The Worst Game I Ever Played

Image by Gerd Altmann from Pixabay

I was doing my blog for the week of Gen Con where I give an easy compiling of the links from all the years I’ve gone (and you can find that “index” here), and rereading some of those old posts got me into a great mood for the upcoming week of gaming. However, it reminded me that somehow, someway I have never really talked about the worst experience in gaming I’ve had at Gen Con. And I feel like enough time has passed that it’s long since over due.

At Gen Con 2019, Egg, Lee, and myself played in a later night session of a game called Amber. Now before I get too into what worked and (mostly) what didn’t work, I realize that just because I didn’t have a great time during the game didn’t mean that the other 30+ players weren’t having the times of their lives. And that’s obviously OK, too. But…

First, this is what I said about the game at the time:

I kid Egg about diceless games, saying that they are Communist. Mostly I prefer games with dice… then again, I don’t have the horrible luck he does (seriously, it is odds defying). Amber is one of those diceless games that’s been around for decades, but none of us had ever played. Based on a series of novels I learned a few things about the game.

First, the people who are into Amber, are REALLY into Amber. Think of your favorite series of books (probably Game of Thrones or Dark Tower for me) and then multiply that love you feel for them by a hundred… and you’d still be short. They know everything about the world… everything…

Which can make it a little bit to penetrate such a thick history. The story seemed to trump everything throughout this session, which I’m not sure if that is how most Amber games go, or just more of a GM preference. I must admit that this one didn’t work for me. In addition, it ran over by 2 1/2 hours, so we didn’t get done until 2:30 in the morning, which threw off our schedules a bit for the remainder of the weekend (that lack of sleep starts here).

***

The first and immediate thing is the diceless thing. I’m probably never going to be onboard with a diceless roleplaying system. I feel like one of the things I like about the games I play is the uncertainty factor. The idea that there is a little bit of fate being pulled and pushed in various directions for me or my fellow players to react to. The joy at succeeding on a roll that could tilt the entire session/campaign in one direction or another. The agony at failing your die roll and suddenly having to scramble to find some way out of the predicament you find yourself in as a result of the disasterous roll… those are the moments I love.

At the same time I can also admit that much of the dice rolling during the course of a game may not really matter. If you have a perception roll for everyone in the party, more than likely you only need one person to have a success for all the players to effectively get the same knowledge… leading us to the question of why bother with the rolls in the first place? And we all have had the fun and excitement of a combat that runs on for far too long due to both the heroes and the villains not quite rolling well enough to sway the battle to one side or the other.

However, within this particular session, the idea of not using dice meant that everything was more or less determined by the GM only. Roleplayers talk about adventures in the terms of railroading the players or open sandboxes which allow those same players to pick and choose what they want to do. The idea being that the GM and the players should look to build a story together and not just exist at the whims of the GM.

He had more agency as a ghost than we did as players.

The problems with the session were as follows:

The Characters we were given/came up with had very little agency within the story. And this wasn’t a case where we (personally) we not getting agency, I don’t believe anyone really was. At one point, the three of us came up with some simple way to tie our characters together only to be told that we should be at odds. OK, no big deal. So we changed that and then immediately the story changed so we were tied together.

The GM was writing his own fan fiction. That night, long-since seared into my brain, felt completely like the GM had written us a fan fiction within the world of Amber and somehow we were all unwittingly playing a captive audience under the guise of roleplaying. To the point where after we had already exceeded our time slot, he proceeded to read page after page from his notebook detailing how the adventure’s story was to end. If there was any doubt that our character’s actions had any affect on the story he constructed, I’d been hard pressed to figure it out.

Too many players. I think there were at least twenty players for this game and one GM. Many of the things that we and other characters we doing by interacting (roleplaying) was completely lost because there was no need to check in with us if another player had somehow grabbed the spotlight.

One player tried to grab the spotlight. In college you have grad students who act as assistants to the Professor. They can help teach the class when the Prof is unavailable. They can grade assignments, etc. In this session, what that meant was helping to control the narrative to make sure whatever character you were playing had the most impact upon things. Oh, the guy did it in a very shrewd way by talking with players at the beginning and then being the point man for the GM. However, it got to a weird point where his voice was simply the loudest one in the room (and we were playing in Lucas Oil Stadium, so that’s saying something).

