When is enough, enough?
I’m in the process of doing an edit on my current novel: S.O.U.L. Mate and am approaching the finish line with it. Well, relatively speaking, I have about 25% of the book left to edit. And once that’s done I’ll have all the notes from my Alpha reader (Courtney) to address certain deficiencies with the current draft.
This book has been a little different than my other books in not only the subject and the style (first person is something I’ve only played around with in some of my short stories). It is also one that I went through a bit of writer’s block to the point that I set it aside and actually wrote an entirely different book before finally coming back to it early this year.
It is still a little incomplete if I’m being honest.
You see, I had a rough outline for the book. I’ve tried the write by the seat of your pants way and I’ve tried outlines, and outlines work better for me. It provides a bit of a roadmap, but it doesn’t tell me every stop along the way. It makes sure I reach my final destination but also doesn’t limit what exits I might take. It- you know, I think you get it.
But even with the outline, there were things missing. And I actually mean “things”. A very vague and non-specific amount of things. To the point that I had to tell Courtney, I knew things were missing from the draft, but I had no idea what they might actually be. So I asked her, begged really, to tell me what was missing. Where had I ignored something that she expected to read about within the book? Had I neglected any characters (yes, it turns out, I really had). Was there moments we needed to see (absolutely missed a couple of perfect moments that I’ll need to go back and finish up or add a new section/chapter).
The weird thing is thinking about what needs to be added when normally at this point in the process my job is to trim things. It is to make the prose tighter where possible. Say something in 5 words instead of using 10. That sort of thing. But this book has been different because I’m using writing muscles I don’t normally use.
I’ve been thinking about the idea of pencils down recently. It has popped up in my day job where certain reports have been edited and edited to the point where we are taking sections out in review 5 that we added back in review 3 because they no longer work. Which, to me, is an indication that we need to stop trying for perfection. Perfect is the enemy of done.
So I think about that, and then think about the editing and wonder, when is enough, enough? When will the work be ready to put out into the world? When will I be ready to have it out there?
And then I also think about the idea that nothing is ever really finished.
Or maybe the thing is finished when I have put all my best efforts into it?
Or maybe it’s finished when the missing pieces are all filled in. If writing a book is like a puzzle, I only need to find the missing parts and then add them into all the blank areas, right?
So, I’m not there yet with this one. I still have a little ways to go, but it is getting closer with every chapter I print out, with every word I change or cut or add or tweak, and it is slowly becoming the end thing I’ve been trying to get out of my brain and onto the computer.
John McGuire is the writer of the sci-fi novel: The Echo Effect.
He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!
Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.
His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.
He can also be found at www.johnrmcguire.com