Previously on…

I have a saying that I picked up from somewhere (perhaps Warren Ellis’s email blog years ago) after I watch or read something that I feel is just so damn good that it makes me wonder about my own place in any future writings that I might do:

“It makes me want to break my fingers.”

Because, when you’ve seen the top of the mountain and know that it is probably impossible to get there, well, what else can you do but end your suffering?

I’ve been reading the Dark Tower series and King has managed to make me exclaim that a couple of times. Portions of Breaking Bad managed to make me feel like that as well when we were binge watching it.

That being said, the man who does that to me more often than not (that’s an odd sentence) is Aaron Sorkin.

newsroom3

We’re watching the last season of the Newsroom, and I know that every time I see a new episode that I am going to have that feeling all over again. And I know that when this season is over and the show is done I won’t know what to do with myself because it will be another show that was taken away too soon that had his name on it.

I don’t know when I knew about Aaron Sorkin. I mean, I get that he wrote A Few Good Men and The American President, both of which I had watched. But I don’t think I put those things together until Sports Night came on.

A little something about Sports Night. It is a show that should have been on tv for 5 years. It should have been this show that everyone understood and loved and we could all talk about how well written it was. It should have been that show that had it all, great actors, great writing, great characters, and it was tied into the world of sports.

And yet people didn’t watch it. It was cancelled in 2000 after only 2 seasons and 45 episodes and I still don’t know that I have forgiven all of you who had TVs and didn’t watch the show. You gotta make time for stuff like that (sadly I read that it had over 10 million viewers and still got the ax because 14 years ago 10 million was not good enough – today ABC would kill for those weekly numbers).

sports night

I think it may be the only thing I’ve ever watched multiple times all the way through. About every other year I pull out my DVDs of the show and start consuming them. And little by little I’m reminded of how good the show really was.

Luckily, he’d also come up with this little show at the same time called the West Wing, which helped alleviate my loss. Weirdly, I haven’t actually watched that whole show… I’m still working through it on Netflix as I’ve seen about 3 seasons worth and then I think life got in my way (Don’t judge me! You didn’t watch Sports Night!).

Something about the way that the worlds seem to fly out of his character’s mouths. How even when they are saying terribly complicated things that are probably over my head, he manages to ground it in some way or another. He makes his characters complex, living creatures. They show who they are with their words, with how they interact with others. There is never a better feeling than when a monologue is about to begin. They seem to dance in the air, only to be replaced by the next word, next turn of phrase… and somehow, when the moment has passed, I can only sit in my seat and say “Damn.”

west wing

Watching his current show, The Newsroom, I probably say that at least three times an episode. And sometimes it is some bomb that he’s dropped, but many times it is because of a subtle moment… a joke that is told… or even where he’s poking fun at his own style (having characters talk about monologuing and the like). It comes off as… well, maybe not exactly the real world (I’ve never worked on a tv show or in the White House or at CNN), but a world I wouldn’t mind hanging out in. Though I think I’d need a script to keep up with the rest of them.

And as much as I like the man’s movies (The Social Network was all kinds of amazing), I think I love him most when he is killing himself to write all the episodes of some of these TV shows. It is nice to get 2 plus hours, but I’d almost rather get the 10 a season I’m getting now, even if I have to wait a week at a time. It may mean that I’m being greedy. And I know I should be happy with whatever I get… but I am greedy. I do want more.

So don’t think of me as a stalker if I happen to hang out on his IMDB page and read about the next thing on his agenda.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. Each episode is only $0.99. But you can go ahead and purchase the full novel (all 6 episodes) right now for $4.99 with the above link!

He also has a short story in the recently released anthology Beyond the Gate, which is free on most platforms!

He can also be found at www.johnrmcguire.com.

Searching for a Super Power

I’ve been thinking about the scene in Mallrats where they are playing their version of the Dating Game and Brody (Jason Lee) is asked “If you were a comic book character, what character would you be?” Brody then begins to break it down: “What does one gauge his response on? Physical prowess? Keen detection skills? The ability to banter well with super villains?”

dating_show

He never gets to really answer the question, but it is certainly one that I’ve asked myself. Or more directly, what power would I want? So I’m going to break it down.

Flight – Let’s face it, flight is an amazing ability for those of us who must move along on the ground. To be able to reach up into the sky and really see the world as it is, in a way that very few ever could.

But, eventually they are going to make that hovercar technology and then everyone is going to be able to fly and you’ll just be sucking fumes.

manofsteel

Invisibility – This could be a good one. I’m pretty sure that there have been more than a handful of times that not being able to be seen would come in handy… get your mind out of the gutter!

I’ve seen Hollow Man. I’ve read the Invisible Man. It seems like madness is truly the biggest side-effect to having this power. I mean, even the Invisible Woman has had her bouts with it from time to time. And I’d be worried that an ability like that pretty much can only make you the biggest pervert in the world… now get your head into the gutter.

invisible

Telepathy – To be able to read people’s minds. To know when someone is hiding something from you. To see when they are lying to you. To find out exactly what people really think about you…

The Twilight Zone even had an episode where the guy suddenly could read minds and as we all know (A Penny for Your Thoughts), if that show does an episode on something then it always… turns out… good?

Come to think about it, that might not be the best idea. Ignorance is bliss.

Super Speed – The Flash makes it look so fun. He can move so fast, vibrate through objects, even create sonic booms. In the comics they always show him as the guy who helps rebuild the city because he makes it look like things only take 5 seconds.

Here’s the thing, something that I’m not entirely sure has ever really been broached by the comic books or the tv shows… it still has to be done by him. ISo for him, even moving really fast, he has to actually shovel the snow out of the driveway, he has to clean the house one room at a time… yes, to the rest of us he gets it done fast, but he still gets to deal with the part of actually doing those crappy jobs. And he can’t ever complain about it because everyone else will tell him how long it will really take them to do the same task.

Sounds like a lot of work.

Super Strength – Awesome, you have a power that will come in handy if you need to… hmmm, I’m trying to figure out when this one would come in handy in every day life. I guess the pickle jar will never remain stuck. The groceries will never be too heavy? Luggage?

Yeah, might be cool for a second, but I need something bigger and better.

Laser Blasts – Unless I’m fighting a villain, I’m not sure I need to be a living weapon. I certainly don’t need anyone and their brother trying to use me to whatever military purpose I might be suitable for. I’m probably missing a cool application of this power, but since Doctor Doom is not on my dance card most nights, I’m not feeling it.

Teleportation – To be able to move great distances in a split second. To no longer need to use a car or a plane or whatever to get from point A to point B. To be able to roll out of bed and be anywhere in the world with just a thought. I mean, sure there is that whole making sure that you don’t teleport into a solid object, but you could always scope things out beforehand. Set up particular spots to go to and from. Heck, I could live on a luxurious beach and still work wherever I wanted.

Star_trek_beam

And sure, maybe that means when your wife sends you to the market, she means the market in Hong Kong for that authentic Chinese Take-out, but hey, that may be a price worth paying.

So for me, I think I’ll go take a quick trip to Hawaii where it is nice and warm as opposed to the beginning of winter that I’m already tired of.

 

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. Each episode is only $0.99. But you can go ahead and purchase the full novel (all 6 episodes) right now for $4.99 with the above link!

He also has a short story in the recently released anthology Beyond the Gate, which is free on most platforms!

He can also be found at www.johnrmcguire.com.

 

Of Dreams and Steam… and Great Engines of Power

Last week’s blog made mention of how little moments can change a direction for a person. Something small can knock you onto a completely different course than anything you expected even an hour earlier. This is another one of those stories.

BeyondtheGate

A few months ago I decided to participate in a Kickstarter campaign. Not the strangest thing to do, but the result of that one act has allowed me to interact with a bunch of writers that I might never have had the chance to do. It has garnered me a couple of interviews, an appearance on a podcast, and an appearance in an anthology released yesterday. If you haven’t checked out my post from Tuesday, you can read a sample of my story… and best of all, the anthology is free at most places (and eventually will be on Amazon as well). My blog from yesterday is here.

That most recent interview is here.

One of the outcomes of the Kickstarter (which was watching the Self Publishing Podcast guys write a book from start to finish in 30 days) was that the world they were creating during June would be an open source world. Which meant that anyone could write in the world and not have to worry about sending money to someone else. That Kickstarter became The Dream Engine…

And with that, the anthology became this thing. Slowly, over the next month as we waited for the finished product, gears shifted into motion. Authors began to say that they’d like to join in and submit something. I mean, the chance to have your work appear in something else is never a bad thing. Maybe one person reads your short and checks out the rest of your work. You just never know.

So I signed up, not having a clue at all as to what I might be writing about. And then the book was released and I started reading The Dream Engine hoping that something would spark inside my mind. Something would direct me to explore it. I needed something to inspire me.

And the days crept by, and I kept reading, and while I was enjoying the book I still had no idea what I could write about. What might fit in the world they were weaving. I believe I was 2/3 of the way through the book when that lightning finally struck. Something finally triggered. Suddenly I had ideas.

Notes

This is what happens when I’m not near a computer and I need to get the information from my brain before I lose it. This is the part of writing that I wish I could bottle. I wish that I could figure out exactly what the switch is in my brain that allows me to – out of nowhere – come up with an idea that was almost… maybe 90% there. I knew the various beats, I knew the two main characters and what their voices were like, and I even knew why I was writing the story.

You see, in the Dream Engine, the pilots of Altera are rock stars. They get to see the world and when they return to a city they always have more than their share of tales about what they had seen. They might be complete lies or they might be the truth, but that’s why you listen… they are the original water cooler talk where you could dissect their stories and try to figure out where the lie begins and the truth ends.

And that’s a question that might be worth answering… why do these Ruddermouths tell these stories?

I think it took me about 3 days to actually write the short. Then one more day for some self-editing. However, that wasn’t the end of it. All the writers were asked to swap their stories with another writer and do an editing pass. Then take those comments, tweak, overhaul, whatever needs to be done on the stories. Again, at that point  we had an editor who looked at all the stories and gave her notes. Then it would be onto our Beta Reader for the project with that last second look at things and make sure that nothing slipped through that might have been confusing on the reader’s side of things.

What was amazing about this project is how people came together to create this something out of nothing. From Eric Pierce wrangling all of us in one direction, to Amy Schubert providing the free editing, to Kayla Halleur doing that last minute reading… I was reminded how so many times as writers and artists… we’re alone, banging on the keys at 2 in the morning. And how lonely that can sometimes be. Yet this project was a true meeting of people to contribute to something that had inspired them in some way. From various countries and backgrounds, all working towards a singular goal.

And yesterday saw it finally come out. I’m happy to have been able to contribute something to it.

If you haven’t already checked it out, it is available free at most bookstores, and will be free on Amazon soon enough.

Amazon | Apple | Nook (Barnes & Noble) | Page Foundry  | Kobo

To learn more about The Dream Engine and the various books being written in the world, check out Blunderbuss World.

To learn more about the writers of The Dream Engine… the guys that started it all, check out Sterling and Stone.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. Each episode is only $0.99. But you can go ahead and purchase the full novel (all 6 episodes) right now for $4.99 with the above link!

He can also be found at www.johnrmcguire.com.

 

To Be Read Podcast

logopodcast

I’m going to be on the To Be Read Podcast TONIGHT to talk to the guys about graphic novels and the like. If you have a chance, you can watch live starting at 9 PM (EST)  here.

 

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. Each episode is only $0.99. But you can go ahead and purchase the full novel (all 6 episodes) right now for $4.99 with the above link!

He can also be found at www.johnrmcguire.com.

Preview: Beyond The Gate Anthology

BeyondtheGate

(This following is an excerpt of the story I contributed to the Beyond the Gate Anthology. For those unfamiliar with the world that originated in The Dream Engine by Johnny Truant and Sean Platt, it is a land surrounded on all sides by a dense Fog where monsters are rumored to live. It is a place where skyships flown by seasoned pilots, called Ruddermouths, journey from city to city, carrying their stories with them. And it is a place where if you lose your grip on reality they have a special place known as Joffery Columns.

Here’s the official blurb:

Waldron’s Gate, capital of Alterra. A land powered by steam, but inspired by the power of dreams, and surrounded by the mysterious Fog. 

The Dream Engine explored this city. Now you are invited to go Beyond The Gate. 

Twenty-three authors will take you over, under, into, and beyond the Fog in this cross-genre compilation of short stories. 

From time travel to romance, young adult to horror, science fiction to historical fantasy, you’ll discover tales that delight, intrigue, and maybe even shock you.

This is only the beginning.

 

I’m excited to have a chance to grow the world, even if in a very small way. If you like what you read, this is only the beginning of the story.)

The anthology is available here (for free at most places):

Amazon | Apple | Nook (Barnes & Noble) | Page Foundry  | Kobo

 

***

The Secrets of Storytelling

Isaac Parkes twisted and turned through the throng of people gathered around the skyport. All eager to see the ferry shaws begin their next circuit supply run. All hoping for one more look at the ruddermouth pilots before they lifted off.

Isaac raced across the tarmac but not in an effort to be a spectator. He sidestepped an older woman who had painted her face a strange blue hue, nearly causing him to collide with a teenage girl, her eyes full of stars and hope. His satchel slid down his hand in the scuffle, but he kept his grip, leapt over another gawker, and shoved his way past the perimeter guards with a flash of his paperwork, though they did very little to verify much of anything. Too concerned with maintaining the lines for the rest of the mob, it seemed just acting as if you belonged was more than enough to allow you past their blockade.

Only fifty feet to the final shaw, he heard its engines fire up and begin their lift-off cycle. With no one between him and his goal his run transformed into a sprint. Back and forth he waved, trying to get the pilot’s attention. It did him little good. There was a stir in the engine. It would be only a few more seconds before the craft took to the skies, leaving him alone on the empty platform.

Just before the final lift, his hand found the passenger door and slid it open, hopping into the cockpit as fast as he could. His stomach lurched in time with the ascent, but he managed to keep his breakfast down. With a click, the door slid back into place, locked tight.

Now inside the craft he realized how heavy his breaths came and used the back of his sleeve to wipe away the sweat from his brow. Below them, he could see the crowd for what it was. A flash of red hair behind a handmade sign gave him the briefest pause. A memory from another time… then she was lost in the mass of women crying at the loss of their true love. Nearly fifty people saw them off. Their adulation was an impressive sight. Isaac wondered if they only felt that way for tonight’s lift-off or if this was a regular occurrence.

“About left you back there. Another coupla seconds and you’d have started walking.” The pilot startled Isaac. He turned to give the man his sincere thanks and the words wouldn’t come out. He started to stutter out some words again, but couldn’t make his mouth work like it was supposed to. There he was in the flesh. Never in all his years would he have expected to get his lift to Stensue from Lukas Byron. But it was him. The strong jawline, the dark hair with just the barest hints of gray peeking out told the truth of that.

Except once he took a good look at the pilot, he realized he’d gotten it wrong. This wasn’t the Lukas he’d seen two years earlier. Isaac still remembered the smell of the bar, a mixture of cigar smoke and bodies crowded into such a small room. He and his brother Sean arrived hours early, squeezed into one of the booths near the back where they could watch everything and everyone. Then the ruddermouths came in, full of thirst and swagger. He recognized a few of them, but it wasn’t until Lukas came in that the wait had been worth it.