The session went over by 2+ hours. Listen, we’re all there to play games. Sleep is for the weak. Chicks dig narratively driven scars from tortured characters. But it is one thing to go over by 30 minutes, maybe an hour, and another to just disregard everything when it comes to time so that you can tell whatever story you wanted to tell.

Could we have left early? Oh yes, we could have left at the alloted end time of midnight. But I don’t leave games early. And I especially wanted to see if it would somehow turn around or remain the train wreck it appeared to be.

Image by StockSnap from Pixabay

***

The joke is that we actually are still playing Amber. The Shadow still grips us, and nothing we have done since is real. The three of us are forever stuck in an unending Hell where we can only watch as the story proceeds around us, never interating with anything… ghosts to a world who had long forgotten we were even there.

And much like any cautionary tale, I will not bother with trying to play another session in the hopes it was just a bad experience. I could not do that to myself. Living through it once had been more than enough.

***

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

 

Once More, Into the Breach!

Another year, and another chance to go up to Indianapolis and play games with 1.5 million of our friends (ok, maybe it’s more like 70,000 at this point) at Gen Con. It will be a bookended by two longish drives and the middle will likely be filled with a random assortment of games we may or may not have any idea what system they are using prior to sitting down. In between those sessions we’ll travel, slowly, through the Dealer’s Hall (which realistically takes about a day to go through due to the sheer size), and then we’ll have many, many evenings where we try to kill Egg Embry by making him laugh so hard that he loses his breath completely.

Next week, I’ll likely have part one of my review, which I’m so thankful I started doing from that very first year we went (2017) as there are definitely little moments and games that I might have forgotten without my brief histories to jar the memory back to the surface. So in that tradition, here’s the full lists of reviews since I started going (minus 2020 and 2021 for world ending reasons):

Gen Con 2017 Reviews – Part 1 and 2

The Best Game I Played at Gen Con – Tales from the Loop

Gen Con 2018 Reviews – Part 1 and 2

Gen Con 2019 Reviews – Part 1 and 2

Gen Con 2022 Reviews – Part 1 and 2

Gen Con 2023 Reviews – Part 1 and 2

***

And for anyone else traveling up, down, or over to Gen Con… safe travels!

***

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

 

Love’s Labour’s Liabilities – Postscript

So we are about a week past the end date of our submission for Kickstarter’s ZineQuest 3. How did it end up?

 

I think Stress was the watchword on this project with most decisions that we made focusing on how to limit the amount of stress we would have in running the Kickstarter, hitting our goals, and fulfilling the Kickstarter. So you’re going to see that word a lot in the recap below.

As I noted in my Kickstart the Game post, we reached our goal in about 5 hours which made it a lot less stressful (see, there’s that word!) than our first attempt at doing a Zine back during ZineQuest 1. During that campaign, we funded in the last hour or so which meant that for the entire duration of the Kickstarter we were constantly checking and double-checking the webpage. Now, this is a normal part of a Kickstarter… or at least for me it is, but it can’t be both distracting and at times deflating. You get the little highs when you check and the number goes up, but it is almost worse when the number just sits there, mocking you.

In comparison, Loves’ Labour’s Liberated’s (LLL1) goal was set at $1000 and Love’s Labour’s Liabilities’ (LLL2) goal was set at $400.

Why the difference in goals? Well first was the hope that we might fund earlier in the process and not get down to the last few minutes not knowing whether it was going to fund or not. The second was that we knew more about the process. Going into LLL1, between the 3 of us, only I had run a Kickstarter before and that was for the Gilded Age Graphic Novel. This was an RPG-related item that we were still figuring out. And we wanted to set what we thought was an achievable goal… technically we weren’t wrong. But with LLL2, we had learned what to do and what not to do.

Finally, there was the biggest reason for only having a $400 goal. We gave away LLL2 (pdfs) to all the LLL1 backers for free. Why did we do that? Well, we were late on delivering LLL1.

Really, really, really (add about 100 more “really”s and you start to get the point) late. We all dropped the ball on that and really there was no excuse for it.

This giveaway was an additional attempt to make up for all those delays. However, this created a different sort of problem: If you give away the zine to your previous backers then you are going to have to pretty much find all new backers for the new Kickstarter. Normally, when you do sequels to previous Kickstarters, you are counting on some percentage of backers to follow you to the next project. During LLL1 we had 81 backers. Doing things this way meant we were kind of starting from scratch with this one.

I should note that about a dozen backers for LLL2 had also backed LLL1, so it didn’t completely eliminate some repeat customers.

