No One Is Safe

If a show sets up an expectation that anyone can die and then showcases a handful of characters… is it really being true to its core premise? To put it another way, at what point does your desire to see further main characters killed off interfere with story and enjoyment? When does worry as a viewer disappear? When is it replaced with apathy at what may come?

“I just don’t feel like any of the main characters are in real danger.”

Both a solid argument and a bit of strangeness all rolled into one. For we all have watched the serialized shows for the past twenty some odd years. And with their coming it means we are watching lives twist and change through each zombie apocalypse, vampire slayer, gangster talking to a shrink, plane crash survivors, high school teacher turned criminal mastermind… all of it. Through it all, whether we knew it or not, we were watching a show not only likely to get some characters killed off, but they might very well be people we enjoyed watching. It put us at the edge of our seats week in and week out.

Does that change as the shows go on longer? Assuming the writing quality doesn’t suffer from the weight of its own success, is the idea “Anyone can die” enough of an idea to ensure the ratings don’t suffer.

And if it does, what can the writers do to bring that… fear back to the viewing experience?

I read comics, a format where if you read the adventures of Batman or Spider-man then the one truth is pretty much universal – the hero isn’t going to die at the end of the issue (and for this argument I’d like to say that yes, some of these characters have “died” and they have come back – but you have decades worth of stories where they just go on and on). My point is that I don’t need the fear of death for my characters to enjoy a comic book. I just need the story to be compelling in some fashion or another.

I would think that in order to have a serialized show there has to be a consistent POV. And while many serialized shows have contained multiple POVs, I still must care somewhat about the characters. So a lot of times the whole idea of “No one is safe” is very artificial. Buffy killed off a potential main cast member in its pilot episode. Angel did the same about half-way through its first season. Lost killed off some characters you loved and let others you hated stick around for longer than they should have.

Odds were high, though, that Jack and Buffy and Angel and Walter were going to keep going for the majority of the show. And I would assume anyone who loved those shows wouldn’t want those particular characters to die without some huge (HUGE) reason behind it from a story perspective.

The two shows currently airing which try to walk this line (as far as the idea “anyone can die”… well almost anyone… well maybe just the supporting characters… and Sean Bean…”): Game of Thrones and The Walking Dead.

From what I’ve seen and read from both series (being a fan of the books and comics), I have to believe each contains a handful of “untouchables”… at least until the final season of each. There are certain characters I expect will continue to breathe life in their respective universes. GoT – Arya, Danny, and Tyrion seem the most likely. WD – Rick and Carl… with Carl actually being the absolute last survivor from our original group (my personal theory on how that story could/should possibly end).

The Walking Dead probably has the greater burden of the two, being in the post-apocalyptic world where, if we’re being honest about it, people are just fodder. A place where every day could and probably should be your last. Over the seasons they introduce new characters and kill off preexisting ones, but there has slowly become a “core” group who have managed to stick around from season 1 through the end of this last season. Is it a bad thing this has happened? Remember, we’re not watching an anthology where the characters only are on set for the episode or two. We need to build a connection with them (thus connecting us to the show itself).

Game of Thrones goes through episodes where no one dies, and then all of a sudden, everyone is gone. It also has the benefit of being much closer to a planned ending (only 13 episodes left total between this season and last). Things are coming to a head, which means those characters we’ve grown accustomed to watching may slowly drop away without us realizing it’s about to even happen.

So is unpredictability a good thing or the only thing?

I’m not sure if past a certain point it matters all that much. Most of the time, I’m willing to forgive a show some smaller things if they’ve delivered on their promises in the past.

So obviously I think everyone can die at any instance? No. Honestly, I assume most main characters are going to make it a little while longer. I don’t expect to Sansa die anytime soon… I don’t expect Michonne to kick the bucket this coming season. And that’s the thing… I don’t need to fear for their lives… not when I can still fear for their souls.

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novellas Theft & Therapy and There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the Beyond the Gate anthology, which is free on most platforms!

And has two shorts in the Machina Obscurum – A Collection of Small Shadows anthology! Check it out!

He can also be found at www.johnrmcguire.com.