Sadly, something had hidden that man from the world and replaced him with a doppelganger. That Lukas was a star, with his jet-black hair grown long enough to hide his eyes, but not enough to block a full smile displaying a full set of shiny ivory teeth. Apparently the years of long hauls and spinning yarns late into the night was tougher work than it appeared. Replaced by the four-day growth on his face, gray hairs were no longer content to hide from the world, fully announcing their presence. His jacket, worn thin in some places, was stitched together with hastily placed patches that were threatening to pull away from the leather. And while this Lukas still smiled, there was no longer a toothy grin attached. Instead, he gifted Isaac with a forced smile from a shell of a man.

The Lukas Byron he knew, the one everyone knew, told legendary tales, each one more fantastic than the last. He fought river creatures one day before stopping gremlins from destroying his skyship the next. Then there was a dogfight with a dragon, if you believed in that sort of thing. He was a man who made being a ruddermouth a goal to be had, not a consolation prize for those who aren’t picked for skyships or the zeppelins. He’d weaved his way through every city and every port, spinning his lies about adventures to the far side of the world.

Isaac would know. He owned the book. More than that, he had memorized the book. He could have recited the story about the hauntings at Aerohead when a group of ruddermouths were forced to stop overnight and nearly lost their lives.

And here, in this inner sanctum of his hero, he saw the proof. Pinned and stuck to the ceiling were an assortment of clippings, sketches, and fabric pieces torn from dresses, scarves, and possibly other things. These were his gifts from an untold number of fans.

Of course, Isaac knew the stories weren’t true. They couldn’t be anything other than simple tales. But he was fine with it. He’d always been one for stories and the like. When he was no taller than a doorknob, he’d lose himself in his father’s study. Books lined the walls, some stacked in the corner, and each time he touched a book a plume of dust lifted from its home. Each one held those old stories. His father liked to refer to them as Alterra’s old secrets. He’d say, “In those books you’ll get a picture of how things were.”

“You mean monsters and elves used to run around?”

“No. I mean you can understand what people believed many hundreds of years ago. Those are just stories. Stories your mother might kill me over if she knew you were reading.”

The shaw hummed through the night’s sky. Lukas rummaged in the front of his jacket and produced a flask. Isaac saw a tint of green liquid leak at the edges of the man’s mouth before he offered his cargo a sip of Thunderclap. Isaac shook his head.

“So, why’d you join?” When Isaac didn’t immediately respond, Lukas filled in the silence for him. “It’s going to be a long enough flight, and I’ve never had a partner up here before. Might be nice to have someone to talk to.”

“I suppose. Well, I-”

“Wait! Let me guess… you fell for the campaign didn’t you? That whole ‘Come and see the world’ bit. Am I right?”

It was a question Isaac found himself pondering many nights when he couldn’t sleep. He’d yet to find a satisfactory answer, so he countered, “Why’d you join up?”

“To see the world.” Lukas said the words without any hint of happiness or sadness. It was a matter of fact. “I was never going to see Waldron’s Gate or Yon or Stensue where I was. Grew up in a small village in the middle of nowhere. Just was never going to happen. Being a ruddermouth was my way out.”

Isaac found himself nodding. Maybe he wasn’t different from this man. Both of them thrown into situations because of circumstance more than anything else.

“The women don’t hurt either.” This time he gave a full-toothed smile, and Isaac couldn’t help but return it.

Isaac shifted in his seat beside the pilot. All the gears and instruments clicked and hummed as the shaw made its way through the air. “I’ve heard almost all your stories. I even have the book.”

“Book?”

“I’ve always wondered what part of flying opens your mind up to weave those tales. I mean, I know it must be lonely when you are making your runs. Especially when you’re going from Yon to Waldron’s Gate. No disrespect to the Builders, but you do what they do… just in story form.” Isaac wished he’d stop gushing, but he couldn’t help it. There were so many questions he’d had since he’d first started reading about Lukas. He saved every clipping from the papers, watched every news story produced. Now he was riding in a ferry shaw with the man.

“Oh that. The writer ended up listening to my stories and a bunch from other pilots. Took ten and slapped my name on it. I don’t honestly know which ones they used.”

“Are you saying they aren’t your stories?”

“Maybe. Maybe not. I mean, I am pretty entertaining when I need to be. Ruddermouths always got stories to tell. Everyone knows that.”

Lukas stared out at the night. Below the cloud line they could still see the slow rolling fields underneath them. For some reason it reminded Isaac of what Jonah the Whale God’s ocean might be like. The grass swayed in time with the wind.

“Things are changing, though. Routes that were once sleepers… there’s a threat around every turn of a mountain or valley. Every…” Lukas trailed off. “I shouldn’t say anything.”

“What? What shouldn’t you tell me?”

“Let me ask you a different question first. Where have you been?”

“All over,” Isaac said.

“Waldron’s Gate?” When Isaac shook his head, Lukas continued, “Then you haven’t been anywhere. But it’s alright. You’ll be there soon enough.”

“Mayday! Mayday!”

The squawkbox lit up the cockpit with its flashing glow. The voice on the other end reached out through the air to try to find an anchor to someone. Static cut the words into broken pieces. “Something hit… going to try…”

Lukas touched the box. “Where are you?”

“Thirty miles out… on the way to Thestic.” Static ate the rest of the communication.

“Do you know where that is?” Isaac asked.

“Damn fool, trying to cut his route short after I warn him to stick to the tried and true ways. Yeah, I know good and well where he is.”

Isaac clenched his hands, tightening his grip on the dashboard, knocking off a random keepsake. He leaned forward in his seat, as if the movement would allow them to travel faster. Lukas shook his head at the gesture. “Oh, you’re a romantic… that’s why you want to be a ruddermouth. Well, with those doe eyes and full head of black hair, the ladies are going to love you.”

***

Again, if you like what you read, this is only the beginning of the story. The anthology is available here (for free at most places):

Amazon | Apple | Nook (Barnes & Noble) | Page Foundry  | Kobo

Every Day is Exactly the Same…

I read a fair amount of writing blogs. Blogs on self-publishing. Blogs on productivity. Blogs on the book industry. And sometimes in all the noise I think one essential thing gets lost. When you are a creative of any stripe, be it writer or artist, there is one truth among everything that you do.

BestWrite

You have to take it one day at a time. You have to put your butt in the chair and block out that thirty minutes, that hour, that half a day, however long it will take you to actually get something down on paper (or computer if that’s your thing).

I write about this for me as much as anyone else. I want to remind myself of the goals I’ve set so that I can hold myself accountable when the end of the year comes. I want to know what I need to do, and what I should be doing.

So many times over the years I’ve seen talented people, writers and artists both, say one thing with their voices, but show something entirely different with their actions. They say they want to do X thing for a living, but then don’t want to commit the time necessary to actually accomplish those goals.

And I know, your busy. We are all busy. We spread ourselves thin with work and family commitments and that crazy thing called sleep. People have hour plus commutes, each way, every day. Hey, I’m grateful for my job, but you do get to waste 1-2 hours in your car every day.

Ask yourself what your priorities are. Where did you waste time today? Could you chose to study your craft instead of one of those time sinks. There are so many ways to make sure that you don’t get your work in today.

Hey, I get it. I struggle with it too. Some nights I have to drag myself to the computer, launch Scrivener, and then will myself to do the work. And I am not successful every night. Sometimes I am tired. Sometimes I am not creative or I am stuck on a scene.

And sometimes I just don’t want to do it. I’d rather play Magic Online or watch a movie or even fire up the XBOX and play Madden for a couple of games.

south park playing games

Those things are going to happen.

But…

But… if you are a writer and wrote 250 words a day. That’s effectively 1 page. So if you wrote 1 page a day, then at the end of a year you’d have a book. 365 pages is a solid book. It would probably take you all of 15 minutes to write that 250 words. Heck, you could probably do that while you were sitting at your desk during the day. Or during lunch. Or maybe even construct it in your head as you drive home.

I mean, you want to do this for a living, right? That’s what you said.

1 page a day. That’s all. Much like economics, this stuff compounds with time.

If you are an artist (say for comics)… if you drew one page this week. And then did that for 52 weeks, you’d have 2 comic books in a year. Yes, I understand that it takes longer to draw than write, but 1 page a week. What if I put it another way? What if I said for you to do 1 Panel a day. Most comic pages are 6 panels. That’d give you your page a week. 1 Panel is all it takes.

I mean, you want to do this for a living, right? That’s what you said.

Little things add up to be big things.

Pile-of-paper-CO2-Savings

This could be you!

I think there are plenty of people out there who want to write a book. A lot of times when I’m talking to people and the fact that I’m also a writer (in addition to being an engineer), most people mention that they’d love to write a book.

They’d love to write A book.

And that’s awesome. Honestly, I think that the more voices that are out there, the better off we all will be. No one has your combination of experiences. No one sees the world like you do. So if you want to give this Word thing a shot – go for it.

But that’s not what I want. I don’t want to write A book.

I want to write 100 books.

And I don’t want just one comic book to come out.

I want to have written a 1000 comics.

That means that I have to squeeze the juice out whenever I can. It means that the tray beside my computer is filled with scraps of paper that I’ve written on during the course of the work day. Bits of dialogue for the project I’m currently working on. The idea for a short story that will get filed away. Even story beats for the next novel I’m going to write.

You have to find that little bit of extra time. Maybe it means you wake up 15 minutes earlier every day (heaven forbid) or maybe you stay up 15 minutes later?

Ask yourself if this is a hobby or if this is a career? Do you want to do this or do you just like saying that you will do it… eventually, you know, down the line. Are you going to look back in a year and think about the wasted time and why didn’t you get started on that novel/comic/painting last year? Last month? Yesterday?

And if you are wanting to do more than 1 thing, you know what happens when you finish that one? You start on the next one.

So what’s the plan? What do you want to be?

Now show me the proof.

 

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is now complete. Each episode is only $0.99. But you can go ahead and purchase the full novel (all 6 episodes) right now for $4.99 with the above link!

He can also be found at www.johnrmcguire.com.

And a Child Shall Lead Them…

October is more than half over and yet I don’t feel like I’ve gotten much of my horror business done for the month. And I was doing so well a couple of weeks ago. I had watched a couple of movies with the horror bend to them, but since catching about 1/2 of the remake of The Hills Have Eyes, I’ve seen nothing that would disturb my soul. Nothing which would freeze the blood in my veins.

But a movie did come on the other day which set my mind spiraling back to a simpler time… to a time when I was much younger. The first time I remember being truly afraid.

ChildrenoftheCornPoster

The TV glowed from its perch atop my dresser.  My room was wrapped in complete darkness other than that solitary light (and perhaps what little could trickle under the door from the hallway). At the elderly age of 10, Saturday night meant that my bedtime could be extended to at least midnight, and if I was careful about the volume, I could push it past if need be.

This night, though, was a little different. I had become fascinated with horror movies earlier in the year. Somehow, perhaps with the help of HBO streaming into our household, I’d managed to watch Nightmare on Elm Street. The sight of those knives on the end of Freddy’s fingers shook me up, in a way I had never understood before. I didn’t know that a movie could do such things.

It was a gift.

So now, there I was, alone in my room, preparing to watch another horror movie. Something called Children of the Corn. Whether it was the soundtrack of the movie, the basic premise of an entire town’s worth of adults missing – leaving only the kids in charge… a thought which certainly seemed interesting to this 10 year old.

Or it could have been that the villains turned out to be the kids. Whatever it was, I was entranced. Completely enthralled. I glanced at the clock, seeing that it was well past ten o’clock and the sounds from outside my room had died down at some point during my seclusion. That was ok by me. I loved the idea of being there and letting the fear wash over me.

Being only a one story house, my room sat facing the subdivision road which ran in front of our house.

Somehow, between the movie and the soundtrack and the sound of my own breathing, another sound filled my ears… from outside the house.

My heart slammed faster in my chest, but I did what every 10-year old would naturally do: I pulled the covers up to just below my eyes. That age old idea that the monsters in the dark can’t possibly get you if you are protected by an inch of comforter. I closed my eyes and blocked out everything else. Surely it was just something from the movie that I’d heard.

Under the Bed copy

And then it came again.

There was no doubt in my mind that time. It had come from outside. I needed to figure out what it was. The idea of being afraid of something on a television screen suddenly became a distant memory. I slid from my place in the bed, slinking down to the floor beside it. Keeping low, I crept towards the window. Even while every synapsis in my brain fired to tell me to run out of the room, to go pound on my parent’s bedroom, and to let them deal with it… I continued until I was at the window. Slowly, I raised myself up, peering just over the window sill.

Outside he darkness chose not to reveal any potential secrets. Growing a little bolder, I managed to get my whole face up to be able to look.

And a light flashed directly in my eyes.

Flashlight

Somewhere I heard a scream, and my own fight or flight instincts kicked in. Had I been stronger, my door might have come off the hinges with the force I ran out of the room. Then I heard the scream again, only this time I understood that I was the one making the noise. Turning the corner, I found my mom in the living room and I proceeded to tell her everything I could through gasps and wheezing. I needed her to understand that there was something outside my window… that this wasn’t just the overactive imagination of a 10 year old who was watching scary movies.

I need not have worried. She hugged me, smiled, and said, “Your step-father is outside. He probably did it.”

The next sound I heard was one of laughter as my step-father rentered the house. His whole body shook as he relayed what he had seen. In light of this knowledge, I crept back to my bedroom, shut the door (but left a crack open), turned off the tv, and hid under the covers once more.

***

It’s that same fear that sometimes still gets me when it is very late and I am all alone in my house. A stray sound at 3 in the morning on a Friday night… I still find that I am comforted by ducking under the covers.

Perhaps there is some magic in that thought after all.

 

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is currently in week six of its 6-part release. Each episode is only $0.99. But you can go ahead and purchase the full novel (all 6 episodes) right now for $4.99 with the above link!

He can also be found at www.johnrmcguire.com.

One Year Later

This is my 53rd blog post, which means that I’ve now, officially, hit the 1 year anniversary of blogging on Tessera… without missing a week. 52 straight weeks where sometimes it was well after midnight and the blank screen taunted me in a way I’d not thought possible.

Since I started blogging I’ve released 2 books, 1 novella, and 1 short. I’ve gotten an author website up (with the mighty, mighty Tanya Woods help), done a couple of interview swaps, and enjoyed my guild-mates’ musing on life and anything else they wanted to write about.

So for this post I wanted to take a look back at those 52 posts and highlight a few that I think either got overlooked or just were personal favorites.

I Should Have Paid More Attention to C. Thomas Howell

urban-legend-killer-backseat

For those that might not get the reference, Howell was in the original move, The Hitcher, which was about what bad things happen when you pick up a hitchhiker. This post was my own personal (and 100% true) story about the 1 time I offered a ride to a stranger(s). It was the 3rd post I’d done and effectively my October “Horror” post. Most people like it even if the consensus is “what a dummy!”

The Biggest Fish: Smallville

Smallville-Logo

This was a post about potential opportunities. It was about taking a shot, no matter how crazy it might be. And it was about getting a small amount of vindication. I might also call this one “The One Time I almost wrote an episode of Smallville.”