Of course, we didn’t know what to expect, so the $400 with a potential for some stretch goals made a ton of sense. And again, funding so quickly really let us focus on getting the word out rather than worrying so much on the $$.

This brings us to the single biggest difference between LLL1 and LLL2, we had completely finished LLL2 before the campaign went live. Obviously, we needed to have it done to deliver to LLL1 backers, but it was a conscious decision by all of us that we needed to get out in front of this so that there would be no question in anyone’s mind whether they’d have to wait a year or more to receive what they’d paid for. In fact, as we look to the future, I believe this is the best way to do any additional Kickstarters we run.

When LLL2 was all done, we actually eclipsed LLL1 in both total backers and total dollars:

LLL1 – 81 Backers for $1018

LLL2 – 86 Backers for $1134

This amount allowed us to unlock 3 stretch goals which were Bonus Art X-Cards for use at your gaming tables.

We delivered the updated LLL2 pdf immediately upon the campaign ending, and are now in the process of getting the dedications put into the pdf before it gets sent out to the printers. After that, the three of us will get together and pack up the zines and stretch goals to send out to the backers (which looks like it will happen the first weekend in March). All of this means that potentially everyone will get their Zines within about 5-6 weeks of the campaign ending.

***

Now what?

We’ve started talking about what a LLL3 might look like. I know Egg is looking to do another non-5e Zine at some point down the road on his own. And recently I’ve become enamored with the idea of maybe branching out from a 5e zine and looking at some of the other systems. Not sure exactly when any of those will be done, but I’m looking forward to working on them!

For all of you who backed either Kickstarter, I just want to thank you again for placing your faith and your hard-earned dollars behind these projects. The ability to do this is really the fulfillment of some dreams that we’ve all had since we first discovered roleplaying games.

***

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

 

Kickstart the Game – Love’s Labour’s Liabilities

Check out Leland Beauchamp’s, Egg Embry’s, and John McGuire’s 5th Edition Dungeons and Dragons Zine!

We live, we love, and sometimes we lose. All are part of life, and yet the last part is the thing that will not only knock us to the ground but put so much weight on our chest that we may never find a way to get back up again.

***

So I am a part of a new Kickstarter…

And for the first time, it is a sequel to something I’ve already contributed to:

Love’s Labour’s Liabilities.

You can check it out here.

***

We launched on Monday around 11 AM and by the time I’d gotten back from a doctor’s appointment at 2:30 PM, we had funded! It was a modest goal this time of $400, but there is definitely a huge sigh of relief when you hit your goal. It makes it so that you can actually enjoy the ride a little bit more. We’ve now begun to focus on Stretch Goals which will be a bonus X-Card for use at your table.

This year marks the 3rd annual (I’m assuming) Kickstarter Zine Quest for the month of February. What’s Zinequest you might ask? Well, if you cast your mind back to the 60s or 70s or 80s when you would go into a record shop or comic shop or gaming store and had those pamphlet looking things sitting there that were put together by hand… that’s basically what a Zine is. Yes, today we have programs that allow it to be done a bit easier, but the goal is the same. These are ideas that have been percolating since our successful Kickstarter of Love’s Labour’s Liberated during Zine Quest 1, and that Do-it-Yourself attitude has gotten to us again.

But we learned from the last Kickstarter. This time the whole thing is completely done and ready to go. So the only thing you will have to wait on is the actual printings, but the day after the campaign ends, you’ll have your pdf!

***

This time we are focusing on more of a darker part of the love relationships… the loss part… the obsession part…

It seems like when I’m thinking of ideas for the backstories for any characters I play, I drift toward those who might have a little bit of darkness in them. Perhaps there was an unrequited love, perhaps there was something more devious at hand. That’s what we’ve tried to provide for players in this Zine. A Broken Hearted Monk. An elemental force of nature obsessed with it’s Warlock. New spells, magic items, and much more. All options for bringing even more depth to your 5th Edition games.

***

Like I said on the first Zine Quest we did, you never know who is going to potentially read your work. My hope is that everyone who gets it and reads it is able to use at least one thing from it in their home games.

I hope you take the opportunity to check out the Kickstarter!

***

John McGuire is the writer of the sci-fi novel: The Echo Effect.

He is also the creator/author of the steampunk comic The Gilded Age. If you would like to purchase a copy, go here!

Click here to join John’s mailing list and receive preview chapters of upcoming novels, behind the scenes looks at new comics, and free short stories.