A Few of the Million Things I Should Have Written

We all those moments where we see something or read something or hear something and the only response is to slap our foreheads and exclaim “How obvious! Why didn’t I think of that?”

I mean it could be as simple as the Pet Rock or the windshield wiper on the back of your car, but for me it tends to take form in the movies and TV I watch or the books and comics I read. So here are a few of the culprits that have me shaking my head at myself.

Ready Player One

Ready_Player_One_cover

A newcomer to this list, the book is the crazy quest set in a future where everyone effectively has checked out of the real world and lives the majority of their lives online. That’s what the book probably says on the back cover (I’m too lazy to double-check, but take my word for it).

That’s not what the book is about. It is about being a love letter to everything good and holy from the 1980s. Hey, did you like War Games (the movie with Matthew Broderick)? Random Japanese monster movies? Dungeons and Dragons? Joust!?!

Then this is the book for you.

And guess what… I loved all those things. Constantly as I read there would be some reference to something I not only recognized, but flat-out LOVED. In many ways it was like my subconcious wrote the book and then gave it to this guy so he could slap his name on the thing.

Damn my subconcious!

The Walking Dead

Walking-Dead-AMC

Hey, I liked zombies before they were cool. In that between time where they had become a joke. Long after Romero had become a name only a few people might have known. I was watching those terrible movies and the good ones and everything else inbetween.

But The Walking Dead… that could have been me. And it isn’t just the idea of printing money with the release of the tv show or the comics or the spinoff or whatever may be next. No, the problem is that now, no matter what you do in “zombie” comic fiction, you can’t be better that The Walking Dead.

The frustrating part is that it took one guy to realize we all liked the story of survivors. We like the idea of a world trying to destroy us. And we love a story that isn’t going to end anytime soon.

The zombie movie that continues after the credits begin to roll.

So obvious!

A Game of Thrones

A-Game-Of-Thrones-in-PDF-EPUB

Again, not because of the TV show, but because this is a book (series) which has finally managed to bring Fantasy back to the forefront. Sure the Lord of the Rings films helped put the spotlight on the genre, but it wasn’t until the better part of a decade later that the world stood up and noticed.

I mean, fantasy novels are mostly what I read in middle school and high school. But the main problem with much of those pulp/D&D novels were that they derived from the same original source… Tolkien. Everything was really just a riff on those core ideas. Elves are mysterious. Dwarves are grumpy. Hobbits are called Halflings because we don’t want to be sued. Goblins and Orcs and Dragons and…

You get the point.

Game said that you could choose a different path. Something more realistic, less magic based and still be lauded for it.

Sadly, it may have done its job too well. It might be the new standard, and a new stand-in for Tolkien… instead of breaking the old rules it merely created a whole new set of them.

Cabin in the Woods

CABINs-poster-indicates-its-complex-puzzle

The movie I certainly could have written. Especially in light of Scream being one of my all-time favorite movies (not just horror movies, but overall). The deconstruction of the genre by that movie is really taken to the next possible level here. In Scream you ask What are the Rules?

In Cabin you ask Why are their Rules?

It is an important difference, but one that I think I’ve been trying to find for a while. Something that might look at the horror movies of the 70s through today and anticipate what the next trend might be.

Cabin asks the questions better than I could have thought.

Damn it!

Let the Right One In

let the right one in

At a time when Vampires were not really the creatures of the night of our youths. Heck, they weren’t even the mysterious creatures from Anne Rice (they must have a decent publist). Let the Right One In gets back to both the idea of the unknown… this otherworldly THING who must be feared, and combines that with the idea that lonelyness is not just a human trait. That our need for connection with someone, with something will always triumph over everything else.

And that true friendship is one of the most important concepts in the world. So why not be friends with a vampire!

It’s like, how do you write a Monster horror novel with heart? Well, this is the way.

 

Well, that’s just a taste, but really, I need to go and try to write something so that my brain doesn’t forget to write the next one of these “obvious” ideas.

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. The first episode is now FREE!

He also has a short story in the recently released anthology Beyond the Gate, which is free on most platforms!

He can also be found at www.johnrmcguire.com.