Brought to you by Yellow #5

mountain_dew

 

Another story blog, this time focused on the one and only time I’ve ever spent time in the back of a cop car… and how Mountain Dew/ Mellow Yellow might be to blame (and lack of sleep, and not being in my own car, and finals week and…).

Forget Me Not

winter-reflection-mirror

I believe that when a writer sits down and begins to craft a story he’s considering a question that he’d like to answer. That isn’t to say that it always has to be some earth-shattering question. This post was about one of those questions that is always on my mind, whether I end up answering it is an entirely different question.

And Now For Something Completely Different

Look tasty? Think again!

Look tasty? Think again!

My Grand Unification Theory… about pizza. I stand by this 100%. Study this, understand this, and maybe your next get-together will be a more successful one.

My only regret with this one is that I should have made it my April Fools post instead of my Superbowl post. I think it would have been more appreciated.

 

The Tribe Has Spoken

Survivor.borneo.logo

My Survivor post… the only bad thing about this one is that if you don’t care about Survivor then you have no reason to read it. But my wife and I continue to love the show, so I decided to write about some of the strategies and how we see the game. The cool, sad thing is that I could probably write a part 2 and 3 to this post without breaking a sweat.

He’ll See Me On the Flip Side

time_travel

It was very stream of consciousness. All about how different moments in my life are connected in very interesting ways. I’m probably most proud of this post as it ended up better than I thought it would when I started it.

Hollow Empire: Those Initial Steps

10442Jollain_The_Plague_of_Frogs

A behind the scenes look at those first days when J Edward Neill and I began to hatch the project now known as Hollow Empire. This is the sort of post I love to read by other writers, so I hoped to give a little insight on one of mine.

And it also shows that sometimes ideas come at the most random times.

So whether you’ve read them all or never read a single one, maybe give them a look-see.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is currently in week five of its 6-part release. Each episode is only $0.99. But you can go ahead and purchase the full novel (all 6 episodes) right now for $4.99 with the above link!

He can also be found at www.johnrmcguire.com.

The Fastest Man Alive

The Flash is my favorite DC comic book character. If I had the chance to write a DC comic (aka The Dream) it would either be the Flash or Firestorm (more on him another time). So when they announced the new Flash tv show what do you think my reaction to it was going to be? Excitement? Marking it down on the calendar… making sure I took the day off?

No. I wasn’t excited. I wasn’t looking forward to it at all.

3167440-the-flash-logo

Let me clarify that for some of the non-comic people out there with a little history lesson. There have really been 3 people to wear the Flash costume for any length of time (yes, comic book people, I am aware there have been more than 3 – but I’m just going to talk about the Big 3, ok?).

Jay Garrett – Jay was the first Flash way back in the 1940s. I’ll admit that most of my knowledge about Jay is entirely based on comics written in the 90s and the 00s (my collection only goes back so far). What I will say is that in the later years Jay has been treated as both the elder spokesman for the entire Flash family as well as held a leadership role in the Justice Society of America.

Garrick_ross

Plus his costume is kinda awesome.

Barry Allen – This is the one you’d most likely be familiar with if you read comics pre-1986 or watched the live-action show in the early 90s. Barry Allen. And this is the man the new TV show will be focused on.

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This is where I have a little blasphemy.

I gotta say, Barry is boring to me. In the comics he’s the CSI scientist who is a bit bumbling and wears bow-ties and is always late to everything (get it – he’s late, but yet he’s the fastest man alive – ugh). I always thought that the best thing that Barry ever did was give his life for the universe (see Crisis on Infinite Earths for more on that story – in fact, if you haven’t read that one then you should do so immediately. It has everything a superhero story is supposed to have – high stakes, heavy losses on both sides, and it changed the way comic events were looked at). A character who seemed to accomplish more by being dead than being alive. He could be something that all other strove to emulate. He could be this thing that showed the true merit of a hero.

There is one good thing about Barry – his villains. Behind Spider-Man and Batman, I think that the Flash has the best villains. Mirror Master, Captain Cold, Heatwave, Weather Wizard, Professor Zoom, Abrakadabra, Gorilla Grodd… and all of those come straight from Barry’s run as the Flash.

Wally West – This is my Flash. You may know this version of the Flash from the Justice League cartoon.

When I started reading comics – this was the current Flash. And as I read I began to understand where this character came from. DC has built itself over the years by being a company all about legacies. Those ties from the 30s and 40s which stretch to the 50s and 60s and then end up in the 80s and 90s.

3 generations of heroes.

Flash1

But it was in Wally West that this idea was really fulfilled. Years before Dick Grayson (Robin) would become Batman (after Bane broke his back), Wally shed the Kid Flash costume and adopted his uncle’s. But it wasn’t a comfortable change. For years he struggled with the idea of living up to the legacy of a man who sacrificed himself for the entire universe.

Wally wasn’t as fast, wasn’t as smart, and maybe he wasn’t supposed to be anything more than Kid Flash.

He just wasn’t Barry.

Until a writer named Mark Waid took over the book and saw in Wally something more than his uncle Barry. Yes, he lived in the shadow of greatness, but that did not preclude him from being great. Maybe he could be better than any other speedster had ever dared. He just needed a little push.

He became The Flash.

So maybe you can understand why I wasn’t over the moon about the Flash tv show. It wasn’t going to be “my” Flash (which I knew it couldn’t be, but still). And I like the fact that Arrow is pretty grounded – this was going to throw it all out of whack. I made up my mind to begrudgingly watch it, but it would be under protest.

Then I saw the first teaser… hmm…

The I saw a trailer for it… uhm, that looks pretty good…

And now that the moment is almost here… well, I might be getting excited about it.

***

Bonus – My Top Flash storylines:

terminal velocity

Terminal Velocity (The Flash #96-100, vol. 2) – Wally West realizes that he is going to die very soon, consumed by the very energy he uses to achieve great speeds. So he does the only thing that he can, he passes his legacy onto a new Flash… all the while trying to stop a madman from blowing up his city.

Terminal Velocity was the comic that brought me back to the Flash after having stopped picking it up for about a year. It was also the comic that made Wally West my Flash. The beats in each issue builds to the point where you’re legitimately not sure how things are going to turn out.

race against time

Race Against Time *The Flash #112-118, vol. 2) – Wally is caught in the timestream, his memory swiss cheese… the only thing he has that can keep him from disappearing into the Speed Force is his love, Linda.

Of course, this trip through time leaves a different sort of Flash back in the now. And he and Linda seem to be getting a bit close…

Time travel and the Flash go hand in hand. Two of his villains are from the future. He has a treadmill that can let him travel through time (don’t ask). But mostly I love this story because of one moment where Wally’s world comes flying apart. I remember having my friends wait for me to finish reading the issue so that we could all share in the WTF moment.

flash 76

The Return of Barry Allen (The Flash #74-79, vol. 2) – What happens when the man whose legacy you are trying to uphold returns from the dead? And what happens when you realize that he is not happy that the world has moved on to a new Flash.

Somehow this was the first Flash storyline I ever read. I barely knew who everyone was, but I devoured these comics. And maybe it was the fact that I didn’t know everyone and ever moment of history in the book, but I did not see the ending coming.

 

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is currently in week fourof its 6-part release. Each episode is only $0.99.

He can also be found at www.johnrmcguire.com.

You Take the Good, You Take the Bad

I touched on one thing a few of weeks ago that I wanted to explore a little bit. Basically the idea that out of bad things we should make the best of them.

When life gives you lemons, make lots of lemonade.

Every dark cloud has a silver lining.

silver

I wonder if it isn’t just crap we tell each other to ensure that we get out of bed in the morning.

4 years ago I got laid off from my day job as an engineer. For those of you who have never had the opportunity to take an unplanned vacation where you are stressed a whole lot of the time… let me tell you, it is not worth it. Basically you have this time where normally it would be great. Catch up on sleep, read a book, watch tv, and just veg out. I mean, you’ve been at it for how long now, you might deserve some free time again. But the underlying stress is awful. And at some point there are only so many hours in a day you can look for jobs.

But I digress. Out of that time I ended up writing the first draft of the book that would become The Dark That Follows. I had never written anything that long before. Prior to those moments the longest thing I had ever written was a movie script that was about 100 pages and around 48 pages of a comic mini series. Let me say that writing 200+ pages of a novel is an entirely different beast.

I definitely made some lemonade.

Here’s the question though… why? Why did I need that bad thing to happen before I made an opportunity out of it? Couldn’t I have done the same thing while I was employed (sure I could and have been ever since that point). Still that was the thing that gave me a kick in the pants I surely needed.

So why do we wait for these moments? Why should it take sometime bad to happen for us to reevaluate how our lives are progressing?

Top-Dog-The-Science-of-Winning-or-Losing

My favorites are the blessing in disguise. I’m more referring to the phrase itself, somewhat of a cliche nowadays, rather than the possible religious implications behind it. It might as well be a case where all we are doing is just trying to reassure someone that good times are coming. There is a commercial on tv in Georgia (perhaps other states who have the lottery are running something similar). The conceit of the game is that you win if you match all the numbers (like a normal lottery) OR if you match none of the numbers (so now they have us hoping for a negative return… just weird). And while I am amused at the commercials, it is such an alien thing to hope to not win… but not just don’t win, you need to LOSE completely.

I mean, what in the world are you supposed to be cheering for then? That’s like rooting for your team to tie or something. And while there are spots where that might be a good thing. It is completely alien to my own brain patterns. I (people) are programmed to Win.

So why is it that we must decide to find the silver lining only in the bad things? Can’t they just be bad things and then we move along? Do we need to find lessons in these moments of terrible? Would it be the worst thing in the world to just brush ourselves off and stop obsessing over whatever the bad thing was?

Just once I’d like to learn my lesson from something really good happening!

Of course, that is easier said than done. I think that it might be (must be?) that we all get caught up in our lives. Going to work, hanging out with friends, dealing with family… you know, Life stuff. But that becomes a daily thing. And then it becomes a weekly thing. And then summer is over and Christmas is here and we all stand around thinking “Wow, that year sure went by fast.”

The bad might just be a shock to the system that breaks us of that routine. Maybe we’ve drifted a bit from whatever path we’re supposed to be on and that’s the moment we can really do a bit of self-correcting?

Of course, unlike those people in the Lottery commercial, I’m not looking to have the bad thing happen. And I wish I could steel myself against it, but that never works. So all I can do is just take that extra moment when it happens and use it to the best of my ability. Not the best answer, but the only one I have.

Mostly I’m reminded of why there has to be bad things by two of the greatest philosophers of our time.

beavis550

Beavis: Hey Butthead, how come some stuff sucks, and some stuff is pretty cool?

Butthead: Because Beavis… if everything was cool… how would you know what sucked?

Exactly.

 

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is currently in week three of its 6-part release. Each episode is only $0.99.

He can also be found at www.johnrmcguire.com.

My Top Ten Horror Movies

Ah, October (I’m a week early, forgive me.). This month is one of the best of the year. Football season is a go and we’re beginning to see where our favorite teams stack up. Baseball playoffs are in full bloom (or for some we are looking forward to Spring as there is always next year). And yes the leaves are falling, but I am called to focus on something else:

Fear.

I’ve talked about Fear before… mostly as it relates to writing and my own personal goals. But in October I like to focus on that external Fear. Those movies and books and video games which scare me in a way that I not only don’t always understand, but that I actively search out.

These are my horror movies of choice. Some because they were the first movies to scare me, others because I was so blown away by what I saw it disturbed me for days, and then a few that I just love even when they no longer offer the scares they once did. Some I’ve seen only once and others I’ve seen dozens of times (one I might have seen over 100 by this point).

scream_xlg

Scream

I don’t think Scream ever “scared” me. From those opening minutes I wasn’t scared. Through the twists and turns of the movie I wasn’t frightened. So why is it on this list?

Because I think Scream did something for Horror movies that had never been done before. It deconstructed the late 70s and 80s slasher movies in a way that poked fun but still allowed it to cap off that era. The idea we all sat around and discussed (why are they running back into the house? why do they wander off alone? etc.) – Williamson and Craven made that movie. They made “our” movie.

I saw this twice in the theaters. The first time was an advanced screening at Georgia Tech by myself. As soon as it was over I made sure to get a couple of friends to go to its release. And after that first scene ended my buddy Lee leaned over and said “If nothing else happens for the rest of the movie, that one scene was worth the price of admission.”

jaws

Jaws

I joke and say that Jaws prevented me from becoming an Oceanographer or marine biologist, but really it is just that terror of the unknown which truly does it for me. Again, what I want to be able to see and hear – all of that disappears under the water’s surface. Every moment of control you have is an illusion, and really it is only luck that a large predator doesn’t have its way with you.

I don’t randomly go into the jungle and hope to avoid large predators, but for some reason I do it at the beach every year. And yes, I know the odds are slim… but…

That’s why, even after maybe 100 views, this movie sticks with me.

the strangers

The Strangers

“Because you were home.”

That’s why that movie frightens me on a level I cannot even fathom. Why do bad things happen? Is it luck? Is it just a matter of doing sketchy things that eventually catch up with us? Horror movies like to pose that question. And they give us the answers.

Don’t stay in the haunted house.

Don’t have underage sex.

Don’t drink and do drugs.

Don’t have your car break down in the middle of no where.

Don’t mess with things that you hear dark rumors about.

And if you follow all of those rules… guess what? The Strangers let you know that it might not be enough.

“Because you were home.” chills me like no other line could.

The-Conjuring-2013-BluRay

The Conjuring

I was surprised by this one last year. I expected another run of the mill haunted house movie. I figured it would be ok at best, and at worst we’d get a good laugh in our annual horror movie night.

The Conjuring was legitimately good and scary.

Color me shocked.

All the tricks of other movies seem to be used to better effect in this one. All the things we’re accustomed to in “these types of horror movies” still gave me the creeps when I watched this one. They hit all the notes. Definitely one of the best in the last few years.

600full-the-ring-poster

The Ring

The image of the woman after she’s watched the video. That’s the one.

This movie sought to disturb me. And it did an excellent job of exactly that. And yes, I’m only referring to the American version, and that may be blasphemy, but I have to go with what I watched.

The image of the woman crawling out of the tv.

Yes, this one ushered in the J-Horror movies for better and worse, but still… something about the Ring.

The images presented in the video itself.

Maybe that’s just it. It is disturbing. And sometimes that’s enough.

28-days-later

Dawn of the Dead (Remake) & 28 Days Later

The speed zombie movies. The beginning of the current zombie craze in films. The end of the world.

Post-apocalyptic movies like these show me the best and worst of humanity. They show how quickly all our work and dreams and desires could be ripped away. And while I don’t believe that zombies are going to do us in, I think ever since we discovered the ability to destroy on the level of a nuclear bomb, ever since we’ve found diseases with no cures, and space rocks that could create another extinction event… these are things outside of our control. And that’s what this is – if there is no control, no rules left, then what does it mean to be a person? What does it mean to be human?

In the mouth of madness

In the Mouth of Madness

I’ve written about this one before. Check it out.

invasion of the body snatchers

The Thing (John Carpenter’s version) & Invasion of the Body Snatchers

The idea of something not being who or what they say they are hits me in a way that I’m still not 100% sure of. It is one of the oldest fears available to us, because we want to trust those very people who we know and love. And when that gets taken away from us. When we are no longer sure who we can or cannot trust. When our hearts and minds cannot rationalize a way out… then we are truly screwed.

