then 3 months later, we’re having a very similar conversation about the exact same comics.

It’s like someone has convinced all of us that the box we live in is all we could possibly see or hear. The same people who are complaining aren’t going to see that independent movie which made $2 million dollars last year. The ones complaining certain comic companies aren’t making comics for “Them” anymore aren’t necessarily searching out more indy comics to fill in those gaps. Instead, they talk about only buying 10 comics a month, down from 30. Or sometimes even worse cuts than that.

***

Here’s the secret: other people feel the same way as you, but they are creating new things. Maybe it is a series of novels from an author you’ve never heard of. Maybe it’s that movie you keep scrolling past on Netflix because you don’t recognize anyone’s name in the description. Maybe there is a comic book which will speak to you again in a way you didn’t think was possible anymore. Maybe around the corner are new horror movies or new sci-fi things or new tv shows which don’t have anything to do with part 17 of the latest craze.

And if you’re really lucky, maybe this new thing you fall in love will spawn its own series of sequels and suddenly you can claim the other thing us nerds love to claim:

“Well, I liked it first!”

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novellas Theft & Therapy and There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

Sequels That Never Were – The Crow

The Crow: The Devil’s Mask

Setting: Washington, D.C.

Time: The Near Future

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Night. A crow soars through the city streets of Washington, D.C. In the distance there are fires burning, the results of the latest riots. While the crow continues its flight, the narrator, a woman’s voice, speaks.

“Sometimes, when a person has died a horrible death their soul is too sad to cross over to the other side.  Then sometimes a crow comes to guide the spirit back to right the wrongs that had been done to it.”

The crow lands on a rooftop and scans the surroundings until its gaze rests upon the White House.  The building is only half standing. Only a few of its flags remain waving in the night breeze, and those are dirty and tattered. The crow continues on to the White House.

Interior of the White House.  A large black man sits at the head of the long hall. Beneath him is his throne, a patchwork of various pieces raided from the old seat of the Republic. Beside him, one to either side, are two women in various states of undress. Throughout the hall are an assortment of thugs and hired guns ensuring that their “King” is in no danger. Above the leader rests lays a rifle with a scope. And around the leader’s neck is a Yin-Yang necklace.

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The front door to the hall opens (slow motion style) and some measure of slower techno/metal song begins to play (only slow at first and then building throughout the scene. Through the entrance stalks our hero, The Crow, with his bird flying in just above him.

The music is in full swing as the Crow lays into the men.  Throughout the fight we cut back to the leader who merely looks at the rifle above him as if he is trying to decide something. Eventually he takes it down, raises it, puts his eye to the scope, and sets the cross-hairs targeting the crow (the bird).  The Crow (the guy) is about to pummel the last of the King’s men when the gun is fired (this coincides with the stoppage of music).

Bird and man fall as the bullet impacts.

The King brings his weapon down to his side and makes his way over to the would-be hero. “Very good.  One, two … nine of my men total you were able to get to.  I think that is well beyond the record.”

As the Crow begins to stand the King raises his weapon again and shoots the Crow’s kneecap.

Screams of pain fill the room.

Over The Crow’s shoulder, the two women walk up beside their leader.  The one on his right holds a revolver, and the one on his left holds a red mask in her hands.  The each hand their items to the Leader. He slowly places the red devil mask on.

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The Crow whispers, “I’m sorry Laura.”

The King cocks his head to one side and raises the gun to the mask’s lips.

“No, no, no.  Tell Laura that you’ll be with her in a moment.  Tell her that I sent you home.”

At that moment a crow flies up from behind the King and lands upon his shoulder.

Wide-eyed, the Crow mutters out, “You’re…”

The King merely nods and levels the revolver at the Crow.

“Tell everyone ‘Hi’ for me.”

The chamber echoes with gun fire.

Fade to black – Narrator’s voice

“And sometimes the person doesn’t want to go back.”

the crow fire

***

Years ago, after being disappointed in the second Crow movie (after loving the original so much), Chad wrote up a pitch for a sequel to the Crow. And like many things when you get writers to start riffing on a subject, a story appeared to me. I jotted down the notes I had for it while at work, typed it up, and sent it out that next night.

But because I’m a pack rat and never throw anything out (idea or otherwise), this is one of those bits of story I keep trying to reuse in other forms… sometimes it seems like a decent fit, and sometimes it just doesn’t work and the story goes into the folder on the computer not to be looked at again…

But I was looking through that folder this evening and came across the document again, so I thought I’d share it. Not that this is all of it, just what would be in a movie right before the credits kicked in…

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.