His other prose appears in The Dark That Follows, Hollow Empire, Tales from Vigilante City, Beyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com

PRESS RELEASE – POWERED by the DREAMR (PbtA) and Love’s Labour’s Liberated (5e) at Kickstarter’s Zine Quest

Love’s Labour’s Liberated introduces the theme of February, love, into your 5e campaign. Part of Kickstarter’s RPG Zine Quest, this publication focuses on a romanticized view of Cavaliers, Enchanters, Magic Items, and more for the world’s most popular roleplaying game. Each component is designed to be a hook that draws the player into the game utilizing character motivations. This zine will enhance the roleplaying flavor of the classes while offering chances for characters to buy-in to the setting and its challenges.

Focusing on a new version of the fighter archetype, the Cavalier of Love, a 5e-realized Enchanter, and Magic Items with lovely story hooks, these rules expansions ramp up the quiet moments between combat. Each chapter will lead with a stanza of poetry by Leland Beauchamp. These pieces can standalone or be combined as an adventure hook. Through this zine, you’ll experience the creator’s love of roleplaying and 5e, and be able to share it with your table.

Developed by longtime friends, novelist, John McGuire of The Dark That Follows, Hollow Empire, and the graphic novel, The Gilded Age, poet and gamer, Leland Beauchamp, and RPG journalist, Egg Embry of EN World, Knights of the Dinner Table, Open Gaming Network, and the Tessera Guild, this book is the culmination of years of their experiences with ROLE-playing over ROLL-playing. Available to backers as a $5 PDF or $12 print zine including the PDF, the campaign offers bonuses like the option to declare your love in the zine, create love-based magic items, or even handwritten poems. The romanticized virtues of chivalry, the mystical nature of enchantment, magic love potions, and the passion of poetry all await you in Love’s Labour’s Liberated:

https://www.kickstarter.com/projects/737521052/loves-labours-liberated-a-5e-rpg-zine

Love’s Labour’s Liberated for 5e by John McGuire, Leland Beauchamp, and Egg Embry. An RPG zine focusing on romance and love in fantasy is available during Kickstarter’s Zine Quest.

Read John McGuire’s thoughts on  here – http://tesseraguild.com/kickstart-the-game-loves-labours-liberated/

#LoveAtTheGamingTable #D&D #5e #ZineQuest #Kickstarter

 

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POWERED by the DREAMR is a full Powered by the Apocalypse tabletop roleplaying game in a zine, and it’s live on Kickstarter. In POWERED by the DREAMR, you are a Dreamr who possesses limitless powers within other’s dreams. Until you wake, you travel between the subconscious of sleepers, living out their dreams, searching out their secrets, or battling nightmares. Set in a dream state you and your friends collaborate on, this game maximizes the narrative rules to give each dream a surreal quality. As you navigate an ever-evolving universe of dream logic, your Moves will lead to success, reveal hidden truths, result in laughter, or unleash your character’s nightmares.

Using a variant of the Powered by the Apocalypse phenomenon (originally seen in Apocalypse World as well as Monsterhearts 2, Dungeon World, and more), this game keeps dreams vibrant and varied via random questions that alter the fantasy or reveal a characters personal demons. You decide the dream objectives you must complete before the sleeper wakes. Will you combat a supernatural killer? Steal secrets? Defend the sleeper from dream thieves? Inspire a life altering dream epiphany? Live out your fantasy life? Or something wholly original?

As part of Kickstarter’s February initiative, Zine Quest, this project is the solo debut tabletop roleplaying game by RPG journalist, Egg Embry (Knights of the Dinner Table, EN World, Open Gaming Network, Tessera Guild). Available to backers as a PDF for just $5 or $12 for the print zine and PDF. Making an RPG via Kickstarter is his dream manifest and you can share in that fantasy by checking out the POWERED by the DREAMR Kickstarter at:

https://www.kickstarter.com/projects/eggembry/powered-by-the-dreamr-a-pbta-rpg-zinequest

POWERED by the DREAMR by Egg Embry uses a variant of the Powered by the Apocalypse system. A full RPG in a zine that lets you live out other’s dreams or combat nightmares, it’s available through Kickstarter’s Zine Quest.