The thing about both of these movies is that even though they take place in two very different environments, the story is still one about isolation. Sure it is more blatant in The Thing, but Invasion pushes it to the point where surrounded by a street-full of people, you still are not sure who to trust.

These are ideas that will always be there, regardless of the current climate of life.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is currently in week two of its 6-part release. Each episode is only $0.99.

He can also be found at www.johnrmcguire.com.

Hollow Empire – Lessons Learned

My second novel-length project made its first real steps this past weekend. Hollow Empire’s first Episode came out on Friday night to a Kindle reader near you for a whole $0.99. For that you get to meet the characters, get immersed in the world, and get left on one heck of a cliffhanger for… another 2 days. Because that’s when Episode 2 comes out. And then a week later Episode 3 comes out. And so on for 6 straight weeks.

HollowEmpireEP1

Check it out on Amazon here!

Last month I talked about how the project began (in the various emails sent back and forth between Mr. Neill and myself). You can find that here.

The thing about this project was that while we had a bit of a road map, this was different than the way I normally write. Typically I’m working in solitude, late into the night, trying to hit my goals for the night. But even before that I have an outline of some sort set out. It might not have all the twists and turns laid out, but it gives me enough road signs that I know where I’m heading.

It’ll be months working on that 1st draft. A draft that no one else can see (not even Courtney). It is in this draft that I become unafraid to suck. Unafraid to write down everything that my brain might only be tangentially trying to tell me. It all goes in… because I know that when I sit down for Draft 2, I can easily cut the chaff from the wheat.

Or something.

Hollow Empire worked a little differently. Initially we set up goals of turning around the episodes every 3 weeks. At that point I’d send J my 3 chapters and he’d send me his 3 chapters and I’d spend a night or two on edits (and he’d do the same).

Let me say right now that J got the short end of that stick. Especially at the beginning. His chapters were pretty clean overall. A few grammar things, a misspelling or three, and maybe a tweak of some plot (mostly that was me asking questions like this: “Wow, this thing you introduced was cool, how does that work?”).

Editing

Mine were a little rougher. Mostly because, while I did give them a writer edit before sending them on, they were probably closer to 1st draft form than 2nd or 3rd draft form. I can only imagine what J thought when he read that first chapter.

Hopefully it wasn’t a “what have I gotten myself into” situation. 🙂

I believe that by the 5th and 6th episodes I’d cleaned up some of the bigger mistakes, crutches, etc. that I was using (or he’d given up by then).

I’m fairly new at this, but I have to believe that even the JK Rowlings and Steven Kings still learn things with each project they write. Maybe they aren’t the HUGE things anymore, but I have to hope that there are still techniques to figure out… an envelope to push.

And I’m still at the point where everything is HUGE realizations. Writing Hollow Empire, getting that instant feedback, and then doing the edits immediately showed me a different perspective on how my work… worked.

I wasn’t expecting that when I agreed to the project.

The other big thing I learned was that 3 weeks isn’t as long as you think when you have a day job. You see, I was under the assumption that since my nightly goal is 1250 words and our portion of each episode was about 7000 words… well, you do the math. That should be only 6 days. Figure 2 more for any edits. Even if I only write 5 days a week, that’s only half the time.

time slipping away

Well to mis-quote Top Gun: My brain was writing checks that my body couldn’t cash.

I hit the first deadline, no problem. Heck, I had a whole spreadsheet set up with due dates and how long edits would take and so on. By Episode 2 I only barely hit the date, and I’m pretty sure by Episode 3 I was a little late. And so on.

That being said, I would set up the same schedule the next time (3 weeks). Some of the delays were from not knowing the characters quite yet. Some of it was trying to  make sure that I hit the goal posts I’d set up in our initial story meeting. And some of it was vacations and work. At 3 weeks per episode we’d still be done in 4 months. Which leads me to the 3rd thing I learned.

The speed of the project made me a faster writer. More pure. I wrote my characters into corners in one episode and then had to figure out how in the world they were going to get out of that situation. And while that made for some longer nights than I would have liked, I’m hopeful that the end result of not agonizing over every last sentence captures a feeling with the readers.

What I’d like to know now is whether this experiment worked. How do the readers react to those moments and cliffhangers and everything else? Can we make it so they are hyped for a new episode to come out on Friday night?

I guess I’ll have to wait and see.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program.

His second novel, Hollow Empire, is currently in week one of its 6-part release. Each episode is only $0.99.

He can also be found at www.johnrmcguire.com.

 

TV Casualty – Please Don’t Feed My Television Screen

This is how it goes come September. Our DVR is relatively clear. Sure, perhaps there is that one lingering show from last year we just haven’t quite gotten around to watching… but otherwise we start fresh.

That lasts for all of about 2 weeks.

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We scan through the new shows, looking through Entertainment or online or even TV Guide flagging those shows which catch our eye and ensuring there are no conflicts with any existing shows. Slowly that DVR fills up. Shows become endangered species as the capacity approaches. 5% left and now the easy decisions get made:

We were never going to watch X show… let’s just delete it. That buys us, what? 3 days?

My wife sees the numbers of episodes click ever upward. Her palms begin to sweat. She’d rather not bother with the show if the number gets too high (Heaven help you if she finds out that pilot is 2 hours – she might go screaming from the house). So now I become a Vaudevillian performer with my spinning plates, ensuring that everything survives as long as it can (or until we make a decision about locking it in for the rest of the year.

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Maybe this is beginning to change though. We’ve certainly joined into the binge watching affairs during this last year. 2 seasons of Orange is the New Black, all of Breaking Bad, and even the new run of 24. And each one of those had a number beside them that was at least 12 long, and in some cases many, many more than that.

And then last year, even though Sleepy Hollow looked right in my wheelhouse – I waited. I recorded the episodes, but didn’t watch them. Had I not been burned time and time again by these shows? And this one looked like the type that begged to be cancelled 4 episodes in. Plus it was on FOX, so there was little doubt.

Imagine my surprise when they were picked up for a full season well before Christmas. Somehow a genre program which walks that line between goofy and serious has turned into the little show that could.

Maybe I shouldn’t be so quick to judge this year’s newcomers?

We may still be in the Golden Age of TV… I don’t know for sure. I do know that for superhero “stuff” on TV, this next year is above and beyond anything we’ve ever experienced before. It’s an all you can eat buffet.

I just wanted to look at the comic shows debuting this Fall:

Gotham – If you haven’t listened to Kevin Smith’s “Fatman on Batman” Podcast, you are missing out. He typically does these epic 2 + hour conversations with the various creators, voice actors, animators, etc. who have worked on something Batman related. But it was one of his conversations with Paul Dini where they discussed a potential Batman show done where he was much younger than anything we’d ever seen before. How you could focus on Gordon when he was a much younger man trying to make his way in the world. How you could slowly introduce many of his villains.

The tangent probably lasted 20 or 30 minutes, but I was in. Gotham seems like it sprang directly from that talk (though it was developed entirely separate). But, yeah, I’m in on that one.

Flash – I actually have a blog post coming up in a couple of weeks about the Flash. Sufficed to say I will be watching it.

Constantine – I think I have about 6 comics with Constantine in them. I never have read Hellblazer (it is on my list). I didn’t see the Keanu Reeves movie from a few years back (though that might be a blessing). Assuming I do check this one out, I’m pretty much going into it blind. I know there will be demons and magic and that’s about it.

I check this one out, but I need to be wowed quickly.

Agent Carter – I wonder if this concept has enough “juice”. I like the general idea of exploring the early days of SHIELD and the Marvel Universe, but I worry that once the gimmick runs its course, the show won’t have much more to stand on. There is definitely some opportunities for them to universe build, but it could easily turn into the show winking at the audience every week with some random comic easter egg (which Agents of SHIELD did a few times to mixed results).

The other worry is that it took SHIELD half a season to get to where they should have started. Now, don’t get me wrong, by the end of the season it was running on all cylinders, but if Carter fails to get out of the gate in the same way, I wonder if the leash will be quite so long?

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3 from DC and one more from the Marvel movie universe. My best guess is that Gotham and Flash survive, Constantine doesn’t finish the season. Agent Carter gets 1 full season and then it is done (and maybe they end up saying that was the idea all along).

But aside from these, what shows should I be checking out (no guarantee they get added, but I know I’m going to miss a few somewhere in there).

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program. He can also be found at www.johnrmcguire.com.

The Dark That Follows is now available in print here or on Amazon!

Dragon Con Review

Last week I talked about heading down to Dragon Con over Labor Day weekend. This weekend I tried to make some new memories.

The first thing that always occurs to me is how big the con has gotten since I first went down to it so many years ago. I will say that I believe Atlanta has scheduled a few too many things for Labor Day weekend (maybe). Since we weren’t staying on site (something we’ll hopefully remedy next year), it meant that trying to get into that 10 AM panel presented not only some highway issues…

atlanta traffic

But also actually making our way to that early panel in light of the parade. The sidewalks packed with people, we struggled to reach the Whedonverse panel over at the Westin, only to find it packed.

Boooo!

No problem, we’ll just go to our back-up TruBlood panel… across the street… across a sea of bodies in costumes.

Hmmm.

Which brings us to our first real story. We’re pushing through the mob, but are unsure how we’ll actually get to the Hyatt when behind us we hear a guy asking to get through… carrying a young woman in his arms, passed out from overheating. Of course we make room, as do many of the others lined up on the sidewalk. As they pass, she lifts her head and smiles before resuming her previous “unconscious” state.

Though, Karma is a thing, because the parade was over less than a minute later, so all their deceit got them nothing.

Terminus Media had a panel on Saturday night at 10 PM to discuss the motion comics we’d been working on for the CDC, and to talk about the motion comics side of things in general. Myself and Robert Jeffrey II (a contributor to Tessera) were a part of the panel. About 15 people showed up, and even though there was no real rehearsal, I think we acquitted ourselves pretty well.

It is always weird to see something you had a hand in creating being shown on a screen for others to see (in a good way). Hopefully we did a decent enough job that Dragon Con will invite us to do more next year.

Ran into (literally in couple of cases) a few friends I had not seen in a while. As I touched on last week, that’s one of the biggest and best things about the con – reconnecting. Finding out how everyone is doing. This year I also got to show a complete con newbie around. And she enjoyed it enough that she went ahead and got her 4 day pass for next year.

Aside from not being able to get into the Whedonverse panel (luckily we did get into the Agents of Shield panel on Sunday which had plenty of Whedon love) and not being able to see Cary Elwes (another capped line), there was one big “problem”. The Dealers room is a bit of a nightmare to deal with. I know they are expanding again next year, but there were multiple times that people couldn’t get into the building or into a room because it had reached capacity. If Dragon Con is going to keep getting bigger, they need to figure out a way to handle that.

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Expand, DCon, expand.

Second story of the con – We are ready to leave for the night. It is about 11:45 Saturday evening. I am finished with the Terminus panel and am looking forward to getting home, to bed, and then back again the next day for more fun. We only have to get down the outside stairs of the Hyatt, which for some reason the DCON staff decided to block (with their bodies) so as to allow a line for one of the late night panels to move through.

Now, I don’t have a problem with this if it takes a minute or two. When it takes 10 minutes then maybe you need to pause that line and let the queue of people on the stairs out to where they might be able to get to meeting spots, late dinners, gaming, or home (in our case). What kills me is that they finally did have to pause that line because I think we were about to storm through them. Not the best way to end the night.

Oh, and I did have one huge regret.

C. Thomas Howell had a panel (along with Cary Elwes) and not only did I not know about it, I didn’t know he was there at all. Those that know me know of my fierce love of 80s movies that include C-Tom (as I like to call him).

Yes, they know about it even if they don’t understand it!

Anyway, I just wanted to let him know that he still holds the distinction of being in the greatest volleyball movie of ALL TIME – SideOut.

Sideout

Summer did, in fact, get hotter!

A bold statement, for sure, but one I stand by. Regardless of the fact that I’m not sure there are other volleyball movies!

So that was a bit of my Dragon Con for the year. I can’t wait to see what next year brings!

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program. He can also be found at www.johnrmcguire.com.

The Dark That Follows is now available in print here or on Amazon!

 

Dragon Con Memories

We’re days away from another year of Dragon Con. As you may or may not know, I’ll be at the Terminus Media panel on Saturday night at 8pm. I’m not 100% on what we’ll be discussing, but it should be a fun time to mix it up and talk with some of the local independent comic people around Atlanta.

Dragon Con 2014

Dragon Con is this weird thing for me because it has always been there. I believe the very first time I went I was 15 or 16 and Chad’s dad dropped us off and then picked us up some time later. It is where I first realized that there were these comic book conventions, and where I got my very first comic autographed (issue 300 of Amazing Spider-Man by Todd McFarlane). We were only there for a few hours, but my mind was blown, and I resolved to come back again the following year.

ASM-300

Of course that promise was blown away the very next year when family commitments meant I couldn’t attend and ended up missing a DnD session run by Tracy Hickman (of Dragonlance fame). For the weeks afterward my friends all made sure to let me know what I missed out on.

A year later the Magic the Gathering frenzy had taken over. You had to wake up early, stand in line for some crazy amount of time, and if you were lucky you would get 1 pack of Legends. Now I know that must sound crazy to think that the current set could not be bought at any random comic store, but it was the world we were living in.

The years went by and most of the time I tried to ensure I’d go at least two of the three days. And then when it became a four-day con, I pretty much stuck to  the two days anyway. At the time it felt like they were expanding just to do it… I mean, I could see 90% of what I wanted in 2 days, why bother with 3.

But then a curious thing happened… friends began to move away or maybe they lost interest into going. And soon that group of 10 or so that made it where no matter what panel you wanted to go see or what deal was going on in the Dealer’s room – you’d know about it and have someone to share in the experience. I don’t know about you, but doing things by myself means there is no one to nudge when you see that “cool thing”.

And not long after that, I was the only one going to con… and it became strictly a 1 day thing for me.

I carried the flag for those “dark” years for my group of friends. Sure, I might see a couple of people I knew, but that old core group was nowhere to be found… and it lessened things a bit.

Then came Firefly and Serenity.

ImageDayFireflyMotivational

For most of this time my wife avoided Dragon Con. It was something I think that amused her from a distance. That “thing” John did around Labor Day. Every year I’d ask and nudge and hint that I thought she’d have a great time if she just did 1 day with me.

And she always put it off. Maybe next year. Maybe next year.

Then came Firefly and Serenity. And a panel at Dragon Con with pretty much the whole damn cast.

And I had her.

And she came to Con, and saw the panel, and then saw that Charlene Harris and TruBlood was there and sat in on another panel. And we spent the evening watching the costume contest with some good friends in their room on closed circuit enjoying room service.

That’s all it took.

And suddenly I wasn’t alone anymore. I had my best friend to nudge and point at a cool costume and to experience things with and just enjoy this piece of my own life with her.

Soon enough some of the other friends have drifted back (here and there) to the con. And I get to meet up with newer friends as well… guys and gals I may not have seen in months.

It’s glorious.

