Press Release: Shadowrun, Sixth World – Are you ready to risk everything?

Are you ready to risk everything?

The Sixth World. One of the most enduring RPG settings ever created, with shadows growing deeper and darker in its latest edition. Dominated by enormous, world-striding megacorporations strangling metahumanity in their clutches, by 2080 most of the planet has surrendered to these corporate overlords.

But from the darkest shadows, defiance flickers in people known as shadowrunners. They risk everything—wrestling magical energies, channeling them into power; putting their minds against the electronic void of the Matrix; trading flesh and blood for chrome and steel.

Stand up, join them, and dare to risk it all!

Shadowrun, Sixth World builds on Shadowrun’s amazingly successful legacy, becoming easier to learn and play while still providing role-playing depth. Dive into the Sixth World Beginner Box to check out all that’s coming!

LAUNCHING AT ORIGINS 2019!

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See you June 12-16 in Columbus, OH!

Painting with Darkness – Part II

Anymore, I’m a slave to the canvas. 

After a satisfying week during which I published my first non-fiction novel, I need a mental vacation (if not a real one…at the beach…with a pitcher of margaritas.) So this week I’d like to veer away from books to showcase six of my newest paintings. Thematically, all save one of these share similar elements. And yet all were painted with different moods in mind:

The Last Tower

The Last Tower – An Ur stronghold floating in an abstract nether void. I was thrilled to finally get some colors going on. The floating islands I painted with a mixing knife. The white doors lead to the world’s end.

Pale Swamp

Pale Swamp – The clouds were fun, fun, fun to paint. The thicket of twisted tree limbs, maybe not so much. Again we see the Ur tower, wandering its way through yet another dimension. See the eye in the upper left?

Four Swords

Four Swords – I wanted to go almost full-on abstract here. I blended my fragile geometric skills with some unusual color choices. Probably my most contemporary piece. Very satisfying to finish.

Dead Rain

Grave Rain – Far and away my favorite painting. It started as an angelic spirit overlooking a forest. But then my mood changed, and it become something else entirely. Headstones line the sodden earth at the bottom. The center tree is home to something treacherous. For me, the only thing that comes close to watching rain…is painting it.

Black Moon Graveyard

Dark Moon Cemetery – Almost certainly my simplest piece, but also my heaviest. The canvas weighs a solid 3.5 lbs. The power of the black moon bends all to its whim, including the trees.

Ashes

Ashes – When I saw Amanda Makepeace’s Heart of the Forest, some dark part of me wanted to counter it with something wicked. The shadow to her light, perhaps. The evil to her good. My crappy camera failed to pick up many of the subtle details, but the actual Ashes canvas is strikingly stark. To the first one who guesses (no Google cheating) the meaning of the symbol, I’ll send a free copy of 101 Questions for Humanity.

Check here to see Amanda’s sickeningly lovely beautiful Heart of the Forest. 🙂

In other good news, I’ve just been gifted with two massive 48″ x 28″ pro canvasses.  Meaning my next two paintings will be huge…and terrifying.

Buyers please look me up via Down the Dark Path’s contact link.

Stay cool.

J Edward Neill

Author of Down the Dark Path

Author of the coffee table philosophy book, 101 Questions for Humanity