#WhatsYourDream #PoweredByTheDreamr #PbtA #ZineQuest #Kickstarter

 

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Kickstarter’s Zine Quest is live in February. This initiative recalls the nostalgia of the early days of RPGs and their zine culture. Focusing on tabletop roleplaying zines, single-color publications printed 5.5” x 8.5” (folded sheets of 8.5” x 11”). These DIY projects focus on everything RPG-related from adventures, maps, monsters to articles, RPG comics, and interviews. So far, the response has been overwhelming with over twenty projects launched and many more to come. They touch on gaming engines like 5e, Powered by the Apocalypse, The Fantasy Trip, original systems, and more. Zine Quest projects are coming from first time creators to established publishers like Steve Jackson Games, and Adventure-A-Week Games. These high-energy, passion projects await you on Kickstarter: https://www.kickstarter.com/zine-quest?ref=section-homepage-promo-zine-quest

Kickstart the Game – Love’s Labour’s Liberated

Check out Leland Beauchamp’s, Egg Embry’s, and John McGuire’s 5th Edition Dungeons and Dragons Zine!

You just never know how something is going to be received. How something may or may not connect with someone else. Or even whether or not the right people will see the thing that you’ve created.

The first part of it is in the creation… the idea. Then you have to do the work and get it out there. And then you have to try and spread the word as best (or better) you can.

And then, when it is all said and done, you just don’t know what’s going to happen.

***

So I am a part of a new Kickstarter:

Love’s Labour’s Liberated.

You can check it out here.

We launched this past Friday and through the weekend were a quarter of the way to our goal.

Launching a Kickstarter means that I get to relive that month of periodically checking to see if anyone else had pledged anything in the last five minutes since the last time I checked the page. 🙂

This project is apart of Kickstarter’s ZineQuest that they are promoting. Basically, they are harkening back to a time where you ordered newsletters from the backs of magazines in an effort to connect with other people, get news that no one else would know, or maybe even new games that someone had created in their basement. You were in a little community.

Of course, in today’s internet world, pretty much any information you’d ever want is right at your fingertips. Do you want to know how to cook a particular dish? No going to the cookbook, just go to Youtube and watch someone walk you through it. Need to know who else was with the Spartans when they held the Hot Gates against Xerses? Just a click away.

This Kickstarter is much more do it yourself. It’s black and white. Approximately 36 pages. And it will be focused on something Egg Embry, Leland Beauchamp, and myself are all interested in: roleplaying the things that happen in between you blowing up things with your fireball spells.

***

Throughout the various roleplaying games that I’ve taken part of, the moments that stick out the most are when the characters really come to life. Normally that isn’t because they killed a bunch of goblins. No, it was because they connected to something within the story. They connected to the characters the Game Master had created in order to try to ground the players to the world. At the core of it all is this connection to Love.

It could be as simple as saving your lost love from the clutches of the evil wizard. Or seeing the loss of a character and wanting to make things better. It’s not about saving the world but instead becomes saving someone’s heart.

***

Image by Rick Hershey. Modified by Egg Embry.

And then there is Chivalry. I like the idea of someone who stands for something bigger than themselves. They have an honor they hold up to show others. It isn’t easy in the games either. A good Game Master is going to put you to the test to see whether you break some truth you claim to have.

The knights of the story books. The ones who go on quests for king and country. Who do their best to make the world around them a little bit better by defending those who can’t defend themselves.

***

Leland had a character in one of our campaigns in college that was maddening in how he played her. Aurora was an Enchantress who almost never cast any spells. She never needed to. He’d have them prepared, just in case, but time and time again situations would come up and he’d find a way around using his powers. After a while I think it became a little mini-game of his to see if he could get through a session without casting magic.

That’s the type of wizard I want to play, someone who is looking at all the angles and making sure they have exhausted every other option before falling back on their abilities.

That’s the type of wizard we want to introduce in the Zine.

***

You never know who is going to potentially read your work. But you hope that someone might read through our Zine and get a little idea here or there to introduce into their own games. Maybe they see a potential angle they never really explored before.

I hope you take the opportunity to check out the Kickstarter.

***

John McGuire is the creator/author of the steampunk comic The Gilded Age. The Trade paperback collecting the first 4 issues is finally back from the printers! If you would like to purchase a copy, go here!

Want to read the first issue for free? Click here! Already read it and eager for more?

Click here to join John’s mailing list.

His other prose appears in The Dark That Follows, Hollow EmpireBeyond the Gate, and Machina Obscurum – A Collection of Small Shadows.

He can also be found at www.johnrmcguire.com