At the end of Dragon Con I’m always hit with a slight melancholy. No matter how much I enjoyed myself or even on those years I was bummed out about being by myself… I would still get it. That idea of all these people who shared some passions with me… all these people who said fuck it, I want to enjoy what I want to enjoy and not worry if I look or act silly during these 4 days. I love that about Dragon Con. I love people watching. I love going to panels and seeing tv and movie stars talk about their projects and getting excited about the next big thing. I love going to writing panels in an effort to glean as much information from people in the “know” as possible.

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It makes me feel not so alone. Because, for a long time there us nerds were out in the wilderness. It wasn’t cool to say that you played DnD or Magic or read comics or liked Anime or played computer games. And for 4 days Dragon Con offered an oasis for those of us who wanted to feel apart of something bigger than just us.

So yeah, at the end of the day on Sunday (most likely I will not be down there on Monday – we’re using it to recover) I’ll get that funny feeling in my stomach that another one of these has ended, and it will be another year before I get the chance to do it again. I’ll be tired, my feet may hurt, and my wallet will likely be lighter, but even with that slight sadness I know that it is only a matter of a little time before we get to do it again.

Hope to see you this weekend!

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program. He can also be found at www.johnrmcguire.com.

The Dark That Follows is now available in print here or on Amazon!

Hollow Empire – Those Initial Steps

On March 23, 2013 I received the following email from J Edward Neill:

“My final round scooped. Weak. But seriously, if you want to try your hand at the serial story blog thing, I’m all in.”

The first part of that line refers to Magic the Gathering, so not really important to our discussion right now. The second refers to a conversation I had with J about a podcast I’d been listening to “The Self-Publishing Podcast” and how two of those guys had been on a tear with serialized fiction (which if you are at all interested in independent writing, you should check out the podcast). The format basically was about 15,000 words per episode (which equals about 60 pages), six episodes make a season (apparently we are on an English schedule)… leaving you with 90,000 words for the book (360 pages). They released them on a weekly basis, cliffhangers at the end of episodes (just like some of your favorite tv shows).

breakfast_serial_forum_183

No, not this kind of serial!

And I thought it could be duplicated.

So a couple of days later I got that email. And I replied on March 25, 2013:

“Serial – I’d be down.”

There was tons more included. Talk about potential schedules, the idea that this book could help not only cross-pollinate our works, but also generate content for our virtual book shelves. The one thing I am sure of in this writing thing is that if I only have one book, then it is much harder for anyone to find me. But if I have another book, I’ve increased my odds. And by co-writing it, I only have to do 1/2 as much work to get to the full novel.

Right?

Anyway. At that point we had no idea what this was going to be besides the barest of formats. Genre? Who knows. I only knew that we probably wanted to avoid vampires and zombies since they seemed to be running rampant throughout fiction and tv and movies.

J mentioned “a superhero theme, but waaaay back in time… fighting against ancient evils in a fantasy dark ages setting.”

I took that and wrote the following:

“125 years ago the last of the Great Wars were fought and the beginning of King XXX began. And the Age of Peace spread throughout the lands that he had conquered. Much like Alexander in our own world, this King spread his kingdom to the far reaches of the known world, but unlike Alexander, he lived to a ripe old age. Long enough to ensure that his heir would be ready to rule after him, long enough to make sure that the new lands remained within the kingdom. Trade increase, prosperity increased, etc.

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20 years ago marked the beginning of the Outbreak in YYY. hey stacked the dead along the walls until they reached the top, and then they began a new corpse wall. The spread like wildfire throughout the world; the downside to having increased contact with the far reaches meant that no one could outrun it. The population of the world decreased over the next 10 years by 50%. Small villages now are ghost towns, empty of all life, as those who survived journeyed to the cities for protection, cure, help.

Now we deal with a medieval world which has begun to pull itself out of the apocalypse. They are trying to figure out where they stand. But there are peasant revolts, coups, kingdoms which quarantined themselves and have not been heard from in the last dozen years.

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<Insert Project Name> – Dark Fantasy – Not saving the world, not saving the day… just saving yourself.”

That’s all it took and we were off to the races. We began to flesh out the pieces of the world and the people who survived the end of the world. We came up with our four Points of View, each choosing to write two of them. We’d be each other’s first editor. And when it was done we’d have something greater than the one could possibly do.

I must admit, I wasn’t sure how it was going to work out. I’ve collaborated plenty on the comic book side of things. Heck, the whole format is about that very thing. Writers and artists working together to achieve something they could not have done alone. But this was something else.

And it worked (at least I think it did, you’ll have to read it and be the judge). I think we’ve not only managed to flesh out a world, but we’ve done it by using the characters as our vehicles to get there. They determine so much of what the world is going to look like.

The best part, though, was getting that new chapter from J. There would always be something new one of us would include in a chapter that the other one would want to add to their own story. So many emails and conversations seemed to begin with “X thing is cool… how exactly does it work so that I can use it.” Those surprises made it fresh in a way that working by yourself sometimes can’t be.

I’m excited to release this new creation into the world. I can’t wait to have people give it a read and let us know what they think.

And by the way, Mr. Neill also has given a little bit of teaser for Hollow Empire here.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program. He can also be found at www.johnrmcguire.com.

The Dark That Follows is now available in print here or on Amazon!

Roleplaying for fun and profit

It’s not a secret, not really. I wasn’t embarrassed… not exactly. Much in the way that many things I have done in my life which fall under the heading of “geeky” or “nerdy”. Before the days when telling people about comic books was shunned.

I mean, I keep hearing about how the nerds won. As if it was for the very soul of the world. That they’ve done what we all predicted would happen when that first “nerd” started messing around with the family computer. They have overthrown their jock-overlords and have claimed the top of the mountain.

Rise up in the cafeteria and stab them with your plastic forks!

Rise up in the cafeteria and stab them with your plastic forks!

Throughout middle school, through high school and college and for some time afterwards I role-played. And I think it has made me a better writer.

How’s that? Well, let’s see.

Character Creation – One of the biggest things in role-playing is that initial character creation. Maybe you are trying to balance out the team that already exists, or maybe you’ve had the nugget of an idea swimming in your head for the last few weeks and now you get to try it out. Sure there is the rolling of dice for your stats, and you would love to roll well to get them higher. But the character is something more than just numbers. There is a history there. A personality that you want to play with and figure out. Sometimes it is tropes, the disgraced knight, the reclusive wizard, the thief who walks the line between good and evil.

But the best characters are those ones who begin to mold themselves as you play them. As your Game Master puts you through the paces on an adventure. As the other players begin to speak with you character… a true personality emerges that you could have never expected… not 100%.

In writing, at least for me, I’ve found it is much the same. I may have the barest idea of how a character will react to something, but time and time again, when that moment comes something crazy happens.

The character surprises me. In the same way that those characters I role-played needed to act a certain way a month after I created them, so too does the written character need to be true to themselves. In fact, I sometimes learn more about them in that moment than I did in any of the moments previous to it (and then I have to go back and tweak a couple of things to help seed that “turn” or “moment”).

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World building – A lot of times this is the domain of the Game Master, but a good player can help develop the world in lots of different ways. Through their personal histories: maybe your uncle is a local lord (what is he the lord of? are you in line for his property? would someone want you dead to get their hands on it?), perhaps your best friend died in a conflict across the great sea (was it a conflict or a war? is this the first volley or the last? ), or maybe the village you came from was burned to the ground (who did it? why? are they still coming?).

I’ve heard that writing for comic books is a lot like playing with someone else’s toy box: you want to leave it with more toys than it started with. A good Game Master will take these toys from you and weave them into their world, creating more cohesion, and more stakes for the players.

Heroes – Most of the time I have played the hero (or one of the heroes) of the story. And in that I push the villains as hard as I can. I want to escape their death traps, foil their master plan, and save the maiden. But if I’m paying attention, I can see the obstacles that the Game Master is throwing in my way. You see, it is his job to not quite let me win… at least not for a while. Small victories will keep you going until that final big battle.

In my writing it is the same way. My job as the writer is to figure out what my character wants to achieve and then put as many obstacles in the way of them succeeding in their goals. In overcoming those setbacks, I learn more and more about how my characters think and feel and maybe even what it might take to completely break them.

Villains – I’ve played a couple of villains through the years. And it is fun. It  is fun to mess with the other players and sometimes even catch the Game Master off guard with a line of play. Mostly I’ve found that while sometimes the Game Master isn’t looking to flat-out kill your character, another player who is opposing you has no such qualms. That’s where fast thinking comes in handy. But it is also the point where you can fill a villain with more traits than just “he’s evil”.

Not that there is anything wrong with that!

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The End – I’ve played in epic novel length campaigns. They have that feel of a good book series where the heroes get a victory towards the end of the book, only to have something else happen which will propel the series forward for book 2 and 3 and 4. So I can identify where a good breaking point for a chapter, a section, and even the end of the book should be. It is a more subtle thing, but I believe it is there all the same.

Plus it never hurts to end something so that later you can get those heroes out of the mothballs and send them on their one final adventure. Everyone likes a last ride story, right?

Sadly, the closest I come to role-playing these days are playing Dragon’s Age (waiting for the next one!), but I take those old sessions to heart. What might have been cool and what moments might have caused groans. Either way I continue to sift through my memories to see if there is more buried treasure somewhere in there.

I’d like to think there is tons.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program. He can also be found at www.johnrmcguire.com.

The Dark That Follows is now available in print here or on Amazon!

 

It’s the Most Wonderful Time of the Year

No, I’m not talking about Christmas… that’s still months away. No, I’m talking about that special week that only graces us once a year. That certain something which tells me summer still has about 1 solid month left. That week that informs me that I’ll always be a little scared to go back into the water.

Shark Week.

shark-week

Oh, yea!

Next week I’ll begin filling my DVR up to the brim with any and everything shark related. And then, over the next month I’ll watch it in little pieces here and there (cause I know how to party, clearly).

I’ve said it before, but I truly believe that had I not seen Jaws I might have been a marine biologist. Maybe those were just the dreams of a ten-year old John, but I’m not so sure. I do know this, Jaws scared me more than any horror movie I’ve ever seen: because it changed my thinking of the ocean (it may be fitting that it is currently running in the other room as I write this).

My family goes to the beach every year. We have since I was about 13 or 14. Typically the beach of choice is Destin, FL, but it does change from time to time. The reason I bring this up is that my mom knows to find a place with a decent pool, because that is where I’d rather go swimming. Don’t get me wrong, I love sitting under an umbrella and feeling the salty breeze on my face, nose buried in some book. If that was my life every day for the rest of my life, I wouldn’t be too upset.

But to get into the water? I guess, if you force me to. And I’ll enjoy myself for a little while.

But always I wonder what is beneath me. What’s in the water that I cannot see? Where is that instrument of destruction that could tear me limb from limb?

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You may scoff. Say it is an irrational fear. You’re not entirely wrong. It is what it is.

So why, in the name of all that is sane, like shark week so much? Do I get some sort of sick joy from scaring myself mere weeks from when I might find myself face to face with one of them? I certainly don’t want to look into those black, “doll eyes”.

It is because I am fascinated by what they show. I am floored by the documentaries they put on each year. And yes, I know there are a fair number of repeats, but some of those I missed the first time around anyway.

Mostly, I think that kid inside me, who wanted to be a marine biologist all those years ago is exerting his will. Maybe if I had seen the Air Jaws doc instead of Jaws first… who knows?

 

Bonus:

Top 5 Shark movies –

1 – Jaws – Obviously. No brainer. The first, the best, and one of my top 5 all-time favorite movies. I’m amazed by the way we don’t see the damn shark for most of the movie. We see things from its perspective. We see the chaos it has wrought. But until it pops out of the water that first time (“You’re gonna need a bigger boat”). The end of the movie. The moment where father and son are at the dinner table and the kid is mimicing his father.

But more than anything it is the scene where Robert Shaw tells his story about the Indianapolis. That kills me every time. I get goose bumps just thinking about it.

2- Jaws II – Flawed, yes. But its biggest flaw is that Jaws I exists at all. You cannot compare yourself to one of the greatest films of all time. That’s just silly. The scene where the sailboats are tied together and the shark is hunting them. That’s just a cool scene.

3-Open Water – Not exactly a shark movie as much as it is a movie about being stuck in a bad situation… and then there are sharks later. This maybe my second worst nightmare put on the screen (the first being buried alive).

4- Deep Blue Sea – Sam Jackson gets eaten by a shark. Nuff said.

Actually this movie is horrible because why would you develop a smart shark? I get the study to help against Alzheimers, but why wouldn’t you make them without teeth or something. Everyone deserved their fates in this movie.

5- Sharknado – I mean, if by #5 I mean a train wreck that I can’t turn away from. At the time of this blog I have yet to see the Second One (that should have been called Electric Boogaloo), but I am sure it will be all sorts of awesome (and by awesome I mean really horrible).

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program. He can also be found at www.johnrmcguire.com.

The Dark That Follows is now available in print here or on Amazon!

San Diego Comic Con Musing

No, sadly, I didn’t go this year. Or last year. Or any year. I have yet to go. Mostly due to the fact that I’m on the east coast and it’s waaay across the map.

One day perhaps…

Comic-Con-Logo

But what I was thinking about was that we all know that it isn’t the Comic Book Convention anymore. It is an Entertainment Convention. It is a TV and Movie Convention. It is a place to see and be seen Convention. And then it is a Comic Book Convention.

Now the bigger companies still have a strong foothold, though that seems to be as much due to the fact that they have their movies and tv shows themselves going on – drawing attention back to the comics. And pretty much every major announcement happens at this convention for Marvel, DC, Image, Dark Horse, etc.

But is there too much Noise for the Signal?

On Saturday night I went to www.BleedingCool.com and promptly opened every article that even kinda appealed to me. After having to reboot the tablet because I had opened too many windows I had to wonder again about the smaller companies bothering with announcing anything at all. Heck, I know a couple of people who had panels that I never saw any press about – not because they weren’t good panels, but because they’ve been drowned out by the volume of other news stories.

So I have to ask: if you aren’t DC or Marvel, why are you bothering with big announcements there? Why not pick a con a few weeks earlier or a few weeks later where you are the big talk of the comic book world. I mean how am I supposed to get excited about your newest book when I didn’t even get a chance to check out the trailer for the newest <insert hot fall movie here>?

Years ago (20 some-odd) the 3rd largest comic company was Valiant Comics. They did Solar, X-O Manowar, Turok, etc. But just as they were really hitting big they came down to Atlanta and basically had their own convention here. They gave away all sorts of freebies, had various creators run panels pitching their books, and made themselves approachable to their fans.

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Why do I mention some convention 20 years ago? Because if you are Image or Dynamite or Dark Horse – you could do the same thing with a Denver Comic Con or a Heroes Con. Make that your coming out party for the summer. And do it year after year – set the precedence and then follow through so that in 3 years time people associate you with that city’s con. People who love your comics will go to that con to bask in the glory of YOUR THING. You get to control the message of your books and you do it during a time when maybe everyone else is holding off until San Diego to make that “cool” announcement.

Yeah, maybe you don’t get the volume of eyes of SDCC, but if I’m looking for your post and can’t find it, how many people are just going to randomly stumble over it?

I don’t know, just a random thought I had this past week.

 

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and the novella There’s Something About Mac through the Amazon Kindle Worlds program. He can also be found at www.johnrmcguire.com.

The Dark That Follows is now available in print here or on Amazon!

Put Me In Coach, I’m Ready to Play

The following is about baseball and me betraying my math inclined side of my brain.

But mostly it is about baseball.

Of all the sports, I believe that Baseball is the one most steeped in mysticism. There is a magic about it, sure, but more than that, I think there is something to all the superstitions and whatnot. More than any other sport, it is the one that focuses so much on numbers. As science has gotten better and better, they have managed to distill the game into an algorithm. And the math side of my brain loves this idea – solving baseball.

We have movies celebrating this idea.

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But the other half of my brain wonders about sucking out the mystery of the game. Where a nobody can turn into a somebody, if only for one at bat. Where we value a player because he only fails 70% of the time. Where a pitcher can attempt to do something that only 23 other players have ever done: pitch a perfect game. Think about that. In over 100 years only 23 people have played the game perfectly. I look at the list and see names that are steeped in lore, but there are other names on there who I don’t immediately recognize.

How do you solve for that?

At some point tomorrow night (I’m writing this sometime on Monday) I’ll be settling in to watch the Baseball All-Star Game. I don’t always watch the All-Star game. As much as I love baseball, the game doesn’t mean the same to me it did years ago…

Wait – this isn’t one of those things where I say such and such was better back in the day. It wasn’t better. In fact, it was pretty much the same. The difference is that I’m not 10 anymore. The thrill of seeing an Atlanta Brave in the game is still cool, but there was something more to it when I was younger. The one thing I seemed to be able to count on was Dale Murphy being on the tv at some point during the All Star Game. As bad as the Braves were (and boy were they awful), I knew one of our team would be out there.

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I have this card upstairs.

Which is why I’m always amazed when I hear the sports talk machine complaining (bitching) about the fact that each team has to be represented. So that means 15 of your spots are automatically taken. They say that someone is going to be left off the team that deserves to be there… and maybe they are right. But considering the sheer amount of injuries that happen to players, it is not that uncommon for 3rd, 4th, or 5th alternates to get invited to play as well.

So that “loser” from the “loser” team, did they really take someone’s place? Not really.

Just like when the NCAA Basketball tournament has to decide on cutting the 67, 68, & 69th teams, there is always going to be someone annoyed at a choice.

Here’s my counter argument that throws stats and logic out the window. An argument that tries to look at the purpose of this mid-summer classic.

And no, it is not because “this time it counts”. That is the dumbest thing about the All-Star Game. Home field given to the league who wins… ugh.

I think back to a time when I was happy to see that at least Dale Murphy was going to be on the All Star team. There would be one player from MY TEAM who would make it worth while to watch.

In a time when baseball’s ratings get trounced by the new American pastime (football), why would you want to exclude ANY fan base from watching the game? It wouldn’t make any sense.

More than that, who is to say that the “loser”, that one guy who was the last one to make the team… what if it just happens to be a magical night for him? Don’t you think there will be some 10-year-old out there who sees that and forever falls in love with this silly game of hitting a ball with a stick?

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Logic and stats and numbers be damned when it comes to baseball. Something else moves the ball through the grass. Some bit of wind carries a fly ball higher and farther than it was supposed to go. And the guy who wasn’t supposed to be there… well, maybe tonight is his night.

We shall see.

 

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and now the novella There’s Something About Mac through the Amazon Kindle Worlds program. He can also be found at www.johnrmcguire.com.

The Dark That Follows is now available in print here or on Amazon!

Half Way There

At the beginning of the year I wrote a blog post talking about my goals for the year. We’re just over half way through 2014, so I thought it would be a good time to check in on this year’s goals and note any other happy writing things.

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Comics – This was a big section of the blog mentioning future issues of Gilded Age, Tiger Style, and Entropy. Sadly there has been little to no movement on these (not my fault, I promise!). Some of it has to do with funding, some to artist timing, and others to the grand thing that is life. I still have some hopes to see a Gilded Age #2 at some point in the Fall, and that Entropy #1 could get underway as well.

This is going to have to fall under the old “fingers crossed” bit.

NovelsThe White Effect – It is my goal to have this book out this year. I believe that will still happen, though again, the year is speeding by. As soon as I finish my current project, this will become my all-consuming focus. I’ve been looking for editors for this tale, so I should have one lined up by the time I’m done with the 3rd draft.

Hollow Empire – Life has intruded on this one more than anything else on this list. I still need a last editor eye on my portion of it, but that had to be delayed while I was out of work (not expecting that one – hard to pay for editing when you have no job). Now that I am returned to the path of the employed, this is getting done and soon.

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That’s a whole lot of incomplete. So what things have I been doing, if not the above?

Edge of the World – The current Work In Progress. This is what I’m happiest about. I just passed the 1/2 point in the novel and I’m very much digging the story. I’m liking it so much that I keep finding new things and avenues to explore within the world. New characters have made themselves known and demand to have some page time. And I’ve experienced that magic moment when you write something and then have it tie into something else you weren’t entirely expecting… like magic.

Blogging – Still haven’t missed a week. This is on track for 27  weeks (now 28).

Website -I have a website now. And while I didn’t do the heavy lifting (a heap of thanks to Tanya Woods for that), I have been trying to keep it updated. This should have been on the list, but wasn’t, but I’ll count it as a win.

4 Shorts to online magazines – I haven’t submitted anything, but I did complete a short story (Piece by Piece) and posted it on Amazon, Barnes and Noble, and Smashwords (and at the latter 2 it is completely free – and you can also find it here and here for download). So another positive step forward.

Kindle Worlds Novella – When I capped off the Jan 1 blog, I said there probably will be something that pops up that wasn’t even on my radar back in January. This Veronica Mars novella was definitely one of those. With my lovely wife as co-writer, we got this out there at the end of April. So that was another one in the win column.

The Dark That Follows – Lastly, my debut novel finally exists in PRINT (here)! Another one that should have been on the list. Regardless, this was a cool day.

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So that’s it, as far as I can tell. 6 months in and the one thing I’ve really learned is that I need to get my butt in gear. There’s plenty of time left to do what I set out to do, but that time is going to speed by if I’m not careful.

 

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and now the novella There’s Something About Mac through the Amazon Kindle Worlds program. He can also be found at www.johnrmcguire.com.

The Dark That Follows is now available in print here or on Amazon!

 

I’ll Ride the Wave Where It Takes Me

There are many things which make me feel like a man out of time. I joke about it. That I was born too late for having a job in this country (I’d much rather be at one place for decade after decade rather than jumping from one employer to another). I was born too early to see us out there in the stars (since the space program seems to be a little stalled on the man missions to other places right now).

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But one place I might have been in the sweet spot was with music. I was reaching my teen years with the onslaught of Grunge which wiped away the awfulness of Hair Metal (which even now their looks seek to both embarrass and confuse. Where up until that point I was bouncing from whatever might have been on the radio (though there were a couple of years there that both my sister and I thought there was only one radio station – Oldies  – because that is the only point on the dial the radio ever sat on). A strange thought since I change the station on every kind of whim if a certain song is no longer holding my interest.

More than that is with this discovery of something that could be mine, it has been with me every since. I typically cannot sit down and write without it. Most days I’m fortunate enough to have it on while I work the old day job, my headphones assisting me in blocking out the background noise.

Music has become this important piece of my life. Songs and albums act as markers in my past in a way that no singular action could otherwise. And the playing of that particular tune, sending me spiraling back into my own life, and forces me to relive moments both glorious and terrible. Certain songs that can no longer be listened to because of an event I must now associate with them.

Random songs that carry strange and fantastic memories for me –

Kokamo by The Beach Boys – Summer 1988 – Cocktail soundtrack carries a Beach Boy song of all things: Kokamo. Because of the singular radio station in the house, aside from songs on MTV, my sister was obsessed with anything and everything Madonna. Now what does this have to do with the Beach Boys? Well, when you only think there is one radio station in town and you ask them to play Madonna on a daily basis during the summer they are going to tell you NO (especially if they only play the oldies). However, when you are 7 years old, like my sister was, you really just want them to play a song for you. And so Kokamo became the go to song to ask them (after petitioning for Madonna first, of course).

 

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Smells Like Teen Spirit by Nirvana – Winter 1992 – We’re six months after Smells Like Teen Spirit has reached the airwaves, but it has only really been in my head space for a couple of months. But more to the point, this is pre-internet days where BBS(s) ruled the world. Where some people would set up their computers so that we could remote log in to them, play games, download or upload files, and then move on to the next BBS. And my buddy Chad had the idea to set one up on his computer… which worked well enough. As one of his first guinea pigs, I logged on, tried it out. And since the connection was sometimes spotty the following exchange happened:

Hello?

Hello?

Until the other one responded. Chad tweaked this a little bit because of a certain song playing on the radio.

Hello?

Hello?

Hello?

How low?

No matter when I hear the song I get a picture of my old vga monitor (which was large enough to kill an ox) with those words drifting down the screen.

Van Halen - Live - Right Here Right Now 2

Right Here, Right Now (Live) Both Discs by Van Halen – Every College Quarter Break between 1994 and 1999 – My parent moved to Richmond, VA right after I graduated high school in 1994, which mostly meant that when a quarter ended I had the unenviable task of driving 8 hours up I-85 by myself. In the days before iPods and satellite radio, I was not going to suffer at the hands of whatever radio station might be within range. And that meant a book of cds sitting in the passenger seat.

8 hours is a long time.

This is also the part where I confess that I am a Van Hagar fan more than a Van Halen fan. Don’t get me wrong, I like David Lee Roth, but I missed out on his antics with the band. By the time I cared about them, Sammy had been the singer for 3 albums. More than anything though, this thought was cemented by the double live cd I had. Every trip, without fail, I had to listen to the cd(s). It wouldn’t have been a proper trip without them. And, of course, they feature 95% of Van Hagar’s catalog.

Even now, when we make that drive, the desire to listen to those songs are powerful ones.

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Indifference by Pearl Jam – Spring 1994 – Those only familiar with the radio hits will likely not know this song, that’s fine. This serves as much as a lesson learned that I’ve since carried through every concert I’ve since attended. That Spring my future wife, Chad, myself, and our friend Lee had somehow managed to get tickets to their now legendary show at the Fox Theater. They were my favorite band at that point (and still are) so this was going to be amazing. We all ride down to downtown Atlanta together and go to our 2 pairs of seats (we were on level 1 and they were on level 2). The band played pretty much every song in their catalog and did a pair of encores. It still ranks as one of my top 5 all-time concerts I’ve ever been to.

But there is one song Courtney and I did not hear, and that was Indifference. Though, if you check the set-list for that night, listen to one of the copies of the concert that are out there, you might notice that it was, in fact, played as their final song.

See, the problem was that after their second encore they thanked us and the house lights came on. Now, I hadn’t been to very many shows at that point, but I understood that meant “Get the heck out of here.” So Court and I did. However, once at the car we began to wonder what was taking Chad and Lee so long. When they finally arrived we began our trek home and the following conversation took place:

Me – “That was amazing!”

Chad – “Yeah. I especially loved them playing Indifference. That blew my mind.”

John – “Uhm, they didn’t play Indifference.”

Lee – “Yeah, they did, it was the last song they played.”

Beat.

Chad & Lee – “John, did you leave when the lights came on?”

So now I don’t leave until the ushers and other concert staff start to poke me with sticks and the like. I don’t move until the band’s bus is on its way out of the parking lot.

Never again!

 

There are hundreds of others which move to a time and space trapped in my memories. And I am thankful to music for that. They serve as wondrous mile posts and exit signs in a way that I would have never expected.

What songs transport you?

 

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and now the novella There’s Something About Mac through the Amazon Kindle Worlds program. He can also be found at www.johnrmcguire.com.

The Dark That Follows is now available in print here or on Amazon!

A Little Luck

I want to try something for the blog. I’m not 100% on how it is going to work, but… I like the idea of demystifying things. So how do you come up with the stories you write? Just like this:

Royal Flush Poker cards & Chips

My wife and I play poker at one of the local restaurants nearly every Sunday evening. It works out well because it is something we are decent at and enjoy together. But I had a lot of time to think about Luck when a hand didn’t go my way (“Bad” Luck) and suddenly I was out of this week’s tournament. In my mind the fact that my opponent ended up winning the hand when (once we got all the chips in the middle) he only had about a 25 % chance to win tells me I had some bad luck in that hand.

Sometimes I wonder if I don’t just have bad luck in many other hands. But as many poker players (and more than one mathematician) would tell you, sometimes you are just in a bad stretch, but eventually things will regress back to the mean. Or to put it simply, things will average out.

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But let’s face facts, we remember the bad beats in cards and in life more than we remember the times when we got “lucky”. It is very easy to bemoan our fates when those negative thoughts keep coming up. When we know that the other shoe is bound to drop. We’re the types of people who when you say bad things happen in 3s, we are quick to point out items 4,5,& 6.

We compete to figure out who has it worse. We’ve all been in those conversations:

Me – “I blew a tire today so I was late to work.”

You – “Yeah, my car wouldn’t start today, so I ended up having to call in sick. And after repairs and everything I’m out $1000.”

Me – “O.K. You win!”

Though, let’s be honest. I’m going to talk about some other instance of something bad happening to me today while I was at work, because I cannot concede defeat that easily, right?

It’s the same in stories. One of the ideas I’ve heard is when you are writing figure out what your character wants and then put an obstacle in front of them. So maybe they have to get across the state for some meeting of the minds which will solve all their problems… oops! your tire blew, and because you didn’t have a spare you missed the meeting and now the aliens are going to invade (or something). In a lot of ways it seems like Bad Luck is almost the thing that can keep your hero from winning their story.

But I think the other side maybe works too well. Sometimes it is too much good Luck running amuck. It’s gotta be believable. It’s gotta be something where you don’t scratch your head because the solution was not just impossible, but beyond lucky.

Star Wars – If you were a character who didn’t understand the Force, but knew the events that led to the destruction of the first Death Star, wouldn’t you think that Luke was literally the luckiest man alive? I mean he closed his eyes and took the shot. “One in a million, kid!” What a stroke of luck.

Of course, we the viewer, know the truth of the situation.

StarWars_Scene3

One Lucky S.O.B.

The Hobbit – Bard ends up hitting Smaug in the one spot where he is vulnerable. Yes, maybe he is just “that good”, but I know  when I read the Hobbit, that was my biggest problem with it. So one arrow fired by someone not in the main group was going to be the thing to end the evil of this dragon? How lucky!

So there is a fine line to walk. You must make it so that your character has to struggle a bit, perhaps they bemoan their fate (their Luck), but most of the time they are going to triumph in the end. Overcoming the odds.

Overcoming the odds… sounds like they got lucky to me.

Something else that puzzles me about luck… Is it possible that there is an amount of luck that each person has? Can it be measured? Is it like matter in that it cannot be created or destroy, but merely transformed?

There’s an 80s movie with Richard Dryfuss called Let it Ride (a personal guilty pleasure movie). In the film, he’s a compulsive gambler (horse racing in this instance). There’s a line in that movie that’s always stuck with me:

“You could be walking around lucky and not even know it.”

That’s a profound thought. What if we have some amount of luck which ebbs and flows on a daily basis? What if we could predict when those cycles were so that we only played poker or craps or blackjack on the days when our own personal luck meter (for lack of a better term) was in the positive rather than in the negative? Maybe that’s why there is something to be said for the idea behind “beginner’s luck.” Those are people who have not burned through their luck for a particular luck based game. So that first time they play… well, it’s like they can’t lose because they really can’t.

I have a friend who I have joked with over the years about his luck. I’ve seen it in action before to the point that it is now a matter of fact that it will happen. It’s like he has a super-power where he can manipulate the odds into something a bit more in his favor. And obviously it doesn’t work every time, but it works enough for me to notice. It works enough for me to wonder if there might not be something to it.

Here’s the key thing, he doesn’t waste it. When we play games of chance, he isn’t always winning. In fact, he probably wins at an average rate. What you might expect any person to win who plays Settlers every once in a while. Does he know what he’s doing? Does the Luck?

I think there is something to all of that. Could I steal someone else’s luck? What would that look like? How might you go about taking something like that? Is there such a thing as taking too much? I mean, if you reduce all their Good Luck and only leave the bad… well, they’d probably get hit by a random object from the sky (oh, and if you are going to do that, make sure that you are nowhere near them afterwards).

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And this is how ideas begin to form. A bad beat in poker becomes something more… but where to go? This feels like there is something there. Buried underneath, waiting for a story to be told. The only question now is whether I can exhume it anytime soon. Or perhaps it is destined to be filed away for a while.

 

 

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and now the novella There’s Something About Mac through the Amazon Kindle Worlds program. He can also be found at www.johnrmcguire.com.

The Dark That Follows is now available in print here or on Amazon!

It’s Not November Yet

May was going to be THE MONTH. Nanowrimo, as some of you may know, is National Novel Writing Month. Basically you are challenged to write a whole novel in a month. Don’t worry, only you have to read it at that point. The real point is proving that maybe if you sit down and stop making excuses as to why you CAN’T do something, then maybe you’ll surprise yourself.

50,000 words in a month (about 200 pages). Yes, technically that may only be part of your novel, but I’m thinking no matter how long your manuscript will end up, 50k is going to make a bit of a dent.

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But wait, you say, it takes place in November.

That is true. And every year I think that I’d love to do that.November, when the weather begins to turn a bit cooler, and we here in the south get our first nights of what we think is really cold weather. Football season is entering its stretch run. Baseball is over with only dreams of spring to tide us over. And to top it off there is this novel writing month that I want to participate in.

And there is something else… Oh, yeah… there is that pesky Thanksgiving Holiday which means about 1 week of possible writing time is about to go out the window.

I don’t know how people do it. And this is coming from a guy who isn’t afraid to break off a few hours everyday into the wee hours of the night to write out that nights 1500 words or whatever it is.

But it is just not in the cards for me in November.

I hit upon an alternate idea: does it have to be November? What if I chose the beginning of a month to start on a book and see if I could get 50k words written. As it would happen, my schedule for writing is something that is a little in flux, dates slide a little here and there, but for the most part I try and stick to it the best I can. And the next big project on my list was a novel. What will end up being my 4th novel when it is done (behind The Dark That Follows, The White Effect, and Hollow Empire).

On May 1, 2014 I sat down to write my 50k words.

On May 31, 2014, I had about 15k in words… not so good.

I could blame life or work or the Beast (writer’s block) or learning a new software (Scrivener), but really I didn’t sit at the computer for long enough during May. And I was humming along in that first week… ugh.

So I failed.

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Failed myself. Failed my goal. 1 day off from writing became 2 and that became 3 out of 4. And before I knew it the month was almost over.

They say we learn more from failures than from successes. This is definitely a thought, even if I’m not sure it always applies to everything. Sometimes I think succeeding early just saves you a lot of headache and heartache. I mean, if you’ve figured out the answer the first time around, why do you need to go through all the other crap? So you’ll appreciate it? Eh, I’d rather just move on to the next idea, moment, or whatever.

So, yeah, I’d like to kick “They” in the ass.

Writing is literally filled with failure. Your first draft is horrible. Someone doesn’t like a particular section of it. Agents turn you down. Editors want to take the “soul” out of your work.

All of that is true, but…

Here’s the thing, the calendar switched over giving me 30 more days to try and figure this novel out. A clean slate to do whatever I want. And like the blank page in my document, I can fill it with anything I want.

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Anything I want.

I gotta go now… I need to continue writing that novel.

***

John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and now the novella There’s Something About Mac through the Amazon Kindle Worlds program. He can also be found at www.johnrmcguire.com.

My Writing Process (Blog Tour Entry)

I loathe chain emails. I’m not sure if they existed in paper form, but the thing which always killed me was the warning at the end. Like something out of a Steven King novel: “If you dare break this chain of old, a thousand locusts will descend upon thy host until only misery and bones are left to thee.”

Chain Letter

 

I snub my nose at such dire warnings. And I’m insulted that you feel that the subject manner itself is not good enough to spur me into action. There are many things that are difficult in this digital age, forwarding something on is not one of those things.

(Though I wonder if some of my recent bad luck is a result of not sending along that latest one… hmm, maybe I should rethink my stance.)

But a Chain Blog Tour? Well now, that is a horse of a different color. And when a fellow Guild-mate taps you then you do your best to appease the chain-blog gods. So with that in mind a little something to say about J Edward Neill.

I’ve known Mr. Neill since high school, brought together by a shared love of basketball and roleplaying. For the many years I thought about writing a book, he was sitting in his dark cave (or mountain top or volcano fortress) actually putting pen to paper, fingers to keyboard to create his fantasy opus: Down the Dark Path. And much like in sports where they tell you to play against better competition in order to get better at your craft – I use him as one of my gauges. Of course, this week he’s come out with Book 2: Dark Moon Daughter… so my work is cut out for me.

 

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What am I working on?

Sometimes I feel like the question should be “What am I not working on”, but let’s see:

The White Effect – My science fiction story about a man who finds that his world is rebooting, and he is one of the lucky (unlucky) ones who realizes what’s happening. It is currently with BETA readers with my next draft being targeted for late summer.

Hollow Empire – Serialized Dark Fantasy is all I’ll say about this one until it is out. This one is done, I’m just in the process of getting a final proof-reader edit on it. This process has slowed due to some recent life developments, but I’m hoping (and I’m sure my co-writer hopes as well) to have this one all wrapped up in the next month or so.

Gilded Age – My Steampunk creator-owned comic series through Terminus Media. Issue 2 is set to have final inks and colors begin any day now, and in the meantime I have final edits on issue 3’s script.

Entropy – A post-apocalyptic comic series set at the Ends of the Universe. Co-written with Robert Jeffrey II (see below for more on him), we merely wait for the artist to be unleashed upon this project.

The Edge of the World – A story in the vein of Journey to the Center of the Earth where our heroine seeks to find her missing uncle. I am 15,000 words into the first draft of this one.

 

How does my work differ from others of its genre?

With my comic writing, and The Gilded Age in particular, I’m trying to write character based stories and create a world from them as opposed to plopping them into a world. With my novel, The Dark That Follows, I’d say that it differs from “standard” urban fantasy in that it isn’t a romantic story where you wonder will they/won’t they. Instead it is about a man in way over his head just trying to do the right thing.

 

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Why do I write what I do?

As you can see above, I’m a little all over the place with regards to genre (for better or for worse). I guess I just follow that old rule of write what you’d like to read, and since I don’t just read fantasy or science fiction or urban fantasy or super-heroes exclusively my brain ensures that almost everything I work on is something different from the thing I wrote before. I take everything I’ve read, everything I’ve watched, everything I’ve ever heard and put them through the grinder of my brain and then something comes out. If it is interesting and moves me, then I write about it, if not, I move onto the next project.

 

How does my writing process work?

It starts with music. Something to write to. Recently it has been 10 Years, Chevelle, and Deftones. Once I have the right mood set I generally have a decent idea of what needs to happen within the story, so much more plotter than pantser. For a comic script I tend to write out a 1-2 paragraph summary of the major story beats and then start writing dialogue. Only after most of the dialogue is written do I go back and fill in every panel’s description and manipulate the pace of the comic. After a couple of passes I send it on to my editors, do one more pass with their notes, and then end up doing a FINAL-FINAL pass during the lettering stage as I can see the whole picture (literally) and see if something needs to be added or subtracted.

With my novels I have the story beats, but I write out-of-order most of the time, jumping from one scene to another and then piece things together like a puzzle. After that first draft is done I follow Steven King’s advice and put it in the drawer for 6-8 weeks to gain perspective. After that time I do my second pass, and if I’m happy with that version I might reach out to a couple of BETA readers for thoughts. Another draft follows that and then the editor. And then the final draft.

But at some point I do say “pencils down” because while we can tweak and refine our work forever, it doesn’t mean we should. Release it into the world and move onto the next project.

 

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Artist Highlights (or Next on the Tour):

Robert Jeffrey II: Robert is an Atlanta-based freelance writer whose portfolio includes a multitude of work in the arenas of print/web journalism and comics. His work with Atlanta-based Terminus Media includes comics (his creator owned/ 2014 Glyph Comic Award winning “Route 3” and “Daddy’s Little Girl”, “Terminus Team Up”, and B. Robert Bell’s “Radio Free Amerika”) and contracted client work including custom comics and animation scripting/editing duties for clients such as the Center for Disease Control and Nitto Tires.

Robert’s life long dream is to win a pop-locking battle to save a community center.

 

Sean Taylor: Bad Girls, Good Guys, and Two-Fisted Action is the official writing blog of Sean Taylor. But it’s not just a place to promote his stuff. It’s a resource (he hopes) of information about writing and creating genre fiction, literary prose, comic books, and just about anything else you can create with pens, pencils, paper, or word-processing software and a printer. On this site, you’ll be able to find publishers calling for submissions, tutorials about the craft of writing and editing, interviews with other writers, links to helpful and fascinating articles about the art, craft and business of writing and publishing, etc. — and of course, yes, you’ll also be able to keep up with whatever Sean has his writerly little paws involved in too.

 

 

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and now the novella There’s Something About Mac through the Amazon Kindle Worlds program. He can also be found at www.johnrmcguire.com.

Take a look, it’s in a book…

One of the things I always hear from other writers is that they never get the chance to read anymore. Sometimes it is due to the time investment. Sometimes it is because they don’t want a writer’s style to infect their own while they are in the midst of writing. And it is true. When it comes to free time, I’m pretty much trying to grab those extra seconds in actual book/comic writing. Why on earth would I take those precious minutes and use them on someone else. Words need to be typed!

But… but… there is also this thought that you have to keep reading. Like a fish, you have to keep finding new and different works to inspire you. So if you go completely cold turkey you’re bound to get stilted.

Or the better part of reading others is seeing how they used a technique and finding ways to incorporate them into your own writing toolbox. I’m still in my infancy of writing. There are tons of things I am learning and still need to learn to become a better writer.

So all that is my way of saying that I still find a little time to read, here or there. At lunch, on a plane, at the beach, when I get knocked out early playing poker, or sometimes on a lazy Sunday. What follows are the last five books I’ve read and maybe a little mini-review… or just whatever comes to me.

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Horns – Joe Hill

For those of you not in the know, this is Steven King’s son (yes, that Steven King). That put him on my radar, but this book… I believe his second full length novel (I’m too lazy to look it up)… for some reason it appealed to me. The basic plot is that our main guy, Ig, wakes up with what seem like horns growing from his head, some missing (drunk) time, and suddenly everyone wants to share their sins with him.

That was all it took. Maybe because I had been toying around with an idea kinda like that. Taking the idea of someone being able to see your darkest secret, but I had no idea where to go with it. Hill not only knows which way to go, but gives you a very flawed character who you are not sure if you should be cheering for him.

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Write. Publish. Repeat. – Sean Platt & Johnny B. Truant with David Wright

Non-fiction book from the hosts of The Self-publishing Podcast. I’ve been listening to their podcast since episode 1 (it is on 106 as of last week). And in many ways this book takes much of their technique, much of what they’ve discussed on their podcast, and presents it in a very organized way (which sometimes the podcast just can’t do).

But why should I, or anyone else, listen to these guys? Well, just based on their output alone. One pair (Platt and Wright) put out serialized books on a weekly basis over the course of 2 years, and in the last year Platt and Truant have published something like 2 million words. So, yeah, maybe they know something about writing.

And that’s the key bit to learn from them. They put butt in the chair and write and finish that work, and then move on to the next project. They don’t slow down, they don’t doubt, they just do.

Update – They are also the guys who are trying something completely new with a Kickstarter where you get to see exactly how they do what they do. From story meetings to the actual raw writing and everything between, they are pulling the curtain back. The Kickstarter is almost done, but I supported it if only to see how someone else does “IT”.

https://www.kickstarter.com/projects/1027829739/fiction-unboxed-change-the-world-with-a-story

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Wool – Hugh Howey

This is the story/novella that put Howey on the map. He went from being just another indy writer to being one of THE INDY WRITERS (and I think he’s managed to get a few offers since then). The story of a post-apocalyptic world where humanity now lives in silos, closed off from a polluted (radiation filled) world. But there is more going on than meets the eye, and the Silo Sheriff has decided that it is time for him to leave that place.

But the biggest takeaway for me was how this story felt like one I might have read from a Ray Bradbury. Howey gets in, lays the groundwork for the world, and then gets out. And the ending… well, it was excellent.

He’s since gone and added on to the world. I haven’t read the rest, but it is on the to-do list.

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The Wolves of Paris – Michael Wallace

Did you know that in 1450 a pack of wolves terrorized Paris? This is true world history. They killed like 40 people, and it took a concentrated effort by the citizens to finally kill them all.

Wallace tweaks this fact slightly: what if they were werewolves?

Yep, you had me at hello.

Wallace manages to weave a story that I think works within what history says while still making it not just a list of dates or events, but tying it all together into a cohesive story.

And werewolves, people! It’s got werewolves!

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John Dies at the End – David Wong

I don’t read “comedy” books. Most of the time I want the humor to be very light in my books. But this book, which, if I am honest, I only picked up because of the clever title, manages to work the humor in through one character: John (from the title… I wonder what is going to happen at the end?). There is a lot of self-awareness going on in the novel. The two main characters seem to realize that not only is what they are dealing with “crazy”, but that they really shouldn’t be bothering at various points.

Hmm… I feel like I’m not really doing this one justice, but it is one of the few books that I laughed out loud at when the shit hit the fan because of their reactions.

It also got turned into a movie, which captures much of the “feel” of the book, but is a poor substitute for the real thing.

 

So there you go. I would say these are the things on my bookshelf, but they are in my Kindle… so my virtual bookshelf. What might you be reading?

 

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and now the novella There’s Something About Mac through the Amazon Kindle Worlds program. He can also be found at www.johnrmcguire.com.

 

Behind the Comic – The Comic Script

 

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The company I do a lot of my comic related work with is Terminus Media. Early on, before the money and the fame (ok, maybe I’m still waiting on that), we met in the back of a comic book shop in Stone Mountain, Georgia. These were open meetings where any number of creatives were welcomed to listen in, discuss their own ideas, and even contribute to the anthology comics if they had the desire.

Each time new writers or artists came in they had the same questions I had when I walked through those doors. When I sat down to write my very first comic script I had no idea of how to go about setting it up. It’s a weird thing, this product we read on a weekly basis, but how in the world does it get from the writer’s brain to the artist’s fingertips? How does the script work?

In the comics industry there are basically two main forms that comics take: Full Script and Marvel Method.

Full Script – This is the one most people might be familiar with. In a full script the writer typically is going to break the comic down into pages and then those pages are broken down further into panels. Then within each panel would be a description of what you want the artist to draw (perhaps painting a general idea of the scene all the way to “camera placement”). Finally there will be any dialogue or narration needed. And so on and so forth until all 20-24 pages have been scripted out.

Yet, even among the Full Scripts there are those who give a small amount of  description and those who give tons. Do yourself a favor and try to find a copy of an Alan Moore script… that man writes tons of description and analysis for each panel (some might say too much, but he is one of the greatest comic writers of all time so what do they know, huh?).

 

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Marvel Method was something that developed from Stan Lee’s early days at Marvel Comics. Since he was the main writer (only writer) he didn’t have enough time for a full script. And he happened to work with the likes of  Jack Kirby and Steve Ditko. They were artists who he knew could “do the job” as it were. So he provided them with plots of the comic, but left it up to them to actually layout the pages, determine what would go in each panel, and so on. Then, once it was done, Stan would go back in and add the narration and dialogue.

I had no sample script to work from, so my first one was probably closer related to the Marvel Method than a full script. But that was due to me not knowing than any conscious decision about how this scripting thing was supposed to work.

Over the years I’ve mostly done the Full Script version for my comics. And the reason for that is because many times I don’t know who is going to be the artist on the book. And without that key knowledge, I’d rather give them my vision for the comic and then go from there, than leave them with just a plot.

But, as I work with an artist, and grow more comfortable with them, I try to leave more things in their hands. Fight scenes are probably the biggest one. I feel like no matter how I think the fight could go, the artist is going to have a better feel for the flow of the characters. So why not let them stretch their skills a little bit. I give them general ideas of what needs to happen: “Bill and Jack rumble on this page. Maybe Bill gains the upper hand early in the fight, only to have Jack turn the tables.” OR “Jack and Bill are going to fight on this page. The only key thing is that by the end of the page Jack needs to hold Bill out a window… otherwise go nuts!”

All that is a long-winded way of saying, lots of those people coming into those early Terminus meetings didn’t have a clue about scripting or, if they were artists, didn’t know how to draw from a script. They just didn’t have access to one. So a few years ago, at the behest of some, I wrote out a short called 3 Brothers for the express idea of helping newer artists have something to draw.

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I divided the story into 3 parts:

Part 1 was a love story (Romance). Two people in love with each other, some talking head shots, playful interaction.

Part 2 was about hate (Rage). Two brothers, in love with the same woman, have a major fist-fight that doesn’t go well for one of them.

Part 3 was about loss (Death). Two people, dealing with the loss of a loved one, standing in the rain (so they have a little bit of the environment to deal with).

Anyway, I think a couple of people tried it out here or there. I think it was a helpful tool, and as such I’ve added a copy of the PDF here Download.

Perhaps an aspiring artist will get inspired by this, or want to draw something that isn’t just superheroes for their portfolio.

Hope it helps.

 

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and now the novella There’s Something About Mac through the Amazon Kindle Worlds program. He can also be found at www.johnrmcguire.com.

Free Short Story Time: Piece by Piece

I’m trying to figure out this publishing thing. I’ve got the book, got a comic, got a little novella, but I know I need to do more. The chances of anyone having just one thing out there in the void and suddenly hitting it big are pretty low. And that’s fine with me. I know it is a marathon and not a sprint (to borrow that old cliche’). Still, the projects I’m working on don’t really feed the beast of The Dark That Follows. And while I have ideas for the sequel, I’m not ready to really dive in (too many other projects that must get done).

So how do I fix that? How do I get potentially more eyes on this book I wrote without writing another book in the same world?

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An aside… when the four of us teamed-up to form this little spot in the corner of the internet we talked about doing a short story for the site. Something that might even be able to use the name Tessera in its title or as its inspiration.

Jeremy jumped in, both feet first, because that man is a machine. Maybe in an effort to make everyone else look bad (jerk!) or maybe to light a fire under our collective asses, he wrote Old Man of Tessera (free on this here website!).

I’d been thinking about a story, but I really wanted it to tie into The Dark That Follows somehow. Have a place where they could get the short for free and if they liked what they read, maybe they’d check out the book. Something extra. And a story began to shape itself in my mind.

A short story.

This is the old two birds one story idea. And while I didn’t name it Tessera or Tesserization or Tesselation or… (well, you get the idea), it does take a little bit of inspiration from trying to see a bigger picture from little bits of information.

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So without further ado, I present to you Piece by Piece. You can find it here on the site, and shortly you should be able to find it for free download on the various other platforms… but you can get it first!

 

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and now the novella There’s Something About Mac through the Amazon Kindle Worlds program. He can also be found at www.johnrmcguire.com.

 

Spider-Man, Spider-Man, Does Whatever A Spider Can

With the release of the Amazing Spider-man 2 I feel like there is something I should say. I have a confession to make. Well, maybe not a confession, but more like a moment of truth. Spider-Man is my favorite comic book character.

That’s not the confession.

This revelation does not make me unique or anything. Plenty of people love Spider-Man (as evidenced by the sheer amount of money the movies alone have made). The fact that any kid might have something Spider-Man themed in his closet. Or that dozens of figures of the guy are released every year.

No, the confession is that I have not read a Spider-Man comic in quite some time (5+ years).

Now if Spider-Man is my favorite character why would I forsake him in the very media that I profess to love beyond probably even my wife’s understanding?

One name: Mary Jane Watson Parker.

Many of you will know the name Mary Jane Watson from the Sam Rami movies of the 00s as she was played by Kirsten Dunst. As you can tell from the movies, she is an important cog in Peter Parker’s life.

I personally think she’s the true love of his life, not Gwen Stacy, but that’s mostly because I don’t know Gwen. She had been dead for a decade before I picked up my first issue of Amazing Spider-Man. I only have the occasional flashback to let me know who she was.

Though, one of my favorite stories came from a “Gwen” moment. Spider-Man Blue by Jeph Loeb and Tim Sale tell a story where on Valentine’s Day Peter is feeling reflective about how much he misses Gwen, and proceeds to talk into a tape recorder about the two of them falling in love. He talks to her about how her death messed him up for a long time, but through Mary Jane he learned to love again. And then this happens…

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Spidey Blue 2

 

And if you were to pick up a Spider-Man comic from around 1987/1988 until about 2008 you would have probably seen Mrs. Parker in the comics. As Peter’s wife she’s been with him through think and thin.

However, if you picked up a Spider-Man comic today you might notice that Peter is no longer married.

More on that in a second…

Spider-Man appeared in Amazing Fantasy #15 in 1962. By the time I started reading the comic was approximately 25 years old. During that entire time Spider-Man was a single guy. Yeah, there were girlfriends: Betty Brant, Felicia Hardy, Gwen Stacy, and Mary Jane, but he was a single guy. For 25 years those writers got to weave stories featuring a single Spidey. But that changed in 1987 (Amazing Spider-Man Annual #21) when the two of them tied the knot.

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I was 11 at the time this happened. I think I had read about 6 issues of Spider-Man before he got married. Spider-Man getting married did not change how I saw the character. It did not make him my “Dad” all of a sudden. It didn’t make him the “winner” of life because he married this gorgeous model (these were some of the reasons for getting rid of the marriage, but more on that later).

Growing up I never saw myself as a good-looking kid. I was taller than all the other kids, maybe a little clumsy, and shy around girls. There were plenty of times I would think about the fact that I would never find a girlfriend.

Comics are a great escape from life. When you get down on yourself, get depressed about something that’s happened to you, they are there waiting for you, month in and month out. Ready to take on the worst of the worst bad guys.

So how did it make me feel when Spidey got married?

It actually made me feel like, maybe, just maybe, there was a girl out there for me. That even if I felt awkward and ugly that it wouldn’t matter. I’d find that person who I was meant to be with. Maybe that girl next door might take a shine to me.

It’s probably silly to think that way. These weren’t real people. And yet… because Mary Jane and Peter weren’t just two people who started dating and decided to get married. These were two friends from way back. They’d suffered through tragedy on both sides. And where he had never confided in Gwen about his alter-ego, Mary Jane knew (she figured it out – girl is smart). Because she was his best friend. Moreso than Harry Osborn (when he wasn’t the Green Goblin) or Flash Thompson (in the later years), MJ was the one that he could always turn to.

So, no, it wasn’t a bad thing that this happened. Not for me at least.

And so it went that from 1987 to early in 2008 Spider-man was a married character.

But apparently this was a problem for the people in charge. Apparently having Spider-Man married meant that they couldn’t have Peter date the Black Cat or whomever they wanted him to. Apparently being married… wait for it…

Made Spider-Man OLD.

They felt like the truest form of the character was that of a single guy. That him finding love with his best friend meant he’d won and was no longer the loveable loser everyone thought he was.

They (the writers) felt like they were hamstrung on stories because he was married.

Counselor, I present Matt Fraction’s take:

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During J. Michael Straczynski’s run on the book I told my wife that I could have read 22 pages of just the two of them talking. But more than that, I think JMS understood how to approach the relationship. Mary Jane being married to Spidey is the life many women (and some men) live when their spouse is a police officer (or firefighter or in the military). There is always that chance that they may not come home that night. I don’t think that means they love them less, though. I think that means they try to fight for every moment they get.

But the powers that be didn’t like the marriage. And I’d heard the same argument about Superman and Lois Lane. And I think it is complete crap. It’s lazy writing to say you can’t come up with a story for the character because his connection to another person is marriage. Because, let’s face it, Peter Parker, single, was not going to be running around banging every chick that he meets. He’s not that character and never will be. So if he had a girlfriend he’s not going to cheat. So what the heck is the real difference there?

There isn’t one.

One other point about this that I’m not sure people really thought about. 25 years as a bachelor and 21 years married. That’s effectively the same amount of time, and one could argue that there were far more actual comics with him married than single (more titles in the 90s, etc.). But it wasn’t like this marriage had been around for only a couple of years. For all intents and purposes Spidey was a married man (or at least a committed man).

But the decision had been made. They came up with a story line that had Aunt May on the brink of death (yes, that old chestnut of a story – never used that one before!), and the only way to save her was to make a DEAL WITH THE DEVIL.

And the Devil wanted their (Peter and Mark Jane’s love).

Wait, that’s not right. He wanted their marriage.

Let’s toss aside the fact that Spidey lives in a Universe where superheroes come back to life on an almost daily basis. Let’s ignore the fact that there are mutants who have the ability to HEAL other people, and even if he doesn’t specifically know those people, he knows people who know those people (confused yet?). And let’s even forget about the fact that Aunt May is OLD and has lived the good life, and would NEVER want her nephew to make a DEAL WITH THE DEVIL.

The fundamental problem with this is that Peter and Mary Jane would never make such a deal. They just wouldn’t. Peter would find another way. He’d triumph through some angle we hadn’t thought of.

But no, he made the deal and the marriage was undone.

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The last issue of Amazing Spider-Man I own.

And I haven’t picked up an issue of Spider-Man since.

The place I now get to read about my favorite character is in the pages of the Avengers when he happens to be on the team, or when he makes a guest appearance in a comic I read.

Now we’re 6 years into my “strike” on reading the character. They just finished a 30+ issue story where Doc Ock swapped bodies with Peter and then tried to use the powers for good. There’s a new story (that could have been told with him being married I’m sure), and one I would like to read.

But I can’t. Stupid principles.

So now I have to be content with watching Amazing Spider-Man 2 this weekend to get my fix. Fingers crossed its a good one.

 

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and now the novella There’s Something About Mac through the Amazon Kindle Worlds program.

 

Little Things Mean A Lot, Don’t They?

A strange thing happened to me on the way to work this morning. Normally along my route I pass any number of police cars. I’m not sure whether this is due as much to the recent (months ago) change in speed or if it is just good “hunting ground” for all manner of traffic violators. Regardless, I passed one of the 2 today (it is 11 miles to work and I have passed as many as 5 in my trips to and from work so I know better than to speed) and suddenly found myself being pulled over.

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And for the life of me I couldn’t figure out what it could have been for. When he actually got behind me I was at a dead stop… in my old car I’d been pulled over for a faulty taillight, so maybe…

Expired tags. That’s why he pulled me over.

Except, had I the money, I would have bet him tons of money that my tags were not expired (my birthday is in January, so this would be 2 1/2 months overdue). I could see, in my mind’s eye, me placing the new decal onto my plate. No doubt in my mind.

Of course, I might have been in a different kind of trouble had I broached that aspect with him. Still he double checked, and as the ticket in my hand states: Expired Tag.

How in the world did this happen? My wife and I are pretty good about dealing with the various bills that come with the not-so-fun aspects of being an adult. And in this case it’ll cost me probably a couple of hundred dollars to “learn this lesson”.

Not the best way to start your day.

The thing is, there are so many distractions in my (everyone’s lives) that something as “small” as making sure I have the right decal on my car slipped through the cracks. We got so caught up in LIFE that we allowed this mistake to happen.

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When I’m reading books or comics or watching movies the big bold moments are the things that we all remember and all come back to, but sometimes it is the smaller things, the subtle things that make the bigger difference in a scene.

One of my favorite moments in all of the Christopher Reeve’s Superman movies is a moment where he has made up his mind to tell Lois that he’s Superman (of course, in this second, I can’t recall if it is Superman 1 or 2, but that doesn’t matter as much). She has her back turned to him and he takes off his glasses, stands up straighter, and that awkward Clark Kent is suddenly gone and in his place is Kal-El. But it is only for a couple of beats before he chickens out, puts the glasses back on and BAM, there’s Clark again.

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It’s probably the only moment in the Superman mythos where I bought into the idea that Superman could hide in plain sight right beside Lois and her not realize Clark and Kal were the same being.

And it was one small moment.

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What if I had gone to work thirty minutes earlier? Would the cop still have been there? Would he have noticed my tag from his position on the side of the road or would it have been blocked by another car? Could I have gone a whole year without paying, maybe not realizing it until it was time to deal with taxes next year (or possibly when I got my 2016 Decal and saw that I only had a 2014 one on my car)?

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Not trying to over analyze via the Butterfly Effect or anything. Really this is going to make this month tighter on the wallet than the wife and I would have liked, but in the grand scheme of things my life isn’t going to be fundamentally changed by this thing.

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I’m a little scattered today/tonight, dealing with the aftermath of my little moment. Hence this blog feels a little scattered, and yet there is a connection in there somewhere. At least I think there is.

And I know that tomorrow is going to have some other little moment that I may not even notice, but it’ll be there. But what does it take? When do the little things become the big things? How can you tell?

I’m not even sure what answer I’m looking for. Maybe I’m not writing the right question?

We shall see…

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John McGuire

John McGuire is the author of the supernatural thriller The Dark That Follows, the steampunk comic The Gilded Age, and now the novella There’s Something About Mac through the Amazon Kindle Worlds program.